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Color name
HEX #D95F14

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D95F14 it is the complementary color #26A0EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D95F14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D95F14 shade: #DE5F0F, #EF7122, #FF8335, #FF9548 and #FFA75B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D95F14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D95F14 shade: #D95F14, #C84D01, #B73B00, #A62900 and #951700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D95F14 shade: #D75E14, #D72A14 and #D71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D95F14 shade: #D75E14, #D79314, #D7C714, #B2D714 and #7DD714

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D95F14 shade matches the following richer shades: #D75E14 and #EA5A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D95F14 shade: #D75E14, #C46327, #B1673A, #9E6C4D and #8B7060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D95F14 shade: #D71434, #D72714, #D75B14, #D78F14 and #D7C314

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D95F14 shade: #8B3D0D, #B14E10, #D75E14, #EB7329 and #EF8B4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D95F14 shade: #D95F14, #68D714 and #141AD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D95F14 shade: #D95F14, #14D75B and #5B14D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D95F14 shade: #D95F14, #68D714, #148FD7 and #8214D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D95F14 shade: #D95F14, #2ED714, #148FD7 and #BD14D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 91 / 15

HEX #D95F14

RGB 217 95 20

HSL 22.84, 0.83%, 0.46%

LAB 55.06, 44.54, 59.73

 

Complementary color

CMYK 84 / 32 / 0 / 8

HEX #26A0EB

RGB 38 160 235

HSL 202.84, 0.83%, 0.54%

LAB 62.97, -6.26, -46.68

 

CMYK 0 / 57 / 93 / 13

HEX #DE5F0F

RGB 222 95 15

HSL 23.19, 0.87%, 0.46%

LAB 55.84, 46.35, 61.95

 

CMYK 0 / 53 / 86 / 6

HEX #EF7122

RGB 239 113 34

HSL 23.12, 0.86%, 0.54%

LAB 61.89, 44.46, 61.95

 

CMYK 0 / 49 / 79 / 0

HEX #FF8335

RGB 255 131 53

HSL 23.17, 1%, 0.6%

LAB 67.84, 42.26, 60.71

 

CMYK 0 / 42 / 72 / 0

HEX #FF9548

RGB 255 149 72

HSL 25.25, 1%, 0.64%

LAB 71.71, 33.91, 56.21

 

CMYK 0 / 35 / 64 / 0

HEX #FFA75B

RGB 255 167 91

HSL 27.8, 1%, 0.68%

LAB 75.86, 25.59, 51.79

 

CMYK 0 / 56 / 91 / 15

HEX #D95F14

RGB 217 95 20

HSL 22.84, 0.83%, 0.46%

LAB 55.06, 44.54, 59.73

 

CMYK 0 / 62 / 100 / 22

HEX #C84D01

RGB 200 77 1

HSL 22.91, 0.99%, 0.39%

LAB 48.99, 46.41, 59.04

 

CMYK 0 / 68 / 100 / 28

HEX #B73B00

RGB 183 59 0

HSL 19.34, 1%, 0.36%

LAB 43.06, 48.16, 54.58

 

CMYK 0 / 75 / 100 / 35

HEX #A62900

RGB 166 41 0

HSL 14.82, 1%, 0.33%

LAB 37.29, 49.35, 49.98

 

CMYK 0 / 85 / 100 / 42

HEX #951700

RGB 149 23 0

HSL 9.26, 1%, 0.29%

LAB 31.81, 49.54, 45.09

 

CMYK 0 / 56 / 91 / 16

HEX #D75E14

RGB 215 94 20

HSL 22.77, 0.83%, 0.46%

LAB 54.56, 44.27, 59.23

 

CMYK 0 / 80 / 91 / 16

HEX #D72A14

RGB 215 42 20

HSL 6.77, 0.83%, 0.46%

LAB 47.18, 64.22, 54.02

 

CMYK 0 / 91 / 91 / 16

HEX #D71414

RGB 215 20 20

HSL 0, 0.83%, 0.46%

LAB 45.63, 68.62, 52.97

 

CMYK 0 / 56 / 91 / 16

HEX #D75E14

RGB 215 94 20

HSL 22.77, 0.83%, 0.46%

LAB 54.56, 44.27, 59.23

 

CMYK 0 / 32 / 91 / 16

HEX #D79314

RGB 215 147 20

HSL 39.08, 0.83%, 0.46%

LAB 66.03, 16.64, 67.71

 

CMYK 0 / 7 / 91 / 16

HEX #D7C714

RGB 215 199 20

HSL 55.08, 0.83%, 0.46%

LAB 79.24, -10.76, 77.79

 

CMYK 17 / 0 / 91 / 16

HEX #B2D714

RGB 178 215 20

HSL 71.38, 0.83%, 0.46%

LAB 80.8, -34.05, 77.81

 

CMYK 42 / 0 / 91 / 16

HEX #7DD714

RGB 125 215 20

HSL 87.69, 0.83%, 0.46%

LAB 77.88, -53.65, 74.23

 

CMYK 0 / 56 / 91 / 16

HEX #D75E14

RGB 215 94 20

HSL 22.77, 0.83%, 0.46%

LAB 54.56, 44.27, 59.23

 

CMYK 0 / 62 / 100 / 8

HEX #EA5A01

RGB 234 90 1

HSL 22.92, 0.99%, 0.46%

LAB 56.89, 52.86, 66.39

 

CMYK 0 / 56 / 91 / 16

HEX #D75E14

RGB 215 94 20

HSL 22.77, 0.83%, 0.46%

LAB 54.56, 44.27, 59.23

 

