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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9DD5E it is the complementary color #2622A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9DD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9DD5E shade: #DEDD59, #EFEF6C, #FFFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9DD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9DD5E shade: #D9DD5E, #C8CB4B, #B7B938, #A6A725 and #959512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9DD5E shade: #D9DD5F, #DDBF5F, #DD9D5F, #DD7B5F and #DD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9DD5E shade: #D9DD5F, #B7DD5F, #95DD5F, #73DD5F and #5FDD6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9DD5E shade matches the following richer shades: #D9DD5F, #E7EC4F and #F6FC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9DD5E shade: #D9DD5F, #CACD6E, #BBBD7E, #ADAE8E and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9DD5E shade: #DD9C5F, #DDBD5F, #DADD5F, #B9DD5F and #97DD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9DD5E shade: #BCC028, #D1D53D, #D9DD5F, #E1E481 and #E9EBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9DD5E shade: #D9DD5E, #5FDD7A and #AC5FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9DD5E shade: #D9DD5E, #5FDADD and #DD5FDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9DD5E shade: #D9DD5E, #5FDD7A, #615FDD and #DD5FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9DD5E shade: #D9DD5E, #5FDDA0, #615FDD and #DD5F9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 57 / 13

HEX #D9DD5E

RGB 217 221 94

HSL 61.89, 0.65%, 0.62%

LAB 85.64, -17.72, 60.43

 

Complementary color

CMYK 76 / 79 / 0 / 37

HEX #2622A1

RGB 38 34 161

HSL 241.89, 0.65%, 0.38%

LAB 24.09, 44.5, -66.7

 

CMYK 0 / 0 / 60 / 13

HEX #DEDD59

RGB 222 221 89

HSL 59.55, 0.67%, 0.61%

LAB 85.99, -16.03, 63.06

 

CMYK 0 / 0 / 55 / 6

HEX #EFEF6C

RGB 239 239 108

HSL 60, 0.8%, 0.68%

LAB 92.21, -16.66, 62.15

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5E

RGB 217 221 94

HSL 61.89, 0.65%, 0.62%

LAB 85.64, -17.72, 60.43

 

CMYK 1 / 0 / 63 / 20

HEX #C8CB4B

RGB 200 203 75

HSL 61.41, 0.55%, 0.55%

LAB 79.33, -17.07, 61.25

 

CMYK 1 / 0 / 70 / 27

HEX #B7B938

RGB 183 185 56

HSL 60.93, 0.54%, 0.47%

LAB 72.93, -16.28, 61.73

 

CMYK 1 / 0 / 78 / 35

HEX #A6A725

RGB 166 167 37

HSL 60.46, 0.64%, 0.4%

LAB 66.43, -15.31, 61.61

 

CMYK 0 / 0 / 88 / 42

HEX #959512

RGB 149 149 18

HSL 60, 0.78%, 0.33%

LAB 59.82, -14.12, 60.39

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5F

RGB 217 221 95

HSL 61.9, 0.65%, 0.62%

LAB 85.65, -17.65, 60.01

 

CMYK 0 / 14 / 57 / 13

HEX #DDBF5F

RGB 221 191 95

HSL 45.71, 0.65%, 0.62%

LAB 78.15, -0.79, 51.58

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5F

RGB 221 157 95

HSL 29.52, 0.65%, 0.62%

LAB 69.69, 17.26, 41.57

 

CMYK 0 / 44 / 57 / 13

HEX #DD7B5F

RGB 221 123 95

HSL 13.33, 0.65%, 0.62%

LAB 61.97, 35.38, 31.98

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5F

RGB 217 221 95

HSL 61.9, 0.65%, 0.62%

LAB 85.65, -17.65, 60.01

 

CMYK 17 / 0 / 57 / 13

HEX #B7DD5F

RGB 183 221 95

HSL 78.1, 0.65%, 0.62%

LAB 83.23, -31.09, 56.63

 

CMYK 33 / 0 / 57 / 13

HEX #95DD5F

RGB 149 221 95

HSL 94.29, 0.65%, 0.62%

LAB 81.25, -43.51, 53.84

 

CMYK 48 / 0 / 57 / 13

HEX #73DD5F

RGB 115 221 95

HSL 110.48, 0.65%, 0.62%

LAB 79.72, -54.22, 51.67

 

CMYK 57 / 0 / 51 / 13

HEX #5FDD6C

RGB 95 221 108

HSL 126.19, 0.65%, 0.62%

LAB 79.17, -57.81, 44.82

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5F

RGB 217 221 95

HSL 61.9, 0.65%, 0.62%

LAB 85.65, -17.65, 60.01

 

CMYK 2 / 0 / 67 / 7

HEX #E7EC4F

RGB 231 236 79

HSL 61.91, 0.81%, 0.62%

LAB 90.57, -20.29, 72.04

 

CMYK 2 / 0 / 75 / 1

HEX #F6FC3F

RGB 246 252 63

HSL 61.9, 0.97%, 0.62%

LAB 95.82, -22.6, 82.81

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5F

RGB 217 221 95

HSL 61.9, 0.65%, 0.62%

LAB 85.65, -17.65, 60.01

 

