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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D98C4B it is the complementary color #2673B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D98C4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D98C4B shade: #DE8C46, #EF9E59, #FFB06C, #FFC27F and #FFD492

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D98C4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D98C4B shade: #D98C4B, #C87A38, #B76825, #A65612 and #954400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D98C4B shade: #D98B4A, #D9654A and #D94A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D98C4B shade: #D98B4A, #D9B24A, #D9D84A, #B3D94A and #8CD94A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D98C4B shade matches the following richer shades: #D98B4A, #EA8A38 and #FC8827

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D98C4B shade: #D98B4A, #C78D5C, #B58E6E, #A3907F and #929191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D98C4B shade: #D94A56, #D9644A, #D98A4A, #D9B04A and #D9D64A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D98C4B shade: #AC6224, #CE762C, #D98B4A, #E0A16C and #E7B78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D98C4B shade: #D98C4B, #7CD94A and #514AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D98C4B shade: #D98C4B, #4AD98A and #8A4AD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D98C4B shade: #D98C4B, #7CD94A, #4A98D9 and #A74AD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D98C4B shade: #D98C4B, #51D94A, #4A98D9 and #D14AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 65 / 15

HEX #D98C4B

RGB 217 140 75

HSL 27.46, 0.65%, 0.57%

LAB 64.98, 23.35, 46.03

 

Complementary color

CMYK 79 / 36 / 0 / 29

HEX #2673B4

RGB 38 115 180

HSL 207.46, 0.65%, 0.43%

LAB 46.93, -0.06, -40.98

 

CMYK 0 / 37 / 68 / 13

HEX #DE8C46

RGB 222 140 70

HSL 27.63, 0.7%, 0.57%

LAB 65.54, 25.13, 49.28

 

CMYK 0 / 34 / 63 / 6

HEX #EF9E59

RGB 239 158 89

HSL 27.6, 0.82%, 0.64%

LAB 71.91, 23.7, 47.73

 

CMYK 0 / 31 / 58 / 0

HEX #FFB06C

RGB 255 176 108

HSL 27.76, 1%, 0.71%

LAB 78.11, 22.02, 46.05

 

CMYK 0 / 24 / 50 / 0

HEX #FFC27F

RGB 255 194 127

HSL 31.41, 1%, 0.75%

LAB 82.58, 14.16, 41.98

 

CMYK 0 / 17 / 43 / 0

HEX #FFD492

RGB 255 212 146

HSL 36.33, 1%, 0.79%

LAB 87.2, 6.63, 38.25

 

CMYK 0 / 35 / 65 / 15

HEX #D98C4B

RGB 217 140 75

HSL 27.46, 0.65%, 0.57%

LAB 64.98, 23.35, 46.03

 

CMYK 0 / 39 / 72 / 22

HEX #C87A38

RGB 200 122 56

HSL 27.5, 0.57%, 0.5%

LAB 58.49, 24.89, 47.59

 

CMYK 0 / 43 / 80 / 28

HEX #B76825

RGB 183 104 37

HSL 27.53, 0.66%, 0.43%

LAB 51.95, 26.66, 48.93

 

CMYK 0 / 48 / 89 / 35

HEX #A65612

RGB 166 86 18

HSL 27.57, 0.8%, 0.36%

LAB 45.37, 28.67, 49.57

 

CMYK 0 / 54 / 100 / 42

HEX #954400

RGB 149 68 0

HSL 27.38, 1%, 0.29%

LAB 38.77, 30.87, 49.08

 

CMYK 0 / 36 / 66 / 15

HEX #D98B4A

RGB 217 139 74

HSL 27.27, 0.65%, 0.57%

LAB 64.73, 23.83, 46.26

 

CMYK 0 / 53 / 66 / 15

HEX #D9654A

RGB 217 101 74

HSL 11.33, 0.65%, 0.57%

LAB 56.64, 43.59, 36.85

 

CMYK 0 / 66 / 66 / 15

HEX #D94A4A

RGB 217 74 74

HSL 0, 0.65%, 0.57%

LAB 52, 55.82, 31.22

 

CMYK 0 / 36 / 66 / 15

HEX #D98B4A

RGB 217 139 74

HSL 27.27, 0.65%, 0.57%

LAB 64.73, 23.83, 46.26

 

CMYK 0 / 18 / 66 / 15

HEX #D9B24A

RGB 217 178 74

HSL 43.64, 0.65%, 0.57%

LAB 74.25, 2.92, 56.72

 

CMYK 0 / 0 / 66 / 15

HEX #D9D84A

RGB 217 216 74

HSL 59.58, 0.65%, 0.57%

LAB 84.15, -16.53, 67.06

 

CMYK 18 / 0 / 66 / 15

HEX #B3D94A

RGB 179 217 74

HSL 75.94, 0.65%, 0.57%

LAB 81.68, -32.37, 63.64

 

CMYK 35 / 0 / 66 / 15

HEX #8CD94A

RGB 140 217 74

HSL 92.31, 0.65%, 0.57%

LAB 79.44, -46.75, 60.61

 

CMYK 0 / 36 / 66 / 15

HEX #D98B4A

RGB 217 139 74

HSL 27.27, 0.65%, 0.57%

LAB 64.73, 23.83, 46.26

 

CMYK 0 / 41 / 76 / 8

HEX #EA8A38

RGB 234 138 56

HSL 27.64, 0.81%, 0.57%

LAB 66.49, 30.47, 57.16

 

CMYK 0 / 46 / 85 / 1

HEX #FC8827

RGB 252 136 39

HSL 27.32, 0.97%, 0.57%

LAB 68.35, 38.19, 66.31

 

