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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D97130 it is the complementary color #268ECF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D97130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D97130 shade: #DE712B, #EF833E, #FF9551, #FFA764 and #FFB977

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D97130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D97130 shade: #D97130, #C85F1D, #B74D0A, #A63B00 and #952900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D97130 shade: #D97130, #D94430 and #D93030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D97130 shade: #D97130, #D99F30, #D9CC30, #B8D930 and #8BD930

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D97130 shade matches the following richer shades: #D97130 and #ED6D1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D97130 shade: #D97130, #C57644, #B17A58, #9E7F6C and #8A837F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D97130 shade: #D93049, #D94430, #D97130, #D99E30 and #D9CB30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D97130 shade: #9A4D1C, #BD5E23, #D97130, #DF8953 and #E6A176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D97130 shade: #D97130, #77D930 and #3033D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D97130 shade: #D97130, #30D971 and #7130D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D97130 shade: #D97130, #77D930, #3098D9 and #9330D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D97130 shade: #D97130, #44D930, #3098D9 and #C530D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

Complementary color

CMYK 82 / 31 / 0 / 19

HEX #268ECF

RGB 38 142 207

HSL 203.08, 0.69%, 0.48%

LAB 56.35, -6.1, -41.53

 

CMYK 0 / 49 / 81 / 13

HEX #DE712B

RGB 222 113 43

HSL 23.46, 0.73%, 0.52%

LAB 59.45, 38.11, 55.38

 

CMYK 0 / 45 / 74 / 6

HEX #EF833E

RGB 239 131 62

HSL 23.39, 0.85%, 0.59%

LAB 65.7, 36.36, 53.89

 

CMYK 0 / 42 / 68 / 0

HEX #FF9551

RGB 255 149 81

HSL 23.45, 1%, 0.66%

LAB 71.79, 34.35, 52.05

 

CMYK 0 / 35 / 61 / 0

HEX #FFA764

RGB 255 167 100

HSL 25.94, 1%, 0.7%

LAB 75.96, 26.16, 47.48

 

CMYK 0 / 27 / 53 / 0

HEX #FFB977

RGB 255 185 119

HSL 29.12, 1%, 0.73%

LAB 80.34, 18.17, 43.24

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 0 / 53 / 86 / 22

HEX #C85F1D

RGB 200 95 29

HSL 23.16, 0.75%, 0.45%

LAB 52.46, 38.15, 53.56

 

CMYK 0 / 58 / 95 / 28

HEX #B74D0A

RGB 183 77 10

HSL 23.24, 0.9%, 0.38%

LAB 46.17, 40.11, 53.67

 

CMYK 0 / 64 / 100 / 35

HEX #A63B00

RGB 166 59 0

HSL 21.33, 1%, 0.33%

LAB 39.97, 42.04, 51.3

 

CMYK 0 / 72 / 100 / 42

HEX #952900

RGB 149 41 0

HSL 16.51, 1%, 0.29%

LAB 33.93, 43.62, 46.43

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 0 / 69 / 78 / 15

HEX #D94430

RGB 217 68 48

HSL 7.1, 0.69%, 0.52%

LAB 50.8, 57.03, 44.34

 

CMYK 0 / 78 / 78 / 15

HEX #D93030

RGB 217 48 48

HSL 0, 0.69%, 0.52%

LAB 48.36, 63.8, 41.81

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 0 / 27 / 78 / 15

HEX #D99F30

RGB 217 159 48

HSL 39.41, 0.69%, 0.52%

LAB 69.3, 11.79, 62.33

 

CMYK 0 / 6 / 78 / 15

HEX #D9CC30

RGB 217 204 48

HSL 55.38, 0.69%, 0.52%

LAB 80.82, -11.73, 72.82

 

CMYK 15 / 0 / 78 / 15

HEX #B8D930

RGB 184 217 48

HSL 71.72, 0.69%, 0.52%

LAB 81.85, -31.76, 72.81

 

CMYK 36 / 0 / 78 / 15

HEX #8BD930

RGB 139 217 48

HSL 87.69, 0.69%, 0.52%

LAB 79.23, -48.73, 69.44

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 0 / 54 / 88 / 7

HEX #ED6D1C

RGB 237 109 28

HSL 23.25, 0.85%, 0.52%

LAB 60.8, 45.52, 62.96

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 0 / 40 / 65 / 23

HEX #C57644

RGB 197 118 68

HSL 23.26, 0.53%, 0.52%

LAB 57.31, 26.49, 40.16

 

