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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C841 it is the complementary color #2637BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C841 shade: #DEC83C, #EFDA4F, #FFEC62, #FFFE75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C841 shade: #D9C841, #C8B62E, #B7A41B, #A69208 and #958000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C841 shade: #D9C73F, #D99E3F, #D9753F, #D94B3F and #D93F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C841 shade: #D9C73F, #C0D93F, #97D93F, #6DD93F and #44D93F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C841 shade matches the following richer shades: #D9C73F, #EBD62C and #FEE41A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C841 shade: #D9C73F, #C6B951, #B3AB64, #A19C77 and #8E8E89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C841 shade: #D9753F, #D99E3F, #D9C73F, #C2D93F and #99D93F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C841 shade: #A59620, #C7B527, #D9C73F, #DFD161 and #E6DB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C841 shade: #D9C841, #3FD94C and #893FD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C841 shade: #D9C841, #3FD9C7 and #C73FD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C841 shade: #D9C841, #3FD94C, #3F51D9 and #D93FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C841 shade: #D9C841, #3FD97A, #3F51D9 and #D93F9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 70 / 15

HEX #D9C841

RGB 217 200 65

HSL 53.29, 0.67%, 0.55%

LAB 79.86, -8.98, 66.18

 

Complementary color

CMYK 80 / 71 / 0 / 25

HEX #2637BE

RGB 38 55 190

HSL 233.29, 0.67%, 0.45%

LAB 31.49, 42.31, -71.84

 

CMYK 0 / 10 / 73 / 13

HEX #DEC83C

RGB 222 200 60

HSL 51.85, 0.71%, 0.55%

LAB 80.27, -7.09, 68.55

 

CMYK 0 / 9 / 67 / 6

HEX #EFDA4F

RGB 239 218 79

HSL 52.13, 0.83%, 0.62%

LAB 86.53, -8.14, 68.13

 

CMYK 0 / 7 / 62 / 0

HEX #FFEC62

RGB 255 236 98

HSL 52.74, 1%, 0.69%

LAB 92.63, -9.44, 67.27

 

CMYK 0 / 0 / 54 / 0

HEX #FFFE75

RGB 255 254 117

HSL 59.57, 1%, 0.73%

LAB 97.4, -16.92, 64.44

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 8 / 70 / 15

HEX #D9C841

RGB 217 200 65

HSL 53.29, 0.67%, 0.55%

LAB 79.86, -8.98, 66.18

 

CMYK 0 / 9 / 77 / 22

HEX #C8B62E

RGB 200 182 46

HSL 52.99, 0.63%, 0.48%

LAB 73.5, -7.87, 66.27

 

CMYK 0 / 10 / 85 / 28

HEX #B7A41B

RGB 183 164 27

HSL 52.69, 0.74%, 0.41%

LAB 67.05, -6.54, 65.5

 

CMYK 0 / 12 / 95 / 35

HEX #A69208

RGB 166 146 8

HSL 52.41, 0.91%, 0.34%

LAB 60.5, -4.97, 63.3

 

CMYK 0 / 14 / 100 / 42

HEX #958000

RGB 149 128 0

HSL 51.54, 1%, 0.29%

LAB 53.84, -3.09, 59

 

CMYK 0 / 8 / 71 / 15

HEX #D9C73F

RGB 217 199 63

HSL 52.99, 0.67%, 0.55%

LAB 79.59, -8.57, 66.65

 

CMYK 0 / 27 / 71 / 15

HEX #D99E3F

RGB 217 158 63

HSL 37.01, 0.67%, 0.55%

LAB 69.16, 12.99, 56.17

 

CMYK 0 / 46 / 71 / 15

HEX #D9753F

RGB 217 117 63

HSL 21.04, 0.67%, 0.55%

LAB 59.74, 34.88, 46.18

 