CMYK 0 / 49 / 80 / 23

HEX #C46327

RGB 196 99 39

HSL 22.93, 0.67%, 0.46%

LAB 52.74, 34.8, 49.46

 

CMYK 0 / 42 / 67 / 31

HEX #B1673A

RGB 177 103 58

HSL 22.69, 0.51%, 0.46%

LAB 51.1, 25.69, 37.57

 

CMYK 0 / 32 / 51 / 38

HEX #9E6C4D

RGB 158 108 77

HSL 22.96, 0.34%, 0.46%

LAB 50.13, 16.27, 25.31

 

CMYK 0 / 19 / 31 / 45

HEX #8B7060

RGB 139 112 96

HSL 22.33, 0.18%, 0.46%

LAB 49.4, 8.14, 12.91

 

CMYK 0 / 91 / 76 / 16

HEX #D71434

RGB 215 20 52

HSL 350.15, 0.83%, 0.46%

LAB 45.9, 69.38, 36.77

 

CMYK 0 / 82 / 91 / 16

HEX #D72714

RGB 215 39 20

HSL 5.85, 0.83%, 0.46%

LAB 46.91, 64.98, 53.84

 

CMYK 0 / 58 / 91 / 16

HEX #D75B14

RGB 215 91 20

HSL 21.85, 0.83%, 0.46%

LAB 54.01, 45.69, 58.83

 

CMYK 0 / 33 / 91 / 16

HEX #D78F14

RGB 215 143 20

HSL 37.85, 0.83%, 0.46%

LAB 65.08, 18.79, 66.99

 

CMYK 0 / 9 / 91 / 16

HEX #D7C314

RGB 215 195 20

HSL 53.85, 0.83%, 0.46%

LAB 78.19, -8.73, 76.97

 

CMYK 0 / 56 / 91 / 45

HEX #8B3D0D

RGB 139 61 13

HSL 22.86, 0.83%, 0.3%

LAB 35.7, 30.65, 41.88

 

CMYK 0 / 56 / 91 / 31

HEX #B14E10

RGB 177 78 16

HSL 23.11, 0.83%, 0.38%

LAB 45.41, 37.35, 50.99

 

CMYK 0 / 56 / 91 / 16

HEX #D75E14

RGB 215 94 20

HSL 22.77, 0.83%, 0.46%

LAB 54.56, 44.27, 59.23

 

CMYK 0 / 51 / 83 / 8

HEX #EB7329

RGB 235 115 41

HSL 22.89, 0.83%, 0.54%

LAB 61.73, 42.12, 58.96

 

CMYK 0 / 42 / 67 / 6

HEX #EF8B4F

RGB 239 139 79

HSL 22.5, 0.83%, 0.62%

LAB 67.56, 33.07, 47.72

 

CMYK 0 / 56 / 91 / 15

HEX #D95F14

RGB 217 95 20

HSL 22.84, 0.83%, 0.46%

LAB 55.06, 44.54, 59.73

 

CMYK 52 / 0 / 91 / 16

HEX #68D714

RGB 104 215 20

HSL 94.15, 0.83%, 0.46%

LAB 77.04, -60.08, 73.18

 

CMYK 91 / 88 / 0 / 16

HEX #141AD7

RGB 20 26 215

HSL 238.15, 0.83%, 0.46%

LAB 28.89, 63.63, -90.78

 

CMYK 0 / 56 / 91 / 15

HEX #D95F14

RGB 217 95 20

HSL 22.84, 0.83%, 0.46%

LAB 55.06, 44.54, 59.73

 

CMYK 91 / 0 / 58 / 16

HEX #14D75B

RGB 20 215 91

HSL 141.85, 0.83%, 0.46%

LAB 75.76, -68.99, 48.33

 

CMYK 58 / 91 / 0 / 16

HEX #5B14D7

RGB 91 20 215

HSL 261.85, 0.83%, 0.46%

LAB 33.2, 68.7, -83.46

 

CMYK 0 / 56 / 91 / 15

HEX #D95F14

RGB 217 95 20

HSL 22.84, 0.83%, 0.46%

LAB 55.06, 44.54, 59.73

 

CMYK 52 / 0 / 91 / 16

HEX #68D714

RGB 104 215 20

HSL 94.15, 0.83%, 0.46%

LAB 77.04, -60.08, 73.18

 

CMYK 91 / 33 / 0 / 16

HEX #148FD7

RGB 20 143 215

HSL 202.15, 0.83%, 0.46%

LAB 56.78, -4.98, -45.37

 

CMYK 40 / 91 / 0 / 16

HEX #8214D7

RGB 130 20 215

HSL 273.85, 0.83%, 0.46%

LAB 38.11, 72.44, -75.19

 

CMYK 0 / 56 / 91 / 15

HEX #D95F14

RGB 217 95 20

HSL 22.84, 0.83%, 0.46%

LAB 55.06, 44.54, 59.73

 

CMYK 79 / 0 / 91 / 16

HEX #2ED714

RGB 46 215 20

HSL 112, 0.83%, 0.46%

LAB 75.6, -72.1, 71.39

 

CMYK 91 / 33 / 0 / 16

HEX #148FD7

RGB 20 143 215

HSL 202.15, 0.83%, 0.46%

LAB 56.78, -4.98, -45.37

 

CMYK 12 / 91 / 0 / 16

HEX #BD14D7

RGB 189 20 215

HSL 292, 0.83%, 0.46%

LAB 47.27, 80.48, -59.88

 

Description

Color code: HEX #D95F14 | qconv.com Color code: HEX #D95F14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 95 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 95 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 91 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 91% 15% C M Y K

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Provide designers and agencies with accurate color values.

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