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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D97526 it is the complementary color #268AD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D97526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D97526 shade: #DE7521, #EF8734, #FF9947, #FFAB5A and #FFBD6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D97526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D97526 shade: #D97526, #C86313, #B75100, #A63F00 and #952D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D97526 shade: #D97526, #D94526 and #D92626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D97526 shade: #D97526, #D9A526, #D9D526, #ACD926 and #7CD926

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D97526 shade matches the following richer shades: #D97526 and #ED7312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D97526 shade: #D97526, #C4773B, #AF7A50, #9B7C64 and #867F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D97526 shade: #D92638, #D94426, #D97426, #D9A326 and #D9D326

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D97526 shade: #934F1A, #B66220, #D97526, #DF8B49 and #E5A26C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D97526 shade: #D97526, #68D926 and #2C26D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D97526 shade: #D97526, #26D974 and #7426D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D97526 shade: #D97526, #68D926, #268BD9 and #9726D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D97526 shade: #D97526, #32D926, #268BD9 and #CD26D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

Complementary color

CMYK 82 / 36 / 0 / 15

HEX #268AD9

RGB 38 138 217

HSL 206.48, 0.7%, 0.5%

LAB 55.68, -0.08, -48.21

 

CMYK 0 / 47 / 85 / 13

HEX #DE7521

RGB 222 117 33

HSL 26.67, 0.74%, 0.5%

LAB 60.21, 35.78, 59.9

 

CMYK 0 / 44 / 78 / 6

HEX #EF8734

RGB 239 135 52

HSL 26.63, 0.85%, 0.57%

LAB 66.46, 33.9, 59.05

 

CMYK 0 / 40 / 72 / 0

HEX #FF9947

RGB 255 153 71

HSL 26.74, 1%, 0.64%

LAB 72.56, 31.8, 57.56

 

CMYK 0 / 33 / 65 / 0

HEX #FFAB5A

RGB 255 171 90

HSL 29.45, 1%, 0.68%

LAB 76.75, 23.44, 53.29

 

CMYK 0 / 26 / 57 / 0

HEX #FFBD6D

RGB 255 189 109

HSL 32.88, 1%, 0.71%

LAB 81.16, 15.3, 49.22

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 0 / 51 / 91 / 22

HEX #C86313

RGB 200 99 19

HSL 26.52, 0.83%, 0.43%

LAB 53.22, 35.89, 57.49

 

CMYK 0 / 56 / 100 / 28

HEX #B75100

RGB 183 81 0

HSL 26.56, 1%, 0.36%

LAB 46.91, 38, 56.64

 

CMYK 0 / 62 / 100 / 35

HEX #A63F00

RGB 166 63 0

HSL 22.77, 1%, 0.33%

LAB 40.67, 40.18, 51.67

 

CMYK 0 / 70 / 100 / 42

HEX #952D00

RGB 149 45 0

HSL 18.12, 1%, 0.29%

LAB 34.53, 41.99, 46.77

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 0 / 68 / 82 / 15

HEX #D94526

RGB 217 69 38

HSL 10.39, 0.7%, 0.5%

LAB 50.86, 56.33, 49.4

 

CMYK 0 / 82 / 82 / 15

HEX #D92626

RGB 217 38 38

HSL 0, 0.7%, 0.5%

LAB 47.34, 66.13, 46.14

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 0 / 24 / 82 / 15

HEX #D9A526

RGB 217 165 38

HSL 42.57, 0.7%, 0.5%

LAB 70.73, 8.25, 66.96

 

CMYK 0 / 2 / 82 / 15

HEX #D9D526

RGB 217 213 38

HSL 58.66, 0.7%, 0.5%

LAB 83.17, -16.53, 77.51

 

CMYK 21 / 0 / 82 / 15

HEX #ACD926

RGB 172 217 38

HSL 75.08, 0.7%, 0.5%

LAB 81.04, -36.89, 74.41

 

CMYK 43 / 0 / 82 / 15

HEX #7CD926

RGB 124 217 38

HSL 91.17, 0.7%, 0.5%

LAB 78.49, -54.19, 71.19

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 0 / 51 / 92 / 7

HEX #ED7312

RGB 237 115 18

HSL 26.58, 0.86%, 0.5%

LAB 61.92, 42.43, 66.49

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 0 / 39 / 70 / 23

HEX #C4773B

RGB 196 119 59

HSL 26.28, 0.54%, 0.5%

LAB 57.31, 25, 44.71

 

