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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B73C it is the complementary color #2648C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B73C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B73C shade: #DEB737, #EFC94A, #FFDB5D, #FFED70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B73C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B73C shade: #D9B73C, #C8A529, #B79316, #A68103 and #956F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B73C shade: #D8B63B, #D88B3B, #D8613B and #D83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B73C shade: #D8B63B, #CFD83B, #A5D83B, #7BD83B and #50D83B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B73C shade matches the following richer shades: #D8B63B, #EBC128 and #FECB15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B73C shade: #D8B63B, #C5AB4E, #B2A061, #9F9574 and #8C8B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B73C shade: #D8623B, #D88C3B, #D8B63B, #D0D83B and #A6D83B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B73C shade: #A1851F, #C3A126, #D8B63B, #DFC35D and #E5CF80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B73C shade: #D9B73C, #3DD83B and #773BD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B73C shade: #D9B73C, #3BD8B6 and #B63BD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B73C shade: #D9B73C, #3DD83B, #3B5DD8 and #D53BD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B73C shade: #D9B73C, #3BD867, #3B5DD8 and #D83BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 72 / 15

HEX #D9B73C

RGB 217 183 60

HSL 47.01, 0.67%, 0.54%

LAB 75.42, -0.44, 63.69

 

Complementary color

CMYK 81 / 63 / 0 / 24

HEX #2648C3

RGB 38 72 195

HSL 227.01, 0.67%, 0.46%

LAB 35.96, 33.44, -67.43

 

CMYK 0 / 18 / 75 / 13

HEX #DEB737

RGB 222 183 55

HSL 45.99, 0.72%, 0.54%

LAB 75.87, 1.49, 66.14

 

CMYK 0 / 16 / 69 / 6

HEX #EFC94A

RGB 239 201 74

HSL 46.18, 0.84%, 0.61%

LAB 82.17, 0.25, 65.66

 

CMYK 0 / 14 / 64 / 0

HEX #FFDB5D

RGB 255 219 93

HSL 46.67, 1%, 0.68%

LAB 88.31, -1.23, 64.7

 

CMYK 0 / 7 / 56 / 0

HEX #FFED70

RGB 255 237 112

HSL 52.45, 1%, 0.72%

LAB 93.01, -8.98, 61.65

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 16 / 72 / 15

HEX #D9B73C

RGB 217 183 60

HSL 47.01, 0.67%, 0.54%

LAB 75.42, -0.44, 63.69

 

CMYK 0 / 18 / 80 / 22

HEX #C8A529

RGB 200 165 41

HSL 46.79, 0.66%, 0.47%

LAB 69, 0.89, 63.83

 

CMYK 0 / 20 / 88 / 28

HEX #B79316

RGB 183 147 22

HSL 46.58, 0.79%, 0.4%

LAB 62.5, 2.47, 63

 

CMYK 0 / 22 / 98 / 35

HEX #A68103

RGB 166 129 3

HSL 46.38, 0.96%, 0.33%

LAB 55.9, 4.31, 60.75

 

CMYK 0 / 26 / 100 / 42

HEX #956F00

RGB 149 111 0

HSL 44.7, 1%, 0.29%

LAB 49.2, 6.51, 55.76

 

CMYK 0 / 16 / 73 / 15

HEX #D8B63B

RGB 216 182 59

HSL 47.01, 0.67%, 0.54%

LAB 75.06, -0.39, 63.68

 

CMYK 0 / 36 / 73 / 15

HEX #D88B3B

RGB 216 139 59

HSL 30.57, 0.67%, 0.54%

LAB 64.47, 22.6, 53.06

 

CMYK 0 / 55 / 73 / 15

HEX #D8613B

RGB 216 97 59

HSL 14.52, 0.67%, 0.54%

LAB 55.55, 44.38, 43.59

 

CMYK 0 / 73 / 73 / 15

HEX #D83B3B

RGB 216 59 59

HSL 0, 0.67%, 0.54%

LAB 49.55, 60.42, 36.89

 

CMYK 0 / 16 / 73 / 15

HEX #D8B63B

RGB 216 182 59

HSL 47.01, 0.67%, 0.54%

LAB 75.06, -0.39, 63.68

 

CMYK 4 / 0 / 73 / 15

HEX #CFD83B

RGB 207 216 59

HSL 63.44, 0.67%, 0.54%

LAB 83.28, -21.43, 71.33

 

CMYK 24 / 0 / 73 / 15

HEX #A5D83B

RGB 165 216 59

HSL 79.49, 0.67%, 0.54%

LAB 80.42, -38.23, 67.58

 

CMYK 43 / 0 / 73 / 15

HEX #7BD83B

RGB 123 216 59

HSL 95.54, 0.67%, 0.54%

LAB 78.25, -53.02, 64.72

 

CMYK 63 / 0 / 73 / 15

HEX #50D83B

RGB 80 216 59

HSL 111.97, 0.67%, 0.54%

LAB 76.76, -64.56, 62.73

 

CMYK 0 / 16 / 73 / 15

HEX #D8B63B

RGB 216 182 59

HSL 47.01, 0.67%, 0.54%

LAB 75.06, -0.39, 63.68

 

CMYK 0 / 18 / 83 / 8

HEX #EBC128

RGB 235 193 40

HSL 47.08, 0.83%, 0.54%

LAB 79.59, 1.36, 74.64

 

CMYK 0 / 20 / 92 / 0

HEX #FECB15

RGB 254 203 21

HSL 46.87, 0.99%, 0.54%

LAB 83.88, 3.96, 82.75

 

CMYK 0 / 16 / 73 / 15

HEX #D8B63B

RGB 216 182 59

HSL 47.01, 0.67%, 0.54%

LAB 75.06, -0.39, 63.68

 

