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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9CBB8 it is the complementary color #263447. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9CBB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9CBB8 shade: #DECBB3, #EFDDC6, #FFEFD9, #FFFFEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9CBB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9CBB8 shade: #D9CBB8, #C8B9A5, #B7A792, #A6957F and #95836C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9CBB8 shade: #D9CBB9, #D9C3B9, #D9BAB9 and #D9B9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9CBB8 shade: #D9CBB9, #D9D4B9, #D5D9B9, #CDD9B9 and #C4D9B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9CBB8 shade matches the following richer shades: #D9CBB9, #E2CDB0, #EACEA8, #F3CF9F and #FCD196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9CBB8 shade: #D9CBB9, #D0CAC2, #C8C9CA, #BFC7D3 and #B6C6DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9CBB8 shade: #D9BAB9, #D9C3B9, #D9CBB9, #D9D4B9 and #D6D9B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9CBB8 shade: #BCA483, #CBB89E, #D9CBB9, #E7DFD4 and #F6F3EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9CBB8 shade: #D9CBB8, #C0D9B9 and #BEB9D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9CBB8 shade: #D9CBB8, #B9D9CB and #CBB9D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9CBB8 shade: #D9CBB8, #C0D9B9, #B9C7D9 and #D2B9D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9CBB8 shade: #D9CBB8, #B9D9BB, #B9C7D9 and #D9B9D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 15 / 15

HEX #D9CBB8

RGB 217 203 184

HSL 34.55, 0.3%, 0.79%

LAB 82.34, 1.74, 11.22

 

Complementary color

CMYK 46 / 27 / 0 / 72

HEX #263447

RGB 38 52 71

HSL 214.55, 0.3%, 0.21%

LAB 21.29, 0.11, -13.61

 

CMYK 0 / 9 / 19 / 13

HEX #DECBB3

RGB 222 203 179

HSL 33.49, 0.39%, 0.79%

LAB 82.64, 2.81, 14.37

 

CMYK 0 / 8 / 17 / 6

HEX #EFDDC6

RGB 239 221 198

HSL 33.66, 0.56%, 0.86%

LAB 88.99, 2.51, 13.52

 

CMYK 0 / 6 / 15 / 0

HEX #FFEFD9

RGB 255 239 217

HSL 34.74, 1%, 0.93%

LAB 95.16, 1.88, 12.57

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB8

RGB 217 203 184

HSL 34.55, 0.3%, 0.79%

LAB 82.34, 1.74, 11.22

 

CMYK 0 / 8 / 18 / 22

HEX #C8B9A5

RGB 200 185 165

HSL 34.29, 0.24%, 0.72%

LAB 75.88, 2.02, 12.07

 

CMYK 0 / 9 / 20 / 28

HEX #B7A792

RGB 183 167 146

HSL 34.05, 0.2%, 0.65%

LAB 69.31, 2.34, 12.96

 

CMYK 0 / 10 / 23 / 35

HEX #A6957F

RGB 166 149 127

HSL 33.85, 0.18%, 0.57%

LAB 62.62, 2.7, 13.92

 

CMYK 0 / 12 / 28 / 42

HEX #95836C

RGB 149 131 108

HSL 33.66, 0.16%, 0.5%

LAB 55.79, 3.11, 14.96

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB9

RGB 217 203 185

HSL 33.75, 0.3%, 0.79%

LAB 82.36, 1.9, 10.72

 

CMYK 0 / 10 / 15 / 15

HEX #D9C3B9

RGB 217 195 185

HSL 18.75, 0.3%, 0.79%

LAB 80.34, 6.11, 7.83

 

CMYK 0 / 14 / 15 / 15

HEX #D9BAB9

RGB 217 186 185

HSL 1.87, 0.3%, 0.79%

LAB 78.09, 10.9, 4.6

 

CMYK 0 / 15 / 15 / 15

HEX #D9B9B9

RGB 217 185 185

HSL 0, 0.3%, 0.79%

LAB 77.85, 11.44, 4.25

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB9

RGB 217 203 185

HSL 33.75, 0.3%, 0.79%

LAB 82.36, 1.9, 10.72

 

CMYK 0 / 2 / 15 / 15

HEX #D9D4B9

RGB 217 212 185

HSL 50.63, 0.3%, 0.79%

LAB 84.66, -2.79, 13.98

 

CMYK 2 / 0 / 15 / 15

HEX #D5D9B9

RGB 213 217 185

HSL 67.5, 0.3%, 0.79%

LAB 85.64, -6.8, 15.32

 

CMYK 6 / 0 / 15 / 15

HEX #CDD9B9

RGB 205 217 185

HSL 82.5, 0.3%, 0.79%

LAB 85.05, -9.66, 14.4

 

CMYK 10 / 0 / 15 / 15

HEX #C4D9B9

RGB 196 217 185

HSL 99.38, 0.3%, 0.79%

LAB 84.41, -12.82, 13.41

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB9

RGB 217 203 185

HSL 33.75, 0.3%, 0.79%

LAB 82.36, 1.9, 10.72

 

CMYK 0 / 9 / 22 / 11

HEX #E2CDB0

RGB 226 205 176

HSL 34.8, 0.46%, 0.79%

LAB 83.42, 2.81, 17.11

 

CMYK 0 / 12 / 28 / 8

HEX #EACEA8

RGB 234 206 168

HSL 34.55, 0.61%, 0.79%

LAB 84.21, 4.19, 22.52

 

CMYK 0 / 15 / 35 / 5

HEX #F3CF9F

RGB 243 207 159

HSL 34.29, 0.78%, 0.79%

LAB 85.09, 5.98, 28.56

 

