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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D98C50 it is the complementary color #2673AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D98C50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D98C50 shade: #DE8C4B, #EF9E5E, #FFB071, #FFC284 and #FFD497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D98C50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D98C50 shade: #D98C50, #C87A3D, #B7682A, #A65617 and #954404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D98C50 shade: #D88B4F, #D8664F and #D84F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D98C50 shade: #D88B4F, #D8B04F, #D8D54F, #B7D84F and #92D84F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D98C50 shade matches the following richer shades: #D88B4F, #EA893E and #FB872D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D98C50 shade: #D88B4F, #C78E61, #B69072, #A49283 and #939495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D98C50 shade: #D84F5D, #D8664F, #D88B4F, #D8AF4F and #D8D44F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D98C50 shade: #AF6226, #D1752E, #D88B4F, #E0A271 and #E7B893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D98C50 shade: #D98C50, #82D84F and #544FD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D98C50 shade: #D98C50, #4FD88B and #8B4FD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D98C50 shade: #D98C50, #82D84F, #4F9DD8 and #A64FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D98C50 shade: #D98C50, #58D84F, #4F9DD8 and #CF4FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 63 / 15

HEX #D98C50

RGB 217 140 80

HSL 26.28, 0.64%, 0.58%

LAB 65.03, 23.67, 43.58

 

Complementary color

CMYK 78 / 34 / 0 / 31

HEX #2673AF

RGB 38 115 175

HSL 206.28, 0.64%, 0.42%

LAB 46.67, -1.93, -38.49

 

CMYK 0 / 37 / 66 / 13

HEX #DE8C4B

RGB 222 140 75

HSL 26.53, 0.69%, 0.58%

LAB 65.59, 25.42, 46.89

 

CMYK 0 / 34 / 61 / 6

HEX #EF9E5E

RGB 239 158 94

HSL 26.48, 0.82%, 0.65%

LAB 71.97, 24.03, 45.3

 

CMYK 0 / 31 / 56 / 0

HEX #FFB071

RGB 255 176 113

HSL 26.62, 1%, 0.72%

LAB 78.17, 22.4, 43.6

 

CMYK 0 / 24 / 48 / 0

HEX #FFC284

RGB 255 194 132

HSL 30.24, 1%, 0.76%

LAB 82.65, 14.61, 39.53

 

CMYK 0 / 17 / 41 / 0

HEX #FFD497

RGB 255 212 151

HSL 35.19, 1%, 0.8%

LAB 87.28, 7.15, 35.8

 

CMYK 0 / 35 / 63 / 15

HEX #D98C50

RGB 217 140 80

HSL 26.28, 0.64%, 0.58%

LAB 65.03, 23.67, 43.58

 

CMYK 0 / 39 / 70 / 22

HEX #C87A3D

RGB 200 122 61

HSL 26.33, 0.56%, 0.51%

LAB 58.54, 25.16, 45.21

 

CMYK 0 / 43 / 77 / 28

HEX #B7682A

RGB 183 104 42

HSL 26.38, 0.63%, 0.44%

LAB 51.99, 26.86, 46.74

 

CMYK 0 / 48 / 86 / 35

HEX #A65617

RGB 166 86 23

HSL 26.43, 0.76%, 0.37%

LAB 45.39, 28.79, 47.82

 

CMYK 0 / 54 / 97 / 42

HEX #954404

RGB 149 68 4

HSL 26.48, 0.95%, 0.3%

LAB 38.78, 30.94, 47.77

 

CMYK 0 / 36 / 63 / 15

HEX #D88B4F

RGB 216 139 79

HSL 26.28, 0.64%, 0.58%

LAB 64.67, 23.73, 43.63

 

CMYK 0 / 53 / 63 / 15

HEX #D8664F

RGB 216 102 79

HSL 10.07, 0.64%, 0.58%

LAB 56.75, 43.03, 34.18

 

CMYK 0 / 63 / 63 / 15

HEX #D84F4F

RGB 216 79 79

HSL 0, 0.64%, 0.58%

LAB 52.68, 53.69, 29.13

 

CMYK 0 / 36 / 63 / 15

HEX #D88B4F

RGB 216 139 79

HSL 26.28, 0.64%, 0.58%

LAB 64.67, 23.73, 43.63

 

CMYK 0 / 19 / 63 / 15

HEX #D8B04F

RGB 216 176 79

HSL 42.48, 0.64%, 0.58%

LAB 73.68, 3.86, 53.85

 

CMYK 0 / 1 / 63 / 15

HEX #D8D54F

RGB 216 213 79

HSL 58.69, 0.64%, 0.58%

LAB 83.31, -15.17, 64.19

 

CMYK 15 / 0 / 63 / 15

HEX #B7D84F

RGB 183 216 79

HSL 74.45, 0.64%, 0.58%

LAB 81.7, -29.99, 61.75

 

CMYK 32 / 0 / 63 / 15

HEX #92D84F

RGB 146 216 79

HSL 90.66, 0.64%, 0.58%

LAB 79.49, -43.84, 58.73

 

CMYK 0 / 36 / 63 / 15

HEX #D88B4F

RGB 216 139 79

HSL 26.28, 0.64%, 0.58%

LAB 64.67, 23.73, 43.63

 

CMYK 0 / 41 / 74 / 8

HEX #EA893E

RGB 234 137 62

HSL 26.16, 0.8%, 0.58%

LAB 66.31, 31.24, 54.32

 

CMYK 0 / 46 / 82 / 2

HEX #FB872D

RGB 251 135 45

HSL 26.21, 0.96%, 0.58%

LAB 68.04, 38.46, 63.86

 

CMYK 0 / 36 / 63 / 15

HEX #D88B4F

RGB 216 139 79

HSL 26.28, 0.64%, 0.58%

LAB 64.67, 23.73, 43.63

 