CMYK 0 / 13 / 60 / 23

HEX #C5AB4E

RGB 197 171 78

HSL 46.89, 0.51%, 0.54%

LAB 70.56, -1.66, 50.32

 

CMYK 0 / 10 / 46 / 30

HEX #B2A061

RGB 178 160 97

HSL 46.67, 0.34%, 0.54%

LAB 66.11, -2.2, 35.14

 

CMYK 0 / 6 / 27 / 38

HEX #9F9574

RGB 159 149 116

HSL 46.05, 0.18%, 0.54%

LAB 61.76, -1.71, 18.79

 

CMYK 0 / 1 / 4 / 45

HEX #8C8B87

RGB 140 139 135

HSL 48, 0.02%, 0.54%

LAB 57.84, -0.4, 2.26

 

CMYK 0 / 55 / 73 / 15

HEX #D8623B

RGB 216 98 59

HSL 14.9, 0.67%, 0.54%

LAB 55.74, 43.9, 43.8

 

CMYK 0 / 35 / 73 / 15

HEX #D88C3B

RGB 216 140 59

HSL 30.96, 0.67%, 0.54%

LAB 64.7, 22.06, 53.3

 

CMYK 0 / 16 / 73 / 15

HEX #D8B63B

RGB 216 182 59

HSL 47.01, 0.67%, 0.54%

LAB 75.06, -0.39, 63.68

 

CMYK 4 / 0 / 73 / 15

HEX #D0D83B

RGB 208 216 59

HSL 63.06, 0.67%, 0.54%

LAB 83.36, -21.01, 71.43

 

CMYK 23 / 0 / 73 / 15

HEX #A6D83B

RGB 166 216 59

HSL 79.11, 0.67%, 0.54%

LAB 80.48, -37.85, 67.66

 

CMYK 0 / 17 / 81 / 37

HEX #A1851F

RGB 161 133 31

HSL 47.08, 0.68%, 0.38%

LAB 56.54, 0.42, 54.48

 

CMYK 0 / 17 / 81 / 24

HEX #C3A126

RGB 195 161 38

HSL 47.01, 0.67%, 0.46%

LAB 67.45, 0.72, 63.21

 

CMYK 0 / 16 / 73 / 15

HEX #D8B63B

RGB 216 182 59

HSL 47.01, 0.67%, 0.54%

LAB 75.06, -0.39, 63.68

 

CMYK 0 / 13 / 58 / 13

HEX #DFC35D

RGB 223 195 93

HSL 47.08, 0.67%, 0.62%

LAB 79.33, -2.18, 53.93

 

CMYK 0 / 10 / 44 / 10

HEX #E5CF80

RGB 229 207 128

HSL 46.93, 0.66%, 0.7%

LAB 83.36, -2.91, 41.94

 

CMYK 0 / 16 / 72 / 15

HEX #D9B73C

RGB 217 183 60

HSL 47.01, 0.67%, 0.54%

LAB 75.42, -0.44, 63.69

 

CMYK 72 / 0 / 73 / 15

HEX #3DD83B

RGB 61 216 59

HSL 119.24, 0.67%, 0.54%

LAB 76.33, -68.18, 62.16

 

CMYK 45 / 73 / 0 / 15

HEX #773BD8

RGB 119 59 216

HSL 262.93, 0.67%, 0.54%

LAB 41.23, 58.29, -70.72

 

CMYK 0 / 16 / 72 / 15

HEX #D9B73C

RGB 217 183 60

HSL 47.01, 0.67%, 0.54%

LAB 75.42, -0.44, 63.69

 

CMYK 73 / 0 / 16 / 15

HEX #3BD8B6

RGB 59 216 182

HSL 167.01, 0.67%, 0.54%

LAB 78.12, -47.99, 5.22

 

CMYK 16 / 73 / 0 / 15

HEX #B63BD8

RGB 182 59 216

HSL 287.01, 0.67%, 0.54%

LAB 49.53, 69.83, -56.86

 

CMYK 0 / 16 / 72 / 15

HEX #D9B73C

RGB 217 183 60

HSL 47.01, 0.67%, 0.54%

LAB 75.42, -0.44, 63.69

 

CMYK 72 / 0 / 73 / 15

HEX #3DD83B

RGB 61 216 59

HSL 119.24, 0.67%, 0.54%

LAB 76.33, -68.18, 62.16

 

CMYK 73 / 57 / 0 / 15

HEX #3B5DD8

RGB 59 93 216

HSL 227.01, 0.67%, 0.54%

LAB 43.82, 29.87, -66.68

 

CMYK 1 / 73 / 0 / 15

HEX #D53BD8

RGB 213 59 216

HSL 298.85, 0.67%, 0.54%

LAB 54.27, 76.12, -49.02

 

CMYK 0 / 16 / 72 / 15

HEX #D9B73C

RGB 217 183 60

HSL 47.01, 0.67%, 0.54%

LAB 75.42, -0.44, 63.69

 

CMYK 73 / 0 / 52 / 15

HEX #3BD867

RGB 59 216 103

HSL 136.82, 0.67%, 0.54%

LAB 76.69, -63.67, 43.96

 

CMYK 73 / 57 / 0 / 15

HEX #3B5DD8

RGB 59 93 216

HSL 227.01, 0.67%, 0.54%

LAB 43.82, 29.87, -66.68

 

CMYK 0 / 73 / 21 / 15

HEX #D83BAB

RGB 216 59 171

HSL 317.2, 0.67%, 0.54%

LAB 52.58, 70.23, -25.65

 

Description

Color code: HEX #D9B73C | qconv.com Color code: HEX #D9B73C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 183 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 183 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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