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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D18D it is the complementary color #262E72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D18D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9D18D shade: #DED188, #EFE39B, #FFF5AE, #FFFFC1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D18D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9D18D shade: #D9D18D, #C8BF7A, #B7AD67, #A69B54 and #958941

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9D18D shade: #D9D18C, #D9BC8C, #D9A78C, #D9938C and #D98C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9D18D shade: #D9D18C, #CCD98C, #B8D98C, #A3D98C and #8ED98C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9D18D shade matches the following richer shades: #D9D18C, #E5DA80, #F2E473 and #FEEE67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9D18D shade: #D9D18C, #CCC799, #C0BDA5, #B4B3B1 and #A7AABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9D18D shade: #D9A78C, #D9BB8C, #D9D08C, #CDD98C and #B9D98C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9D18D shade: #C4B84E, #CEC46D, #D9D18C, #E3DDAB and #EDEACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9D18D shade: #D9D18D, #8CD993 and #B18CD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9D18D shade: #D9D18D, #8CD9D0 and #D08CD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9D18D shade: #D9D18D, #8CD993, #8C95D9 and #D98CD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9D18D shade: #D9D18D, #8CD9AA, #8C95D9 and #D98CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 35 / 15

HEX #D9D18D

RGB 217 209 141

HSL 53.68, 0.5%, 0.7%

LAB 83.06, -7.26, 34.77

 

Complementary color

CMYK 67 / 60 / 0 / 55

HEX #262E72

RGB 38 46 114

HSL 233.68, 0.5%, 0.3%

LAB 22.23, 20.18, -40.4

 

CMYK 0 / 6 / 39 / 13

HEX #DED188

RGB 222 209 136

HSL 50.93, 0.57%, 0.7%

LAB 83.39, -5.87, 37.83

 

CMYK 0 / 5 / 35 / 6

HEX #EFE39B

RGB 239 227 155

HSL 51.43, 0.72%, 0.77%

LAB 89.7, -6.27, 36.68

 

CMYK 0 / 4 / 32 / 0

HEX #FFF5AE

RGB 255 245 174

HSL 52.59, 1%, 0.84%

LAB 95.84, -6.99, 35.45

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18D

RGB 217 209 141

HSL 53.68, 0.5%, 0.7%

LAB 83.06, -7.26, 34.77

 

CMYK 0 / 5 / 39 / 22

HEX #C8BF7A

RGB 200 191 122

HSL 53.08, 0.41%, 0.63%

LAB 76.65, -6.88, 35.94

 

CMYK 0 / 5 / 44 / 28

HEX #B7AD67

RGB 183 173 103

HSL 52.5, 0.36%, 0.56%

LAB 70.13, -6.43, 37.16

 

CMYK 0 / 7 / 49 / 35

HEX #A69B54

RGB 166 155 84

HSL 51.95, 0.33%, 0.49%

LAB 63.5, -5.88, 38.41

 

CMYK 0 / 8 / 56 / 42

HEX #958941

RGB 149 137 65

HSL 51.43, 0.39%, 0.42%

LAB 56.75, -5.2, 39.66

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18C

RGB 217 209 140

HSL 53.77, 0.5%, 0.7%

LAB 83.04, -7.38, 35.26

 

CMYK 0 / 13 / 35 / 15

HEX #D9BC8C

RGB 217 188 140

HSL 37.4, 0.5%, 0.7%

LAB 77.65, 3.54, 28.13

 

CMYK 0 / 23 / 35 / 15

HEX #D9A78C

RGB 217 167 140

HSL 21.04, 0.5%, 0.7%

LAB 72.42, 14.75, 21.05

 

CMYK 0 / 32 / 35 / 15

HEX #D9938C

RGB 217 147 140

HSL 5.45, 0.5%, 0.7%

LAB 67.66, 25.55, 14.47

 

CMYK 0 / 35 / 35 / 15

HEX #D98C8C

RGB 217 140 140

HSL 0, 0.5%, 0.7%

LAB 66.06, 29.32, 12.23

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18C

RGB 217 209 140

HSL 53.77, 0.5%, 0.7%

LAB 83.04, -7.38, 35.26

 

CMYK 6 / 0 / 35 / 15

HEX #CCD98C

RGB 204 217 140

HSL 70.13, 0.5%, 0.7%

LAB 84.15, -16.43, 36.51

 

CMYK 15 / 0 / 35 / 15

HEX #B8D98C

RGB 184 217 140

HSL 85.71, 0.5%, 0.7%

LAB 82.76, -23.91, 34.42

 

CMYK 25 / 0 / 35 / 15

HEX #A3D98C

RGB 163 217 140

HSL 102.08, 0.5%, 0.7%

LAB 81.46, -31.4, 32.47

 

CMYK 35 / 0 / 35 / 15

HEX #8ED98C

RGB 142 217 140

HSL 118.44, 0.5%, 0.7%

LAB 80.33, -38.35, 30.78

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18C

RGB 217 209 140

HSL 53.77, 0.5%, 0.7%

LAB 83.04, -7.38, 35.26

 

CMYK 0 / 5 / 44 / 10

HEX #E5DA80

RGB 229 218 128

HSL 53.47, 0.66%, 0.7%

LAB 86.19, -8.51, 45.48

 

CMYK 0 / 6 / 52 / 5

HEX #F2E473

RGB 242 228 115

HSL 53.39, 0.83%, 0.7%

LAB 89.67, -9.5, 56.15

 

