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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D98955 it is the complementary color #2676AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D98955. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D98955 shade: #DE8950, #EF9B63, #FFAD76, #FFBF89 and #FFD19C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D98955. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D98955 shade: #D98955, #C87742, #B7652F, #A6531C and #954109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D98955 shade: #D88855, #D86555 and #D85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D98955 shade: #D88855, #D8AC55, #D8D055, #BED855 and #9AD855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D98955 shade matches the following richer shades: #D88855, #E98544 and #FA8133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D98955 shade: #D88855, #C78C65, #B69076, #A69387 and #959798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D98955 shade: #D85568, #D86455, #D88755, #D8AA55 and #D8CD55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D98955 shade: #B25F28, #D17133, #D88855, #E0A076 and #E8B798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D98955 shade: #D98955, #8BD855 and #5557D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D98955 shade: #D98955, #55D887 and #8755D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D98955 shade: #D98955, #8BD855, #55A6D8 and #A155D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D98955 shade: #D98955, #64D855, #55A6D8 and #C955D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 61 / 15

HEX #D98955

RGB 217 137 85

HSL 23.64, 0.63%, 0.59%

LAB 64.4, 25.62, 40.25

 

Complementary color

CMYK 78 / 31 / 0 / 33

HEX #2676AA

RGB 38 118 170

HSL 203.64, 0.63%, 0.41%

LAB 47.33, -5.6, -34.53

 

CMYK 0 / 38 / 64 / 13

HEX #DE8950

RGB 222 137 80

HSL 24.08, 0.68%, 0.59%

LAB 64.96, 27.33, 43.66

 

CMYK 0 / 35 / 59 / 6

HEX #EF9B63

RGB 239 155 99

HSL 24, 0.81%, 0.66%

LAB 71.35, 25.97, 42

 

CMYK 0 / 32 / 54 / 0

HEX #FFAD76

RGB 255 173 118

HSL 24.09, 1%, 0.73%

LAB 77.55, 24.37, 40.26

 

CMYK 0 / 25 / 46 / 0

HEX #FFBF89

RGB 255 191 137

HSL 27.46, 1%, 0.77%

LAB 82.02, 16.64, 36.14

 

CMYK 0 / 18 / 39 / 0

HEX #FFD19C

RGB 255 209 156

HSL 32.12, 1%, 0.81%

LAB 86.63, 9.24, 32.38

 

CMYK 0 / 37 / 61 / 15

HEX #D98955

RGB 217 137 85

HSL 23.64, 0.63%, 0.59%

LAB 64.4, 25.62, 40.25

 

CMYK 0 / 41 / 67 / 22

HEX #C87742

RGB 200 119 66

HSL 23.73, 0.55%, 0.52%

LAB 57.91, 27.07, 41.98

 

CMYK 0 / 45 / 74 / 28

HEX #B7652F

RGB 183 101 47

HSL 23.82, 0.59%, 0.45%

LAB 51.36, 28.71, 43.73

 

CMYK 0 / 50 / 83 / 35

HEX #A6531C

RGB 166 83 28

HSL 23.91, 0.71%, 0.38%

LAB 44.77, 30.56, 45.25

 

CMYK 0 / 56 / 94 / 42

HEX #954109

RGB 149 65 9

HSL 24, 0.89%, 0.31%

LAB 38.18, 32.6, 45.79

 

CMYK 0 / 37 / 61 / 15

HEX #D88855

RGB 216 136 85

HSL 23.36, 0.63%, 0.59%

LAB 64.05, 25.75, 39.8

 

CMYK 0 / 53 / 61 / 15

HEX #D86555

RGB 216 101 85

HSL 7.33, 0.63%, 0.59%

LAB 56.65, 43.92, 30.68

 

CMYK 0 / 61 / 61 / 15

HEX #D85555

RGB 216 85 85

HSL 0, 0.63%, 0.59%

LAB 53.76, 51.45, 27.01

 

CMYK 0 / 37 / 61 / 15

HEX #D88855

RGB 216 136 85

HSL 23.36, 0.63%, 0.59%

LAB 64.05, 25.75, 39.8

 

CMYK 0 / 20 / 61 / 15

HEX #D8AC55

RGB 216 172 85

HSL 39.85, 0.63%, 0.59%

LAB 72.73, 6.39, 49.98

 

CMYK 0 / 4 / 61 / 15

HEX #D8D055

RGB 216 208 85

HSL 56.34, 0.63%, 0.59%

LAB 82.04, -12.29, 60.33

 

CMYK 12 / 0 / 61 / 15

HEX #BED855

RGB 190 216 85

HSL 71.91, 0.63%, 0.59%

LAB 82.23, -26.79, 59.97

 

CMYK 29 / 0 / 61 / 15

HEX #9AD855

RGB 154 216 85

HSL 88.4, 0.63%, 0.59%

LAB 79.98, -40.49, 56.85

 

CMYK 0 / 37 / 61 / 15

HEX #D88855

RGB 216 136 85

HSL 23.36, 0.63%, 0.59%

LAB 64.05, 25.75, 39.8

 

CMYK 0 / 43 / 71 / 9

HEX #E98544

RGB 233 133 68

HSL 23.64, 0.79%, 0.59%

LAB 65.37, 33.21, 50.47

 

CMYK 0 / 48 / 80 / 2

HEX #FA8133

RGB 250 129 51

HSL 23.52, 0.95%, 0.59%

LAB 66.72, 41.26, 60.24

 

CMYK 0 / 37 / 61 / 15

HEX #D88855

RGB 216 136 85

HSL 23.36, 0.63%, 0.59%

LAB 64.05, 25.75, 39.8

 