CMYK 0 / 65 / 71 / 15

HEX #D94B3F

RGB 217 75 63

HSL 4.68, 0.67%, 0.55%

LAB 52, 54.84, 37.49

 

CMYK 0 / 71 / 71 / 15

HEX #D93F3F

RGB 217 63 63

HSL 0, 0.67%, 0.55%

LAB 50.29, 59.5, 35.51

 

CMYK 0 / 8 / 71 / 15

HEX #D9C73F

RGB 217 199 63

HSL 52.99, 0.67%, 0.55%

LAB 79.59, -8.57, 66.65

 

CMYK 12 / 0 / 71 / 15

HEX #C0D93F

RGB 192 217 63

HSL 69.74, 0.67%, 0.55%

LAB 82.48, -27.85, 68.82

 

CMYK 30 / 0 / 71 / 15

HEX #97D93F

RGB 151 217 63

HSL 85.71, 0.67%, 0.55%

LAB 79.93, -43.64, 65.45

 

CMYK 50 / 0 / 71 / 15

HEX #6DD93F

RGB 109 217 63

HSL 102.08, 0.67%, 0.55%

LAB 78.01, -57.34, 62.88

 

CMYK 69 / 0 / 71 / 15

HEX #44D93F

RGB 68 217 63

HSL 118.05, 0.67%, 0.55%

LAB 76.81, -66.97, 61.26

 

CMYK 0 / 8 / 71 / 15

HEX #D9C73F

RGB 217 199 63

HSL 52.99, 0.67%, 0.55%

LAB 79.59, -8.57, 66.65

 

CMYK 0 / 9 / 81 / 8

HEX #EBD62C

RGB 235 214 44

HSL 53.4, 0.83%, 0.55%

LAB 84.96, -9.24, 78.15

 

CMYK 0 / 10 / 90 / 0

HEX #FEE41A

RGB 254 228 26

HSL 53.16, 0.99%, 0.55%

LAB 90.15, -8.61, 86.75

 

CMYK 0 / 8 / 71 / 15

HEX #D9C73F

RGB 217 199 63

HSL 52.99, 0.67%, 0.55%

LAB 79.59, -8.57, 66.65

 

CMYK 0 / 7 / 59 / 22

HEX #C6B951

RGB 198 185 81

HSL 53.33, 0.51%, 0.55%

LAB 74.38, -8.36, 53.24

 

CMYK 0 / 4 / 44 / 30

HEX #B3AB64

RGB 179 171 100

HSL 53.92, 0.34%, 0.55%

LAB 69.2, -7.34, 37.47

 

CMYK 0 / 3 / 26 / 37

HEX #A19C77

RGB 161 156 119

HSL 52.86, 0.18%, 0.55%

LAB 63.91, -4.31, 20.08

 

CMYK 0 / 0 / 4 / 44

HEX #8E8E89

RGB 142 142 137

HSL 60, 0.02%, 0.55%

LAB 58.88, -0.96, 2.65

 

CMYK 0 / 46 / 71 / 15

HEX #D9753F

RGB 217 117 63

HSL 21.04, 0.67%, 0.55%

LAB 59.74, 34.88, 46.18

 

CMYK 0 / 27 / 71 / 15

HEX #D99E3F

RGB 217 158 63

HSL 37.01, 0.67%, 0.55%

LAB 69.16, 12.99, 56.17

 

CMYK 0 / 8 / 71 / 15

HEX #D9C73F

RGB 217 199 63

HSL 52.99, 0.67%, 0.55%

LAB 79.59, -8.57, 66.65

 

CMYK 11 / 0 / 71 / 15

HEX #C2D93F

RGB 194 217 63

HSL 68.96, 0.67%, 0.55%

LAB 82.62, -27.04, 69

 

CMYK 29 / 0 / 71 / 15

HEX #99D93F

RGB 153 217 63

HSL 84.94, 0.67%, 0.55%

LAB 80.04, -42.92, 65.59

 

