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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9BC5E it is the complementary color #2643A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9BC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9BC5E shade: #DEBC59, #EFCE6C, #FFE07F, #FFF292 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9BC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9BC5E shade: #D9BC5E, #C8AA4B, #B79838, #A68625 and #957412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9BC5E shade: #D9BC5D, #D99A5D, #D9795D and #D95D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9BC5E shade: #D9BC5D, #D5D95D, #B3D95D, #92D95D and #71D95D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9BC5E shade matches the following richer shades: #D9BC5D, #E9C44D and #F9CD3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9BC5E shade: #D9BC5D, #C9B36D, #B9AB7E, #A8A28E and #989A9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9BC5E shade: #D9785D, #D9995D, #D9BA5D, #D7D95D and #B6D95D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9BC5E shade: #B9972B, #D1AE3C, #D9BC5D, #E1C97F and #E8D7A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9BC5E shade: #D9BC5E, #64D95D and #895DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9BC5E shade: #D9BC5E, #5DD9BA and #BA5DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9BC5E shade: #D9BC5E, #64D95D, #5D7CD9 and #D35DD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9BC5E shade: #D9BC5E, #5DD97C, #5D7CD9 and #D95DBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 57 / 15

HEX #D9BC5E

RGB 217 188 94

HSL 45.85, 0.62%, 0.61%

LAB 77, -0.97, 50.63

 

Complementary color

CMYK 76 / 58 / 0 / 37

HEX #2643A1

RGB 38 67 161

HSL 225.85, 0.62%, 0.39%

LAB 31.81, 23.84, -54.03

 

CMYK 0 / 15 / 60 / 13

HEX #DEBC59

RGB 222 188 89

HSL 44.66, 0.67%, 0.61%

LAB 77.41, 0.75, 53.57

 

CMYK 0 / 14 / 55 / 6

HEX #EFCE6C

RGB 239 206 108

HSL 44.89, 0.8%, 0.68%

LAB 83.74, -0.12, 52.39

 

CMYK 0 / 12 / 50 / 0

HEX #FFE07F

RGB 255 224 127

HSL 45.47, 1%, 0.75%

LAB 89.91, -1.28, 51.04

 

CMYK 0 / 5 / 43 / 0

HEX #FFF292

RGB 255 242 146

HSL 52.84, 1%, 0.79%

LAB 94.67, -8.55, 47.77

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5E

RGB 217 188 94

HSL 45.85, 0.62%, 0.61%

LAB 77, -0.97, 50.63

 

CMYK 0 / 15 / 63 / 22

HEX #C8AA4B

RGB 200 170 75

HSL 45.6, 0.53%, 0.54%

LAB 70.55, -0.05, 51.78

 

CMYK 0 / 17 / 69 / 28

HEX #B79838

RGB 183 152 56

HSL 45.35, 0.53%, 0.47%

LAB 64.01, 1.05, 52.75

 

CMYK 0 / 19 / 78 / 35

HEX #A68625

RGB 166 134 37

HSL 45.12, 0.64%, 0.4%

LAB 57.36, 2.38, 53.29

 

CMYK 0 / 22 / 88 / 42

HEX #957412

RGB 149 116 18

HSL 44.89, 0.78%, 0.33%

LAB 50.6, 4, 52.87

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5D

RGB 217 188 93

HSL 45.97, 0.62%, 0.61%

LAB 76.99, -1.05, 51.09

 

CMYK 0 / 29 / 57 / 15

HEX #D99A5D

RGB 217 154 93

HSL 29.52, 0.62%, 0.61%

LAB 68.5, 17.06, 41.05

 

CMYK 0 / 44 / 57 / 15

HEX #D9795D

RGB 217 121 93

HSL 13.55, 0.62%, 0.61%

LAB 60.97, 34.71, 31.71

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5D

RGB 217 188 93

HSL 45.97, 0.62%, 0.61%

LAB 76.99, -1.05, 51.09

 

CMYK 2 / 0 / 57 / 15

HEX #D5D95D

RGB 213 217 93

HSL 61.94, 0.62%, 0.61%

LAB 84.26, -17.44, 59.25

 

CMYK 18 / 0 / 57 / 15

HEX #B3D95D

RGB 179 217 93

HSL 78.39, 0.62%, 0.61%

LAB 81.84, -30.93, 55.87

 

CMYK 33 / 0 / 57 / 15

HEX #92D95D

RGB 146 217 93

HSL 94.35, 0.62%, 0.61%

LAB 79.91, -43.01, 53.16

 

CMYK 48 / 0 / 57 / 15

HEX #71D95D

RGB 113 217 93

HSL 110.32, 0.62%, 0.61%

LAB 78.42, -53.44, 51.04

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5D

RGB 217 188 93

HSL 45.97, 0.62%, 0.61%

LAB 76.99, -1.05, 51.09

 

CMYK 0 / 16 / 67 / 9

HEX #E9C44D

RGB 233 196 77

HSL 45.77, 0.78%, 0.61%

LAB 80.37, 0.47, 62.39

 

CMYK 0 / 18 / 76 / 2

HEX #F9CD3D

RGB 249 205 61

HSL 45.96, 0.94%, 0.61%

LAB 84.04, 1.83, 72.65

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5D

RGB 217 188 93

HSL 45.97, 0.62%, 0.61%

LAB 76.99, -1.05, 51.09

 