CMYK 0 / 6 / 59 / 0

HEX #FEEE67

RGB 254 238 103

HSL 53.64, 0.99%, 0.7%

LAB 93.1, -10.51, 65.64

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18C

RGB 217 209 140

HSL 53.77, 0.5%, 0.7%

LAB 83.04, -7.38, 35.26

 

CMYK 0 / 2 / 25 / 20

HEX #CCC799

RGB 204 199 153

HSL 54.12, 0.33%, 0.7%

LAB 79.6, -5.59, 23.71

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA5

RGB 192 189 165

HSL 53.33, 0.18%, 0.7%

LAB 76.26, -3.07, 12.52

 

CMYK 0 / 1 / 2 / 29

HEX #B4B3B1

RGB 180 179 177

HSL 40, 0.02%, 0.7%

LAB 72.97, -0.01, 1.13

 

CMYK 12 / 11 / 0 / 25

HEX #A7AABE

RGB 167 170 190

HSL 232.17, 0.15%, 0.7%

LAB 69.95, 2.97, -10.58

 

CMYK 0 / 23 / 35 / 15

HEX #D9A78C

RGB 217 167 140

HSL 21.04, 0.5%, 0.7%

LAB 72.42, 14.75, 21.05

 

CMYK 0 / 14 / 35 / 15

HEX #D9BB8C

RGB 217 187 140

HSL 36.62, 0.5%, 0.7%

LAB 77.39, 4.07, 27.79

 

CMYK 0 / 4 / 35 / 15

HEX #D9D08C

RGB 217 208 140

HSL 52.99, 0.5%, 0.7%

LAB 82.78, -6.86, 34.92

 

CMYK 6 / 0 / 35 / 15

HEX #CDD98C

RGB 205 217 140

HSL 69.35, 0.5%, 0.7%

LAB 84.22, -16.05, 36.62

 

CMYK 15 / 0 / 35 / 15

HEX #B9D98C

RGB 185 217 140

HSL 84.94, 0.5%, 0.7%

LAB 82.82, -23.55, 34.52

 

CMYK 0 / 6 / 60 / 23

HEX #C4B84E

RGB 196 184 78

HSL 53.9, 0.5%, 0.54%

LAB 73.91, -8.9, 54.03

 

CMYK 0 / 5 / 47 / 19

HEX #CEC46D

RGB 206 196 109

HSL 53.81, 0.5%, 0.62%

LAB 78.29, -8.38, 44.67

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18C

RGB 217 209 140

HSL 53.77, 0.5%, 0.7%

LAB 83.04, -7.38, 35.26

 

CMYK 0 / 3 / 25 / 11

HEX #E3DDAB

RGB 227 221 171

HSL 53.57, 0.5%, 0.78%

LAB 87.48, -5.77, 25.34

 

CMYK 0 / 1 / 15 / 7

HEX #EDEACA

RGB 237 234 202

HSL 54.86, 0.49%, 0.86%

LAB 92.18, -4.25, 15.92

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18D

RGB 217 209 141

HSL 53.68, 0.5%, 0.7%

LAB 83.06, -7.26, 34.77

 

CMYK 35 / 0 / 32 / 15

HEX #8CD993

RGB 140 217 147

HSL 125.45, 0.5%, 0.7%

LAB 80.35, -37.84, 27.18

 

CMYK 18 / 35 / 0 / 15

HEX #B18CD9

RGB 177 140 217

HSL 268.83, 0.5%, 0.7%

LAB 64.25, 28.89, -34.19

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18D

RGB 217 209 141

HSL 53.68, 0.5%, 0.7%

LAB 83.06, -7.26, 34.77

 

CMYK 35 / 0 / 4 / 15

HEX #8CD9D0

RGB 140 217 208

HSL 172.99, 0.5%, 0.7%

LAB 81.7, -25.72, -3.11

 

CMYK 4 / 35 / 0 / 15

HEX #D08CD9

RGB 208 140 217

HSL 292.99, 0.5%, 0.7%

LAB 67.41, 38.42, -29.05

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18D

RGB 217 209 141

HSL 53.68, 0.5%, 0.7%

LAB 83.06, -7.26, 34.77

 

CMYK 35 / 0 / 32 / 15

HEX #8CD993

RGB 140 217 147

HSL 125.45, 0.5%, 0.7%

LAB 80.35, -37.84, 27.18

 

CMYK 35 / 31 / 0 / 15

HEX #8C95D9

RGB 140 149 217

HSL 232.99, 0.5%, 0.7%

LAB 63.41, 12.96, -35.74

 

CMYK 0 / 35 / 3 / 15

HEX #D98CD2

RGB 217 140 210

HSL 305.45, 0.5%, 0.7%

LAB 68.14, 39.95, -23.96

 

CMYK 0 / 4 / 35 / 15

HEX #D9D18D

RGB 217 209 141

HSL 53.68, 0.5%, 0.7%

LAB 83.06, -7.26, 34.77

 

CMYK 35 / 0 / 22 / 15

HEX #8CD9AA

RGB 140 217 170

HSL 143.38, 0.5%, 0.7%

LAB 80.8, -33.73, 15.76

 

CMYK 35 / 31 / 0 / 15

HEX #8C95D9

RGB 140 149 217

HSL 232.99, 0.5%, 0.7%

LAB 63.41, 12.96, -35.74

 

CMYK 0 / 35 / 14 / 15

HEX #D98CBB

RGB 217 140 187

HSL 323.38, 0.5%, 0.7%

LAB 67.35, 36.02, -12.32

 

Description

Color code: HEX #D9D18D | qconv.com Color code: HEX #D9D18D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 209 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 209 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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