CMYK 0 / 30 / 49 / 22

HEX #C78C65

RGB 199 140 101

HSL 23.88, 0.47%, 0.59%

LAB 63.21, 17.92, 29.73

 

CMYK 0 / 21 / 35 / 29

HEX #B69076

RGB 182 144 118

HSL 24.38, 0.3%, 0.59%

LAB 62.68, 10.64, 19.28

 

CMYK 0 / 11 / 19 / 35

HEX #A69387

RGB 166 147 135

HSL 23.23, 0.15%, 0.59%

LAB 62.27, 5.05, 8.93

 

CMYK 2 / 1 / 0 / 40

HEX #959798

RGB 149 151 152

HSL 200, 0.01%, 0.59%

LAB 62.33, -0.52, -0.79

 

CMYK 0 / 61 / 52 / 15

HEX #D85568

RGB 216 85 104

HSL 351.3, 0.63%, 0.59%

LAB 54.13, 52.89, 16.33

 

CMYK 0 / 54 / 61 / 15

HEX #D86455

RGB 216 100 85

HSL 6.87, 0.63%, 0.59%

LAB 56.46, 44.41, 30.44

 

CMYK 0 / 38 / 61 / 15

HEX #D88755

RGB 216 135 85

HSL 22.9, 0.63%, 0.59%

LAB 63.82, 26.28, 39.53

 

CMYK 0 / 21 / 61 / 15

HEX #D8AA55

RGB 216 170 85

HSL 38.93, 0.63%, 0.59%

LAB 72.23, 7.46, 49.4

 

CMYK 0 / 5 / 61 / 15

HEX #D8CD55

RGB 216 205 85

HSL 54.96, 0.63%, 0.59%

LAB 81.25, -10.78, 59.47

 

CMYK 0 / 47 / 78 / 30

HEX #B25F28

RGB 178 95 40

HSL 23.91, 0.63%, 0.43%

LAB 49.26, 29.56, 44.72

 

CMYK 0 / 46 / 76 / 18

HEX #D17133

RGB 209 113 51

HSL 23.54, 0.63%, 0.51%

LAB 57.66, 33.2, 49.46

 

CMYK 0 / 37 / 61 / 15

HEX #D88855

RGB 216 136 85

HSL 23.36, 0.63%, 0.59%

LAB 64.05, 25.75, 39.8

 

CMYK 0 / 29 / 47 / 12

HEX #E0A076

RGB 224 160 118

HSL 23.77, 0.63%, 0.67%

LAB 71.08, 18.89, 31.28

 

CMYK 0 / 21 / 34 / 9

HEX #E8B798

RGB 232 183 152

HSL 23.25, 0.63%, 0.75%

LAB 78.05, 13.5, 22.52

 

CMYK 0 / 37 / 61 / 15

HEX #D98955

RGB 217 137 85

HSL 23.64, 0.63%, 0.59%

LAB 64.4, 25.62, 40.25

 

CMYK 36 / 0 / 61 / 15

HEX #8BD855

RGB 139 216 85

HSL 95.27, 0.63%, 0.59%

LAB 79.19, -45.73, 55.76

 

CMYK 61 / 60 / 0 / 15

HEX #5557D8

RGB 85 87 216

HSL 239.08, 0.63%, 0.59%

LAB 43.81, 37.35, -66.64

 

CMYK 0 / 37 / 61 / 15

HEX #D98955

RGB 217 137 85

HSL 23.64, 0.63%, 0.59%

LAB 64.4, 25.62, 40.25

 

CMYK 61 / 0 / 38 / 15

HEX #55D887

RGB 85 216 135

HSL 142.9, 0.63%, 0.59%

LAB 77.75, -53.84, 29.52

 

CMYK 38 / 61 / 0 / 15

HEX #8755D8

RGB 135 85 216

HSL 262.9, 0.63%, 0.59%

LAB 47.76, 48.22, -60.03

 

CMYK 0 / 37 / 61 / 15

HEX #D98955

RGB 217 137 85

HSL 23.64, 0.63%, 0.59%

LAB 64.4, 25.62, 40.25

 

CMYK 36 / 0 / 61 / 15

HEX #8BD855

RGB 139 216 85

HSL 95.27, 0.63%, 0.59%

LAB 79.19, -45.73, 55.76

 

CMYK 61 / 23 / 0 / 15

HEX #55A6D8

RGB 85 166 216

HSL 202.9, 0.63%, 0.59%

LAB 65.09, -9.94, -32.79

 

CMYK 25 / 61 / 0 / 15

HEX #A155D8

RGB 161 85 216

HSL 274.81, 0.63%, 0.59%

LAB 50.72, 54.11, -55.1

 

CMYK 0 / 37 / 61 / 15

HEX #D98955

RGB 217 137 85

HSL 23.64, 0.63%, 0.59%

LAB 64.4, 25.62, 40.25

 

CMYK 54 / 0 / 61 / 15

HEX #64D855

RGB 100 216 85

HSL 113.13, 0.63%, 0.59%

LAB 77.57, -57.46, 53.49

 

CMYK 61 / 23 / 0 / 15

HEX #55A6D8

RGB 85 166 216

HSL 202.9, 0.63%, 0.59%

LAB 65.09, -9.94, -32.79

 

CMYK 7 / 61 / 0 / 15

HEX #C955D8

RGB 201 85 216

HSL 293.13, 0.63%, 0.59%

LAB 55.96, 63.68, -46.45

 

Description

Color code: HEX #D98955 | qconv.com Color code: HEX #D98955 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 137 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 137 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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