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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C0CF it is the complementary color #263F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C0CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C0CF shade: #DEC0CA, #EFD2DD, #FFE4F0, #FFF6FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C0CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C0CF shade: #D9C0CF, #C8AEBC, #B79CA9, #A68A96 and #957883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C0CF shade: #D9BFCF, #D9BFC8, #D9BFC1 and #D9BFBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C0CF shade: #D9BFCF, #D9BFD5, #D5BFD9, #CEBFD9 and #C7BFD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C0CF shade matches the following richer shades: #D9BFCF, #E1B7D0, #E9AFD2, #F2A6D4 and #FA9ED5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C0CF shade: #D9BFCF, #D0C8CD, #C8D0CB, #C0D8CA and #B8E0C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C0CF shade: #D5BFD9, #D9BFD5, #D9BFCF, #D9BFC8 and #D9BFC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C0CF shade: #BA8CA7, #C9A5BB, #D9BFCF, #E8D9E2 and #F8F3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C0CF shade: #D9C0CF, #D9CFBF and #BFD9D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C0CF shade: #D9C0CF, #CFD9BF and #BFCFD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C0CF shade: #D9C0CF, #D9CFBF, #BFD9C9 and #BFC9D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C0CF shade: #D9C0CF, #D9D6BF, #BFD9C9 and #BFC2D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 5 / 15

HEX #D9C0CF

RGB 217 192 207

HSL 324, 0.25%, 0.8%

LAB 80.15, 11.4, -4.27

 

Complementary color

CMYK 40 / 0 / 24 / 75

HEX #263F30

RGB 38 63 48

HSL 144, 0.25%, 0.2%

LAB 24.26, -13.6, 6.19

 

CMYK 0 / 14 / 9 / 13

HEX #DEC0CA

RGB 222 192 202

HSL 340, 0.31%, 0.81%

LAB 80.46, 12.29, -1.08

 

CMYK 0 / 12 / 8 / 6

HEX #EFD2DD

RGB 239 210 221

HSL 337.24, 0.48%, 0.88%

LAB 86.83, 11.91, -1.71

 

CMYK 0 / 11 / 6 / 0

HEX #FFE4F0

RGB 255 228 240

HSL 333.33, 1%, 0.95%

LAB 93.03, 11.22, -2.45

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 12 / 5 / 15

HEX #D9C0CF

RGB 217 192 207

HSL 324, 0.25%, 0.8%

LAB 80.15, 11.4, -4.27

 

CMYK 0 / 13 / 6 / 22

HEX #C8AEBC

RGB 200 174 188

HSL 327.69, 0.19%, 0.73%

LAB 73.66, 11.78, -3.68

 

CMYK 0 / 15 / 8 / 28

HEX #B79CA9

RGB 183 156 169

HSL 331.11, 0.16%, 0.66%

LAB 67.06, 12.19, -3.06

 

CMYK 0 / 17 / 10 / 35

HEX #A68A96

RGB 166 138 150

HSL 334.29, 0.14%, 0.6%

LAB 60.33, 12.65, -2.41

 

CMYK 0 / 19 / 12 / 42

HEX #957883

RGB 149 120 131

HSL 337.24, 0.12%, 0.53%

LAB 53.45, 13.16, -1.72

 

CMYK 0 / 12 / 5 / 15

HEX #D9BFCF

RGB 217 191 207

HSL 323.08, 0.25%, 0.8%

LAB 79.91, 11.94, -4.63

 

CMYK 0 / 12 / 8 / 15

HEX #D9BFC8

RGB 217 191 200

HSL 339.23, 0.25%, 0.8%

LAB 79.72, 10.72, -1.14

 

CMYK 0 / 12 / 11 / 15

HEX #D9BFC1

RGB 217 191 193

HSL 355.38, 0.25%, 0.8%

LAB 79.54, 9.54, 2.37

 

CMYK 0 / 12 / 12 / 15

HEX #D9BFBF

RGB 217 191 191

HSL 0, 0.25%, 0.8%

LAB 79.49, 9.21, 3.38

 

