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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9A080 it is the complementary color #265F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9A080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9A080 shade: #DEA07B, #EFB28E, #FFC4A1, #FFD6B4 and #FFE8C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9A080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9A080 shade: #D9A080, #C88E6D, #B77C5A, #A66A47 and #955834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9A080 shade: #D9A181, #D98981 and #D98181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9A080 shade: #D9A181, #D9B981, #D9D181, #CBD981 and #B3D981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9A080 shade matches the following richer shades: #D9A181, #E79D74 and #F49A67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9A080 shade: #D9A181, #CCA58F, #BFA89C, #B2ACA9 and #A5B0B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9A080 shade: #D98191, #D98981, #D9A081, #D9B881 and #D9CF81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9A080 shade: #C67142, #D08962, #D9A181, #E3B9A1 and #ECD1C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9A080 shade: #D9A080, #A9D981 and #8186D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9A080 shade: #D9A080, #81D9A0 and #A081D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9A080 shade: #D9A080, #A9D981, #81BBD9 and #B281D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9A080 shade: #D9A080, #8FD981, #81BBD9 and #CC81D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 41 / 15

HEX #D9A080

RGB 217 160 128

HSL 21.57, 0.54%, 0.68%

LAB 70.49, 17.13, 24.97

 

Complementary color

CMYK 70 / 25 / 0 / 50

HEX #265F7F

RGB 38 95 127

HSL 201.57, 0.54%, 0.32%

LAB 38.07, -7.54, -23.37

 

CMYK 0 / 28 / 45 / 13

HEX #DEA07B

RGB 222 160 123

HSL 22.42, 0.6%, 0.68%

LAB 70.94, 18.59, 28.37

 

CMYK 0 / 26 / 41 / 6

HEX #EFB28E

RGB 239 178 142

HSL 22.27, 0.75%, 0.75%

LAB 77.37, 17.72, 27.07

 

CMYK 0 / 23 / 37 / 0

HEX #FFC4A1

RGB 255 196 161

HSL 22.34, 1%, 0.82%

LAB 83.61, 16.56, 25.7

 

CMYK 0 / 16 / 29 / 0

HEX #FFD6B4

RGB 255 214 180

HSL 27.2, 1%, 0.85%

LAB 88.28, 9.51, 22.14

 

CMYK 0 / 9 / 22 / 0

HEX #FFE8C7

RGB 255 232 199

HSL 35.36, 1%, 0.89%

LAB 93.06, 2.81, 18.91

 

CMYK 0 / 26 / 41 / 15

HEX #D9A080

RGB 217 160 128

HSL 21.57, 0.54%, 0.68%

LAB 70.49, 17.13, 24.97

 

CMYK 0 / 29 / 46 / 22

HEX #C88E6D

RGB 200 142 109

HSL 21.76, 0.45%, 0.61%

LAB 63.94, 18.03, 26.31

 

CMYK 0 / 32 / 51 / 28

HEX #B77C5A

RGB 183 124 90

HSL 21.94, 0.39%, 0.54%

LAB 57.29, 19.08, 27.79

 

CMYK 0 / 36 / 57 / 35

HEX #A66A47

RGB 166 106 71

HSL 22.11, 0.4%, 0.46%

LAB 50.53, 20.29, 29.43

 

CMYK 0 / 41 / 65 / 42

HEX #955834

RGB 149 88 52

HSL 22.27, 0.48%, 0.39%

LAB 43.68, 21.71, 31.24

 

CMYK 0 / 26 / 41 / 15

HEX #D9A181

RGB 217 161 129

HSL 21.82, 0.54%, 0.68%

LAB 70.75, 16.7, 24.77

 

CMYK 0 / 37 / 41 / 15

HEX #D98981

RGB 217 137 129

HSL 5.45, 0.54%, 0.68%

LAB 65.14, 29.64, 17.13

 

CMYK 0 / 41 / 41 / 15

HEX #D98181

RGB 217 129 129

HSL 0, 0.54%, 0.68%

LAB 63.37, 33.9, 14.67

 

CMYK 0 / 26 / 41 / 15

HEX #D9A181

RGB 217 161 129

HSL 21.82, 0.54%, 0.68%

LAB 70.75, 16.7, 24.77

 

CMYK 0 / 15 / 41 / 15

HEX #D9B981

RGB 217 185 129

HSL 38.18, 0.54%, 0.68%

LAB 76.7, 3.86, 32.66

 

CMYK 0 / 4 / 41 / 15

HEX #D9D181

RGB 217 209 129

HSL 54.55, 0.54%, 0.68%

LAB 82.88, -8.6, 40.62

 

CMYK 6 / 0 / 41 / 15

HEX #CBD981

RGB 203 217 129

HSL 69.55, 0.54%, 0.68%

LAB 83.92, -18.09, 41.71

 

CMYK 18 / 0 / 41 / 15

HEX #B3D981

RGB 179 217 129

HSL 85.91, 0.54%, 0.68%

LAB 82.27, -27.16, 39.28

 

CMYK 0 / 26 / 41 / 15

HEX #D9A181

RGB 217 161 129

HSL 21.82, 0.54%, 0.68%

LAB 70.75, 16.7, 24.77

 

CMYK 0 / 32 / 50 / 9

HEX #E79D74

RGB 231 157 116

HSL 21.39, 0.71%, 0.68%

LAB 71.12, 23.1, 32.56

 

CMYK 0 / 37 / 58 / 4

HEX #F49A67

RGB 244 154 103

HSL 21.7, 0.87%, 0.68%

LAB 71.77, 28.79, 40.58

 

CMYK 0 / 26 / 41 / 15

HEX #D9A181

RGB 217 161 129

HSL 21.82, 0.54%, 0.68%

LAB 70.75, 16.7, 24.77

 

