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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D37B it is the complementary color #262C84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D37B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9D37B shade: #DED376, #EFE589, #FFF79C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D37B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9D37B shade: #D9D37B, #C8C168, #B7AF55, #A69D42 and #958B2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9D37B shade: #D9D37C, #D9BA7C, #D9A17C, #D9887C and #D97C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9D37B shade: #D9D37C, #C6D97C, #ADD97C, #94D97C and #7CD97D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9D37B shade matches the following richer shades: #D9D37C, #E6DF6E and #F4EA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9D37B shade: #D9D37C, #CBC78A, #BDBB97, #B0AFA5 and #A2A3B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9D37B shade: #D9A17C, #D9BA7C, #D9D27C, #C6D97C and #ADD97C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9D37B shade: #C6BD3C, #CFC85C, #D9D37C, #E2DD9C and #EBE8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9D37B shade: #D9D37B, #7CD988 and #AD7CD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9D37B shade: #D9D37B, #7CD9D2 and #D27CD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9D37B shade: #D9D37B, #7CD988, #7C82D9 and #D97CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9D37B shade: #D9D37B, #7CD9A4, #7C82D9 and #D97CB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 43 / 15

HEX #D9D37B

RGB 217 211 123

HSL 56.17, 0.55%, 0.67%

LAB 83.32, -10.23, 44.17

 

Complementary color

CMYK 71 / 67 / 0 / 48

HEX #262C84

RGB 38 44 132

HSL 236.17, 0.55%, 0.33%

LAB 23.27, 28.32, -50.13

 

CMYK 0 / 5 / 47 / 13

HEX #DED376

RGB 222 211 118

HSL 53.65, 0.61%, 0.67%

LAB 83.67, -8.72, 47.13

 

CMYK 0 / 4 / 43 / 6

HEX #EFE589

RGB 239 229 137

HSL 54.12, 0.76%, 0.74%

LAB 89.95, -9.2, 45.95

 

CMYK 0 / 3 / 39 / 0

HEX #FFF79C

RGB 255 247 156

HSL 55.15, 1%, 0.81%

LAB 96.07, -10, 44.68

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37B

RGB 217 211 123

HSL 56.17, 0.55%, 0.67%

LAB 83.32, -10.23, 44.17

 

CMYK 0 / 4 / 48 / 22

HEX #C8C168

RGB 200 193 104

HSL 55.63, 0.47%, 0.6%

LAB 76.93, -9.75, 45.36

 

CMYK 0 / 4 / 54 / 28

HEX #B7AF55

RGB 183 175 85

HSL 55.1, 0.4%, 0.53%

LAB 70.44, -9.18, 46.54

 

CMYK 0 / 5 / 60 / 35

HEX #A69D42

RGB 166 157 66

HSL 54.6, 0.43%, 0.45%

LAB 63.85, -8.47, 47.63

 

CMYK 0 / 7 / 68 / 42

HEX #958B2F

RGB 149 139 47

HSL 54.12, 0.52%, 0.38%

LAB 57.13, -7.59, 48.49

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37C

RGB 217 211 124

HSL 56.13, 0.55%, 0.67%

LAB 83.33, -10.13, 43.69

 

CMYK 0 / 14 / 43 / 15

HEX #D9BA7C

RGB 217 186 124

HSL 40, 0.55%, 0.67%

LAB 76.88, 2.8, 35.5

 

CMYK 0 / 26 / 43 / 15

HEX #D9A17C

RGB 217 161 124

HSL 23.87, 0.55%, 0.67%

LAB 70.66, 16.15, 27.37

 

CMYK 0 / 37 / 43 / 15

HEX #D9887C

RGB 217 136 124

HSL 7.74, 0.55%, 0.67%

LAB 64.82, 29.62, 19.49

 

CMYK 0 / 43 / 43 / 15

HEX #D97C7C

RGB 217 124 124

HSL 0, 0.55%, 0.67%

LAB 62.19, 35.99, 15.87

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37C

RGB 217 211 124

HSL 56.13, 0.55%, 0.67%

LAB 83.33, -10.13, 43.69

 

CMYK 9 / 0 / 43 / 15

HEX #C6D97C

RGB 198 217 124

HSL 72.26, 0.55%, 0.67%

LAB 83.49, -20.57, 43.57

 

CMYK 20 / 0 / 43 / 15

HEX #ADD97C

RGB 173 217 124

HSL 88.39, 0.55%, 0.67%

LAB 81.82, -29.97, 41.12

 

CMYK 32 / 0 / 43 / 15

HEX #94D97C

RGB 148 217 124

HSL 104.52, 0.55%, 0.67%

LAB 80.39, -38.72, 39.01

 

CMYK 43 / 0 / 42 / 15

HEX #7CD97D

RGB 124 217 125

HSL 120.65, 0.55%, 0.67%

LAB 79.27, -46.12, 36.84

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37C

RGB 217 211 124

HSL 56.13, 0.55%, 0.67%

LAB 83.33, -10.13, 43.69

 

CMYK 0 / 3 / 52 / 10

HEX #E6DF6E

RGB 230 223 110

HSL 56.5, 0.71%, 0.67%

LAB 87.35, -12.23, 55.49

 

CMYK 0 / 4 / 60 / 4

HEX #F4EA61

RGB 244 234 97

HSL 55.92, 0.87%, 0.67%

LAB 91.21, -12.97, 65.88

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37C

RGB 217 211 124

HSL 56.13, 0.55%, 0.67%

LAB 83.33, -10.13, 43.69

 