CMYK 0 / 36 / 66 / 15

HEX #D98B4A

RGB 217 139 74

HSL 27.27, 0.65%, 0.57%

LAB 64.73, 23.83, 46.26

 

CMYK 0 / 29 / 54 / 22

HEX #C78D5C

RGB 199 141 92

HSL 27.48, 0.49%, 0.57%

LAB 63.31, 16.55, 34.73

 

CMYK 0 / 22 / 39 / 29

HEX #B58E6E

RGB 181 142 110

HSL 27.04, 0.32%, 0.57%

LAB 61.91, 10.36, 22.69

 

CMYK 0 / 12 / 22 / 36

HEX #A3907F

RGB 163 144 127

HSL 28.33, 0.16%, 0.57%

LAB 61.02, 4.29, 11.63

 

CMYK 0 / 1 / 1 / 43

HEX #929191

RGB 146 145 145

HSL 0, 0%, 0.57%

LAB 60.25, 0.37, 0.12

 

CMYK 0 / 66 / 60 / 15

HEX #D94A56

RGB 217 74 86

HSL 354.97, 0.65%, 0.57%

LAB 52.2, 56.55, 24.43

 

CMYK 0 / 54 / 66 / 15

HEX #D9644A

RGB 217 100 74

HSL 10.91, 0.65%, 0.57%

LAB 56.45, 44.08, 36.62

 

CMYK 0 / 36 / 66 / 15

HEX #D98A4A

RGB 217 138 74

HSL 26.85, 0.65%, 0.57%

LAB 64.5, 24.36, 46

 

CMYK 0 / 19 / 66 / 15

HEX #D9B04A

RGB 217 176 74

HSL 42.8, 0.65%, 0.57%

LAB 73.74, 3.98, 56.18

 

CMYK 0 / 1 / 66 / 15

HEX #D9D64A

RGB 217 214 74

HSL 58.74, 0.65%, 0.57%

LAB 83.62, -15.54, 66.52

 

CMYK 0 / 43 / 79 / 33

HEX #AC6224

RGB 172 98 36

HSL 27.35, 0.65%, 0.41%

LAB 49.05, 25.21, 46.06

 

CMYK 0 / 43 / 79 / 19

HEX #CE762C

RGB 206 118 44

HSL 27.41, 0.65%, 0.49%

LAB 58.28, 29.04, 53.06

 

CMYK 0 / 36 / 66 / 15

HEX #D98B4A

RGB 217 139 74

HSL 27.27, 0.65%, 0.57%

LAB 64.73, 23.83, 46.26

 

CMYK 0 / 28 / 52 / 12

HEX #E0A16C

RGB 224 161 108

HSL 27.41, 0.65%, 0.65%

LAB 71.16, 17.42, 36.7

 

CMYK 0 / 21 / 39 / 9

HEX #E7B78E

RGB 231 183 142

HSL 27.64, 0.65%, 0.73%

LAB 77.76, 11.93, 27.45

 

CMYK 0 / 35 / 65 / 15

HEX #D98C4B

RGB 217 140 75

HSL 27.46, 0.65%, 0.57%

LAB 64.98, 23.35, 46.03

 

CMYK 43 / 0 / 66 / 15

HEX #7CD94A

RGB 124 217 74

HSL 99.02, 0.65%, 0.57%

LAB 78.7, -51.99, 59.59

 

CMYK 63 / 66 / 0 / 15

HEX #514AD9

RGB 81 74 217

HSL 242.94, 0.65%, 0.57%

LAB 40.67, 44.82, -72.35

 

CMYK 0 / 35 / 65 / 15

HEX #D98C4B

RGB 217 140 75

HSL 27.46, 0.65%, 0.57%

LAB 64.98, 23.35, 46.03

 

CMYK 66 / 0 / 36 / 15

HEX #4AD98A

RGB 74 217 138

HSL 146.85, 0.65%, 0.57%

LAB 77.83, -55.77, 28.02

 

CMYK 36 / 66 / 0 / 15

HEX #8A4AD9

RGB 138 74 217

HSL 266.85, 0.65%, 0.57%

LAB 46.06, 54.8, -63.34

 

CMYK 0 / 35 / 65 / 15

HEX #D98C4B

RGB 217 140 75

HSL 27.46, 0.65%, 0.57%

LAB 64.98, 23.35, 46.03

 

CMYK 43 / 0 / 66 / 15

HEX #7CD94A

RGB 124 217 74

HSL 99.02, 0.65%, 0.57%

LAB 78.7, -51.99, 59.59

 

CMYK 66 / 30 / 0 / 15

HEX #4A98D9

RGB 74 152 217

HSL 207.27, 0.65%, 0.57%

LAB 60.71, -3.7, -40.21

 

CMYK 23 / 66 / 0 / 15

HEX #A74AD9

RGB 167 74 217

HSL 279.02, 0.65%, 0.57%

LAB 49.64, 60.89, -57.37

 

CMYK 0 / 35 / 65 / 15

HEX #D98C4B

RGB 217 140 75

HSL 27.46, 0.65%, 0.57%

LAB 64.98, 23.35, 46.03

 

CMYK 63 / 0 / 66 / 15

HEX #51D94A

RGB 81 217 74

HSL 117.06, 0.65%, 0.57%

LAB 77.2, -63.43, 57.54

 

CMYK 66 / 30 / 0 / 15

HEX #4A98D9

RGB 74 152 217

HSL 207.27, 0.65%, 0.57%

LAB 60.71, -3.7, -40.21

 

CMYK 4 / 66 / 0 / 15

HEX #D14AD9

RGB 209 74 217

HSL 296.64, 0.65%, 0.57%

LAB 55.55, 70.22, -47.6

 

Description

Color code: HEX #D98C4B | qconv.com Color code: HEX #D98C4B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 140 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 140 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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