CMYK 0 / 19 / 30 / 20

HEX #CCA58F

RGB 204 165 143

HSL 21.64, 0.37%, 0.68%

LAB 70.68, 11.13, 16.82

 

CMYK 0 / 12 / 18 / 25

HEX #BFA89C

RGB 191 168 156

HSL 20.57, 0.21%, 0.68%

LAB 70.51, 6.39, 9.25

 

CMYK 0 / 3 / 5 / 30

HEX #B2ACA9

RGB 178 172 169

HSL 20, 0.06%, 0.68%

LAB 70.76, 1.6, 2.29

 

CMYK 9 / 3 / 0 / 29

HEX #A5B0B6

RGB 165 176 182

HSL 201.18, 0.1%, 0.68%

LAB 71.16, -2.63, -4.39

 

CMYK 0 / 41 / 33 / 15

HEX #D98191

RGB 217 129 145

HSL 349.09, 0.54%, 0.68%

LAB 63.75, 35.8, 6.12

 

CMYK 0 / 37 / 41 / 15

HEX #D98981

RGB 217 137 129

HSL 5.45, 0.54%, 0.68%

LAB 65.14, 29.64, 17.13

 

CMYK 0 / 26 / 41 / 15

HEX #D9A081

RGB 217 160 129

HSL 21.14, 0.54%, 0.68%

LAB 70.51, 17.24, 24.45

 

CMYK 0 / 15 / 41 / 15

HEX #D9B881

RGB 217 184 129

HSL 37.5, 0.54%, 0.68%

LAB 76.45, 4.39, 32.33

 

CMYK 0 / 5 / 41 / 15

HEX #D9CF81

RGB 217 207 129

HSL 53.18, 0.54%, 0.68%

LAB 82.36, -7.58, 39.96

 

CMYK 0 / 43 / 67 / 22

HEX #C67142

RGB 198 113 66

HSL 21.36, 0.54%, 0.52%

LAB 56.3, 29.48, 40.06

 

CMYK 0 / 34 / 53 / 18

HEX #D08962

RGB 208 137 98

HSL 21.27, 0.54%, 0.6%

LAB 63.49, 22.97, 31.94

 

CMYK 0 / 26 / 41 / 15

HEX #D9A181

RGB 217 161 129

HSL 21.82, 0.54%, 0.68%

LAB 70.75, 16.7, 24.77

 

CMYK 0 / 19 / 29 / 11

HEX #E3B9A1

RGB 227 185 161

HSL 21.82, 0.54%, 0.76%

LAB 78.23, 11.66, 17.87

 

CMYK 0 / 11 / 18 / 7

HEX #ECD1C1

RGB 236 209 193

HSL 22.33, 0.53%, 0.84%

LAB 85.65, 6.89, 11.37

 

CMYK 0 / 26 / 41 / 15

HEX #D9A080

RGB 217 160 128

HSL 21.57, 0.54%, 0.68%

LAB 70.49, 17.13, 24.97

 

CMYK 22 / 0 / 41 / 15

HEX #A9D981

RGB 169 217 129

HSL 92.73, 0.54%, 0.68%

LAB 81.65, -30.79, 38.35

 

CMYK 41 / 38 / 0 / 15

HEX #8186D9

RGB 129 134 217

HSL 236.59, 0.54%, 0.68%

LAB 58.72, 18.75, -43.14

 

CMYK 0 / 26 / 41 / 15

HEX #D9A080

RGB 217 160 128

HSL 21.57, 0.54%, 0.68%

LAB 70.49, 17.13, 24.97

 

CMYK 41 / 0 / 26 / 15

HEX #81D9A0

RGB 129 217 160

HSL 141.14, 0.54%, 0.68%

LAB 80.08, -38.8, 19.95

 

CMYK 26 / 41 / 0 / 15

HEX #A081D9

RGB 160 129 217

HSL 261.14, 0.54%, 0.68%

LAB 60.05, 30.12, -40.87

 

CMYK 0 / 26 / 41 / 15

HEX #D9A080

RGB 217 160 128

HSL 21.57, 0.54%, 0.68%

LAB 70.49, 17.13, 24.97

 

CMYK 22 / 0 / 41 / 15

HEX #A9D981

RGB 169 217 129

HSL 92.73, 0.54%, 0.68%

LAB 81.65, -30.79, 38.35

 

CMYK 41 / 14 / 0 / 15

HEX #81BBD9

RGB 129 187 217

HSL 200.45, 0.54%, 0.68%

LAB 73.03, -11.12, -20.98

 

CMYK 18 / 41 / 0 / 15

HEX #B281D9

RGB 178 129 217

HSL 273.41, 0.54%, 0.68%

LAB 61.81, 35.33, -38

 

CMYK 0 / 26 / 41 / 15

HEX #D9A080

RGB 217 160 128

HSL 21.57, 0.54%, 0.68%

LAB 70.49, 17.13, 24.97

 

CMYK 34 / 0 / 41 / 15

HEX #8FD981

RGB 143 217 129

HSL 110.45, 0.54%, 0.68%

LAB 80.21, -39.67, 36.22

 

CMYK 41 / 14 / 0 / 15

HEX #81BBD9

RGB 129 187 217

HSL 200.45, 0.54%, 0.68%

LAB 73.03, -11.12, -20.98

 

CMYK 6 / 41 / 0 / 15

HEX #CC81D9

RGB 204 129 217

HSL 291.14, 0.54%, 0.68%

LAB 64.6, 43.07, -33.43

 

Description

Color code: HEX #D9A080 | qconv.com Color code: HEX #D9A080 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 160 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 160 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 41% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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