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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B004 it is the complementary color #264FFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B004. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B004 shade: #DEB000, #EFC212, #FFD425, #FFE638 and #FFF84B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B004. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B004 shade: #D9B004, #C89E00, #B78C00, #A67A00 and #956800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B004 shade: #D7AE04, #D77604, #D73D04 and #D70404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B004 shade: #D7AE04, #C7D704, #8ED704, #55D704 and #1CD704

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B004 shade matches the following richer shades: #D7AE04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B004 shade: #D7AE04, #C5A316, #B39928, #A28E3A and #90834B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B004 shade: #D73D04, #D77504, #D7AD04, #C9D704 and #91D704

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B004 shade: #866D03, #AE8E04, #D7AE04, #FACC0B and #FBD433

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B004 shade: #D9B004, #04D704 and #5904D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B004 shade: #D9B004, #04D7AD and #AD04D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B004 shade: #D9B004, #04D704, #042ED7 and #D704D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B004 shade: #D9B004, #04D744, #042ED7 and #D70498

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 98 / 15

HEX #D9B004

RGB 217 176 4

HSL 48.45, 0.96%, 0.43%

LAB 73.42, 1.82, 75.5

 

Complementary color

CMYK 85 / 69 / 0 / 2

HEX #264FFB

RGB 38 79 251

HSL 228.45, 0.96%, 0.57%

LAB 42.72, 49.22, -88.29

 

CMYK 0 / 21 / 100 / 13

HEX #DEB000

RGB 222 176 0

HSL 47.57, 1%, 0.44%

LAB 73.92, 3.98, 76.53

 

CMYK 0 / 19 / 92 / 6

HEX #EFC212

RGB 239 194 18

HSL 47.78, 0.87%, 0.5%

LAB 80.17, 2.14, 79.76

 

CMYK 0 / 17 / 85 / 0

HEX #FFD425

RGB 255 212 37

HSL 48.17, 1%, 0.57%

LAB 86.25, 0.06, 81.65

 

CMYK 0 / 10 / 78 / 0

HEX #FFE638

RGB 255 230 56

HSL 52.46, 1%, 0.61%

LAB 90.84, -8.46, 80.64

 

CMYK 0 / 3 / 71 / 0

HEX #FFF84B

RGB 255 248 75

HSL 57.67, 1%, 0.65%

LAB 95.54, -16.54, 78.99

 

CMYK 0 / 19 / 98 / 15

HEX #D9B004

RGB 217 176 4

HSL 48.45, 0.96%, 0.43%

LAB 73.42, 1.82, 75.5

 

CMYK 0 / 21 / 100 / 22

HEX #C89E00

RGB 200 158 0

HSL 47.4, 1%, 0.39%

LAB 67.08, 3.83, 70.72

 

CMYK 0 / 23 / 100 / 28

HEX #B78C00

RGB 183 140 0

HSL 45.9, 1%, 0.36%

LAB 60.63, 5.96, 65.41

 

CMYK 0 / 27 / 100 / 35

HEX #A67A00

RGB 166 122 0

HSL 44.1, 1%, 0.33%

LAB 54.05, 8.19, 60.01

 

CMYK 0 / 30 / 100 / 42

HEX #956800

RGB 149 104 0

HSL 41.88, 1%, 0.29%

LAB 47.35, 10.53, 54.51

 

CMYK 0 / 19 / 98 / 16

HEX #D7AE04

RGB 215 174 4

HSL 48.34, 0.96%, 0.43%

LAB 72.71, 2, 74.9

 

CMYK 0 / 45 / 98 / 16

HEX #D77604

RGB 215 118 4

HSL 32.42, 0.96%, 0.43%

LAB 59.35, 31.95, 65.81

 

CMYK 0 / 72 / 98 / 16

HEX #D73D04

RGB 215 61 4

HSL 16.21, 0.96%, 0.43%

LAB 49.24, 58.12, 59.87

 

CMYK 0 / 98 / 98 / 16

HEX #D70404

RGB 215 4 4

HSL 0, 0.96%, 0.43%

LAB 45, 70.11, 57.86

 

CMYK 0 / 19 / 98 / 16

HEX #D7AE04

RGB 215 174 4

HSL 48.34, 0.96%, 0.43%

LAB 72.71, 2, 74.9

 

CMYK 7 / 0 / 98 / 16

HEX #C7D704

RGB 199 215 4

HSL 64.55, 0.96%, 0.43%

LAB 82.25, -25.64, 81.25

 

CMYK 34 / 0 / 98 / 16

HEX #8ED704

RGB 142 215 4

HSL 80.76, 0.96%, 0.43%

LAB 78.67, -48.06, 76.96

 

CMYK 60 / 0 / 98 / 16

HEX #55D704

RGB 85 215 4

HSL 96.97, 0.96%, 0.43%

LAB 76.4, -65.31, 74.2

 

CMYK 87 / 0 / 98 / 16

HEX #1CD704

RGB 28 215 4

HSL 113.18, 0.96%, 0.43%

LAB 75.36, -74.29, 72.93

 

CMYK 0 / 19 / 98 / 16

HEX #D7AE04

RGB 215 174 4

HSL 48.34, 0.96%, 0.43%

LAB 72.71, 2, 74.9

 

CMYK 0 / 19 / 98 / 16

HEX #D7AE04

RGB 215 174 4

HSL 48.34, 0.96%, 0.43%

LAB 72.71, 2, 74.9

 

