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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9AF76 it is the complementary color #265089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9AF76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9AF76 shade: #DEAF71, #EFC184, #FFD397, #FFE5AA and #FFF7BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9AF76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9AF76 shade: #D9AF76, #C89D63, #B78B50, #A6793D and #95672A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9AF76 shade: #D9AF76, #D99576, #D97A76 and #D97676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9AF76 shade: #D9AF76, #D9CA76, #CED976, #B3D976 and #99D976

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9AF76 shade matches the following richer shades: #D9AF76, #E7B168 and #F5B45A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9AF76 shade: #D9AF76, #CBAD84, #BDAB92, #AFA9A0 and #A1A7AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9AF76 shade: #D97A76, #D99476, #D9AE76, #D9C976 and #CFD976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9AF76 shade: #C78A36, #D09C56, #D9AF76, #E2C297 and #EBD5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9AF76 shade: #D9AF76, #8DD976 and #8776D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9AF76 shade: #D9AF76, #76D9AE and #AE76D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9AF76 shade: #D9AF76, #8DD976, #76A1D9 and #C276D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9AF76 shade: #D9AF76, #76D97D, #76A1D9 and #D976D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

Complementary color

CMYK 72 / 42 / 0 / 46

HEX #265089

RGB 38 80 137

HSL 214.55, 0.57%, 0.34%

LAB 33.89, 5.74, -36.08

 

CMYK 0 / 21 / 49 / 13

HEX #DEAF71

RGB 222 175 113

HSL 34.13, 0.62%, 0.66%

LAB 74.43, 9.57, 38.18

 

CMYK 0 / 19 / 45 / 6

HEX #EFC184

RGB 239 193 132

HSL 34.21, 0.77%, 0.73%

LAB 80.83, 8.76, 36.87

 

CMYK 0 / 17 / 41 / 0

HEX #FFD397

RGB 255 211 151

HSL 34.62, 1%, 0.8%

LAB 87.04, 7.66, 35.48

 

CMYK 0 / 10 / 33 / 0

HEX #FFE5AA

RGB 255 229 170

HSL 41.65, 1%, 0.83%

LAB 91.77, 0.58, 32.06

 

CMYK 0 / 3 / 26 / 0

HEX #FFF7BD

RGB 255 247 189

HSL 52.73, 1%, 0.87%

LAB 96.6, -6.11, 28.91

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 0 / 22 / 51 / 22

HEX #C89D63

RGB 200 157 99

HSL 34.46, 0.48%, 0.59%

LAB 67.5, 8.86, 36.28

 

CMYK 0 / 24 / 56 / 28

HEX #B78B50

RGB 183 139 80

HSL 34.37, 0.42%, 0.52%

LAB 60.88, 9.84, 37.7

 

CMYK 0 / 27 / 63 / 35

HEX #A6793D

RGB 166 121 61

HSL 34.29, 0.46%, 0.45%

LAB 54.15, 11.02, 39.15

 

CMYK 0 / 31 / 72 / 42

HEX #95672A

RGB 149 103 42

HSL 34.21, 0.56%, 0.37%

LAB 47.31, 12.44, 40.54

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 0 / 31 / 46 / 15

HEX #D99576

RGB 217 149 118

HSL 18.79, 0.57%, 0.66%

LAB 67.69, 22, 26.68

 

CMYK 0 / 44 / 46 / 15

HEX #D97A76

RGB 217 122 118

HSL 2.42, 0.57%, 0.66%

LAB 61.64, 36.41, 18.52

 

CMYK 0 / 46 / 46 / 15

HEX #D97676

RGB 217 118 118

HSL 0, 0.57%, 0.66%

LAB 60.8, 38.5, 17.37

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 0 / 7 / 46 / 15

HEX #D9CA76

RGB 217 202 118

HSL 50.91, 0.57%, 0.66%

LAB 80.91, -6.14, 43.64

 

CMYK 5 / 0 / 46 / 15

HEX #CED976

RGB 206 217 118

HSL 66.67, 0.57%, 0.66%

LAB 83.99, -18.08, 47.25

 

CMYK 18 / 0 / 46 / 15

HEX #B3D976

RGB 179 217 118

HSL 83.03, 0.57%, 0.66%

LAB 82.12, -28.46, 44.52

 

CMYK 29 / 0 / 46 / 15

HEX #99D976

RGB 153 217 118

HSL 98.79, 0.57%, 0.66%

LAB 80.58, -37.81, 42.26

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 0 / 23 / 55 / 9

HEX #E7B168

RGB 231 177 104

HSL 34.49, 0.73%, 0.66%

LAB 75.72, 11.42, 44.56

 

