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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D97AA7 it is the complementary color #268558. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D97AA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D97AA7 shade: #DE7AA2, #EF8CB5, #FF9EC8, #FFB0DB and #FFC2EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D97AA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D97AA7 shade: #D97AA7, #C86894, #B75681, #A6446E and #95325B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D97AA7 shade: #D978A6, #D9788C and #D97878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D97AA7 shade: #D978A6, #D978C0, #D878D9, #BD78D9 and #A378D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D97AA7 shade matches the following richer shades: #D978A6, #E76AA5 and #F55CA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D97AA7 shade: #D978A6, #CB86A6, #BD94A7, #AFA2A8 and #A1B0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D97AA7 shade: #D778D9, #D978C1, #D978A7, #D9788D and #D97D78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D97AA7 shade: #C6387B, #D05891, #D978A6, #E298BB and #EBB8D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D97AA7 shade: #D97AA7, #D9BD78 and #78CED9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D97AA7 shade: #D97AA7, #A7D978 and #78A7D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D97AA7 shade: #D97AA7, #D9BD78, #78D9AA and #7893D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D97AA7 shade: #D97AA7, #D7D978, #78D9AA and #7978D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 23 / 15

HEX #D97AA7

RGB 217 122 167

HSL 331.58, 0.56%, 0.66%

LAB 62.89, 42.43, -7.68

 

Complementary color

CMYK 71 / 0 / 34 / 48

HEX #268558

RGB 38 133 88

HSL 151.58, 0.56%, 0.34%

LAB 49.36, -38.46, 16.52

 

CMYK 0 / 45 / 27 / 13

HEX #DE7AA2

RGB 222 122 162

HSL 336, 0.6%, 0.67%

LAB 63.39, 43.43, -4.02

 

CMYK 0 / 41 / 24 / 6

HEX #EF8CB5

RGB 239 140 181

HSL 335.15, 0.76%, 0.74%

LAB 69.78, 42.6, -5.06

 

CMYK 0 / 38 / 22 / 0

HEX #FF9EC8

RGB 255 158 200

HSL 334.02, 1%, 0.81%

LAB 76, 41.46, -6.17

 

CMYK 0 / 31 / 14 / 0

HEX #FFB0DB

RGB 255 176 219

HSL 327.34, 1%, 0.85%

LAB 80.42, 34.97, -9.95

 

CMYK 0 / 24 / 7 / 0

HEX #FFC2EE

RGB 255 194 238

HSL 316.72, 1%, 0.88%

LAB 85, 28.64, -13.29

 

CMYK 0 / 44 / 23 / 15

HEX #D97AA7

RGB 217 122 167

HSL 331.58, 0.56%, 0.66%

LAB 62.89, 42.43, -7.68

 

CMYK 0 / 48 / 26 / 22

HEX #C86894

RGB 200 104 148

HSL 332.5, 0.47%, 0.6%

LAB 56.4, 43.25, -6.61

 

CMYK 0 / 53 / 30 / 28

HEX #B75681

RGB 183 86 129

HSL 333.4, 0.4%, 0.53%

LAB 49.87, 44.04, -5.36

 

CMYK 0 / 59 / 34 / 35

HEX #A6446E

RGB 166 68 110

HSL 334.29, 0.42%, 0.46%

LAB 43.31, 44.72, -3.82

 

CMYK 0 / 66 / 39 / 42

HEX #95325B

RGB 149 50 91

HSL 335.15, 0.5%, 0.39%

LAB 36.79, 45.17, -1.86

 

CMYK 0 / 45 / 24 / 15

HEX #D978A6

RGB 217 120 166

HSL 331.55, 0.56%, 0.66%

LAB 62.46, 43.32, -7.76

 

CMYK 0 / 45 / 35 / 15

HEX #D9788C

RGB 217 120 140

HSL 347.63, 0.56%, 0.66%

LAB 61.72, 39.89, 6.06

 

CMYK 0 / 45 / 45 / 15

HEX #D97878

RGB 217 120 120

HSL 0, 0.56%, 0.66%

LAB 61.26, 37.66, 16.86

 

CMYK 0 / 45 / 24 / 15

HEX #D978A6

RGB 217 120 166

HSL 331.55, 0.56%, 0.66%

LAB 62.46, 43.32, -7.76

 

CMYK 0 / 45 / 12 / 15

HEX #D978C0

RGB 217 120 192

HSL 315.46, 0.56%, 0.66%

LAB 63.33, 47.29, -21.21

 

CMYK 0 / 45 / 0 / 15

HEX #D878D9

RGB 216 120 217

HSL 299.38, 0.56%, 0.66%

LAB 64.19, 51.28, -33.95

 

CMYK 13 / 45 / 0 / 15

HEX #BD78D9

RGB 189 120 217

HSL 282.68, 0.56%, 0.66%

LAB 61.01, 43.46, -39.15

 

CMYK 25 / 45 / 0 / 15

HEX #A378D9

RGB 163 120 217

HSL 266.6, 0.56%, 0.66%

LAB 58.25, 36.07, -43.68

 

CMYK 0 / 45 / 24 / 15

HEX #D978A6

RGB 217 120 166

HSL 331.55, 0.56%, 0.66%

LAB 62.46, 43.32, -7.76

 

CMYK 0 / 54 / 29 / 9

HEX #E76AA5

RGB 231 106 165

HSL 331.68, 0.72%, 0.66%

LAB 61.67, 54.64, -8.16

 

CMYK 0 / 62 / 33 / 4

HEX #F55CA4

RGB 245 92 164

HSL 331.76, 0.88%, 0.66%

LAB 61.44, 64.91, -7.7

 

