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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9AFB0 it is the complementary color #26504F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9AFB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9AFB0 shade: #DEAFAB, #EFC1BE, #FFD3D1, #FFE5E4 and #FFF7F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9AFB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9AFB0 shade: #D9AFB0, #C89D9D, #B78B8A, #A67977 and #956764

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9AFB0 shade: #D9AFB0 and #D9AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9AFB0 shade: #D9AFB0, #D9AFBB, #D9AFC7, #D9AFD2 and #D5AFD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9AFB0 shade matches the following richer shades: #D9AFB0, #E2A5A7, #EC9C9E and #F59295

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9AFB0 shade: #D9AFB0, #CFB8B9, #C6C2C2, #BCCBCB and #B3D5D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9AFB0 shade: #D9AFC7, #D9AFBB, #D9AFB0, #D9B9AF and #D9C4AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9AFB0 shade: #BF7778, #CC9394, #D9AFB0, #E6CBCB and #F3E7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9AFB0 shade: #D9AFB0, #D2D9AF and #AFC1D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9AFB0 shade: #D9AFB0, #B0D9AF and #AFB0D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9AFB0 shade: #D9AFB0, #D2D9AF, #AFD9D8 and #B6AFD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9AFB0 shade: #D9AFB0, #C5D9AF, #AFD9D8 and #C2AFD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

Complementary color

CMYK 53 / 0 / 1 / 69

HEX #26504F

RGB 38 80 79

HSL 178.57, 0.36%, 0.23%

LAB 31.15, -14.89, -3.94

 

CMYK 0 / 21 / 23 / 13

HEX #DEAFAB

RGB 222 175 171

HSL 4.71, 0.44%, 0.77%

LAB 75.53, 16.5, 8.59

 

CMYK 0 / 19 / 21 / 6

HEX #EFC1BE

RGB 239 193 190

HSL 3.67, 0.6%, 0.84%

LAB 81.95, 15.95, 7.73

 

CMYK 0 / 17 / 18 / 0

HEX #FFD3D1

RGB 255 211 209

HSL 2.61, 1%, 0.91%

LAB 88.19, 15.09, 6.77

 

CMYK 0 / 10 / 11 / 0

HEX #FFE5E4

RGB 255 229 228

HSL 2.22, 1%, 0.95%

LAB 92.97, 8.72, 3.72

 

CMYK 0 / 3 / 3 / 0

HEX #FFF7F7

RGB 255 247 247

HSL 0, 1%, 0.98%

LAB 97.83, 2.67, 0.94

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 0 / 22 / 22 / 22

HEX #C89D9D

RGB 200 157 157

HSL 0, 0.28%, 0.7%

LAB 68.63, 15.96, 6.11

 

CMYK 0 / 24 / 25 / 28

HEX #B78B8A

RGB 183 139 138

HSL 1.33, 0.24%, 0.63%

LAB 61.97, 16.58, 7.02

 

CMYK 0 / 27 / 28 / 35

HEX #A67977

RGB 166 121 119

HSL 2.55, 0.21%, 0.56%

LAB 55.19, 17.28, 8.02

 

CMYK 0 / 31 / 33 / 42

HEX #956764

RGB 149 103 100

HSL 3.67, 0.2%, 0.49%

LAB 48.27, 18.08, 9.13

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFAF

RGB 217 175 175

HSL 0, 0.36%, 0.77%

LAB 75.14, 15.25, 5.78

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 0 / 19 / 14 / 15

HEX #D9AFBB

RGB 217 175 187

HSL 342.86, 0.36%, 0.77%

LAB 75.45, 17.14, -0.32

 

CMYK 0 / 19 / 8 / 15

HEX #D9AFC7

RGB 217 175 199

HSL 325.71, 0.36%, 0.77%

LAB 75.78, 19.15, -6.39

 

CMYK 0 / 19 / 3 / 15

HEX #D9AFD2

RGB 217 175 210

HSL 310, 0.36%, 0.77%

LAB 76.11, 21.09, -11.9

 

CMYK 2 / 19 / 0 / 15

HEX #D5AFD9

RGB 213 175 217

HSL 294.29, 0.36%, 0.77%

LAB 75.96, 21.04, -15.98

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 0 / 27 / 26 / 11

HEX #E2A5A7

RGB 226 165 167

HSL 358.03, 0.51%, 0.77%

LAB 73.46, 22.79, 7.87

 

CMYK 0 / 34 / 33 / 7

HEX #EC9C9E

RGB 236 156 158

HSL 358.5, 0.68%, 0.77%

LAB 72.28, 30.12, 11.3

 

