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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C939 it is the complementary color #2636C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C939. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C939 shade: #DEC934, #EFDB47, #FFED5A, #FFFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C939. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C939 shade: #D9C939, #C8B726, #B7A513, #A69300 and #958100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C939 shade: #D9C939, #D99E39, #D97339, #D94839 and #D93939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C939 shade: #D9C939, #BED939, #93D939, #68D939 and #3DD939

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C939 shade matches the following richer shades: #D9C939 and #ECD826

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C939 shade: #D9C939, #C6BA4C, #B3AB5F, #A09B72 and #8D8C85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C939 shade: #D97439, #D99E39, #D9C939, #BED939 and #94D939

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C939 shade: #A2941E, #C4B425, #D9C939, #E0D25C and #E6DC7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C939 shade: #D9C939, #39D949 and #8939D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C939 shade: #D9C939, #39D9C9 and #C939D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C939 shade: #D9C939, #39D949, #3949D9 and #D939C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C939 shade: #D9C939, #39D979, #3949D9 and #D93999

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

Complementary color

CMYK 81 / 73 / 0 / 22

HEX #2636C6

RGB 38 54 198

HSL 234, 0.68%, 0.46%

LAB 32.1, 45.68, -75.54

 

CMYK 0 / 9 / 77 / 13

HEX #DEC934

RGB 222 201 52

HSL 52.59, 0.72%, 0.54%

LAB 80.49, -7.93, 71.45

 

CMYK 0 / 8 / 70 / 6

HEX #EFDB47

RGB 239 219 71

HSL 52.86, 0.84%, 0.61%

LAB 86.74, -9.04, 71.37

 

CMYK 0 / 7 / 65 / 0

HEX #FFED5A

RGB 255 237 90

HSL 53.45, 1%, 0.68%

LAB 92.82, -10.41, 70.73

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 0 / 9 / 81 / 22

HEX #C8B726

RGB 200 183 38

HSL 53.7, 0.68%, 0.47%

LAB 73.73, -8.66, 68.89

 

CMYK 0 / 10 / 90 / 28

HEX #B7A513

RGB 183 165 19

HSL 53.41, 0.81%, 0.4%

LAB 67.3, -7.25, 67.43

 

CMYK 0 / 11 / 100 / 35

HEX #A69300

RGB 166 147 0

HSL 53.13, 1%, 0.33%

LAB 60.76, -5.62, 64.69

 

CMYK 0 / 13 / 100 / 42

HEX #958100

RGB 149 129 0

HSL 51.95, 1%, 0.29%

LAB 54.12, -3.65, 59.2

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 0 / 27 / 74 / 15

HEX #D99E39

RGB 217 158 57

HSL 37.88, 0.68%, 0.54%

LAB 69.11, 12.7, 58.66

 

CMYK 0 / 47 / 74 / 15

HEX #D97339

RGB 217 115 57

HSL 21.75, 0.68%, 0.54%

LAB 59.26, 35.64, 48.61

 

CMYK 0 / 67 / 74 / 15

HEX #D94839

RGB 217 72 57

HSL 5.63, 0.68%, 0.54%

LAB 51.48, 55.8, 40.23

 

CMYK 0 / 74 / 74 / 15

HEX #D93939

RGB 217 57 57

HSL 0, 0.68%, 0.54%

LAB 49.46, 61.32, 37.98

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 12 / 0 / 74 / 15

HEX #BED939

RGB 190 217 57

HSL 70.13, 0.68%, 0.54%

LAB 82.31, -28.95, 70.63

 

CMYK 32 / 0 / 74 / 15

HEX #93D939

RGB 147 217 57

HSL 86.25, 0.68%, 0.54%

LAB 79.68, -45.44, 67.2

 

CMYK 52 / 0 / 74 / 15

HEX #68D939

RGB 104 217 57

HSL 102.38, 0.68%, 0.54%

LAB 77.79, -59.15, 64.7

 

CMYK 72 / 0 / 74 / 15

HEX #3DD939

RGB 61 217 57

HSL 118.5, 0.68%, 0.54%

LAB 76.63, -68.65, 63.15

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 0 / 8 / 84 / 7

HEX #ECD826

RGB 236 216 38

HSL 53.94, 0.84%, 0.54%

LAB 85.55, -9.98, 80.14

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 0 / 6 / 62 / 22

HEX #C6BA4C

RGB 198 186 76

HSL 54.1, 0.52%, 0.54%

LAB 74.6, -9.22, 55.72

 