CMYK 0 / 30 / 54 / 31

HEX #AF7A50

RGB 175 122 80

HSL 26.53, 0.37%, 0.5%

LAB 55.7, 15.89, 31.12

 

CMYK 0 / 20 / 35 / 39

HEX #9B7C64

RGB 155 124 100

HSL 26.18, 0.22%, 0.5%

LAB 54.35, 8.47, 17.66

 

CMYK 0 / 5 / 10 / 47

HEX #867F79

RGB 134 127 121

HSL 27.69, 0.05%, 0.5%

LAB 53.63, 1.53, 4.2

 

CMYK 0 / 82 / 74 / 15

HEX #D92638

RGB 217 38 56

HSL 353.97, 0.7%, 0.5%

LAB 47.53, 66.7, 36.37

 

CMYK 0 / 69 / 82 / 15

HEX #D94426

RGB 217 68 38

HSL 10.06, 0.7%, 0.5%

LAB 50.72, 56.72, 49.27

 

CMYK 0 / 47 / 82 / 15

HEX #D97426

RGB 217 116 38

HSL 26.15, 0.7%, 0.5%

LAB 59.33, 34.42, 57.02

 

CMYK 0 / 25 / 82 / 15

HEX #D9A326

RGB 217 163 38

HSL 41.9, 0.7%, 0.5%

LAB 70.24, 9.32, 66.53

 

CMYK 0 / 3 / 82 / 15

HEX #D9D326

RGB 217 211 38

HSL 57.99, 0.7%, 0.5%

LAB 82.64, -15.54, 77.07

 

CMYK 0 / 46 / 82 / 42

HEX #934F1A

RGB 147 79 26

HSL 26.28, 0.7%, 0.34%

LAB 41.01, 24.57, 41.62

 

CMYK 0 / 46 / 82 / 29

HEX #B66220

RGB 182 98 32

HSL 26.4, 0.7%, 0.42%

LAB 50.43, 29.32, 49.58

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 0 / 38 / 67 / 13

HEX #DF8B49

RGB 223 139 73

HSL 26.4, 0.7%, 0.58%

LAB 65.46, 26.25, 47.77

 

CMYK 0 / 29 / 53 / 10

HEX #E5A26C

RGB 229 162 108

HSL 26.78, 0.7%, 0.66%

LAB 71.95, 18.92, 37.81

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 52 / 0 / 82 / 15

HEX #68D926

RGB 104 217 38

HSL 97.88, 0.7%, 0.5%

LAB 77.7, -60.19, 70.19

 

CMYK 80 / 82 / 0 / 15

HEX #2C26D9

RGB 44 38 217

HSL 242.01, 0.7%, 0.5%

LAB 31.65, 60.27, -87.3

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 82 / 0 / 47 / 15

HEX #26D974

RGB 38 217 116

HSL 146.15, 0.7%, 0.5%

LAB 76.86, -64.56, 37.78

 

CMYK 47 / 82 / 0 / 15

HEX #7426D9

RGB 116 38 217

HSL 266.15, 0.7%, 0.5%

LAB 38.04, 66.54, -76.54

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 52 / 0 / 82 / 15

HEX #68D926

RGB 104 217 38

HSL 97.88, 0.7%, 0.5%

LAB 77.7, -60.19, 70.19

 

CMYK 82 / 36 / 0 / 15

HEX #268BD9

RGB 38 139 217

HSL 206.15, 0.7%, 0.5%

LAB 55.97, -0.67, -47.75

 

CMYK 30 / 82 / 0 / 15

HEX #9726D9

RGB 151 38 217

HSL 277.88, 0.7%, 0.5%

LAB 42.73, 71.36, -68.67

 

CMYK 0 / 46 / 82 / 15

HEX #D97526

RGB 217 117 38

HSL 26.48, 0.7%, 0.5%

LAB 59.54, 33.9, 57.21

 

CMYK 77 / 0 / 82 / 15

HEX #32D926

RGB 50 217 38

HSL 115.98, 0.7%, 0.5%

LAB 76.34, -71.47, 68.45

 

CMYK 82 / 36 / 0 / 15

HEX #268BD9

RGB 38 139 217

HSL 206.15, 0.7%, 0.5%

LAB 55.97, -0.67, -47.75

 

CMYK 6 / 82 / 0 / 15

HEX #CD26D9

RGB 205 38 217

HSL 295.98, 0.7%, 0.5%

LAB 51.12, 80.29, -54.69

 

Description

Color code: HEX #D97526 | qconv.com Color code: HEX #D97526 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 117 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 117 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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