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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D86F it is the complementary color #262790. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D86F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9D86F shade: #DED86A, #EFEA7D, #FFFC90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D86F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9D86F shade: #D9D86F, #C8C65C, #B7B449, #A6A236 and #959023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9D86F shade: #D8D76E, #D8BB6E, #D89E6E, #D8816E and #D86E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9D86F shade: #D8D76E, #BDD86E, #A0D86E, #83D86E and #6ED875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9D86F shade matches the following richer shades: #D8D76E, #E7E65F and #F6F550

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9D86F shade: #D8D76E, #CAC97D, #BBBA8C, #ACAC9B and #9D9DA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9D86F shade: #D89E6E, #D8BA6E, #D8D76E, #BED86E and #A1D86E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9D86F shade: #C1BF33, #D0CF4D, #D8D76E, #E1E08F and #EAE9AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9D86F shade: #D9D86F, #6ED881 and #AC6ED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9D86F shade: #D9D86F, #6ED8D7 and #D76ED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9D86F shade: #D9D86F, #6ED881, #6E70D8 and #D86EC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9D86F shade: #D9D86F, #6ED8A1, #6E70D8 and #D86EA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 49 / 15

HEX #D9D86F

RGB 217 216 111

HSL 59.43, 0.58%, 0.64%

LAB 84.49, -13.88, 51.39

 

Complementary color

CMYK 74 / 73 / 0 / 44

HEX #262790

RGB 38 39 144

HSL 239.43, 0.58%, 0.36%

LAB 23.26, 35.86, -57.63

 

CMYK 0 / 3 / 52 / 13

HEX #DED86A

RGB 222 216 106

HSL 56.9, 0.64%, 0.64%

LAB 84.83, -12.29, 54.23

 

CMYK 0 / 2 / 48 / 6

HEX #EFEA7D

RGB 239 234 125

HSL 57.37, 0.78%, 0.71%

LAB 91.09, -12.82, 53.11

 

CMYK 0 / 1 / 44 / 0

HEX #FFFC90

RGB 255 252 144

HSL 58.38, 1%, 0.78%

LAB 97.18, -13.66, 51.86

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 49 / 15

HEX #D9D86F

RGB 217 216 111

HSL 59.43, 0.58%, 0.64%

LAB 84.49, -13.88, 51.39

 

CMYK 0 / 1 / 54 / 22

HEX #C8C65C

RGB 200 198 92

HSL 58.89, 0.5%, 0.57%

LAB 78.13, -13.34, 52.5

 

CMYK 0 / 2 / 60 / 28

HEX #B7B449

RGB 183 180 73

HSL 58.36, 0.43%, 0.5%

LAB 71.68, -12.7, 53.49

 

CMYK 0 / 2 / 67 / 35

HEX #A6A236

RGB 166 162 54

HSL 57.86, 0.51%, 0.43%

LAB 65.13, -11.9, 54.24

 

CMYK 0 / 3 / 77 / 42

HEX #959023

RGB 149 144 35

HSL 57.37, 0.62%, 0.36%

LAB 58.47, -10.9, 54.45

 

CMYK 0 / 0 / 49 / 15

HEX #D8D76E

RGB 216 215 110

HSL 59.43, 0.58%, 0.64%

LAB 84.14, -13.87, 51.42

 

CMYK 0 / 13 / 49 / 15

HEX #D8BB6E

RGB 216 187 110

HSL 43.58, 0.58%, 0.64%

LAB 76.84, 0.49, 42.59

 

CMYK 0 / 27 / 49 / 15

HEX #D89E6E

RGB 216 158 110

HSL 27.17, 0.58%, 0.64%

LAB 69.6, 15.96, 33.47

 

CMYK 0 / 40 / 49 / 15

HEX #D8816E

RGB 216 129 110

HSL 10.75, 0.58%, 0.64%

LAB 62.86, 31.56, 24.68

 

CMYK 0 / 49 / 49 / 15

HEX #D86E6E

RGB 216 110 110

HSL 0, 0.58%, 0.64%

LAB 58.86, 41.45, 19.29

 

CMYK 0 / 0 / 49 / 15

HEX #D8D76E

RGB 216 215 110

HSL 59.43, 0.58%, 0.64%

LAB 84.14, -13.87, 51.42

 

CMYK 13 / 0 / 49 / 15

HEX #BDD86E

RGB 189 216 110

HSL 75.28, 0.58%, 0.64%

LAB 82.41, -25.02, 48.88

 

CMYK 26 / 0 / 49 / 15

HEX #A0D86E

RGB 160 216 110

HSL 91.7, 0.58%, 0.64%

LAB 80.58, -35.85, 46.23

 

CMYK 39 / 0 / 49 / 15

HEX #83D86E

RGB 131 216 110

HSL 108.11, 0.58%, 0.64%

LAB 79.08, -45.62, 44.05

 

CMYK 49 / 0 / 46 / 15

HEX #6ED875

RGB 110 216 117

HSL 123.96, 0.58%, 0.64%

LAB 78.29, -50.81, 39.47

 

CMYK 0 / 0 / 49 / 15

HEX #D8D76E

RGB 216 215 110

HSL 59.43, 0.58%, 0.64%

LAB 84.14, -13.87, 51.42

 

CMYK 0 / 0 / 59 / 9

HEX #E7E65F

RGB 231 230 95

HSL 59.56, 0.74%, 0.64%

LAB 89.12, -16.4, 64.14

 

CMYK 0 / 0 / 67 / 4

HEX #F6F550

RGB 246 245 80

HSL 59.64, 0.9%, 0.64%

LAB 94.09, -18.5, 75.58

 

CMYK 0 / 0 / 49 / 15

HEX #D8D76E

RGB 216 215 110

HSL 59.43, 0.58%, 0.64%

LAB 84.14, -13.87, 51.42

 

