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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D971B9 it is the complementary color #268E46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D971B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D971B9 shade: #DE71B4, #EF83C7, #FF95DA, #FFA7ED and #FFB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D971B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D971B9 shade: #D971B9, #C85FA6, #B74D93, #A63B80 and #95296D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D971B9 shade: #D971B9, #D9719D, #D97181 and #D97171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D971B9 shade: #D971B9, #D971D5, #C171D9, #A571D9 and #8971D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D971B9 shade matches the following richer shades: #D971B9, #E763BF and #F655C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D971B9 shade: #D971B9, #CB80B4, #BC8EAE, #AE9DA8 and #9FABA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D971B9 shade: #C171D9, #D971D6, #D971BA, #D9719E and #D97183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D971B9 shade: #C43498, #D051A9, #D971B9, #E292C9 and #EAB3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D971B9 shade: #D971B9, #D9A571 and #71D9CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D971B9 shade: #D971B9, #BAD971 and #71BAD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D971B9 shade: #D971B9, #D9A571, #71D991 and #71A5D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D971B9 shade: #D971B9, #D9C471, #71D991 and #7186D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

Complementary color

CMYK 73 / 0 / 51 / 44

HEX #268E46

RGB 38 142 70

HSL 138.46, 0.58%, 0.35%

LAB 52.06, -45.52, 29.96

 

CMYK 0 / 49 / 19 / 13

HEX #DE71B4

RGB 222 113 180

HSL 323.12, 0.62%, 0.66%

LAB 62.2, 50.51, -16.07

 

CMYK 0 / 45 / 17 / 6

HEX #EF83C7

RGB 239 131 199

HSL 322.22, 0.77%, 0.73%

LAB 68.54, 49.78, -16.98

 

CMYK 0 / 42 / 15 / 0

HEX #FF95DA

RGB 255 149 218

HSL 320.94, 1%, 0.79%

LAB 74.71, 48.72, -17.97

 

CMYK 0 / 35 / 7 / 0

HEX #FFA7ED

RGB 255 167 237

HSL 312.27, 1%, 0.83%

LAB 79.05, 42.58, -21.73

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 53 / 17 / 22

HEX #C85FA6

RGB 200 95 166

HSL 319.43, 0.49%, 0.58%

LAB 55.3, 50.37, -18.78

 

CMYK 0 / 58 / 20 / 28

HEX #B74D93

RGB 183 77 147

HSL 320.38, 0.42%, 0.51%

LAB 48.86, 50.92, -17.63

 

CMYK 0 / 64 / 23 / 35

HEX #A63B80

RGB 166 59 128

HSL 321.31, 0.48%, 0.44%

LAB 42.45, 51.22, -16.18

 

CMYK 0 / 72 / 27 / 42

HEX #95296D

RGB 149 41 109

HSL 322.22, 0.57%, 0.37%

LAB 36.14, 51.05, -14.27

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 48 / 28 / 15

HEX #D9719D

RGB 217 113 157

HSL 334.62, 0.58%, 0.65%

LAB 60.78, 45.64, -5.09

 

CMYK 0 / 48 / 41 / 15

HEX #D97181

RGB 217 113 129

HSL 350.77, 0.58%, 0.65%

LAB 60.02, 42.22, 9.97

 

CMYK 0 / 48 / 48 / 15

HEX #D97171

RGB 217 113 113

HSL 0, 0.58%, 0.65%

LAB 59.67, 40.58, 18.69

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 48 / 2 / 15

HEX #D971D5

RGB 217 113 213

HSL 302.31, 0.58%, 0.65%

LAB 62.82, 54.35, -33.84

 

CMYK 11 / 48 / 0 / 15

HEX #C171D9

RGB 193 113 217

HSL 286.15, 0.58%, 0.65%

LAB 60.03, 48.29, -40.66

 

CMYK 24 / 48 / 0 / 15

HEX #A571D9

RGB 165 113 217

HSL 270, 0.58%, 0.65%

LAB 56.9, 40.53, -45.81

 

CMYK 37 / 48 / 0 / 15

HEX #8971D9

RGB 137 113 217

HSL 253.85, 0.58%, 0.65%

LAB 54.17, 33.15, -50.3

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 57 / 17 / 9

HEX #E763BF

RGB 231 99 191

HSL 318.18, 0.73%, 0.65%

LAB 61.37, 61.38, -23.48

 

CMYK 0 / 65 / 20 / 4

HEX #F655C4

RGB 246 85 196

HSL 318.63, 0.9%, 0.65%

LAB 61.72, 71.88, -25.6

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 37 / 11 / 20

HEX #CB80B4

RGB 203 128 180

HSL 318.4, 0.42%, 0.65%

LAB 62.87, 36.56, -15.28

 