CMYK 0 / 12 / 5 / 15

HEX #D9BFCF

RGB 217 191 207

HSL 323.08, 0.25%, 0.8%

LAB 79.91, 11.94, -4.63

 

CMYK 0 / 12 / 2 / 15

HEX #D9BFD5

RGB 217 191 213

HSL 309.23, 0.25%, 0.8%

LAB 80.08, 13.01, -7.61

 

CMYK 2 / 12 / 0 / 15

HEX #D5BFD9

RGB 213 191 217

HSL 290.77, 0.25%, 0.8%

LAB 79.85, 12.4, -10.14

 

CMYK 5 / 12 / 0 / 15

HEX #CEBFD9

RGB 206 191 217

HSL 274.62, 0.25%, 0.8%

LAB 79.27, 10.05, -11.07

 

CMYK 8 / 12 / 0 / 15

HEX #C7BFD9

RGB 199 191 217

HSL 258.46, 0.25%, 0.8%

LAB 78.7, 7.72, -11.98

 

CMYK 0 / 12 / 5 / 15

HEX #D9BFCF

RGB 217 191 207

HSL 323.08, 0.25%, 0.8%

LAB 79.91, 11.94, -4.63

 

CMYK 0 / 19 / 8 / 12

HEX #E1B7D0

RGB 225 183 208

HSL 324.29, 0.41%, 0.8%

LAB 78.71, 19.17, -6.86

 

CMYK 0 / 25 / 10 / 9

HEX #E9AFD2

RGB 233 175 210

HSL 323.79, 0.57%, 0.8%

LAB 77.66, 26.56, -9.42

 

CMYK 0 / 31 / 12 / 5

HEX #F2A6D4

RGB 242 166 212

HSL 323.68, 0.75%, 0.8%

LAB 76.62, 34.73, -11.96

 

CMYK 0 / 37 / 15 / 2

HEX #FA9ED5

RGB 250 158 213

HSL 324.13, 0.9%, 0.8%

LAB 75.81, 41.73, -13.63

 

CMYK 0 / 12 / 5 / 15

HEX #D9BFCF

RGB 217 191 207

HSL 323.08, 0.25%, 0.8%

LAB 79.91, 11.94, -4.63

 

CMYK 0 / 4 / 1 / 18

HEX #D0C8CD

RGB 208 200 205

HSL 322.5, 0.08%, 0.8%

LAB 81.36, 3.67, -1.51

 

CMYK 4 / 0 / 2 / 18

HEX #C8D0CB

RGB 200 208 203

HSL 142.5, 0.08%, 0.8%

LAB 82.76, -3.64, 1.52

 

CMYK 11 / 0 / 6 / 15

HEX #C0D8CA

RGB 192 216 202

HSL 145, 0.24%, 0.8%

LAB 84.27, -10.65, 4.18

 

CMYK 18 / 0 / 11 / 12

HEX #B8E0C8

RGB 184 224 200

HSL 144, 0.39%, 0.8%

LAB 85.84, -17.7, 7.44

 

CMYK 2 / 12 / 0 / 15

HEX #D5BFD9

RGB 213 191 217

HSL 290.77, 0.25%, 0.8%

LAB 79.85, 12.4, -10.14

 

CMYK 0 / 12 / 2 / 15

HEX #D9BFD5

RGB 217 191 213

HSL 309.23, 0.25%, 0.8%

LAB 80.08, 13.01, -7.61

 

CMYK 0 / 12 / 5 / 15

HEX #D9BFCF

RGB 217 191 207

HSL 323.08, 0.25%, 0.8%

LAB 79.91, 11.94, -4.63

 

CMYK 0 / 12 / 8 / 15

HEX #D9BFC8

RGB 217 191 200

HSL 339.23, 0.25%, 0.8%

LAB 79.72, 10.72, -1.14

 

CMYK 0 / 12 / 11 / 15

HEX #D9BFC1

RGB 217 191 193

HSL 355.38, 0.25%, 0.8%

LAB 79.54, 9.54, 2.37

 

