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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9CE8C it is the complementary color #263173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9CE8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9CE8C shade: #DECE87, #EFE09A, #FFF2AD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9CE8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9CE8C shade: #D9CE8C, #C8BC79, #B7AA66, #A69853 and #958640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9CE8C shade: #D9CE8C, #D9B98C, #D9A58C, #D9908C and #D98C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9CE8C shade: #D9CE8C, #CFD98C, #BAD98C, #A6D98C and #91D98C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9CE8C shade matches the following richer shades: #D9CE8C, #E5D780, #F2E073 and #FEE867

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9CE8C shade: #D9CE8C, #CCC599, #C0BCA5, #B4B3B1 and #A7AABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9CE8C shade: #D9A48C, #D9B98C, #D9CD8C, #D0D98C and #BBD98C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9CE8C shade: #C4B34E, #CEC16D, #D9CE8C, #E3DBAB and #EDE8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9CE8C shade: #D9CE8C, #8CD990 and #AF8CD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9CE8C shade: #D9CE8C, #8CD9CD and #CD8CD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9CE8C shade: #D9CE8C, #8CD990, #8C98D9 and #D98CD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9CE8C shade: #D9CE8C, #8CD9A7, #8C98D9 and #D98CBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

Complementary color

CMYK 67 / 57 / 0 / 55

HEX #263173

RGB 38 49 115

HSL 231.43, 0.5%, 0.3%

LAB 23.16, 18.47, -39.54

 

CMYK 0 / 7 / 39 / 13

HEX #DECE87

RGB 222 206 135

HSL 48.97, 0.57%, 0.7%

LAB 82.6, -4.44, 37.32

 

CMYK 0 / 6 / 36 / 6

HEX #EFE09A

RGB 239 224 154

HSL 49.41, 0.73%, 0.77%

LAB 88.92, -4.86, 36.16

 

CMYK 0 / 5 / 32 / 0

HEX #FFF2AD

RGB 255 242 173

HSL 50.49, 1%, 0.84%

LAB 95.07, -5.61, 34.93

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 0 / 6 / 40 / 22

HEX #C8BC79

RGB 200 188 121

HSL 50.89, 0.42%, 0.63%

LAB 75.84, -5.43, 35.42

 

CMYK 0 / 7 / 44 / 28

HEX #B7AA66

RGB 183 170 102

HSL 50.37, 0.36%, 0.56%

LAB 69.31, -4.94, 36.64

 

CMYK 0 / 8 / 50 / 35

HEX #A69853

RGB 166 152 83

HSL 49.88, 0.33%, 0.49%

LAB 62.67, -4.36, 37.91

 

CMYK 0 / 10 / 57 / 42

HEX #958640

RGB 149 134 64

HSL 49.41, 0.4%, 0.42%

LAB 55.9, -3.63, 39.18

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 0 / 15 / 35 / 15

HEX #D9B98C

RGB 217 185 140

HSL 35.06, 0.5%, 0.7%

LAB 76.89, 5.12, 27.11

 

CMYK 0 / 24 / 35 / 15

HEX #D9A58C

RGB 217 165 140

HSL 19.48, 0.5%, 0.7%

LAB 71.93, 15.83, 20.38

 

CMYK 0 / 34 / 35 / 15

HEX #D9908C

RGB 217 144 140

HSL 3.12, 0.5%, 0.7%

LAB 66.97, 27.17, 13.5

 

CMYK 0 / 35 / 35 / 15

HEX #D98C8C

RGB 217 140 140

HSL 0, 0.5%, 0.7%

LAB 66.06, 29.32, 12.23

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 5 / 0 / 35 / 15

HEX #CFD98C

RGB 207 217 140

HSL 67.79, 0.5%, 0.7%

LAB 84.37, -15.28, 36.84

 

CMYK 14 / 0 / 35 / 15

HEX #BAD98C

RGB 186 217 140

HSL 84.16, 0.5%, 0.7%

LAB 82.89, -23.18, 34.62

 

CMYK 24 / 0 / 35 / 15

HEX #A6D98C

RGB 166 217 140

HSL 99.74, 0.5%, 0.7%

LAB 81.63, -30.36, 32.74

 

CMYK 33 / 0 / 35 / 15

HEX #91D98C

RGB 145 217 140

HSL 116.1, 0.5%, 0.7%

LAB 80.48, -37.39, 31

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 0 / 6 / 44 / 10

HEX #E5D780

RGB 229 215 128

HSL 51.68, 0.66%, 0.7%

LAB 85.41, -6.99, 44.52

 

CMYK 0 / 7 / 52 / 5

HEX #F2E073

RGB 242 224 115

HSL 51.5, 0.83%, 0.7%

LAB 88.65, -7.5, 54.95

 

