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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D998DC it is the complementary color #266723. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D998DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D998DC shade: #DE98D7, #EFAAEA, #FFBCFD, #FFCEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D998DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D998DC shade: #D998DC, #C886C9, #B774B6, #A662A3 and #955090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D998DC shade: #D998DC, #DC98CD, #DC98BA, #DC98A8 and #DC9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D998DC shade: #D998DC, #C798DC, #B598DC, #A298DC and #9898DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D998DC shade matches the following richer shades: #D998DC, #E38DE7, #ED82F2 and #F777FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D998DC shade: #D998DC, #CFA4D1, #C5AFC6, #BABABA and #B0C5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D998DC shade: #B598DC, #C798DC, #D998DC, #DC98CD and #DC98BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D998DC shade: #C25BC7, #CD7AD1, #D998DC, #E4B7E6 and #F0D6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D998DC shade: #D998DC, #DCA398 and #98DCBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D998DC shade: #D998DC, #DCD998 and #98DCD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D998DC shade: #D998DC, #DCA398, #9CDC98 and #98D2DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D998DC shade: #D998DC, #DCB798, #9CDC98 and #98BEDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

Complementary color

CMYK 63 / 0 / 66 / 60

HEX #266723

RGB 38 103 35

HSL 117.35, 0.49%, 0.27%

LAB 38.26, -35.31, 31.5

 

CMYK 0 / 32 / 3 / 13

HEX #DE98D7

RGB 222 152 215

HSL 306, 0.51%, 0.73%

LAB 71.48, 36.06, -21.57

 

CMYK 0 / 29 / 2 / 6

HEX #EFAAEA

RGB 239 170 234

HSL 304.35, 0.68%, 0.8%

LAB 77.9, 35.38, -22.02

 

CMYK 0 / 26 / 1 / 0

HEX #FFBCFD

RGB 255 188 253

HSL 301.79, 1%, 0.87%

LAB 84.13, 34.41, -22.6

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 0 / 33 / 0 / 21

HEX #C886C9

RGB 200 134 201

HSL 299.1, 0.38%, 0.66%

LAB 64.6, 36.08, -24.52

 

CMYK 0 / 37 / 1 / 28

HEX #B774B6

RGB 183 116 182

HSL 300.9, 0.32%, 0.59%

LAB 57.98, 36.83, -24.1

 

CMYK 0 / 41 / 2 / 35

HEX #A662A3

RGB 166 98 163

HSL 302.65, 0.28%, 0.52%

LAB 51.25, 37.6, -23.62

 

CMYK 0 / 46 / 3 / 42

HEX #955090

RGB 149 80 144

HSL 304.35, 0.3%, 0.45%

LAB 44.43, 38.37, -23.06

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 0 / 31 / 7 / 14

HEX #DC98CD

RGB 220 152 205

HSL 313.24, 0.49%, 0.73%

LAB 70.93, 33.64, -16.92

 

CMYK 0 / 31 / 15 / 14

HEX #DC98BA

RGB 220 152 186

HSL 330, 0.49%, 0.73%

LAB 70.33, 30.46, -7.28

 

CMYK 0 / 31 / 24 / 14

HEX #DC98A8

RGB 220 152 168

HSL 345.88, 0.49%, 0.73%

LAB 69.82, 27.72, 1.99

 

CMYK 0 / 31 / 31 / 14

HEX #DC9898

RGB 220 152 152

HSL 0, 0.49%, 0.73%

LAB 69.43, 25.51, 10.32

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 10 / 31 / 0 / 14

HEX #C798DC

RGB 199 152 220

HSL 281.47, 0.49%, 0.73%

LAB 69.3, 29.66, -27.87

 

CMYK 18 / 31 / 0 / 14

HEX #B598DC

RGB 181 152 220

HSL 265.59, 0.49%, 0.73%

LAB 67.61, 24.04, -30.62

 

CMYK 26 / 31 / 0 / 14

HEX #A298DC

RGB 162 152 220

HSL 248.82, 0.49%, 0.73%

LAB 65.99, 18.31, -33.26

 

CMYK 31 / 31 / 0 / 14

HEX #9898DC

RGB 152 152 220

HSL 240, 0.49%, 0.73%

LAB 65.2, 15.4, -34.55

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 2 / 39 / 0 / 9

HEX #E38DE7

RGB 227 141 231

HSL 297.33, 0.65%, 0.73%

LAB 70.28, 46.33, -32.17

 

CMYK 2 / 46 / 0 / 5

HEX #ED82F2

RGB 237 130 242

HSL 297.32, 0.81%, 0.73%

LAB 69.74, 56.8, -38.96

 