CMYK 0 / 0 / 38 / 21

HEX #CAC97D

RGB 202 201 125

HSL 59.22, 0.42%, 0.64%

LAB 79.51, -10.89, 38.1

 

CMYK 0 / 1 / 25 / 27

HEX #BBBA8C

RGB 187 186 140

HSL 58.72, 0.26%, 0.64%

LAB 74.56, -7.13, 23.52

 

CMYK 0 / 0 / 10 / 33

HEX #ACAC9B

RGB 172 172 155

HSL 60, 0.09%, 0.64%

LAB 69.92, -3.05, 8.75

 

CMYK 7 / 7 / 0 / 34

HEX #9D9DA9

RGB 157 157 169

HSL 240, 0.07%, 0.64%

LAB 65.08, 2.38, -6.24

 

CMYK 0 / 27 / 49 / 15

HEX #D89E6E

RGB 216 158 110

HSL 27.17, 0.58%, 0.64%

LAB 69.6, 15.96, 33.47

 

CMYK 0 / 14 / 49 / 15

HEX #D8BA6E

RGB 216 186 110

HSL 43.02, 0.58%, 0.64%

LAB 76.58, 1.01, 42.27

 

CMYK 0 / 0 / 49 / 15

HEX #D8D76E

RGB 216 215 110

HSL 59.43, 0.58%, 0.64%

LAB 84.14, -13.87, 51.42

 

CMYK 12 / 0 / 49 / 15

HEX #BED86E

RGB 190 216 110

HSL 74.72, 0.58%, 0.64%

LAB 82.48, -24.63, 48.98

 

CMYK 25 / 0 / 49 / 15

HEX #A1D86E

RGB 161 216 110

HSL 91.13, 0.58%, 0.64%

LAB 80.64, -35.49, 46.32

 

CMYK 0 / 1 / 74 / 24

HEX #C1BF33

RGB 193 191 51

HSL 59.15, 0.58%, 0.48%

LAB 75.35, -15.28, 66.12

 

CMYK 0 / 0 / 63 / 18

HEX #D0CF4D

RGB 208 207 77

HSL 59.54, 0.58%, 0.56%

LAB 81.06, -15.62, 62.44

 

CMYK 0 / 0 / 49 / 15

HEX #D8D76E

RGB 216 215 110

HSL 59.43, 0.58%, 0.64%

LAB 84.14, -13.87, 51.42

 

CMYK 0 / 0 / 36 / 12

HEX #E1E08F

RGB 225 224 143

HSL 59.27, 0.58%, 0.72%

LAB 87.63, -11.51, 39.81

 

CMYK 0 / 0 / 25 / 8

HEX #EAE9AF

RGB 234 233 175

HSL 58.98, 0.58%, 0.8%

LAB 91.17, -8.69, 28.4

 

CMYK 0 / 0 / 49 / 15

HEX #D9D86F

RGB 217 216 111

HSL 59.43, 0.58%, 0.64%

LAB 84.49, -13.88, 51.39

 

CMYK 49 / 0 / 40 / 15

HEX #6ED881

RGB 110 216 129

HSL 130.75, 0.58%, 0.64%

LAB 78.47, -48.98, 33.68

 

CMYK 20 / 49 / 0 / 15

HEX #AC6ED8

RGB 172 110 216

HSL 275.09, 0.58%, 0.64%

LAB 56.96, 43.85, -45.1

 

CMYK 0 / 0 / 49 / 15

HEX #D9D86F

RGB 217 216 111

HSL 59.43, 0.58%, 0.64%

LAB 84.49, -13.88, 51.39

 

CMYK 49 / 0 / 0 / 15

HEX #6ED8D7

RGB 110 216 215

HSL 179.43, 0.58%, 0.64%

LAB 80.37, -30.79, -8.96

 

CMYK 0 / 49 / 0 / 15

HEX #D76ED8

RGB 215 110 216

HSL 299.43, 0.58%, 0.64%

LAB 62.13, 55.77, -36.61

 

CMYK 0 / 0 / 49 / 15

HEX #D9D86F

RGB 217 216 111

HSL 59.43, 0.58%, 0.64%

LAB 84.49, -13.88, 51.39

 

CMYK 49 / 0 / 40 / 15

HEX #6ED881

RGB 110 216 129

HSL 130.75, 0.58%, 0.64%

LAB 78.47, -48.98, 33.68

 

CMYK 49 / 48 / 0 / 15

HEX #6E70D8

RGB 110 112 216

HSL 238.87, 0.58%, 0.64%

LAB 51.68, 27, -53.85

 

CMYK 0 / 49 / 9 / 15

HEX #D86EC5

RGB 216 110 197

HSL 310.75, 0.58%, 0.64%

LAB 61.47, 52.81, -26.92

 

CMYK 0 / 0 / 49 / 15

HEX #D9D86F

RGB 217 216 111

HSL 59.43, 0.58%, 0.64%

LAB 84.49, -13.88, 51.39

 

CMYK 49 / 0 / 25 / 15

HEX #6ED8A1

RGB 110 216 161

HSL 148.87, 0.58%, 0.64%

LAB 79.04, -43.2, 17.86

 

CMYK 49 / 48 / 0 / 15

HEX #6E70D8

RGB 110 112 216

HSL 238.87, 0.58%, 0.64%

LAB 51.68, 27, -53.85

 

CMYK 0 / 49 / 24 / 15

HEX #D86EA5

RGB 216 110 165

HSL 328.87, 0.58%, 0.64%

LAB 60.31, 47.91, -10.41

 

Description

Color code: HEX #D9D86F | qconv.com Color code: HEX #D9D86F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 216 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 216 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 49 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 49% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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