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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D96327 it is the complementary color #269CD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D96327. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D96327 shade: #DE6322, #EF7535, #FF8748, #FF995B and #FFAB6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D96327. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D96327 shade: #D96327, #C85114, #B73F01, #A62D00 and #951B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D96327 shade: #D96226, #D93226 and #D92626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D96327 shade: #D96226, #D99326, #D9C326, #BFD926 and #8FD926

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D96327 shade matches the following richer shades: #D96226 and #ED5C12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D96327 shade: #D96226, #C4693B, #AF7050, #9B7764 and #867D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D96327 shade: #D9264A, #D93226, #D96226, #D99126 and #D9C126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D96327 shade: #93431A, #B65220, #D96226, #DF7C49 and #E5956C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D96327 shade: #D96327, #7AD926 and #2632D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D96327 shade: #D96327, #26D962 and #6226D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D96327 shade: #D96327, #7AD926, #269DD9 and #8526D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D96327 shade: #D96327, #44D926, #269DD9 and #BB26D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 82 / 15

HEX #D96327

RGB 217 99 39

HSL 20.22, 0.7%, 0.5%

LAB 55.91, 43.04, 53.55

 

Complementary color

CMYK 82 / 28 / 0 / 15

HEX #269CD8

RGB 38 156 216

HSL 200.22, 0.7%, 0.5%

LAB 60.91, -10.8, -39.41

 

CMYK 0 / 55 / 85 / 13

HEX #DE6322

RGB 222 99 34

HSL 20.74, 0.74%, 0.5%

LAB 56.65, 44.8, 56.54

 

CMYK 0 / 51 / 78 / 6

HEX #EF7535

RGB 239 117 53

HSL 20.65, 0.85%, 0.57%

LAB 62.79, 43.05, 55.07

 

CMYK 0 / 47 / 72 / 0

HEX #FF8748

RGB 255 135 72

HSL 20.66, 1%, 0.64%

LAB 68.79, 41.01, 53.11

 

CMYK 0 / 40 / 64 / 0

HEX #FF995B

RGB 255 153 91

HSL 22.68, 1%, 0.68%

LAB 72.76, 32.86, 48.22

 

CMYK 0 / 33 / 57 / 0

HEX #FFAB6E

RGB 255 171 110

HSL 25.24, 1%, 0.72%

LAB 76.99, 24.79, 43.67

 

CMYK 0 / 54 / 82 / 15

HEX #D96327

RGB 217 99 39

HSL 20.22, 0.7%, 0.5%

LAB 55.91, 43.04, 53.55

 

CMYK 0 / 60 / 90 / 22

HEX #C85114

RGB 200 81 20

HSL 20.33, 0.82%, 0.43%

LAB 49.76, 44.8, 54.62

 

CMYK 0 / 66 / 99 / 28

HEX #B73F01

RGB 183 63 1

HSL 20.44, 0.99%, 0.36%

LAB 43.69, 46.48, 54.6

 

CMYK 0 / 73 / 100 / 35

HEX #A62D00

RGB 166 45 0

HSL 16.27, 1%, 0.33%

LAB 37.81, 47.89, 50.23

 

CMYK 0 / 82 / 100 / 42

HEX #951B00

RGB 149 27 0

HSL 10.87, 1%, 0.29%

LAB 32.2, 48.44, 45.35

 

CMYK 0 / 55 / 82 / 15

HEX #D96226

RGB 217 98 38

HSL 20.11, 0.7%, 0.5%

LAB 55.71, 43.49, 53.8

 

CMYK 0 / 77 / 82 / 15

HEX #D93226

RGB 217 50 38

HSL 4.02, 0.7%, 0.5%

LAB 48.48, 62.91, 47.2

 

CMYK 0 / 82 / 82 / 15

HEX #D92626

RGB 217 38 38

HSL 0, 0.7%, 0.5%

LAB 47.34, 66.13, 46.14

 

CMYK 0 / 55 / 82 / 15

HEX #D96226

RGB 217 98 38

HSL 20.11, 0.7%, 0.5%

LAB 55.71, 43.49, 53.8

 

CMYK 0 / 32 / 82 / 15

HEX #D99326

RGB 217 147 38

HSL 36.54, 0.7%, 0.5%

LAB 66.34, 17.91, 63.16

 

CMYK 0 / 10 / 82 / 15

HEX #D9C326

RGB 217 195 38

HSL 52.63, 0.7%, 0.5%

LAB 78.42, -7.47, 73.5

 

CMYK 12 / 0 / 82 / 15

HEX #BFD926

RGB 191 217 38

HSL 68.72, 0.7%, 0.5%

LAB 82.29, -29.28, 75.99

 

CMYK 34 / 0 / 82 / 15

HEX #8FD926

RGB 143 217 38

HSL 84.8, 0.7%, 0.5%

LAB 79.39, -47.76, 72.33

 

CMYK 0 / 55 / 82 / 15

HEX #D96226

RGB 217 98 38

HSL 20.11, 0.7%, 0.5%

LAB 55.71, 43.49, 53.8

 

CMYK 0 / 61 / 92 / 7

HEX #ED5C12

RGB 237 92 18

HSL 20.27, 0.86%, 0.5%

LAB 57.75, 53.2, 63.66

 

CMYK 0 / 55 / 82 / 15

HEX #D96226

RGB 217 98 38

HSL 20.11, 0.7%, 0.5%

LAB 55.71, 43.49, 53.8

 