CMYK 0 / 29 / 51 / 22

HEX #C78E61

RGB 199 142 97

HSL 26.47, 0.48%, 0.58%

LAB 63.63, 16.45, 32.45

 

CMYK 0 / 21 / 37 / 29

HEX #B69072

RGB 182 144 114

HSL 26.47, 0.32%, 0.58%

LAB 62.6, 10.14, 21.41

 

CMYK 0 / 11 / 20 / 36

HEX #A49283

RGB 164 146 131

HSL 27.27, 0.15%, 0.58%

LAB 61.73, 4.19, 10.39

 

CMYK 1 / 1 / 0 / 42

HEX #939495

RGB 147 148 149

HSL 210, 0.01%, 0.58%

LAB 61.27, -0.16, -0.66

 

CMYK 0 / 63 / 57 / 15

HEX #D84F5D

RGB 216 79 93

HSL 353.87, 0.64%, 0.58%

LAB 52.93, 54.64, 21.22

 

CMYK 0 / 53 / 63 / 15

HEX #D8664F

RGB 216 102 79

HSL 10.07, 0.64%, 0.58%

LAB 56.75, 43.03, 34.18

 

CMYK 0 / 36 / 63 / 15

HEX #D88B4F

RGB 216 139 79

HSL 26.28, 0.64%, 0.58%

LAB 64.67, 23.73, 43.63

 

CMYK 0 / 19 / 63 / 15

HEX #D8AF4F

RGB 216 175 79

HSL 42.04, 0.64%, 0.58%

LAB 73.43, 4.39, 53.57

 

CMYK 0 / 2 / 63 / 15

HEX #D8D44F

RGB 216 212 79

HSL 58.25, 0.64%, 0.58%

LAB 83.05, -14.67, 63.92

 

CMYK 0 / 44 / 78 / 31

HEX #AF6226

RGB 175 98 38

HSL 26.28, 0.64%, 0.42%

LAB 49.48, 26.57, 45.73

 

CMYK 0 / 44 / 78 / 18

HEX #D1752E

RGB 209 117 46

HSL 26.13, 0.64%, 0.5%

LAB 58.49, 30.89, 52.54

 

CMYK 0 / 36 / 63 / 15

HEX #D88B4F

RGB 216 139 79

HSL 26.28, 0.64%, 0.58%

LAB 64.67, 23.73, 43.63

 

CMYK 0 / 28 / 50 / 12

HEX #E0A271

RGB 224 162 113

HSL 26.49, 0.64%, 0.66%

LAB 71.47, 17.34, 34.46

 

CMYK 0 / 20 / 36 / 9

HEX #E7B893

RGB 231 184 147

HSL 26.43, 0.64%, 0.74%

LAB 78.1, 11.98, 25.25

 

CMYK 0 / 35 / 63 / 15

HEX #D98C50

RGB 217 140 80

HSL 26.28, 0.64%, 0.58%

LAB 65.03, 23.67, 43.58

 

CMYK 40 / 0 / 63 / 15

HEX #82D84F

RGB 130 216 79

HSL 97.66, 0.64%, 0.58%

LAB 78.71, -49.25, 57.64

 

CMYK 61 / 63 / 0 / 15

HEX #544FD8

RGB 84 79 216

HSL 242.19, 0.64%, 0.58%

LAB 41.9, 42, -69.75

 

CMYK 0 / 35 / 63 / 15

HEX #D98C50

RGB 217 140 80

HSL 26.28, 0.64%, 0.58%

LAB 65.03, 23.67, 43.58

 

CMYK 63 / 0 / 36 / 15

HEX #4FD88B

RGB 79 216 139

HSL 146.28, 0.64%, 0.58%

LAB 77.66, -54.29, 27.31

 

CMYK 36 / 63 / 0 / 15

HEX #8B4FD8

RGB 139 79 216

HSL 266.28, 0.64%, 0.58%

LAB 47.03, 52.24, -61.19

 

CMYK 0 / 35 / 63 / 15

HEX #D98C50

RGB 217 140 80

HSL 26.28, 0.64%, 0.58%

LAB 65.03, 23.67, 43.58

 

CMYK 40 / 0 / 63 / 15

HEX #82D84F

RGB 130 216 79

HSL 97.66, 0.64%, 0.58%

LAB 78.71, -49.25, 57.64

 

CMYK 63 / 27 / 0 / 15

HEX #4F9DD8

RGB 79 157 216

HSL 205.84, 0.64%, 0.58%

LAB 62.28, -6.02, -37.18

 

CMYK 23 / 63 / 0 / 15

HEX #A64FD8

RGB 166 79 216

HSL 278.1, 0.64%, 0.58%

LAB 50.28, 58.16, -55.78

 

CMYK 0 / 35 / 63 / 15

HEX #D98C50

RGB 217 140 80

HSL 26.28, 0.64%, 0.58%

LAB 65.03, 23.67, 43.58

 

CMYK 59 / 0 / 63 / 15

HEX #58D84F

RGB 88 216 79

HSL 116.06, 0.64%, 0.58%

LAB 77.13, -61.03, 55.46

 

CMYK 63 / 27 / 0 / 15

HEX #4F9DD8

RGB 79 157 216

HSL 205.84, 0.64%, 0.58%

LAB 62.28, -6.02, -37.18

 

CMYK 4 / 63 / 0 / 15

HEX #CF4FD8

RGB 207 79 216

HSL 296.06, 0.64%, 0.58%

LAB 55.9, 67.63, -46.49

 

Description

Color code: HEX #D98C50 | qconv.com Color code: HEX #D98C50 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 140 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 140 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 63 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 63% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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