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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C086 it is the complementary color #263F79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C086. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C086 shade: #DEC081, #EFD294, #FFE4A7, #FFF6BA and #FFFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C086. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C086 shade: #D9C086, #C8AE73, #B79C60, #A68A4D and #95783A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C086 shade: #D9C086, #D9AA86, #D99386 and #D98686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C086 shade: #D9C086, #D9D686, #C5D986, #AFD986 and #99D986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C086 shade matches the following richer shades: #D9C086, #E5C57A and #F2CA6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C086 shade: #D9C086, #CCBB93, #BFB6A0, #B2B1AD and #A5ABBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C086 shade: #D99386, #D9A986, #D9BF86, #D9D486 and #C7D986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C086 shade: #C59F48, #CFAF67, #D9C086, #E2D0A6 and #ECE1C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C086 shade: #D9C086, #90D986 and #9E86D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C086 shade: #D9C086, #86D9BF and #BF86D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C086 shade: #D9C086, #90D986, #86A0D9 and #CF86D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C086 shade: #D9C086, #86D995, #86A0D9 and #D986C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

Complementary color

CMYK 69 / 48 / 0 / 53

HEX #263F79

RGB 38 63 121

HSL 221.93, 0.52%, 0.31%

LAB 27.7, 11.02, -36.03

 

CMYK 0 / 14 / 42 / 13

HEX #DEC081

RGB 222 192 129

HSL 40.65, 0.58%, 0.69%

LAB 78.93, 2.18, 35.66

 

CMYK 0 / 12 / 38 / 6

HEX #EFD294

RGB 239 210 148

HSL 40.88, 0.74%, 0.76%

LAB 85.29, 1.61, 34.46

 

CMYK 0 / 11 / 35 / 0

HEX #FFE4A7

RGB 255 228 167

HSL 41.59, 1%, 0.83%

LAB 91.48, 0.74, 33.19

 

CMYK 0 / 4 / 27 / 0

HEX #FFF6BA

RGB 255 246 186

HSL 52.17, 1%, 0.86%

LAB 96.29, -6, 30.02

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 0 / 13 / 43 / 22

HEX #C8AE73

RGB 200 174 115

HSL 41.65, 0.44%, 0.62%

LAB 72.09, 1.3, 33.71

 

CMYK 0 / 15 / 48 / 28

HEX #B79C60

RGB 183 156 96

HSL 41.38, 0.38%, 0.55%

LAB 65.51, 1.97, 35

 

CMYK 0 / 17 / 54 / 35

HEX #A68A4D

RGB 166 138 77

HSL 41.12, 0.37%, 0.48%

LAB 58.81, 2.77, 36.34

 

CMYK 0 / 19 / 61 / 42

HEX #95783A

RGB 149 120 58

HSL 40.88, 0.44%, 0.41%

LAB 51.98, 3.75, 37.7

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 0 / 22 / 38 / 15

HEX #D9AA86

RGB 217 170 134

HSL 26.02, 0.52%, 0.69%

LAB 73.04, 12.42, 25.15

 

CMYK 0 / 32 / 38 / 15

HEX #D99386

RGB 217 147 134

HSL 9.4, 0.52%, 0.69%

LAB 67.53, 24.83, 17.63

 

CMYK 0 / 38 / 38 / 15

HEX #D98686

RGB 217 134 134

HSL 0, 0.52%, 0.69%

LAB 64.58, 31.81, 13.53

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 0 / 1 / 38 / 15

HEX #D9D686

RGB 217 214 134

HSL 57.83, 0.52%, 0.69%

LAB 84.26, -10.59, 39.87

 

CMYK 9 / 0 / 38 / 15

HEX #C5D986

RGB 197 217 134

HSL 74.46, 0.52%, 0.69%

LAB 83.56, -19.81, 38.67

 

CMYK 19 / 0 / 38 / 15

HEX #AFD986

RGB 175 217 134

HSL 90.36, 0.52%, 0.69%

LAB 82.09, -27.98, 36.48

 

CMYK 29 / 0 / 38 / 15

HEX #99D986

RGB 153 217 134

HSL 106.27, 0.52%, 0.69%

LAB 80.81, -35.66, 34.57

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 0 / 14 / 47 / 10

HEX #E5C57A

RGB 229 197 122

HSL 42.06, 0.67%, 0.69%

LAB 80.74, 1.68, 41.66

 

CMYK 0 / 17 / 55 / 5

HEX #F2CA6D

RGB 242 202 109

HSL 41.95, 0.84%, 0.69%

LAB 83.03, 3.24, 51.14

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 0 / 8 / 28 / 20

HEX #CCBB93

RGB 204 187 147

HSL 42.11, 0.36%, 0.69%

LAB 76.37, -0.13, 22.48

 

