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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9EB1E it is the complementary color #2614E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9EB1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9EB1E shade: #DEEB19, #EFFD2C, #FFFF3F, #FFFF52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9EB1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9EB1E shade: #D9EB1E, #C8D90B, #B7C700, #A6B500 and #95A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9EB1E shade: #D9EB1D, #EBC61D, #EB8E1D, #EB571D and #EB1F1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9EB1E shade: #D9EB1D, #A1EB1D, #6AEB1D, #32EB1D and #1DEB40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9EB1E shade matches the following richer shades: #D9EB1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9EB1E shade: #D9EB1D, #C9D731, #B8C345, #A8B059 and #989C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9EB1E shade: #EB8E1D, #EBC51D, #DAEB1D, #A3EB1D and #6CEB1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9EB1E shade: #9AA80E, #BDCE11, #D9EB1D, #DFEE43 and #E6F269

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9EB1E shade: #D9EB1E, #1DEB58 and #AA1DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9EB1E shade: #D9EB1E, #1DDAEB and #EB1DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9EB1E shade: #D9EB1E, #1DEB58, #2E1DEB and #EB1DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9EB1E shade: #D9EB1E, #1DEB95, #2E1DEB and #EB1D73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 87 / 8

HEX #D9EB1E

RGB 217 235 30

HSL 65.27, 0.84%, 0.52%

LAB 89.05, -27.33, 83.97

 

Complementary color

CMYK 83 / 91 / 0 / 12

HEX #2614E1

RGB 38 20 225

HSL 245.27, 0.84%, 0.48%

LAB 30.28, 68.56, -94.21

 

CMYK 6 / 0 / 89 / 8

HEX #DEEB19

RGB 222 235 25

HSL 63.71, 0.84%, 0.51%

LAB 89.4, -25.38, 85.21

 

CMYK 6 / 0 / 83 / 1

HEX #EFFD2C

RGB 239 253 44

HSL 64.02, 0.98%, 0.58%

LAB 95.49, -26.51, 87.2

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 8 / 0 / 87 / 8

HEX #D9EB1E

RGB 217 235 30

HSL 65.27, 0.84%, 0.52%

LAB 89.05, -27.33, 83.97

 

CMYK 8 / 0 / 95 / 15

HEX #C8D90B

RGB 200 217 11

HSL 64.95, 0.9%, 0.45%

LAB 82.88, -26.11, 81.14

 

CMYK 8 / 0 / 100 / 22

HEX #B7C700

RGB 183 199 0

HSL 64.82, 1%, 0.39%

LAB 76.63, -24.71, 76.92

 

CMYK 8 / 0 / 100 / 29

HEX #A6B500

RGB 166 181 0

HSL 64.97, 1%, 0.35%

LAB 70.28, -23.18, 71.64

 

CMYK 9 / 0 / 100 / 36

HEX #95A300

RGB 149 163 0

HSL 65.15, 1%, 0.32%

LAB 63.82, -21.62, 66.27

 

CMYK 8 / 0 / 88 / 8

HEX #D9EB1D

RGB 217 235 29

HSL 65.24, 0.84%, 0.52%

LAB 89.04, -27.35, 84.14

 

CMYK 0 / 16 / 88 / 8

HEX #EBC61D

RGB 235 198 29

HSL 49.22, 0.84%, 0.52%

LAB 80.82, -1.47, 78.21

 

CMYK 0 / 40 / 88 / 8

HEX #EB8E1D

RGB 235 142 29

HSL 32.91, 0.84%, 0.52%

LAB 67.35, 27.98, 67.62

 

CMYK 0 / 63 / 88 / 8

HEX #EB571D

RGB 235 87 29

HSL 16.89, 0.84%, 0.52%

LAB 56.65, 54.84, 59.29

 

CMYK 0 / 87 / 88 / 8

HEX #EB1F1D

RGB 235 31 29

HSL 0.58, 0.84%, 0.52%

LAB 50.37, 72.21, 54.47

 

CMYK 8 / 0 / 88 / 8

HEX #D9EB1D

RGB 217 235 29

HSL 65.24, 0.84%, 0.52%

LAB 89.04, -27.35, 84.14

 

CMYK 31 / 0 / 88 / 8

HEX #A1EB1D

RGB 161 235 29

HSL 81.55, 0.84%, 0.52%

LAB 85.55, -49.08, 79.84

 

CMYK 55 / 0 / 88 / 8

HEX #6AEB1D

RGB 106 235 29

HSL 97.57, 0.84%, 0.52%

LAB 83.22, -66.31, 76.94

 

CMYK 79 / 0 / 88 / 8

HEX #32EB1D

RGB 50 235 29

HSL 113.88, 0.84%, 0.52%

LAB 81.94, -77.07, 75.34

 

CMYK 88 / 0 / 73 / 8

HEX #1DEB40

RGB 29 235 64

HSL 130.19, 0.84%, 0.52%

LAB 81.86, -77.14, 65.9

 

CMYK 8 / 0 / 88 / 8

HEX #D9EB1D

RGB 217 235 29

HSL 65.24, 0.84%, 0.52%

LAB 89.04, -27.35, 84.14

 

CMYK 8 / 0 / 88 / 8

HEX #D9EB1D

RGB 217 235 29

HSL 65.24, 0.84%, 0.52%

LAB 89.04, -27.35, 84.14

 

CMYK 7 / 0 / 77 / 16

HEX #C9D731

RGB 201 215 49

HSL 65.06, 0.67%, 0.52%

LAB 82.51, -23.84, 73.56

 