CMYK 0 / 45 / 24 / 15

HEX #D978A6

RGB 217 120 166

HSL 331.55, 0.56%, 0.66%

LAB 62.46, 43.32, -7.76

 

CMYK 0 / 34 / 18 / 20

HEX #CB86A6

RGB 203 134 166

HSL 332.17, 0.4%, 0.66%

LAB 63.75, 31.04, -6.02

 

CMYK 0 / 22 / 12 / 26

HEX #BD94A7

RGB 189 148 167

HSL 332.2, 0.24%, 0.66%

LAB 65.58, 18.46, -4.05

 

CMYK 0 / 7 / 4 / 31

HEX #AFA2A8

RGB 175 162 168

HSL 332.31, 0.08%, 0.66%

LAB 67.86, 5.8, -1.41

 

CMYK 9 / 0 / 4 / 31

HEX #A1B0A9

RGB 161 176 169

HSL 152, 0.09%, 0.66%

LAB 70.52, -6.59, 1.79

 

CMYK 1 / 45 / 0 / 15

HEX #D778D9

RGB 215 120 217

HSL 298.76, 0.56%, 0.66%

LAB 64.07, 50.99, -34.15

 

CMYK 0 / 45 / 11 / 15

HEX #D978C1

RGB 217 120 193

HSL 314.85, 0.56%, 0.66%

LAB 63.37, 47.46, -21.72

 

CMYK 0 / 45 / 23 / 15

HEX #D978A7

RGB 217 120 167

HSL 330.93, 0.56%, 0.66%

LAB 62.49, 43.46, -8.29

 

CMYK 0 / 45 / 35 / 15

HEX #D9788D

RGB 217 120 141

HSL 347.01, 0.56%, 0.66%

LAB 61.75, 40.01, 5.52

 

CMYK 0 / 42 / 45 / 15

HEX #D97D78

RGB 217 125 120

HSL 3.09, 0.56%, 0.66%

LAB 62.32, 35.04, 18.32

 

CMYK 0 / 72 / 38 / 22

HEX #C6387B

RGB 198 56 123

HSL 331.69, 0.56%, 0.5%

LAB 47.32, 60.86, -5.25

 

CMYK 0 / 58 / 30 / 18

HEX #D05891

RGB 208 88 145

HSL 331.5, 0.56%, 0.58%

LAB 54.48, 53.25, -7.59

 

CMYK 0 / 45 / 24 / 15

HEX #D978A6

RGB 217 120 166

HSL 331.55, 0.56%, 0.66%

LAB 62.46, 43.32, -7.76

 

CMYK 0 / 33 / 17 / 11

HEX #E298BB

RGB 226 152 187

HSL 331.62, 0.56%, 0.74%

LAB 71.02, 32.71, -6.74

 

CMYK 0 / 22 / 11 / 8

HEX #EBB8D0

RGB 235 184 208

HSL 331.76, 0.56%, 0.82%

LAB 79.9, 22.11, -5

 

CMYK 0 / 44 / 23 / 15

HEX #D97AA7

RGB 217 122 167

HSL 331.58, 0.56%, 0.66%

LAB 62.89, 42.43, -7.68

 

CMYK 0 / 13 / 45 / 15

HEX #D9BD78

RGB 217 189 120

HSL 42.68, 0.56%, 0.66%

LAB 77.58, 0.81, 38.46

 

CMYK 45 / 5 / 0 / 15

HEX #78CED9

RGB 120 206 217

HSL 186.8, 0.56%, 0.66%

LAB 77.96, -23.14, -13.58

 

CMYK 0 / 44 / 23 / 15

HEX #D97AA7

RGB 217 122 167

HSL 331.58, 0.56%, 0.66%

LAB 62.89, 42.43, -7.68

 

CMYK 23 / 0 / 45 / 15

HEX #A7D978

RGB 167 217 120

HSL 90.93, 0.56%, 0.66%

LAB 81.4, -32.63, 42.48

 

CMYK 45 / 23 / 0 / 15

HEX #78A7D9

RGB 120 167 217

HSL 210.93, 0.56%, 0.66%

LAB 67.01, -2.54, -30.25

 

CMYK 0 / 44 / 23 / 15

HEX #D97AA7

RGB 217 122 167

HSL 331.58, 0.56%, 0.66%

LAB 62.89, 42.43, -7.68

 

CMYK 0 / 13 / 45 / 15

HEX #D9BD78

RGB 217 189 120

HSL 42.68, 0.56%, 0.66%

LAB 77.58, 0.81, 38.46

 

CMYK 45 / 0 / 22 / 15

HEX #78D9AA

RGB 120 217 170

HSL 150.93, 0.56%, 0.66%

LAB 79.91, -39.29, 14.38

 

CMYK 45 / 32 / 0 / 15

HEX #7893D9

RGB 120 147 217

HSL 223.3, 0.56%, 0.66%

LAB 61.54, 8.84, -38.75

 

CMYK 0 / 44 / 23 / 15

HEX #D97AA7

RGB 217 122 167

HSL 331.58, 0.56%, 0.66%

LAB 62.89, 42.43, -7.68

 

CMYK 1 / 0 / 45 / 15

HEX #D7D978

RGB 215 217 120

HSL 61.24, 0.56%, 0.66%

LAB 84.7, -14.34, 47.31

 

CMYK 45 / 0 / 22 / 15

HEX #78D9AA

RGB 120 217 170

HSL 150.93, 0.56%, 0.66%

LAB 79.91, -39.29, 14.38

 

CMYK 44 / 45 / 0 / 15

HEX #7978D9

RGB 121 120 217

HSL 240.62, 0.56%, 0.66%

LAB 54.56, 25.05, -49.76

 

Description

Color code: HEX #D97AA7 | qconv.com Color code: HEX #D97AA7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 122 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 122 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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