CMYK 0 / 40 / 39 / 4

HEX #F59295

RGB 245 146 149

HSL 358.18, 0.83%, 0.77%

LAB 70.97, 37.61, 14.58

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 0 / 11 / 11 / 19

HEX #CFB8B9

RGB 207 184 185

HSL 357.39, 0.19%, 0.77%

LAB 76.71, 8.36, 2.49

 

CMYK 0 / 2 / 2 / 22

HEX #C6C2C2

RGB 198 194 194

HSL 0, 0.03%, 0.77%

LAB 78.74, 1.39, 0.48

 

CMYK 7 / 0 / 0 / 20

HEX #BCCBCB

RGB 188 203 203

HSL 180, 0.13%, 0.77%

LAB 80.58, -5.08, -1.76

 

CMYK 16 / 0 / 0 / 16

HEX #B3D5D4

RGB 179 213 212

HSL 178.24, 0.29%, 0.77%

LAB 82.87, -11.38, -3.27

 

CMYK 0 / 19 / 8 / 15

HEX #D9AFC7

RGB 217 175 199

HSL 325.71, 0.36%, 0.77%

LAB 75.78, 19.15, -6.39

 

CMYK 0 / 19 / 14 / 15

HEX #D9AFBB

RGB 217 175 187

HSL 342.86, 0.36%, 0.77%

LAB 75.45, 17.14, -0.32

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 0 / 15 / 19 / 15

HEX #D9B9AF

RGB 217 185 175

HSL 14.29, 0.36%, 0.77%

LAB 77.61, 9.88, 9.31

 

CMYK 0 / 10 / 19 / 15

HEX #D9C4AF

RGB 217 196 175

HSL 30, 0.36%, 0.77%

LAB 80.36, 4.04, 13.23

 

CMYK 0 / 38 / 37 / 25

HEX #BF7778

RGB 191 119 120

HSL 359.17, 0.36%, 0.61%

LAB 57.68, 28.33, 11.38

 

CMYK 0 / 28 / 27 / 20

HEX #CC9394

RGB 204 147 148

HSL 358.95, 0.36%, 0.69%

LAB 66.4, 21.64, 8.01

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 0 / 12 / 12 / 10

HEX #E6CBCB

RGB 230 203 203

HSL 0, 0.35%, 0.85%

LAB 83.89, 9.45, 3.46

 

CMYK 0 / 5 / 5 / 5

HEX #F3E7E7

RGB 243 231 231

HSL 0, 0.33%, 0.93%

LAB 92.56, 4.06, 1.44

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 3 / 0 / 19 / 15

HEX #D2D9AF

RGB 210 217 175

HSL 70, 0.36%, 0.77%

LAB 85.21, -9.42, 19.93

 

CMYK 19 / 11 / 0 / 15

HEX #AFC1D9

RGB 175 193 217

HSL 214.29, 0.36%, 0.77%

LAB 77.44, -1.09, -14.05

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 19 / 0 / 19 / 15

HEX #B0D9AF

RGB 176 217 175

HSL 118.57, 0.36%, 0.77%

LAB 82.89, -21.39, 16.34

 

CMYK 19 / 19 / 0 / 15

HEX #AFB0D9

RGB 175 176 217

HSL 238.57, 0.36%, 0.77%

LAB 73.01, 8.14, -20.75

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 3 / 0 / 19 / 15

HEX #D2D9AF

RGB 210 217 175

HSL 70, 0.36%, 0.77%

LAB 85.21, -9.42, 19.93

 

CMYK 19 / 0 / 0 / 15

HEX #AFD9D8

RGB 175 217 216

HSL 178.57, 0.36%, 0.77%

LAB 83.81, -13.84, -4.05

 

CMYK 16 / 19 / 0 / 15

HEX #B6AFD9

RGB 182 175 217

HSL 250, 0.36%, 0.77%

LAB 73.29, 10.9, -20.26

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFB0

RGB 217 175 176

HSL 358.57, 0.36%, 0.77%

LAB 75.17, 15.4, 5.27

 

CMYK 9 / 0 / 19 / 15

HEX #C5D9AF

RGB 197 217 175

HSL 88.57, 0.36%, 0.77%

LAB 84.27, -14.1, 18.49

 

CMYK 19 / 0 / 0 / 15

HEX #AFD9D8

RGB 175 217 216

HSL 178.57, 0.36%, 0.77%

LAB 83.81, -13.84, -4.05

 

CMYK 11 / 19 / 0 / 15

HEX #C2AFD9

RGB 194 175 217

HSL 267.14, 0.36%, 0.77%

LAB 74.28, 14.77, -18.67

 

Description

Color code: HEX #D9AFB0 | qconv.com Color code: HEX #D9AFB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 175 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 175 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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