CMYK 0 / 2 / 32 / 20

HEX #CBC78A

RGB 203 199 138

HSL 56.31, 0.38%, 0.67%

LAB 79.26, -7.94, 31.1

 

CMYK 0 / 1 / 20 / 26

HEX #BDBB97

RGB 189 187 151

HSL 56.84, 0.22%, 0.67%

LAB 75.2, -5.3, 18.53

 

CMYK 0 / 1 / 6 / 31

HEX #B0AFA5

RGB 176 175 165

HSL 54.55, 0.07%, 0.67%

LAB 71.29, -1.46, 5.24

 

CMYK 9 / 9 / 0 / 30

HEX #A2A3B3

RGB 162 163 179

HSL 236.47, 0.1%, 0.67%

LAB 67.37, 2.84, -8.37

 

CMYK 0 / 26 / 43 / 15

HEX #D9A17C

RGB 217 161 124

HSL 23.87, 0.55%, 0.67%

LAB 70.66, 16.15, 27.37

 

CMYK 0 / 14 / 43 / 15

HEX #D9BA7C

RGB 217 186 124

HSL 40, 0.55%, 0.67%

LAB 76.88, 2.8, 35.5

 

CMYK 0 / 3 / 43 / 15

HEX #D9D27C

RGB 217 210 124

HSL 55.48, 0.55%, 0.67%

LAB 83.07, -9.63, 43.36

 

CMYK 9 / 0 / 43 / 15

HEX #C6D97C

RGB 198 217 124

HSL 72.26, 0.55%, 0.67%

LAB 83.49, -20.57, 43.57

 

CMYK 20 / 0 / 43 / 15

HEX #ADD97C

RGB 173 217 124

HSL 88.39, 0.55%, 0.67%

LAB 81.82, -29.97, 41.12

 

CMYK 0 / 5 / 70 / 22

HEX #C6BD3C

RGB 198 189 60

HSL 56.09, 0.55%, 0.51%

LAB 75.28, -11.71, 62.98

 

CMYK 0 / 3 / 56 / 19

HEX #CFC85C

RGB 207 200 92

HSL 56.35, 0.55%, 0.59%

LAB 79.24, -11.47, 53.91

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37C

RGB 217 211 124

HSL 56.13, 0.55%, 0.67%

LAB 83.33, -10.13, 43.69

 

CMYK 0 / 2 / 31 / 11

HEX #E2DD9C

RGB 226 221 156

HSL 55.71, 0.55%, 0.75%

LAB 87.13, -8.09, 32.59

 

CMYK 0 / 1 / 20 / 8

HEX #EBE8BC

RGB 235 232 188

HSL 56.17, 0.54%, 0.83%

LAB 91.24, -6.03, 21.82

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37B

RGB 217 211 123

HSL 56.17, 0.55%, 0.67%

LAB 83.32, -10.23, 44.17

 

CMYK 43 / 0 / 37 / 15

HEX #7CD988

RGB 124 217 136

HSL 127.74, 0.55%, 0.67%

LAB 79.44, -44.42, 31.49

 

CMYK 20 / 43 / 0 / 15

HEX #AD7CD9

RGB 173 124 217

HSL 271.61, 0.55%, 0.67%

LAB 60.17, 36.66, -40.6

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37B

RGB 217 211 123

HSL 56.17, 0.55%, 0.67%

LAB 83.32, -10.23, 44.17

 

CMYK 43 / 0 / 3 / 15

HEX #7CD9D2

RGB 124 217 210

HSL 175.48, 0.55%, 0.67%

LAB 81.05, -29.33, -5.22

 

CMYK 3 / 43 / 0 / 15

HEX #D27CD9

RGB 210 124 217

HSL 295.48, 0.55%, 0.67%

LAB 64.26, 47.48, -33.9

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37B

RGB 217 211 123

HSL 56.17, 0.55%, 0.67%

LAB 83.32, -10.23, 44.17

 

CMYK 43 / 0 / 37 / 15

HEX #7CD988

RGB 124 217 136

HSL 127.74, 0.55%, 0.67%

LAB 79.44, -44.42, 31.49

 

CMYK 43 / 40 / 0 / 15

HEX #7C82D9

RGB 124 130 217

HSL 236.13, 0.55%, 0.67%

LAB 57.33, 19.84, -45.36

 

CMYK 0 / 43 / 6 / 15

HEX #D97CCC

RGB 217 124 204

HSL 308.39, 0.55%, 0.67%

LAB 64.59, 47.26, -26.06

 

CMYK 0 / 3 / 43 / 15

HEX #D9D37B

RGB 217 211 123

HSL 56.17, 0.55%, 0.67%

LAB 83.32, -10.23, 44.17

 

CMYK 43 / 0 / 24 / 15

HEX #7CD9A4

RGB 124 217 164

HSL 145.81, 0.55%, 0.67%

LAB 79.95, -39.42, 17.63

 

CMYK 43 / 40 / 0 / 15

HEX #7C82D9

RGB 124 130 217

HSL 236.13, 0.55%, 0.67%

LAB 57.33, 19.84, -45.36

 

CMYK 0 / 43 / 18 / 15

HEX #D97CB1

RGB 217 124 177

HSL 325.81, 0.55%, 0.67%

LAB 63.62, 42.87, -12.28

 

Description

Color code: HEX #D9D37B | qconv.com Color code: HEX #D9D37B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 211 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 211 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 43 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 43% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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