CMYK 0 / 17 / 40 / 1

HEX #FCD196

RGB 252 209 150

HSL 34.71, 0.94%, 0.79%

LAB 86.26, 7.42, 34.91

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB9

RGB 217 203 185

HSL 33.75, 0.3%, 0.79%

LAB 82.36, 1.9, 10.72

 

CMYK 0 / 3 / 7 / 18

HEX #D0CAC2

RGB 208 202 194

HSL 34.29, 0.13%, 0.79%

LAB 81.59, 0.68, 4.72

 

CMYK 1 / 0 / 0 / 21

HEX #C8C9CA

RGB 200 201 202

HSL 210, 0.02%, 0.79%

LAB 80.91, -0.16, -0.63

 

CMYK 9 / 6 / 0 / 17

HEX #BFC7D3

RGB 191 199 211

HSL 216, 0.19%, 0.79%

LAB 79.97, -0.4, -6.93

 

CMYK 17 / 10 / 0 / 14

HEX #B6C6DC

RGB 182 198 220

HSL 214.74, 0.35%, 0.79%

LAB 79.33, -0.91, -12.79

 

CMYK 0 / 14 / 15 / 15

HEX #D9BAB9

RGB 217 186 185

HSL 1.87, 0.3%, 0.79%

LAB 78.09, 10.9, 4.6

 

CMYK 0 / 10 / 15 / 15

HEX #D9C3B9

RGB 217 195 185

HSL 18.75, 0.3%, 0.79%

LAB 80.34, 6.11, 7.83

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB9

RGB 217 203 185

HSL 33.75, 0.3%, 0.79%

LAB 82.36, 1.9, 10.72

 

CMYK 0 / 2 / 15 / 15

HEX #D9D4B9

RGB 217 212 185

HSL 50.63, 0.3%, 0.79%

LAB 84.66, -2.79, 13.98

 

CMYK 1 / 0 / 15 / 15

HEX #D6D9B9

RGB 214 217 185

HSL 65.63, 0.3%, 0.79%

LAB 85.72, -6.44, 15.44

 

CMYK 0 / 13 / 30 / 26

HEX #BCA483

RGB 188 164 131

HSL 34.74, 0.3%, 0.63%

LAB 68.66, 3.77, 20.37

 

CMYK 0 / 9 / 22 / 20

HEX #CBB89E

RGB 203 184 158

HSL 34.67, 0.3%, 0.71%

LAB 75.73, 2.63, 15.67

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB9

RGB 217 203 185

HSL 33.75, 0.3%, 0.79%

LAB 82.36, 1.9, 10.72

 

CMYK 0 / 3 / 8 / 9

HEX #E7DFD4

RGB 231 223 212

HSL 34.74, 0.28%, 0.87%

LAB 89.17, 0.85, 6.34

 

CMYK 0 / 1 / 3 / 4

HEX #F6F3EF

RGB 246 243 239

HSL 34.29, 0.28%, 0.95%

LAB 95.97, 0.31, 2.27

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB8

RGB 217 203 184

HSL 34.55, 0.3%, 0.79%

LAB 82.34, 1.74, 11.22

 

CMYK 12 / 0 / 15 / 15

HEX #C0D9B9

RGB 192 217 185

HSL 106.88, 0.3%, 0.79%

LAB 84.14, -14.2, 12.99

 

CMYK 12 / 15 / 0 / 15

HEX #BEB9D9

RGB 190 185 217

HSL 249.38, 0.3%, 0.79%

LAB 76.47, 8.01, -15.4

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB8

RGB 217 203 184

HSL 34.55, 0.3%, 0.79%

LAB 82.34, 1.74, 11.22

 

CMYK 15 / 0 / 6 / 15

HEX #B9D9CB

RGB 185 217 203

HSL 153.75, 0.3%, 0.79%

LAB 84.1, -13.29, 3.34

 

CMYK 6 / 15 / 0 / 15

HEX #CBB9D9

RGB 203 185 217

HSL 273.75, 0.3%, 0.79%

LAB 77.52, 12.28, -13.71

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB8

RGB 217 203 184

HSL 34.55, 0.3%, 0.79%

LAB 82.34, 1.74, 11.22

 

CMYK 12 / 0 / 15 / 15

HEX #C0D9B9

RGB 192 217 185

HSL 106.88, 0.3%, 0.79%

LAB 84.14, -14.2, 12.99

 

CMYK 15 / 8 / 0 / 15

HEX #B9C7D9

RGB 185 199 217

HSL 213.75, 0.3%, 0.79%

LAB 79.71, -1.12, -10.58

 

CMYK 3 / 15 / 0 / 15

HEX #D2B9D9

RGB 210 185 217

HSL 286.88, 0.3%, 0.79%

LAB 78.12, 14.62, -12.76

 

CMYK 0 / 6 / 15 / 15

HEX #D9CBB8

RGB 217 203 184

HSL 34.55, 0.3%, 0.79%

LAB 82.34, 1.74, 11.22

 

CMYK 15 / 0 / 14 / 15

HEX #B9D9BB

RGB 185 217 187

HSL 123.75, 0.3%, 0.79%

LAB 83.72, -16.25, 11.27

 

CMYK 15 / 8 / 0 / 15

HEX #B9C7D9

RGB 185 199 217

HSL 213.75, 0.3%, 0.79%

LAB 79.71, -1.12, -10.58

 

CMYK 0 / 15 / 1 / 15

HEX #D9B9D7

RGB 217 185 215

HSL 303.75, 0.3%, 0.79%

LAB 78.67, 16.6, -10.79

 

Description

Color code: HEX #D9CBB8 | qconv.com Color code: HEX #D9CBB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 203 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 203 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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