CMYK 0 / 9 / 81 / 35

HEX #A59620

RGB 165 150 32

HSL 53.23, 0.68%, 0.39%

LAB 61.58, -7.01, 58.79

 

CMYK 0 / 9 / 80 / 22

HEX #C7B527

RGB 199 181 39

HSL 53.25, 0.67%, 0.47%

LAB 73.11, -8.03, 68.04

 

CMYK 0 / 8 / 71 / 15

HEX #D9C73F

RGB 217 199 63

HSL 52.99, 0.67%, 0.55%

LAB 79.59, -8.57, 66.65

 

CMYK 0 / 6 / 57 / 13

HEX #DFD161

RGB 223 209 97

HSL 53.33, 0.66%, 0.63%

LAB 82.99, -9.06, 56.26

 

CMYK 0 / 5 / 43 / 10

HEX #E6DB84

RGB 230 219 132

HSL 53.27, 0.66%, 0.71%

LAB 86.58, -8.22, 44.02

 

CMYK 0 / 8 / 70 / 15

HEX #D9C841

RGB 217 200 65

HSL 53.29, 0.67%, 0.55%

LAB 79.86, -8.98, 66.18

 

CMYK 71 / 0 / 65 / 15

HEX #3FD94C

RGB 63 217 76

HSL 125.06, 0.67%, 0.55%

LAB 76.8, -66.66, 56.17

 

CMYK 37 / 71 / 0 / 15

HEX #893FD9

RGB 137 63 217

HSL 268.83, 0.67%, 0.55%

LAB 44.06, 59.82, -66.58

 

CMYK 0 / 8 / 70 / 15

HEX #D9C841

RGB 217 200 65

HSL 53.29, 0.67%, 0.55%

LAB 79.86, -8.98, 66.18

 

CMYK 71 / 0 / 8 / 15

HEX #3FD9C7

RGB 63 217 199

HSL 172.99, 0.67%, 0.55%

LAB 78.93, -43.53, -2.68

 

CMYK 8 / 71 / 0 / 15

HEX #C73FD9

RGB 199 63 217

HSL 292.99, 0.67%, 0.55%

LAB 52.63, 72.07, -52.34

 

CMYK 0 / 8 / 70 / 15

HEX #D9C841

RGB 217 200 65

HSL 53.29, 0.67%, 0.55%

LAB 79.86, -8.98, 66.18

 

CMYK 71 / 0 / 65 / 15

HEX #3FD94C

RGB 63 217 76

HSL 125.06, 0.67%, 0.55%

LAB 76.8, -66.66, 56.17

 

CMYK 71 / 63 / 0 / 15

HEX #3F51D9

RGB 63 81 217

HSL 232.99, 0.67%, 0.55%

LAB 41.14, 38.25, -71.62

 

CMYK 0 / 71 / 6 / 15

HEX #D93FCC

RGB 217 63 204

HSL 305.06, 0.67%, 0.55%

LAB 54.73, 73.83, -41.41

 

CMYK 0 / 8 / 70 / 15

HEX #D9C841

RGB 217 200 65

HSL 53.29, 0.67%, 0.55%

LAB 79.86, -8.98, 66.18

 

CMYK 71 / 0 / 44 / 15

HEX #3FD97A

RGB 63 217 122

HSL 142.99, 0.67%, 0.55%

LAB 77.33, -60.45, 35.48

 

CMYK 71 / 63 / 0 / 15

HEX #3F51D9

RGB 63 81 217

HSL 232.99, 0.67%, 0.55%

LAB 41.14, 38.25, -71.62

 

CMYK 0 / 71 / 27 / 15

HEX #D93F9E

RGB 217 63 158

HSL 322.99, 0.67%, 0.55%

LAB 52.7, 67.51, -17.8

 

Description

Color code: HEX #D9C841 | qconv.com Color code: HEX #D9C841 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 200 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 200 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 70 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 70% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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