CMYK 0 / 24 / 7 / 26

HEX #BC8EAE

RGB 188 142 174

HSL 318.26, 0.26%, 0.65%

LAB 64.24, 22.66, -10

 

CMYK 0 / 10 / 3 / 32

HEX #AE9DA8

RGB 174 157 168

HSL 321.18, 0.09%, 0.65%

LAB 66.47, 8.21, -3.46

 

CMYK 7 / 0 / 5 / 33

HEX #9FABA3

RGB 159 171 163

HSL 140, 0.07%, 0.65%

LAB 68.85, -5.76, 2.66

 

CMYK 11 / 48 / 0 / 15

HEX #C171D9

RGB 193 113 217

HSL 286.15, 0.58%, 0.65%

LAB 60.03, 48.29, -40.66

 

CMYK 0 / 48 / 1 / 15

HEX #D971D6

RGB 217 113 214

HSL 301.73, 0.58%, 0.65%

LAB 62.86, 54.52, -34.34

 

CMYK 0 / 48 / 14 / 15

HEX #D971BA

RGB 217 113 186

HSL 317.88, 0.58%, 0.65%

LAB 61.75, 49.86, -20.23

 

CMYK 0 / 48 / 27 / 15

HEX #D9719E

RGB 217 113 158

HSL 334.04, 0.58%, 0.65%

LAB 60.81, 45.77, -5.62

 

CMYK 0 / 48 / 40 / 15

HEX #D97183

RGB 217 113 131

HSL 349.62, 0.58%, 0.65%

LAB 60.07, 42.44, 8.88

 

CMYK 0 / 73 / 22 / 23

HEX #C43498

RGB 196 52 152

HSL 318.33, 0.58%, 0.49%

LAB 47.57, 65.13, -22.42

 

CMYK 0 / 61 / 19 / 18

HEX #D051A9

RGB 208 81 169

HSL 318.43, 0.57%, 0.57%

LAB 54.2, 59.59, -22.1

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 35 / 11 / 11

HEX #E292C9

RGB 226 146 201

HSL 318.75, 0.58%, 0.73%

LAB 70.14, 38.15, -15.83

 

CMYK 0 / 24 / 7 / 8

HEX #EAB3D9

RGB 234 179 217

HSL 318.55, 0.57%, 0.81%

LAB 78.89, 25.95, -11.37

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 24 / 48 / 15

HEX #D9A571

RGB 217 165 113

HSL 30, 0.58%, 0.65%

LAB 71.46, 12.88, 34.29

 

CMYK 48 / 0 / 5 / 15

HEX #71D9CF

RGB 113 217 207

HSL 174.23, 0.58%, 0.65%

LAB 80.54, -32.62, -4.42

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 14 / 0 / 48 / 15

HEX #BAD971

RGB 186 217 113

HSL 77.88, 0.58%, 0.65%

LAB 82.52, -26.35, 47.53

 

CMYK 48 / 14 / 0 / 15

HEX #71BAD9

RGB 113 186 217

HSL 197.88, 0.58%, 0.65%

LAB 71.99, -14.52, -22.64

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 24 / 48 / 15

HEX #D9A571

RGB 217 165 113

HSL 30, 0.58%, 0.65%

LAB 71.46, 12.88, 34.29

 

CMYK 48 / 0 / 33 / 15

HEX #71D991

RGB 113 217 145

HSL 138.46, 0.58%, 0.65%

LAB 79.15, -45.9, 26.39

 

CMYK 48 / 24 / 0 / 15

HEX #71A5D9

RGB 113 165 217

HSL 210, 0.58%, 0.65%

LAB 66.08, -3.13, -31.71

 

CMYK 0 / 48 / 15 / 15

HEX #D971B9

RGB 217 113 185

HSL 318.46, 0.58%, 0.65%

LAB 61.71, 49.7, -19.72

 

CMYK 0 / 10 / 48 / 15

HEX #D9C471

RGB 217 196 113

HSL 47.88, 0.58%, 0.65%

LAB 79.28, -3.52, 44.12

 

CMYK 48 / 0 / 33 / 15

HEX #71D991

RGB 113 217 145

HSL 138.46, 0.58%, 0.65%

LAB 79.15, -45.9, 26.39

 

CMYK 48 / 38 / 0 / 15

HEX #7186D9

RGB 113 134 217

HSL 227.88, 0.58%, 0.65%

LAB 57.63, 14.78, -44.94

 

Description

Color code: HEX #D971B9 | qconv.com Color code: HEX #D971B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 113 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 113 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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