CMYK 0 / 11 / 46 / 21

HEX #C9B36D

RGB 201 179 109

HSL 45.65, 0.46%, 0.61%

LAB 73.39, -1.56, 38.5

 

CMYK 0 / 8 / 32 / 27

HEX #B9AB7E

RGB 185 171 126

HSL 45.76, 0.3%, 0.61%

LAB 70.14, -1.86, 25.04

 

CMYK 0 / 4 / 15 / 34

HEX #A8A28E

RGB 168 162 142

HSL 46.15, 0.13%, 0.61%

LAB 66.61, -1.31, 11.18

 

CMYK 4 / 3 / 0 / 38

HEX #989A9E

RGB 152 154 158

HSL 220, 0.03%, 0.61%

LAB 63.55, 0.07, -2.35

 

CMYK 0 / 45 / 57 / 15

HEX #D9785D

RGB 217 120 93

HSL 13.06, 0.62%, 0.61%

LAB 60.76, 35.23, 31.44

 

CMYK 0 / 29 / 57 / 15

HEX #D9995D

RGB 217 153 93

HSL 29.03, 0.62%, 0.61%

LAB 68.26, 17.6, 40.75

 

CMYK 0 / 14 / 57 / 15

HEX #D9BA5D

RGB 217 186 93

HSL 45, 0.62%, 0.61%

LAB 76.47, -0, 50.5

 

CMYK 1 / 0 / 57 / 15

HEX #D7D95D

RGB 215 217 93

HSL 60.97, 0.62%, 0.61%

LAB 84.41, -16.63, 59.46

 

CMYK 16 / 0 / 57 / 15

HEX #B6D95D

RGB 182 217 93

HSL 76.94, 0.62%, 0.61%

LAB 82.03, -29.77, 56.14

 

CMYK 0 / 18 / 77 / 27

HEX #B9972B

RGB 185 151 43

HSL 45.63, 0.62%, 0.45%

LAB 63.85, 1.86, 57.86

 

CMYK 0 / 17 / 71 / 18

HEX #D1AE3C

RGB 209 174 60

HSL 45.91, 0.62%, 0.53%

LAB 72.33, 0.84, 60.37

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5D

RGB 217 188 93

HSL 45.97, 0.62%, 0.61%

LAB 76.99, -1.05, 51.09

 

CMYK 0 / 11 / 44 / 12

HEX #E1C97F

RGB 225 201 127

HSL 45.31, 0.62%, 0.69%

LAB 81.46, -1.51, 39.97

 

CMYK 0 / 7 / 31 / 9

HEX #E8D7A0

RGB 232 215 160

HSL 45.83, 0.61%, 0.77%

LAB 86.15, -2.24, 29.31

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5E

RGB 217 188 94

HSL 45.85, 0.62%, 0.61%

LAB 77, -0.97, 50.63

 

CMYK 54 / 0 / 57 / 15

HEX #64D95D

RGB 100 217 93

HSL 116.61, 0.62%, 0.61%

LAB 77.95, -56.96, 50.37

 

CMYK 37 / 57 / 0 / 15

HEX #895DD9

RGB 137 93 217

HSL 261.29, 0.62%, 0.61%

LAB 49.69, 44.56, -57.48

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5E

RGB 217 188 94

HSL 45.85, 0.62%, 0.61%

LAB 77, -0.97, 50.63

 

CMYK 57 / 0 / 14 / 15

HEX #5DD9BA

RGB 93 217 186

HSL 165, 0.62%, 0.61%

LAB 79.33, -41.94, 4.93

 

CMYK 14 / 57 / 0 / 15

HEX #BA5DD9

RGB 186 93 217

HSL 285, 0.62%, 0.61%

LAB 55.36, 56.48, -48.1

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5E

RGB 217 188 94

HSL 45.85, 0.62%, 0.61%

LAB 77, -0.97, 50.63

 

CMYK 54 / 0 / 57 / 15

HEX #64D95D

RGB 100 217 93

HSL 116.61, 0.62%, 0.61%

LAB 77.95, -56.96, 50.37

 

CMYK 57 / 43 / 0 / 15

HEX #5D7CD9

RGB 93 124 217

HSL 225, 0.62%, 0.61%

LAB 53.76, 16.4, -51.15

 

CMYK 3 / 57 / 0 / 15

HEX #D35DD9

RGB 211 93 217

HSL 297.1, 0.62%, 0.61%

LAB 58.68, 62.82, -42.62

 

CMYK 0 / 13 / 57 / 15

HEX #D9BC5E

RGB 217 188 94

HSL 45.85, 0.62%, 0.61%

LAB 77, -0.97, 50.63

 

CMYK 57 / 0 / 43 / 15

HEX #5DD97C

RGB 93 217 124

HSL 135, 0.62%, 0.61%

LAB 78.12, -54.37, 35.63

 

CMYK 57 / 43 / 0 / 15

HEX #5D7CD9

RGB 93 124 217

HSL 225, 0.62%, 0.61%

LAB 53.76, 16.4, -51.15

 

CMYK 0 / 57 / 14 / 15

HEX #D95DBA

RGB 217 93 186

HSL 315, 0.62%, 0.61%

LAB 58.16, 59.35, -25.74

 

Description

Color code: HEX #D9BC5E | qconv.com Color code: HEX #D9BC5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 188 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 188 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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