CMYK 1 / 0 / 46 / 20

HEX #CACD6E

RGB 202 205 110

HSL 61.89, 0.49%, 0.62%

LAB 80.37, -14.48, 46.64

 

CMYK 1 / 0 / 33 / 26

HEX #BBBD7E

RGB 187 189 126

HSL 61.9, 0.32%, 0.62%

LAB 75.12, -10.54, 31.67

 

CMYK 1 / 0 / 18 / 32

HEX #ADAE8E

RGB 173 174 142

HSL 61.88, 0.16%, 0.62%

LAB 70.25, -5.87, 16.35

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 0 / 29 / 57 / 13

HEX #DD9C5F

RGB 221 156 95

HSL 29.05, 0.65%, 0.62%

LAB 69.45, 17.8, 41.28

 

CMYK 0 / 14 / 57 / 13

HEX #DDBD5F

RGB 221 189 95

HSL 44.76, 0.65%, 0.62%

LAB 77.63, 0.25, 50.99

 

CMYK 1 / 0 / 57 / 13

HEX #DADD5F

RGB 218 221 95

HSL 61.43, 0.65%, 0.62%

LAB 85.73, -17.24, 60.12

 

CMYK 16 / 0 / 57 / 13

HEX #B9DD5F

RGB 185 221 95

HSL 77.14, 0.65%, 0.62%

LAB 83.37, -30.32, 56.82

 

CMYK 32 / 0 / 57 / 13

HEX #97DD5F

RGB 151 221 95

HSL 93.33, 0.65%, 0.62%

LAB 81.36, -42.82, 53.99

 

CMYK 2 / 0 / 79 / 25

HEX #BCC028

RGB 188 192 40

HSL 61.58, 0.66%, 0.45%

LAB 75.17, -18.35, 69.2

 

CMYK 2 / 0 / 71 / 16

HEX #D1D53D

RGB 209 213 61

HSL 61.58, 0.64%, 0.54%

LAB 82.64, -19.04, 70.09

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5F

RGB 217 221 95

HSL 61.9, 0.65%, 0.62%

LAB 85.65, -17.65, 60.01

 

CMYK 1 / 0 / 43 / 11

HEX #E1E481

RGB 225 228 129

HSL 61.82, 0.65%, 0.7%

LAB 88.49, -14.98, 47.78

 

CMYK 1 / 0 / 31 / 8

HEX #E9EBA3

RGB 233 235 163

HSL 61.67, 0.64%, 0.78%

LAB 91.41, -11.6, 34.8

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5E

RGB 217 221 94

HSL 61.89, 0.65%, 0.62%

LAB 85.64, -17.72, 60.43

 

CMYK 57 / 0 / 45 / 13

HEX #5FDD7A

RGB 95 221 122

HSL 132.86, 0.65%, 0.62%

LAB 79.36, -55.78, 38.24

 

CMYK 22 / 57 / 0 / 13

HEX #AC5FDD

RGB 172 95 221

HSL 276.67, 0.65%, 0.62%

LAB 54.21, 52.84, -52.28

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5E

RGB 217 221 94

HSL 61.89, 0.65%, 0.62%

LAB 85.64, -17.72, 60.43

 

CMYK 57 / 1 / 0 / 13

HEX #5FDADD

RGB 95 218 221

HSL 181.43, 0.65%, 0.62%

LAB 80.63, -33.12, -11.83

 

CMYK 0 / 57 / 1 / 13

HEX #DD5FDA

RGB 221 95 218

HSL 301.43, 0.65%, 0.62%

LAB 60.44, 64.67, -40.32

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5E

RGB 217 221 94

HSL 61.89, 0.65%, 0.62%

LAB 85.64, -17.72, 60.43

 

CMYK 57 / 0 / 45 / 13

HEX #5FDD7A

RGB 95 221 122

HSL 132.86, 0.65%, 0.62%

LAB 79.36, -55.78, 38.24

 

CMYK 56 / 57 / 0 / 13

HEX #615FDD

RGB 97 95 221

HSL 240.95, 0.65%, 0.62%

LAB 46.9, 36.2, -64.42

 

CMYK 0 / 57 / 13 / 13

HEX #DD5FC1

RGB 221 95 193

HSL 313.33, 0.65%, 0.62%

LAB 59.35, 60.65, -27.86

 

CMYK 2 / 0 / 57 / 13

HEX #D9DD5E

RGB 217 221 94

HSL 61.89, 0.65%, 0.62%

LAB 85.64, -17.72, 60.43

 

CMYK 57 / 0 / 28 / 13

HEX #5FDDA0

RGB 95 221 160

HSL 150.95, 0.65%, 0.62%

LAB 80, -48.98, 19.64

 

CMYK 56 / 57 / 0 / 13

HEX #615FDD

RGB 97 95 221

HSL 240.95, 0.65%, 0.62%

LAB 46.9, 36.2, -64.42

 

CMYK 0 / 57 / 29 / 13

HEX #DD5F9C

RGB 221 95 156

HSL 330.95, 0.65%, 0.62%

LAB 58, 55.47, -8.58

 

Description

Color code: HEX #D9DD5E | qconv.com Color code: HEX #D9DD5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 221 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 221 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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