CMYK 0 / 31 / 50 / 31

HEX #B17A58

RGB 177 122 88

HSL 22.92, 0.36%, 0.52%

LAB 56.06, 17.49, 27.18

 

CMYK 0 / 20 / 32 / 38

HEX #9E7F6C

RGB 158 127 108

HSL 22.8, 0.2%, 0.52%

LAB 55.61, 9.08, 14.85

 

CMYK 0 / 5 / 8 / 46

HEX #8A837F

RGB 138 131 127

HSL 21.82, 0.04%, 0.52%

LAB 55.25, 1.88, 3.09

 

CMYK 0 / 78 / 66 / 15

HEX #D93049

RGB 217 48 73

HSL 351.12, 0.69%, 0.52%

LAB 48.69, 64.86, 27.69

 

CMYK 0 / 69 / 78 / 15

HEX #D94430

RGB 217 68 48

HSL 7.1, 0.69%, 0.52%

LAB 50.8, 57.03, 44.34

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 0 / 27 / 78 / 15

HEX #D99E30

RGB 217 158 48

HSL 39.05, 0.69%, 0.52%

LAB 69.05, 12.33, 62.1

 

CMYK 0 / 6 / 78 / 15

HEX #D9CB30

RGB 217 203 48

HSL 55.03, 0.69%, 0.52%

LAB 80.56, -11.22, 72.58

 

CMYK 0 / 50 / 82 / 40

HEX #9A4D1C

RGB 154 77 28

HSL 23.33, 0.69%, 0.36%

LAB 41.63, 28.76, 41.68

 

CMYK 0 / 50 / 81 / 26

HEX #BD5E23

RGB 189 94 35

HSL 22.99, 0.69%, 0.44%

LAB 50.62, 34.43, 48.86

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 0 / 39 / 63 / 13

HEX #DF8953

RGB 223 137 83

HSL 23.14, 0.69%, 0.6%

LAB 65.12, 27.93, 42.34

 

CMYK 0 / 30 / 49 / 10

HEX #E6A176

RGB 230 161 118

HSL 23.04, 0.69%, 0.68%

LAB 71.97, 20.76, 32.58

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 45 / 0 / 78 / 15

HEX #77D930

RGB 119 217 48

HSL 94.79, 0.69%, 0.52%

LAB 78.32, -55.3, 68.26

 

CMYK 78 / 76 / 0 / 15

HEX #3033D9

RGB 48 51 217

HSL 238.93, 0.69%, 0.52%

LAB 33.99, 54.27, -83.41

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 78 / 0 / 48 / 15

HEX #30D971

RGB 48 217 113

HSL 143.08, 0.69%, 0.52%

LAB 76.95, -63.99, 39.4

 

CMYK 48 / 78 / 0 / 15

HEX #7130D9

RGB 113 48 217

HSL 263.08, 0.69%, 0.52%

LAB 38.96, 62.44, -75.04

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 45 / 0 / 78 / 15

HEX #77D930

RGB 119 217 48

HSL 94.79, 0.69%, 0.52%

LAB 78.32, -55.3, 68.26

 

CMYK 78 / 30 / 0 / 15

HEX #3098D9

RGB 48 152 217

HSL 203.08, 0.69%, 0.52%

LAB 59.97, -7.24, -41.42

 

CMYK 32 / 78 / 0 / 15

HEX #9330D9

RGB 147 48 217

HSL 275.15, 0.69%, 0.52%

LAB 43.25, 67.57, -67.84

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 69 / 0 / 78 / 15

HEX #44D930

RGB 68 217 48

HSL 112.9, 0.69%, 0.52%

LAB 76.72, -68.04, 66.18

 

CMYK 78 / 30 / 0 / 15

HEX #3098D9

RGB 48 152 217

HSL 203.08, 0.69%, 0.52%

LAB 59.97, -7.24, -41.42

 

CMYK 9 / 78 / 0 / 15

HEX #C530D9

RGB 197 48 217

HSL 292.9, 0.69%, 0.52%

LAB 50.68, 76.37, -55.47

 

Description

Color code: HEX #D97130 | qconv.com Color code: HEX #D97130 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 113 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 113 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 78% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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