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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9A01C it is the complementary color #265FE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9A01C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D9A01C: #DEA017, #EFB22A, #FFC43D, #FFD650 and #FFE863

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9A01C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D9A01C: #D9A01C, #C88E09, #B77C00, #A66A00 and #955800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 87 / 15

HEX #D9A01C

RGB 217 160 28

HSL 41.9, 0.77%, 0.48%

LAB 69.45, 10.67, 68.64

 

Complementary color

CMYK 83 / 58 / 0 / 11

HEX #265FE3

RGB 38 95 227

HSL 221.9, 0.77%, 0.52%

LAB 44.44, 30.6, -71.97

 

CMYK 0 / 28 / 90 / 13

HEX #DEA017

RGB 222 160 23

HSL 41.31, 0.81%, 0.48%

LAB 69.99, 12.75, 70.44

 

CMYK 0 / 26 / 82 / 6

HEX #EFB22A

RGB 239 178 42

HSL 41.42, 0.86%, 0.55%

LAB 76.29, 10.97, 71.44

 

CMYK 0 / 23 / 76 / 0

HEX #FFC43D

RGB 255 196 61

HSL 41.75, 1%, 0.62%

LAB 82.42, 8.99, 71.35

 

CMYK 0 / 16 / 69 / 0

HEX #FFD650

RGB 255 214 80

HSL 45.94, 1%, 0.66%

LAB 86.96, 0.59, 68.64

 

CMYK 0 / 9 / 61 / 0

HEX #FFE863

RGB 255 232 99

HSL 51.15, 1%, 0.69%

LAB 91.63, -7.39, 65.75

 

CMYK 0 / 26 / 87 / 15

HEX #D9A01C

RGB 217 160 28

HSL 41.9, 0.77%, 0.48%

LAB 69.45, 10.67, 68.64

 

CMYK 0 / 29 / 96 / 22

HEX #C88E09

RGB 200 142 9

HSL 41.78, 0.91%, 0.41%

LAB 63.05, 12.61, 66.64

 

CMYK 0 / 32 / 100 / 28

HEX #B77C00

RGB 183 124 0

HSL 40.66, 1%, 0.36%

LAB 56.57, 14.82, 62.66

 

CMYK 0 / 36 / 100 / 35

HEX #A66A00

RGB 166 106 0

HSL 38.31, 1%, 0.33%

LAB 50, 17.23, 57.29

 

CMYK 0 / 41 / 100 / 42

HEX #955800

RGB 149 88 0

HSL 35.44, 1%, 0.29%

LAB 43.31, 19.75, 51.86

 

CMYK 0 / 26 / 87 / 15

HEX #D9A01C

RGB 217 160 28

HSL 41.9, 0.77%, 0.48%

LAB 69.45, 10.67, 68.64

 

CMYK 0 / 13 / 87 / 15

HEX #D8BC1C

RGB 216 188 28

HSL 51.06, 0.77%, 0.48%

LAB 76.47, -4.55, 74.2

 

CMYK 1 / 0 / 87 / 15

HEX #D5D81C

RGB 213 216 28

HSL 60.96, 0.77%, 0.48%

LAB 83.62, -19.93, 79.83

 

CMYK 16 / 0 / 87 / 15

HEX #B6D81C

RGB 182 216 28

HSL 70.85, 0.77%, 0.48%

LAB 81.37, -32.74, 77.07

 

CMYK 31 / 0 / 87 / 15

HEX #96D81C

RGB 150 216 28

HSL 81.06, 0.77%, 0.48%

LAB 79.43, -45.13, 74.67

 

CMYK 0 / 26 / 87 / 15

HEX #D9A01C

RGB 217 160 28

HSL 41.9, 0.77%, 0.48%

LAB 69.45, 10.67, 68.64

 

CMYK 0 / 23 / 85 / 95

HEX #0D0A02

RGB 13 10 2

HSL 43.64, 0.73%, 0.03%

LAB 2.77, -0.26, 3.33

 

CMYK 0 / 27 / 88 / 75

HEX #402F08

RGB 64 47 8

HSL 41.79, 0.78%, 0.14%

LAB 20.6, 3.27, 25.95

 

CMYK 0 / 26 / 87 / 55

HEX #73550F

RGB 115 85 15

HSL 42, 0.77%, 0.25%

LAB 38.16, 5.75, 41.79

 

CMYK 0 / 27 / 87 / 35

HEX #A67A15

RGB 166 122 21

HSL 41.79, 0.78%, 0.37%

LAB 54.11, 8.56, 55.7

 

CMYK 0 / 26 / 87 / 15

HEX #D9A01C

RGB 217 160 28

HSL 41.9, 0.77%, 0.48%

LAB 69.45, 10.67, 68.64

 

CMYK 77 / 0 / 87 / 15

HEX #32D81C

RGB 50 216 28

HSL 112.98, 0.77%, 0.48%

LAB 75.99, -71.6, 70.37

 

CMYK 63 / 87 / 0 / 15

HEX #511CD8

RGB 81 28 216

HSL 256.91, 0.77%, 0.48%

LAB 33, 66.03, -84.41

 

CMYK 0 / 26 / 87 / 15

HEX #D9A01C

RGB 217 160 28

HSL 41.9, 0.77%, 0.48%

LAB 69.45, 10.67, 68.64

 

CMYK 87 / 0 / 28 / 15

HEX #1CD89C

RGB 28 216 156

HSL 160.85, 0.77%, 0.48%

LAB 77.14, -57.15, 17.57

 

CMYK 28 / 87 / 0 / 15

HEX #9C1CD8

RGB 156 28 216

HSL 280.85, 0.77%, 0.48%

LAB 42.55, 74.37, -68.36

 

CMYK 0 / 26 / 87 / 15

HEX #D9A01C

RGB 217 160 28

HSL 41.9, 0.77%, 0.48%

LAB 69.45, 10.67, 68.64

 

CMYK 77 / 0 / 87 / 15

HEX #32D81C

RGB 50 216 28

HSL 112.98, 0.77%, 0.48%

LAB 75.99, -71.6, 70.37

 

CMYK 87 / 60 / 0 / 15

HEX #1C57D8

RGB 28 87 216

HSL 221.17, 0.77%, 0.48%

LAB 41.25, 30.92, -70.92

 

CMYK 10 / 87 / 0 / 15

HEX #C21CD8

RGB 194 28 216

HSL 292.98, 0.77%, 0.48%

LAB 48.58, 80.2, -58.29

 

CMYK 0 / 26 / 87 / 15

HEX #D9A01C

RGB 217 160 28

HSL 41.9, 0.77%, 0.48%

LAB 69.45, 10.67, 68.64

 

CMYK 87 / 0 / 71 / 15

HEX #1CD83E

RGB 28 216 62

HSL 130.85, 0.77%, 0.48%

LAB 75.89, -71.9, 60.49

 

CMYK 87 / 60 / 0 / 15

HEX #1C57D8

RGB 28 87 216

HSL 221.17, 0.77%, 0.48%

LAB 41.25, 30.92, -70.92

 

CMYK 0 / 87 / 16 / 15

HEX #D81CB6

RGB 216 28 182

HSL 310.85, 0.77%, 0.48%

LAB 50.46, 79.2, -35.4

 

Description

Color code: HEX #D9A01C | qconv.com Color code: HEX #D9A01C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 160 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 160 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 87 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 87% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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