CMYK 0 / 17 / 89 / 23

HEX #C5A316

RGB 197 163 22

HSL 48.34, 0.8%, 0.43%

LAB 68.11, 0.11, 68.05

 

CMYK 0 / 15 / 78 / 30

HEX #B39928

RGB 179 153 40

HSL 48.78, 0.63%, 0.43%

LAB 63.77, -2.03, 58.64

 

CMYK 0 / 12 / 64 / 36

HEX #A28E3A

RGB 162 142 58

HSL 48.46, 0.47%, 0.43%

LAB 59.28, -2.7, 46.23

 

CMYK 0 / 9 / 48 / 44

HEX #90834B

RGB 144 131 75

HSL 48.7, 0.32%, 0.43%

LAB 54.73, -3.14, 31.92

 

CMYK 0 / 72 / 98 / 16

HEX #D73D04

RGB 215 61 4

HSL 16.21, 0.96%, 0.43%

LAB 49.24, 58.12, 59.87

 

CMYK 0 / 46 / 98 / 16

HEX #D77504

RGB 215 117 4

HSL 32.13, 0.96%, 0.43%

LAB 59.14, 32.47, 65.67

 

CMYK 0 / 20 / 98 / 16

HEX #D7AD04

RGB 215 173 4

HSL 48.06, 0.96%, 0.43%

LAB 72.46, 2.53, 74.72

 

CMYK 7 / 0 / 98 / 16

HEX #C9D704

RGB 201 215 4

HSL 63.98, 0.96%, 0.43%

LAB 82.39, -24.81, 81.43

 

CMYK 33 / 0 / 98 / 16

HEX #91D704

RGB 145 215 4

HSL 79.91, 0.96%, 0.43%

LAB 78.83, -46.98, 77.15

 

CMYK 0 / 19 / 98 / 47

HEX #866D03

RGB 134 109 3

HSL 48.55, 0.96%, 0.27%

LAB 46.99, 0.58, 52.77

 

CMYK 0 / 18 / 98 / 32

HEX #AE8E04

RGB 174 142 4

HSL 48.71, 0.96%, 0.35%

LAB 60.21, 0.82, 64.05

 

CMYK 0 / 19 / 98 / 16

HEX #D7AE04

RGB 215 174 4

HSL 48.34, 0.96%, 0.43%

LAB 72.71, 2, 74.9

 

CMYK 0 / 18 / 96 / 2

HEX #FACC0B

RGB 250 204 11

HSL 48.45, 0.96%, 0.51%

LAB 83.72, 1.63, 83.67

 

CMYK 0 / 16 / 80 / 2

HEX #FBD433

RGB 251 212 51

HSL 48.3, 0.96%, 0.59%

LAB 85.92, -1.25, 77.61

 

CMYK 0 / 19 / 98 / 15

HEX #D9B004

RGB 217 176 4

HSL 48.45, 0.96%, 0.43%

LAB 73.42, 1.82, 75.5

 

CMYK 98 / 0 / 98 / 16

HEX #04D704

RGB 4 215 4

HSL 120, 0.96%, 0.43%

LAB 75.22, -75.55, 72.76

 

CMYK 59 / 98 / 0 / 16

HEX #5904D7

RGB 89 4 215

HSL 264.17, 0.96%, 0.43%

LAB 32.07, 71.32, -85.35

 

CMYK 0 / 19 / 98 / 15

HEX #D9B004

RGB 217 176 4

HSL 48.45, 0.96%, 0.43%

LAB 73.42, 1.82, 75.5

 

CMYK 98 / 0 / 20 / 16

HEX #04D7AD

RGB 4 215 173

HSL 168.06, 0.96%, 0.43%

LAB 77.07, -53.7, 8.43

 

CMYK 20 / 98 / 0 / 16

HEX #AD04D7

RGB 173 4 215

HSL 288.06, 0.96%, 0.43%

LAB 44.06, 79.83, -65.21

 

CMYK 0 / 19 / 98 / 15

HEX #D9B004

RGB 217 176 4

HSL 48.45, 0.96%, 0.43%

LAB 73.42, 1.82, 75.5

 

CMYK 98 / 0 / 98 / 16

HEX #04D704

RGB 4 215 4

HSL 120, 0.96%, 0.43%

LAB 75.22, -75.55, 72.76

 

CMYK 98 / 79 / 0 / 16

HEX #042ED7

RGB 4 46 215

HSL 228.06, 0.96%, 0.43%

LAB 31.55, 54.59, -86.36

 

CMYK 0 / 98 / 0 / 16

HEX #D704D7

RGB 215 4 215

HSL 300, 0.96%, 0.43%

LAB 51.2, 86.08, -53.33

 

CMYK 0 / 19 / 98 / 15

HEX #D9B004

RGB 217 176 4

HSL 48.45, 0.96%, 0.43%

LAB 73.42, 1.82, 75.5

 

CMYK 98 / 0 / 68 / 16

HEX #04D744

RGB 4 215 68

HSL 138.2, 0.96%, 0.43%

LAB 75.48, -72.27, 57.75

 

CMYK 98 / 79 / 0 / 16

HEX #042ED7

RGB 4 46 215

HSL 228.06, 0.96%, 0.43%

LAB 31.55, 54.59, -86.36

 

CMYK 0 / 98 / 29 / 16

HEX #D70498

RGB 215 4 152

HSL 317.91, 0.96%, 0.43%

LAB 48.01, 78.12, -21.45

 

Description

Color code: HEX #D9B004 | qconv.com Color code: HEX #D9B004 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 176 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 176 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 98 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 98% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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