CMYK 0 / 25 / 10 / 27

HEX #BA8CA7

RGB 186 140 167

HSL 324.78, 0.25%, 0.64%

LAB 63.33, 21.83, -7.42

 

CMYK 0 / 18 / 7 / 21

HEX #C9A5BB

RGB 201 165 187

HSL 323.33, 0.25%, 0.72%

LAB 71.5, 16.87, -6.32

 

CMYK 0 / 12 / 5 / 15

HEX #D9BFCF

RGB 217 191 207

HSL 323.08, 0.25%, 0.8%

LAB 79.91, 11.94, -4.63

 

CMYK 0 / 6 / 3 / 9

HEX #E8D9E2

RGB 232 217 226

HSL 324, 0.25%, 0.88%

LAB 88.1, 6.71, -2.57

 

CMYK 0 / 2 / 1 / 3

HEX #F8F3F6

RGB 248 243 246

HSL 324, 0.26%, 0.96%

LAB 96.29, 2.19, -0.86

 

CMYK 0 / 12 / 5 / 15

HEX #D9C0CF

RGB 217 192 207

HSL 324, 0.25%, 0.8%

LAB 80.15, 11.4, -4.27

 

CMYK 0 / 5 / 12 / 15

HEX #D9CFBF

RGB 217 207 191

HSL 36.92, 0.25%, 0.8%

LAB 83.52, 0.76, 9.18

 

CMYK 12 / 0 / 0 / 15

HEX #BFD9D9

RGB 191 217 217

HSL 180, 0.25%, 0.8%

LAB 84.85, -8.6, -2.93

 

CMYK 0 / 12 / 5 / 15

HEX #D9C0CF

RGB 217 192 207

HSL 324, 0.25%, 0.8%

LAB 80.15, 11.4, -4.27

 

CMYK 5 / 0 / 12 / 15

HEX #CFD9BF

RGB 207 217 191

HSL 83.08, 0.25%, 0.8%

LAB 85.33, -7.96, 11.66

 

CMYK 12 / 5 / 0 / 15

HEX #BFCFD9

RGB 191 207 217

HSL 203.08, 0.25%, 0.8%

LAB 82.22, -3.41, -6.8

 

CMYK 0 / 12 / 5 / 15

HEX #D9C0CF

RGB 217 192 207

HSL 324, 0.25%, 0.8%

LAB 80.15, 11.4, -4.27

 

CMYK 0 / 5 / 12 / 15

HEX #D9CFBF

RGB 217 207 191

HSL 36.92, 0.25%, 0.8%

LAB 83.52, 0.76, 9.18

 

CMYK 12 / 0 / 7 / 15

HEX #BFD9C9

RGB 191 217 201

HSL 143.08, 0.25%, 0.8%

LAB 84.44, -11.68, 4.95

 

CMYK 12 / 7 / 0 / 15

HEX #BFC9D9

RGB 191 201 217

HSL 216.92, 0.25%, 0.8%

LAB 80.66, -0.24, -9.12

 

CMYK 0 / 12 / 5 / 15

HEX #D9C0CF

RGB 217 192 207

HSL 324, 0.25%, 0.8%

LAB 80.15, 11.4, -4.27

 

CMYK 0 / 1 / 12 / 15

HEX #D9D6BF

RGB 217 214 191

HSL 53.08, 0.25%, 0.8%

LAB 85.3, -2.87, 11.73

 

CMYK 12 / 0 / 7 / 15

HEX #BFD9C9

RGB 191 217 201

HSL 143.08, 0.25%, 0.8%

LAB 84.44, -11.68, 4.95

 

CMYK 12 / 11 / 0 / 15

HEX #BFC2D9

RGB 191 194 217

HSL 233.08, 0.25%, 0.8%

LAB 78.85, 3.48, -11.82

 

Description

Color code: HEX #D9C0CF | qconv.com Color code: HEX #D9C0CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 192 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 192 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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