CMYK 0 / 9 / 59 / 0

HEX #FEE867

RGB 254 232 103

HSL 51.26, 0.99%, 0.7%

LAB 91.58, -7.53, 63.96

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 0 / 3 / 25 / 20

HEX #CCC599

RGB 204 197 153

HSL 51.76, 0.33%, 0.7%

LAB 79.08, -4.55, 23

 

CMYK 0 / 2 / 14 / 25

HEX #C0BCA5

RGB 192 188 165

HSL 51.11, 0.18%, 0.7%

LAB 76, -2.54, 12.14

 

CMYK 0 / 1 / 2 / 29

HEX #B4B3B1

RGB 180 179 177

HSL 40, 0.02%, 0.7%

LAB 72.97, -0.01, 1.13

 

CMYK 12 / 11 / 0 / 25

HEX #A7AABE

RGB 167 170 190

HSL 232.17, 0.15%, 0.7%

LAB 69.95, 2.97, -10.58

 

CMYK 0 / 24 / 35 / 15

HEX #D9A48C

RGB 217 164 140

HSL 18.7, 0.5%, 0.7%

LAB 71.69, 16.37, 20.05

 

CMYK 0 / 15 / 35 / 15

HEX #D9B98C

RGB 217 185 140

HSL 35.06, 0.5%, 0.7%

LAB 76.89, 5.12, 27.11

 

CMYK 0 / 6 / 35 / 15

HEX #D9CD8C

RGB 217 205 140

HSL 50.65, 0.5%, 0.7%

LAB 82.01, -5.33, 33.9

 

CMYK 4 / 0 / 35 / 15

HEX #D0D98C

RGB 208 217 140

HSL 67.01, 0.5%, 0.7%

LAB 84.45, -14.9, 36.95

 

CMYK 14 / 0 / 35 / 15

HEX #BBD98C

RGB 187 217 140

HSL 83.38, 0.5%, 0.7%

LAB 82.96, -22.81, 34.72

 

CMYK 0 / 9 / 60 / 23

HEX #C4B34E

RGB 196 179 78

HSL 51.36, 0.5%, 0.54%

LAB 72.58, -6.3, 52.55

 

CMYK 0 / 6 / 47 / 19

HEX #CEC16D

RGB 206 193 109

HSL 51.96, 0.5%, 0.62%

LAB 77.5, -6.83, 43.7

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 0 / 4 / 25 / 11

HEX #E3DBAB

RGB 227 219 171

HSL 51.43, 0.5%, 0.78%

LAB 86.96, -4.75, 24.64

 

CMYK 0 / 2 / 15 / 7

HEX #EDE8CA

RGB 237 232 202

HSL 51.43, 0.49%, 0.86%

LAB 91.68, -3.23, 15.21

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 35 / 0 / 34 / 15

HEX #8CD990

RGB 140 217 144

HSL 123.12, 0.5%, 0.7%

LAB 80.3, -38.34, 28.66

 

CMYK 19 / 35 / 0 / 15

HEX #AF8CD9

RGB 175 140 217

HSL 267.27, 0.5%, 0.7%

LAB 64.06, 28.28, -34.5

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 35 / 0 / 6 / 15

HEX #8CD9CD

RGB 140 217 205

HSL 170.65, 0.5%, 0.7%

LAB 81.63, -26.4, -1.63

 

CMYK 6 / 35 / 0 / 15

HEX #CD8CD9

RGB 205 140 217

HSL 290.65, 0.5%, 0.7%

LAB 67.09, 37.48, -29.57

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 35 / 0 / 34 / 15

HEX #8CD990

RGB 140 217 144

HSL 123.12, 0.5%, 0.7%

LAB 80.3, -38.34, 28.66

 

CMYK 35 / 30 / 0 / 15

HEX #8C98D9

RGB 140 152 217

HSL 230.65, 0.5%, 0.7%

LAB 64.19, 11.23, -34.51

 

CMYK 0 / 35 / 2 / 15

HEX #D98CD5

RGB 217 140 213

HSL 303.12, 0.5%, 0.7%

LAB 68.25, 40.49, -25.45

 

CMYK 0 / 5 / 35 / 15

HEX #D9CE8C

RGB 217 206 140

HSL 51.43, 0.5%, 0.7%

LAB 82.26, -5.84, 34.24

 

CMYK 35 / 0 / 23 / 15

HEX #8CD9A7

RGB 140 217 167

HSL 141.04, 0.5%, 0.7%

LAB 80.73, -34.3, 17.25

 

CMYK 35 / 30 / 0 / 15

HEX #8C98D9

RGB 140 152 217

HSL 230.65, 0.5%, 0.7%

LAB 64.19, 11.23, -34.51

 

CMYK 0 / 35 / 12 / 15

HEX #D98CBE

RGB 217 140 190

HSL 321.04, 0.5%, 0.7%

LAB 67.45, 36.51, -13.86

 

Description

Color code: HEX #D9CE8C | qconv.com Color code: HEX #D9CE8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 206 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 206 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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