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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D96F5E it is the complementary color #2690A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D96F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D96F5E shade: #DE6F59, #EF816C, #FF937F, #FFA592 and #FFB7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D96F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D96F5E shade: #D96F5E, #C85D4B, #B74B38, #A63925 and #952712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D96F5E shade: #D96F5E and #D95E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D96F5E shade: #D96F5E, #D9905E, #D9B15E, #D9D35E and #BED95E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D96F5E shade matches the following richer shades: #D96F5E, #E9634E and #F9583E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D96F5E shade: #D96F5E, #C97B6E, #B9867E, #A9928E and #999E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D96F5E shade: #D95E8F, #D95E6E, #D96E5E, #D98F5E and #D9B05E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D96F5E shade: #B93F2B, #D1513C, #D96F5E, #E18D7F and #E9ABA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D96F5E shade: #D96F5E, #B0D95E and #5E7FD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D96F5E shade: #D96F5E, #5ED96E and #6E5ED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D96F5E shade: #D96F5E, #B0D95E, #5EC9D9 and #875ED9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D96F5E shade: #D96F5E, #8BD95E, #5EC9D9 and #AC5ED9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

Complementary color

CMYK 76 / 11 / 0 / 37

HEX #2690A1

RGB 38 144 161

HSL 188.29, 0.62%, 0.39%

LAB 55, -23.2, -17.45

 

CMYK 0 / 50 / 60 / 13

HEX #DE6F59

RGB 222 111 89

HSL 9.92, 0.67%, 0.61%

LAB 59.54, 41.46, 32.27

 

CMYK 0 / 46 / 55 / 6

HEX #EF816C

RGB 239 129 108

HSL 9.62, 0.8%, 0.68%

LAB 65.85, 40.19, 30.28

 

CMYK 0 / 42 / 50 / 0

HEX #FF937F

RGB 255 147 127

HSL 9.37, 1%, 0.75%

LAB 72, 38.61, 28.32

 

CMYK 0 / 35 / 43 / 0

HEX #FFA592

RGB 255 165 146

HSL 10.46, 1%, 0.79%

LAB 76.22, 31.14, 23.66

 

CMYK 0 / 28 / 35 / 0

HEX #FFB7A5

RGB 255 183 165

HSL 12, 1%, 0.82%

LAB 80.65, 23.83, 19.52

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 0 / 54 / 63 / 22

HEX #C85D4B

RGB 200 93 75

HSL 8.64, 0.53%, 0.54%

LAB 52.53, 41.25, 30.68

 

CMYK 0 / 59 / 69 / 28

HEX #B74B38

RGB 183 75 56

HSL 8.98, 0.53%, 0.47%

LAB 46.16, 42.56, 33.18

 

CMYK 0 / 66 / 78 / 35

HEX #A63925

RGB 166 57 37

HSL 9.3, 0.64%, 0.4%

LAB 39.86, 43.8, 36.02

 

CMYK 0 / 74 / 88 / 42

HEX #952712

RGB 149 39 18

HSL 9.62, 0.78%, 0.33%

LAB 33.74, 44.72, 38.94

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 0 / 57 / 57 / 15

HEX #D95E5E

RGB 217 94 94

HSL 0, 0.62%, 0.61%

LAB 55.65, 48.31, 24.27

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 0 / 34 / 57 / 15

HEX #D9905E

RGB 217 144 94

HSL 24.39, 0.62%, 0.61%

LAB 66.14, 22.53, 37.64

 

CMYK 0 / 18 / 57 / 15

HEX #D9B15E

RGB 217 177 94

HSL 40.49, 0.62%, 0.61%

LAB 74.19, 4.82, 47.35

 

CMYK 0 / 3 / 57 / 15

HEX #D9D35E

RGB 217 211 94

HSL 57.07, 0.62%, 0.61%

LAB 82.99, -12.75, 57.48

 

CMYK 12 / 0 / 57 / 15

HEX #BED95E

RGB 190 217 94

HSL 73.17, 0.62%, 0.61%

LAB 82.58, -26.57, 56.46

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 0 / 58 / 67 / 9

HEX #E9634E

RGB 233 99 78

HSL 8.13, 0.78%, 0.61%

LAB 58.79, 50.59, 37.81

 

CMYK 0 / 65 / 75 / 2

HEX #F9583E

RGB 249 88 62

HSL 8.34, 0.94%, 0.61%

LAB 59.4, 60.08, 47.77

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 0 / 39 / 45 / 21

HEX #C97B6E

RGB 201 123 110

HSL 8.57, 0.46%, 0.61%

LAB 59.63, 28.91, 20

 