CMYK 0 / 4 / 47 / 30

HEX #B3AB5F

RGB 179 171 95

HSL 54.29, 0.36%, 0.54%

LAB 69.14, -7.84, 39.94

 

CMYK 0 / 3 / 29 / 37

HEX #A09B72

RGB 160 155 114

HSL 53.48, 0.19%, 0.54%

LAB 63.45, -4.87, 22.21

 

CMYK 0 / 1 / 6 / 45

HEX #8D8C85

RGB 141 140 133

HSL 52.5, 0.03%, 0.54%

LAB 58.14, -0.96, 3.86

 

CMYK 0 / 47 / 74 / 15

HEX #D97439

RGB 217 116 57

HSL 22.13, 0.68%, 0.54%

LAB 59.47, 35.12, 48.83

 

CMYK 0 / 27 / 74 / 15

HEX #D99E39

RGB 217 158 57

HSL 37.88, 0.68%, 0.54%

LAB 69.11, 12.7, 58.66

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 12 / 0 / 74 / 15

HEX #BED939

RGB 190 217 57

HSL 70.13, 0.68%, 0.54%

LAB 82.31, -28.95, 70.63

 

CMYK 32 / 0 / 74 / 15

HEX #94D939

RGB 148 217 57

HSL 85.88, 0.68%, 0.54%

LAB 79.74, -45.08, 67.26

 

CMYK 0 / 9 / 81 / 36

HEX #A2941E

RGB 162 148 30

HSL 53.64, 0.69%, 0.38%

LAB 60.74, -7.36, 58.56

 

CMYK 0 / 8 / 81 / 23

HEX #C4B425

RGB 196 180 37

HSL 53.96, 0.68%, 0.46%

LAB 72.57, -8.89, 68.03

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 0 / 6 / 59 / 12

HEX #E0D25C

RGB 224 210 92

HSL 53.64, 0.68%, 0.62%

LAB 83.29, -9.52, 58.86

 

CMYK 0 / 4 / 45 / 10

HEX #E6DC7F

RGB 230 220 127

HSL 54.17, 0.67%, 0.7%

LAB 86.77, -9.22, 46.72

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 74 / 0 / 66 / 15

HEX #39D949

RGB 57 217 73

HSL 126, 0.68%, 0.54%

LAB 76.66, -67.91, 57.21

 

CMYK 37 / 74 / 0 / 15

HEX #8939D9

RGB 137 57 217

HSL 270, 0.68%, 0.54%

LAB 43.14, 62.43, -68.07

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 74 / 0 / 7 / 15

HEX #39D9C9

RGB 57 217 201

HSL 174, 0.68%, 0.54%

LAB 78.88, -43.72, -3.84

 

CMYK 7 / 74 / 0 / 15

HEX #C939D9

RGB 201 57 217

HSL 294, 0.68%, 0.54%

LAB 52.23, 74.47, -52.95

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 74 / 0 / 66 / 15

HEX #39D949

RGB 57 217 73

HSL 126, 0.68%, 0.54%

LAB 76.66, -67.91, 57.21

 

CMYK 74 / 66 / 0 / 15

HEX #3949D9

RGB 57 73 217

HSL 234, 0.68%, 0.54%

LAB 38.98, 42.49, -75.18

 

CMYK 0 / 74 / 7 / 15

HEX #D939C9

RGB 217 57 201

HSL 306, 0.68%, 0.54%

LAB 53.92, 75.26, -40.97

 

CMYK 0 / 7 / 74 / 15

HEX #D9C939

RGB 217 201 57

HSL 54, 0.68%, 0.54%

LAB 80.08, -9.86, 69.26

 

CMYK 74 / 0 / 44 / 15

HEX #39D979

RGB 57 217 121

HSL 144, 0.68%, 0.54%

LAB 77.21, -61.5, 35.79

 

CMYK 74 / 66 / 0 / 15

HEX #3949D9

RGB 57 73 217

HSL 234, 0.68%, 0.54%

LAB 38.98, 42.49, -75.18

 

CMYK 0 / 74 / 29 / 15

HEX #D93999

RGB 217 57 153

HSL 324, 0.68%, 0.54%

LAB 51.81, 68.89, -16.2

 

Description

Color code: HEX #D9C939 | qconv.com Color code: HEX #D9C939 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 201 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 201 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 74% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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