CMYK 6 / 0 / 65 / 24

HEX #B8C345

RGB 184 195 69

HSL 65.24, 0.51%, 0.52%

LAB 75.85, -20.12, 59.67

 

CMYK 5 / 0 / 49 / 31

HEX #A8B059

RGB 168 176 89

HSL 65.52, 0.36%, 0.52%

LAB 69.54, -15.59, 43.22

 

CMYK 3 / 0 / 30 / 39

HEX #989C6D

RGB 152 156 109

HSL 65.11, 0.19%, 0.52%

LAB 62.97, -9.32, 24.2

 

CMYK 0 / 40 / 88 / 8

HEX #EB8E1D

RGB 235 142 29

HSL 32.91, 0.84%, 0.52%

LAB 67.35, 27.98, 67.62

 

CMYK 0 / 16 / 88 / 8

HEX #EBC51D

RGB 235 197 29

HSL 48.93, 0.84%, 0.52%

LAB 80.56, -0.96, 78.01

 

CMYK 7 / 0 / 88 / 8

HEX #DAEB1D

RGB 218 235 29

HSL 64.95, 0.84%, 0.52%

LAB 89.12, -26.94, 84.23

 

CMYK 31 / 0 / 88 / 8

HEX #A3EB1D

RGB 163 235 29

HSL 80.97, 0.84%, 0.52%

LAB 85.65, -48.35, 79.97

 

CMYK 54 / 0 / 88 / 8

HEX #6CEB1D

RGB 108 235 29

HSL 96.99, 0.84%, 0.52%

LAB 83.28, -65.79, 77.02

 

CMYK 8 / 0 / 92 / 34

HEX #9AA80E

RGB 154 168 14

HSL 65.45, 0.85%, 0.36%

LAB 65.68, -21.72, 65.97

 

CMYK 8 / 0 / 92 / 19

HEX #BDCE11

RGB 189 206 17

HSL 65.4, 0.85%, 0.44%

LAB 79.04, -25.36, 77.16

 

CMYK 8 / 0 / 88 / 8

HEX #D9EB1D

RGB 217 235 29

HSL 65.24, 0.84%, 0.52%

LAB 89.04, -27.35, 84.14

 

CMYK 6 / 0 / 72 / 7

HEX #DFEE43

RGB 223 238 67

HSL 65.26, 0.83%, 0.6%

LAB 90.43, -25.09, 75.92

 

CMYK 5 / 0 / 57 / 5

HEX #E6F269

RGB 230 242 105

HSL 65.26, 0.84%, 0.68%

LAB 92.29, -21.91, 63.36

 

CMYK 8 / 0 / 87 / 8

HEX #D9EB1E

RGB 217 235 30

HSL 65.27, 0.84%, 0.52%

LAB 89.05, -27.33, 83.97

 

CMYK 88 / 0 / 63 / 8

HEX #1DEB58

RGB 29 235 88

HSL 137.18, 0.84%, 0.52%

LAB 82.05, -74.86, 56.89

 

CMYK 28 / 88 / 0 / 8

HEX #AA1DEB

RGB 170 29 235

HSL 281.07, 0.84%, 0.52%

LAB 46.21, 79.74, -73.13

 

CMYK 8 / 0 / 87 / 8

HEX #D9EB1E

RGB 217 235 30

HSL 65.27, 0.84%, 0.52%

LAB 89.05, -27.33, 83.97

 

CMYK 88 / 7 / 0 / 8

HEX #1DDAEB

RGB 29 218 235

HSL 184.95, 0.84%, 0.52%

LAB 79.84, -36.64, -20.59

 

CMYK 0 / 88 / 7 / 8

HEX #EB1DDA

RGB 235 29 218

HSL 304.95, 0.84%, 0.52%

LAB 55.69, 87.38, -47.68

 

CMYK 8 / 0 / 87 / 8

HEX #D9EB1E

RGB 217 235 30

HSL 65.27, 0.84%, 0.52%

LAB 89.05, -27.33, 83.97

 

CMYK 88 / 0 / 63 / 8

HEX #1DEB58

RGB 29 235 88

HSL 137.18, 0.84%, 0.52%

LAB 82.05, -74.86, 56.89

 

CMYK 80 / 88 / 0 / 8

HEX #2E1DEB

RGB 46 29 235

HSL 244.95, 0.84%, 0.52%

LAB 32.83, 68.81, -95.66

 

CMYK 0 / 88 / 25 / 8

HEX #EB1DB1

RGB 235 29 177

HSL 316.89, 0.84%, 0.52%

LAB 53.72, 82.22, -27.13

 

CMYK 8 / 0 / 87 / 8

HEX #D9EB1E

RGB 217 235 30

HSL 65.27, 0.84%, 0.52%

LAB 89.05, -27.33, 83.97

 

CMYK 88 / 0 / 37 / 8

HEX #1DEB95

RGB 29 235 149

HSL 154.95, 0.84%, 0.52%

LAB 82.83, -65.45, 28.98

 

CMYK 80 / 88 / 0 / 8

HEX #2E1DEB

RGB 46 29 235

HSL 244.95, 0.84%, 0.52%

LAB 32.83, 68.81, -95.66

 

CMYK 0 / 88 / 51 / 8

HEX #EB1D73

RGB 235 29 115

HSL 334.95, 0.84%, 0.52%

LAB 51.59, 76.36, 6.67

 

Description

Color code: HEX #D9EB1E | qconv.com Color code: HEX #D9EB1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 235 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 235 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 87 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 87% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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