CMYK 0 / 28 / 32 / 27

HEX #B9867E

RGB 185 134 126

HSL 8.14, 0.3%, 0.61%

LAB 60.67, 18.45, 12.03

 

CMYK 0 / 14 / 16 / 34

HEX #A9928E

RGB 169 146 142

HSL 8.89, 0.14%, 0.61%

LAB 62.46, 7.9, 5.28

 

CMYK 3 / 0 / 0 / 38

HEX #999E9E

RGB 153 158 158

HSL 180, 0.03%, 0.61%

LAB 64.72, -1.79, -0.63

 

CMYK 0 / 57 / 34 / 15

HEX #D95E8F

RGB 217 94 143

HSL 336.1, 0.62%, 0.61%

LAB 56.82, 53.08, -2.8

 

CMYK 0 / 57 / 49 / 15

HEX #D95E6E

RGB 217 94 110

HSL 352.2, 0.62%, 0.61%

LAB 55.97, 49.64, 15.36

 

CMYK 0 / 49 / 57 / 15

HEX #D96E5E

RGB 217 110 94

HSL 7.8, 0.62%, 0.61%

LAB 58.71, 40.46, 28.25

 

CMYK 0 / 34 / 57 / 15

HEX #D98F5E

RGB 217 143 94

HSL 23.9, 0.62%, 0.61%

LAB 65.91, 23.07, 37.35

 

CMYK 0 / 19 / 57 / 15

HEX #D9B05E

RGB 217 176 94

HSL 40, 0.62%, 0.61%

LAB 73.94, 5.35, 47.05

 

CMYK 0 / 66 / 77 / 27

HEX #B93F2B

RGB 185 63 43

HSL 8.45, 0.62%, 0.45%

LAB 44.3, 48.13, 38.46

 

CMYK 0 / 61 / 71 / 18

HEX #D1513C

RGB 209 81 60

HSL 8.46, 0.62%, 0.53%

LAB 51.57, 49.37, 38.31

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 0 / 37 / 44 / 12

HEX #E18D7F

RGB 225 141 127

HSL 8.57, 0.62%, 0.69%

LAB 66.97, 30.36, 20.91

 

CMYK 0 / 27 / 31 / 9

HEX #E9ABA1

RGB 233 171 161

HSL 8.33, 0.62%, 0.77%

LAB 75.47, 21.4, 14.1

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 19 / 0 / 57 / 15

HEX #B0D95E

RGB 176 217 94

HSL 80, 0.62%, 0.61%

LAB 81.66, -31.99, 55.16

 

CMYK 57 / 41 / 0 / 15

HEX #5E7FD9

RGB 94 127 217

HSL 223.9, 0.62%, 0.61%

LAB 54.62, 14.78, -49.77

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 57 / 0 / 49 / 15

HEX #5ED96E

RGB 94 217 110

HSL 127.8, 0.62%, 0.61%

LAB 77.95, -56.25, 42.35

 

CMYK 49 / 57 / 0 / 15

HEX #6E5ED9

RGB 110 94 217

HSL 247.8, 0.62%, 0.61%

LAB 47.4, 38.09, -61.29

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 19 / 0 / 57 / 15

HEX #B0D95E

RGB 176 217 94

HSL 80, 0.62%, 0.61%

LAB 81.66, -31.99, 55.16

 

CMYK 57 / 7 / 0 / 15

HEX #5EC9D9

RGB 94 201 217

HSL 187.8, 0.62%, 0.61%

LAB 75.55, -26.19, -17.3

 

CMYK 38 / 57 / 0 / 15

HEX #875ED9

RGB 135 94 217

HSL 260, 0.62%, 0.61%

LAB 49.7, 43.54, -57.48

 

CMYK 0 / 49 / 57 / 15

HEX #D96F5E

RGB 217 111 94

HSL 8.29, 0.62%, 0.61%

LAB 58.91, 39.95, 28.51

 

CMYK 36 / 0 / 57 / 15

HEX #8BD95E

RGB 139 217 94

HSL 98.05, 0.62%, 0.61%

LAB 79.57, -45.28, 52.22

 

CMYK 57 / 7 / 0 / 15

HEX #5EC9D9

RGB 94 201 217

HSL 187.8, 0.62%, 0.61%

LAB 75.55, -26.19, -17.3

 

CMYK 21 / 57 / 0 / 15

HEX #AC5ED9

RGB 172 94 217

HSL 278.05, 0.62%, 0.61%

LAB 53.8, 52.47, -50.68

 

Description

Color code: HEX #D96F5E | qconv.com Color code: HEX #D96F5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 111 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 111 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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