CMYK 0 / 46 / 70 / 23

HEX #C4693B

RGB 196 105 59

HSL 20.15, 0.54%, 0.5%

LAB 54.19, 32.53, 41.26

 

CMYK 0 / 36 / 54 / 31

HEX #AF7050

RGB 175 112 80

HSL 20.21, 0.37%, 0.5%

LAB 53.26, 21.5, 28.03

 

CMYK 0 / 23 / 35 / 39

HEX #9B7764

RGB 155 119 100

HSL 20.73, 0.22%, 0.5%

LAB 53.04, 11.33, 15.87

 

CMYK 0 / 7 / 10 / 47

HEX #867D79

RGB 134 125 121

HSL 18.46, 0.05%, 0.5%

LAB 53.08, 2.68, 3.4

 

CMYK 0 / 82 / 66 / 15

HEX #D9264A

RGB 217 38 74

HSL 347.93, 0.7%, 0.5%

LAB 47.79, 67.51, 25.95

 

CMYK 0 / 77 / 82 / 15

HEX #D93226

RGB 217 50 38

HSL 4.02, 0.7%, 0.5%

LAB 48.48, 62.91, 47.2

 

CMYK 0 / 55 / 82 / 15

HEX #D96226

RGB 217 98 38

HSL 20.11, 0.7%, 0.5%

LAB 55.71, 43.49, 53.8

 

CMYK 0 / 33 / 82 / 15

HEX #D99126

RGB 217 145 38

HSL 35.87, 0.7%, 0.5%

LAB 65.86, 18.99, 62.75

 

CMYK 0 / 11 / 82 / 15

HEX #D9C126

RGB 217 193 38

HSL 51.96, 0.7%, 0.5%

LAB 77.89, -6.44, 73.06

 

CMYK 0 / 54 / 82 / 42

HEX #93431A

RGB 147 67 26

HSL 20.33, 0.7%, 0.34%

LAB 38.36, 31.16, 39.14

 

CMYK 0 / 55 / 82 / 29

HEX #B65220

RGB 182 82 32

HSL 20, 0.7%, 0.42%

LAB 47.08, 37.71, 46.53

 

CMYK 0 / 55 / 82 / 15

HEX #D96226

RGB 217 98 38

HSL 20.11, 0.7%, 0.5%

LAB 55.71, 43.49, 53.8

 

CMYK 0 / 44 / 67 / 13

HEX #DF7C49

RGB 223 124 73

HSL 20.4, 0.7%, 0.58%

LAB 62.16, 34.17, 44.04

 

CMYK 0 / 35 / 53 / 10

HEX #E5956C

RGB 229 149 108

HSL 20.33, 0.7%, 0.66%

LAB 68.92, 25.86, 33.98

 

CMYK 0 / 54 / 82 / 15

HEX #D96327

RGB 217 99 39

HSL 20.22, 0.7%, 0.5%

LAB 55.91, 43.04, 53.55

 

CMYK 44 / 0 / 82 / 15

HEX #7AD926

RGB 122 217 38

HSL 91.84, 0.7%, 0.5%

LAB 78.41, -54.83, 71.09

 

CMYK 82 / 77 / 0 / 15

HEX #2632D9

RGB 38 50 217

HSL 235.98, 0.7%, 0.5%

LAB 33.36, 54.2, -84.48

 

CMYK 0 / 54 / 82 / 15

HEX #D96327

RGB 217 99 39

HSL 20.22, 0.7%, 0.5%

LAB 55.91, 43.04, 53.55

 

CMYK 82 / 0 / 55 / 15

HEX #26D962

RGB 38 217 98

HSL 140.11, 0.7%, 0.5%

LAB 76.63, -67.3, 46.17

 

CMYK 55 / 82 / 0 / 15

HEX #6226D9

RGB 98 38 217

HSL 260.11, 0.7%, 0.5%

LAB 35.97, 64.47, -80.02

 

CMYK 0 / 54 / 82 / 15

HEX #D96327

RGB 217 99 39

HSL 20.22, 0.7%, 0.5%

LAB 55.91, 43.04, 53.55

 

CMYK 44 / 0 / 82 / 15

HEX #7AD926

RGB 122 217 38

HSL 91.84, 0.7%, 0.5%

LAB 78.41, -54.83, 71.09

 

CMYK 82 / 28 / 0 / 15

HEX #269DD9

RGB 38 157 217

HSL 200.11, 0.7%, 0.5%

LAB 61.25, -11, -39.43

 

CMYK 39 / 82 / 0 / 15

HEX #8526D9

RGB 133 38 217

HSL 271.84, 0.7%, 0.5%

LAB 40.22, 68.77, -72.88

 

CMYK 0 / 54 / 82 / 15

HEX #D96327

RGB 217 99 39

HSL 20.22, 0.7%, 0.5%

LAB 55.91, 43.04, 53.55

 

CMYK 69 / 0 / 82 / 15

HEX #44D926

RGB 68 217 38

HSL 109.94, 0.7%, 0.5%

LAB 76.68, -68.58, 68.88

 

CMYK 82 / 28 / 0 / 15

HEX #269DD9

RGB 38 157 217

HSL 200.11, 0.7%, 0.5%

LAB 61.25, -11, -39.43

 

CMYK 14 / 82 / 0 / 15

HEX #BB26D9

RGB 187 38 217

HSL 289.94, 0.7%, 0.5%

LAB 48.21, 77.16, -59.52

 

Description

Color code: HEX #D96327 | qconv.com Color code: HEX #D96327 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 99 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 99 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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