CMYK 0 / 27 / 63 / 4

HEX #F5B45A

RGB 245 180 90

HSL 34.84, 0.89%, 0.66%

LAB 77.75, 14.62, 54.12

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 0 / 15 / 35 / 20

HEX #CBAD84

RGB 203 173 132

HSL 34.65, 0.41%, 0.66%

LAB 72.4, 5, 25.12

 

CMYK 0 / 10 / 23 / 26

HEX #BDAB92

RGB 189 171 146

HSL 34.88, 0.25%, 0.66%

LAB 70.88, 2.48, 15.24

 

CMYK 0 / 3 / 9 / 31

HEX #AFA9A0

RGB 175 169 160

HSL 36, 0.09%, 0.66%

LAB 69.49, 0.54, 5.4

HEX #AFA9A0

CMYK 7 / 4 / 0 / 32

HEX #A1A7AE

RGB 161 167 174

HSL 212.31, 0.07%, 0.66%

LAB 68.22, -0.73, -4.35

HEX #A1A7AE

CMYK 0 / 44 / 46 / 15

HEX #D97A76

RGB 217 122 118

HSL 2.42, 0.57%, 0.66%

LAB 61.64, 36.41, 18.52

 

CMYK 0 / 32 / 46 / 15

HEX #D99476

RGB 217 148 118

HSL 18.18, 0.57%, 0.66%

LAB 67.46, 22.54, 26.37

 

CMYK 0 / 20 / 46 / 15

HEX #D9AE76

RGB 217 174 118

HSL 33.94, 0.57%, 0.66%

LAB 73.76, 8.55, 34.61

 

CMYK 0 / 7 / 46 / 15

HEX #D9C976

RGB 217 201 118

HSL 50.3, 0.57%, 0.66%

LAB 80.65, -5.62, 43.32

 

CMYK 5 / 0 / 46 / 15

HEX #CFD976

RGB 207 217 118

HSL 66.06, 0.57%, 0.66%

LAB 84.07, -17.69, 47.36

 

CMYK 0 / 31 / 73 / 22

HEX #C78A36

RGB 199 138 54

HSL 34.76, 0.57%, 0.5%

LAB 62.16, 15.63, 52.27

 

CMYK 0 / 25 / 59 / 18

HEX #D09C56

RGB 208 156 86

HSL 34.43, 0.56%, 0.58%

LAB 67.92, 11.67, 43.68

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 0 / 14 / 33 / 11

HEX #E2C297

RGB 226 194 151

HSL 34.4, 0.56%, 0.74%

LAB 80.17, 5.23, 25.86

 

CMYK 0 / 9 / 22 / 8

HEX #EBD5B7

RGB 235 213 183

HSL 34.62, 0.57%, 0.82%

LAB 86.34, 2.99, 17.61

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 35 / 0 / 46 / 15

HEX #8DD976

RGB 141 217 118

HSL 106.06, 0.57%, 0.66%

LAB 79.95, -41.83, 41.35

 

CMYK 38 / 46 / 0 / 15

HEX #8776D9

RGB 135 118 217

HSL 250.3, 0.57%, 0.66%

LAB 55.19, 29.72, -48.69

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 46 / 0 / 20 / 15

HEX #76D9AE

RGB 118 217 174

HSL 153.94, 0.57%, 0.66%

LAB 79.92, -38.98, 12.26

 

CMYK 20 / 46 / 0 / 15

HEX #AE76D9

RGB 174 118 217

HSL 273.94, 0.57%, 0.66%

LAB 58.94, 40.27, -42.52

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 35 / 0 / 46 / 15

HEX #8DD976

RGB 141 217 118

HSL 106.06, 0.57%, 0.66%

LAB 79.95, -41.83, 41.35

 

CMYK 46 / 26 / 0 / 15

HEX #76A1D9

RGB 118 161 217

HSL 213.94, 0.57%, 0.66%

LAB 65.24, 0.32, -33

 

CMYK 11 / 46 / 0 / 15

HEX #C276D9

RGB 194 118 217

HSL 286.06, 0.57%, 0.66%

LAB 61.16, 45.95, -38.87

 

CMYK 0 / 19 / 46 / 15

HEX #D9AF76

RGB 217 175 118

HSL 34.55, 0.57%, 0.66%

LAB 74.01, 8.02, 34.94

 

CMYK 46 / 0 / 42 / 15

HEX #76D97D

RGB 118 217 125

HSL 124.24, 0.57%, 0.66%

LAB 79.02, -47.84, 36.47

 

CMYK 46 / 26 / 0 / 15

HEX #76A1D9

RGB 118 161 217

HSL 213.94, 0.57%, 0.66%

LAB 65.24, 0.32, -33

 

CMYK 0 / 46 / 3 / 15

HEX #D976D3

RGB 217 118 211

HSL 303.64, 0.57%, 0.66%

LAB 63.68, 51.52, -31.38

 

Description

Color code: HEX #D9AF76 | qconv.com Color code: HEX #D9AF76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 175 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 175 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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