CMYK 2 / 53 / 0 / 1

HEX #F777FD

RGB 247 119 253

HSL 297.31, 0.97%, 0.73%

LAB 69.51, 66.63, -45.24

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 1 / 22 / 0 / 18

HEX #CFA4D1

RGB 207 164 209

HSL 297.33, 0.33%, 0.73%

LAB 72.51, 23.51, -16.86

 

CMYK 1 / 12 / 0 / 22

HEX #C5AFC6

RGB 197 175 198

HSL 297.39, 0.17%, 0.73%

LAB 73.94, 12.02, -8.78

 

CMYK 0 / 0 / 0 / 27

HEX #BABABA

RGB 186 186 186

HSL 0, 0%, 0.73%

LAB 75.51, 0, -0.01

 

CMYK 11 / 0 / 11 / 23

HEX #B0C5AF

RGB 176 197 175

HSL 117.27, 0.16%, 0.73%

LAB 77.43, -11.29, 8.63

 

CMYK 18 / 31 / 0 / 14

HEX #B598DC

RGB 181 152 220

HSL 265.59, 0.49%, 0.73%

LAB 67.61, 24.04, -30.62

 

CMYK 10 / 31 / 0 / 14

HEX #C798DC

RGB 199 152 220

HSL 281.47, 0.49%, 0.73%

LAB 69.3, 29.66, -27.87

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 0 / 31 / 7 / 14

HEX #DC98CD

RGB 220 152 205

HSL 313.24, 0.49%, 0.73%

LAB 70.93, 33.64, -16.92

 

CMYK 0 / 31 / 15 / 14

HEX #DC98BB

RGB 220 152 187

HSL 329.12, 0.49%, 0.73%

LAB 70.36, 30.62, -7.8

 

CMYK 3 / 54 / 0 / 22

HEX #C25BC7

RGB 194 91 199

HSL 297.22, 0.49%, 0.57%

LAB 55.15, 56.08, -38.11

 

CMYK 2 / 42 / 0 / 18

HEX #CD7AD1

RGB 205 122 209

HSL 297.24, 0.49%, 0.65%

LAB 62.93, 45.54, -31.54

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 1 / 20 / 0 / 10

HEX #E4B7E6

RGB 228 183 230

HSL 297.45, 0.48%, 0.81%

LAB 79.66, 24.13, -17.3

 

CMYK 0 / 11 / 0 / 5

HEX #F0D6F1

RGB 240 214 241

HSL 297.78, 0.49%, 0.89%

LAB 88.43, 13.65, -9.91

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 0 / 26 / 31 / 14

HEX #DCA398

RGB 220 163 152

HSL 9.71, 0.49%, 0.73%

LAB 72.01, 19.58, 13.97

 

CMYK 31 / 0 / 14 / 14

HEX #98DCBE

RGB 152 220 190

HSL 153.53, 0.49%, 0.73%

LAB 82.69, -27.67, 7.95

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 0 / 1 / 31 / 14

HEX #DCD998

RGB 220 217 152

HSL 57.35, 0.49%, 0.73%

LAB 85.56, -8.85, 32.46

 

CMYK 31 / 0 / 1 / 14

HEX #98DCD9

RGB 152 220 217

HSL 177.35, 0.49%, 0.73%

LAB 83.37, -21.86, -5.36

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 0 / 26 / 31 / 14

HEX #DCA398

RGB 220 163 152

HSL 9.71, 0.49%, 0.73%

LAB 72.01, 19.58, 13.97

 

CMYK 29 / 0 / 31 / 14

HEX #9CDC98

RGB 156 220 152

HSL 116.47, 0.49%, 0.73%

LAB 82.12, -33.32, 27.12

 

CMYK 31 / 5 / 0 / 14

HEX #98D2DC

RGB 152 210 220

HSL 188.82, 0.49%, 0.73%

LAB 80.7, -16.14, -10.93

 

CMYK 1 / 31 / 0 / 14

HEX #D998DC

RGB 217 152 220

HSL 297.35, 0.49%, 0.73%

LAB 71.13, 35.37, -24.91

 

CMYK 0 / 17 / 31 / 14

HEX #DCB798

RGB 220 183 152

HSL 27.35, 0.49%, 0.73%

LAB 76.89, 8.85, 20.75

 

CMYK 29 / 0 / 31 / 14

HEX #9CDC98

RGB 156 220 152

HSL 116.47, 0.49%, 0.73%

LAB 82.12, -33.32, 27.12

 

CMYK 31 / 14 / 0 / 14

HEX #98BEDC

RGB 152 190 220

HSL 206.47, 0.49%, 0.73%

LAB 75.25, -5.69, -19.13

 

Description

Color code: HEX #D998DC | qconv.com Color code: HEX #D998DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 152 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 152 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 31 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 31% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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