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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C9D9 it is the complementary color #263626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C9D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C9D9 shade: #DEC9D4, #EFDBE7, #FFEDFA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C9D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C9D9 shade: #D9C9D9, #C8B7C6, #B7A5B3, #A693A0 and #95818D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C9D9 shade: #D9C9D9, #D9C9D5, #D9C9D0, #D9C9CC and #D9C9C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C9D9 shade: #D9C9D9, #D5C9D9, #D0C9D9, #CCC9D9 and #C9C9D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C9D9 shade matches the following richer shades: #D9C9D9, #E0C2E0, #E8BAE8, #EFB3EF and #F7ACF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C9D9 shade: #D9C9D9, #D1D1D1, #CAD8CA, #C3E0C3 and #BBE7BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C9D9 shade: #D1C9D9, #D5C9D9, #D9C9D9, #D9C9D5 and #D9C9D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C9D9 shade: #B799B7, #C8B1C8, #D9C9D9, #EAE1EA and #FBFAFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C9D9 shade: #D9C9D9, #D9CCC9 and #C9D9D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C9D9 shade: #D9C9D9, #D9D9C9 and #C9D9D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C9D9 shade: #D9C9D9, #D9CCC9, #C9D9C9 and #C9D6D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C9D9 shade: #D9C9D9, #D9D1C9, #C9D9C9 and #C9D1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

Complementary color

CMYK 30 / 0 / 30 / 79

HEX #263626

RGB 38 54 38

HSL 120, 0.17%, 0.18%

LAB 20.79, -10.51, 7.99

 

CMYK 0 / 9 / 5 / 13

HEX #DEC9D4

RGB 222 201 212

HSL 328.57, 0.24%, 0.83%

LAB 82.94, 9.23, -2.8

 

CMYK 0 / 8 / 3 / 6

HEX #EFDBE7

RGB 239 219 231

HSL 324, 0.38%, 0.9%

LAB 89.29, 8.92, -3.38

 

CMYK 0 / 7 / 2 / 0

HEX #FFEDFA

RGB 255 237 250

HSL 316.67, 1%, 0.96%

LAB 95.47, 8.29, -4.08

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 9 / 1 / 22

HEX #C8B7C6

RGB 200 183 198

HSL 307.06, 0.13%, 0.75%

LAB 76.21, 8.72, -5.39

 

CMYK 0 / 10 / 2 / 28

HEX #B7A5B3

RGB 183 165 179

HSL 313.33, 0.11%, 0.68%

LAB 69.63, 9.05, -4.83

 

CMYK 0 / 11 / 4 / 35

HEX #A693A0

RGB 166 147 160

HSL 318.95, 0.1%, 0.61%

LAB 62.94, 9.41, -4.25

 

CMYK 0 / 13 / 5 / 42

HEX #95818D

RGB 149 129 141

HSL 324, 0.09%, 0.55%

LAB 56.1, 9.8, -3.64

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 7 / 2 / 15

HEX #D9C9D5

RGB 217 201 213

HSL 315, 0.17%, 0.82%

LAB 82.56, 7.68, -3.95

 

CMYK 0 / 7 / 4 / 15

HEX #D9C9D0

RGB 217 201 208

HSL 333.75, 0.17%, 0.82%

LAB 82.42, 6.79, -1.48

 

CMYK 0 / 7 / 6 / 15

HEX #D9C9CC

RGB 217 201 204

HSL 348.75, 0.17%, 0.82%

LAB 82.32, 6.09, 0.51

 

CMYK 0 / 7 / 7 / 15

HEX #D9C9C9

RGB 217 201 201

HSL 0, 0.17%, 0.82%

LAB 82.24, 5.58, 2

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 2 / 7 / 0 / 15

HEX #D5C9D9

RGB 213 201 217

HSL 285, 0.17%, 0.82%

LAB 82.34, 7.06, -6.45

 

CMYK 4 / 7 / 0 / 15

HEX #D0C9D9

RGB 208 201 217

HSL 266.25, 0.17%, 0.82%

LAB 81.94, 5.37, -7.08

 

CMYK 6 / 7 / 0 / 15

HEX #CCC9D9

RGB 204 201 217

HSL 251.25, 0.17%, 0.82%

LAB 81.63, 4.03, -7.57

 

CMYK 7 / 7 / 0 / 15

HEX #C9C9D9

RGB 201 201 217

HSL 240, 0.17%, 0.82%

LAB 81.4, 3.04, -7.94

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 13 / 0 / 12

HEX #E0C2E0

RGB 224 194 224

HSL 300, 0.33%, 0.82%

LAB 81.74, 15.79, -10.99

 

CMYK 0 / 20 / 0 / 9

HEX #E8BAE8

RGB 232 186 232

HSL 300, 0.5%, 0.82%

LAB 80.79, 24.21, -16.62

 