CMYK 0 / 5 / 16 / 25

HEX #BFB6A0

RGB 191 182 160

HSL 42.58, 0.19%, 0.69%

LAB 74.23, -0.52, 12.34

 

CMYK 0 / 1 / 3 / 30

HEX #B2B1AD

RGB 178 177 173

HSL 48, 0.03%, 0.69%

LAB 72.18, -0.38, 2.16

 

CMYK 11 / 8 / 0 / 27

HEX #A5ABBA

RGB 165 171 186

HSL 222.86, 0.13%, 0.69%

LAB 69.94, 0.91, -8.4

 

CMYK 0 / 32 / 38 / 15

HEX #D99386

RGB 217 147 134

HSL 9.4, 0.52%, 0.69%

LAB 67.53, 24.83, 17.63

 

CMYK 0 / 22 / 38 / 15

HEX #D9A986

RGB 217 169 134

HSL 25.3, 0.52%, 0.69%

LAB 72.79, 12.96, 24.81

 

CMYK 0 / 12 / 38 / 15

HEX #D9BF86

RGB 217 191 134

HSL 41.2, 0.52%, 0.69%

LAB 78.31, 1.26, 32.15

 

CMYK 0 / 2 / 38 / 15

HEX #D9D486

RGB 217 212 134

HSL 56.39, 0.52%, 0.69%

LAB 83.74, -9.58, 39.2

 

CMYK 8 / 0 / 38 / 15

HEX #C7D986

RGB 199 217 134

HSL 73.01, 0.52%, 0.69%

LAB 83.7, -19.05, 38.88

 

CMYK 0 / 19 / 63 / 23

HEX #C59F48

RGB 197 159 72

HSL 41.76, 0.52%, 0.53%

LAB 67.38, 4.35, 49.57

 

CMYK 0 / 15 / 50 / 19

HEX #CFAF67

RGB 207 175 103

HSL 41.54, 0.52%, 0.61%

LAB 72.83, 2.47, 40.99

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 0 / 8 / 27 / 11

HEX #E2D0A6

RGB 226 208 166

HSL 42, 0.51%, 0.77%

LAB 83.98, -0.14, 23.15

 

CMYK 0 / 5 / 17 / 7

HEX #ECE1C5

RGB 236 225 197

HSL 43.08, 0.51%, 0.85%

LAB 89.73, -0.78, 15.05

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 34 / 0 / 38 / 15

HEX #90D986

RGB 144 217 134

HSL 112.77, 0.52%, 0.69%

LAB 80.33, -38.62, 33.86

 

CMYK 27 / 38 / 0 / 15

HEX #9E86D9

RGB 158 134 217

HSL 257.35, 0.52%, 0.69%

LAB 61.07, 26.69, -39.28

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 38 / 0 / 12 / 15

HEX #86D9BF

RGB 134 217 191

HSL 161.2, 0.52%, 0.69%

LAB 80.99, -31.14, 4.87

 

CMYK 12 / 38 / 0 / 15

HEX #BF86D9

RGB 191 134 217

HSL 281.2, 0.52%, 0.69%

LAB 64.27, 36.45, -34.05

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 34 / 0 / 38 / 15

HEX #90D986

RGB 144 217 134

HSL 112.77, 0.52%, 0.69%

LAB 80.33, -38.62, 33.86

 

CMYK 38 / 26 / 0 / 15

HEX #86A0D9

RGB 134 160 217

HSL 221.2, 0.52%, 0.69%

LAB 65.92, 5.03, -31.87

 

CMYK 5 / 38 / 0 / 15

HEX #CF86D9

RGB 207 134 217

HSL 292.77, 0.52%, 0.69%

LAB 66, 41.32, -31.23

 

CMYK 0 / 12 / 38 / 15

HEX #D9C086

RGB 217 192 134

HSL 41.93, 0.52%, 0.69%

LAB 78.56, 0.73, 32.49

 

CMYK 38 / 0 / 31 / 15

HEX #86D995

RGB 134 217 149

HSL 130.84, 0.52%, 0.69%

LAB 80.1, -39.33, 25.76

 

CMYK 38 / 26 / 0 / 15

HEX #86A0D9

RGB 134 160 217

HSL 221.2, 0.52%, 0.69%

LAB 65.92, 5.03, -31.87

 

CMYK 0 / 38 / 7 / 15

HEX #D986C9

RGB 217 134 201

HSL 311.57, 0.52%, 0.69%

LAB 66.53, 41.54, -21.39

 

Description

Color code: HEX #D9C086 | qconv.com Color code: HEX #D9C086 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 192 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 192 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 38 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 38% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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