CMYK 0 / 25 / 0 / 6

HEX #EFB3EF

RGB 239 179 239

HSL 300, 0.65%, 0.82%

LAB 80.08, 31.51, -21.4

 

CMYK 0 / 30 / 0 / 3

HEX #F7ACF7

RGB 247 172 247

HSL 300, 0.82%, 0.82%

LAB 79.61, 39.2, -26.34

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D1

RGB 209 209 209

HSL 0, 0%, 0.82%

LAB 83.84, 0, -0.01

 

CMYK 6 / 0 / 6 / 15

HEX #CAD8CA

RGB 202 216 202

HSL 120, 0.15%, 0.82%

LAB 84.96, -7.28, 5.27

 

CMYK 13 / 0 / 13 / 12

HEX #C3E0C3

RGB 195 224 195

HSL 120, 0.32%, 0.82%

LAB 86.43, -14.97, 11.01

 

CMYK 19 / 0 / 19 / 9

HEX #BBE7BB

RGB 187 231 187

HSL 120, 0.48%, 0.82%

LAB 87.63, -22.5, 16.81

 

CMYK 4 / 7 / 0 / 15

HEX #D1C9D9

RGB 209 201 217

HSL 270, 0.17%, 0.82%

LAB 82.02, 5.71, -6.95

 

CMYK 2 / 7 / 0 / 15

HEX #D5C9D9

RGB 213 201 217

HSL 285, 0.17%, 0.82%

LAB 82.34, 7.06, -6.45

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 7 / 2 / 15

HEX #D9C9D5

RGB 217 201 213

HSL 315, 0.17%, 0.82%

LAB 82.56, 7.68, -3.95

 

CMYK 0 / 7 / 4 / 15

HEX #D9C9D1

RGB 217 201 209

HSL 330, 0.17%, 0.82%

LAB 82.45, 6.97, -1.97

 

CMYK 0 / 16 / 0 / 28

HEX #B799B7

RGB 183 153 183

HSL 300, 0.17%, 0.66%

LAB 66.72, 16.45, -11.38

 

CMYK 0 / 12 / 0 / 22

HEX #C8B1C8

RGB 200 177 200

HSL 300, 0.17%, 0.74%

LAB 74.76, 12.34, -8.62

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 4 / 0 / 8

HEX #EAE1EA

RGB 234 225 234

HSL 300, 0.18%, 0.9%

LAB 90.45, 4.64, -3.3

 

CMYK 0 / 0 / 0 / 2

HEX #FBFAFB

RGB 251 250 251

HSL 300, 0.11%, 0.98%

LAB 98.37, 0.51, -0.37

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 6 / 7 / 15

HEX #D9CCC9

RGB 217 204 201

HSL 11.25, 0.17%, 0.82%

LAB 83, 3.99, 3.1

 

CMYK 7 / 0 / 3 / 15

HEX #C9D9D3

RGB 201 217 211

HSL 157.5, 0.17%, 0.82%

LAB 85.38, -6.48, 1.1

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 0 / 7 / 15

HEX #D9D9C9

RGB 217 217 201

HSL 60, 0.17%, 0.82%

LAB 86.3, -2.78, 7.87

 

CMYK 7 / 0 / 0 / 15

HEX #C9D9D9

RGB 201 217 217

HSL 180, 0.17%, 0.82%

LAB 85.53, -5.35, -1.85

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 6 / 7 / 15

HEX #D9CCC9

RGB 217 204 201

HSL 11.25, 0.17%, 0.82%

LAB 83, 3.99, 3.1

 

CMYK 7 / 0 / 7 / 15

HEX #C9D9C9

RGB 201 217 201

HSL 120, 0.17%, 0.82%

LAB 85.13, -8.31, 6.03

 

CMYK 7 / 1 / 0 / 15

HEX #C9D6D9

RGB 201 214 217

HSL 191.25, 0.17%, 0.82%

LAB 84.75, -3.79, -3

 

CMYK 0 / 7 / 0 / 15

HEX #D9C9D9

RGB 217 201 217

HSL 300, 0.17%, 0.82%

LAB 82.67, 8.41, -5.93

 

CMYK 0 / 4 / 7 / 15

HEX #D9D1C9

RGB 217 209 201

HSL 30, 0.17%, 0.82%

LAB 84.26, 1.37, 4.93

 

CMYK 7 / 0 / 7 / 15

HEX #C9D9C9

RGB 201 217 201

HSL 120, 0.17%, 0.82%

LAB 85.13, -8.31, 6.03

 

CMYK 7 / 4 / 0 / 15

HEX #C9D1D9

RGB 201 209 217

HSL 210, 0.17%, 0.82%

LAB 83.46, -1.18, -4.9

 

Description

Color code: HEX #D9C9D9 | qconv.com Color code: HEX #D9C9D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 201 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 201 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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