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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D95D4ACE it is the complementary color #26A2B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D95D4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D95D4ACE shade: #DE5D45CE, #EF6F58CE, #FF816BCE, #FF937ECE and #FFA591CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D95D4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D95D4ACE shade: #D95D4ACE, #C84B37CE, #B73924CE, #A62711CE and #951500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D95D4ACE shade: #D95D4A and #D94A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D95D4ACE shade: #D95D4A, #D9834A, #D9AA4A, #D9D04A and #BAD94A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D95D4ACE shade matches the following richer shades: #D95D4A, #EA5038 and #FC4327

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D95D4ACE shade: #D95D4A, #C76A5C, #B5776E, #A3847F and #929191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D95D4ACE shade: #D94A85, #D94A5F, #D95B4A, #D9814A and #D9A74A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D95D4ACE shade: #AC3624, #CE412C, #D95D4A, #E07B6C and #E79A8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D95D4ACE shade: #D95D4A, #ABD94A and #4A72D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D95D4ACE shade: #D95D4A, #4AD95B and #5B4AD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D95D4ACE shade: #D95D4A, #ABD94A, #4AC8D9 and #774AD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D95D4ACE shade: #D95D4A, #81D94A, #4AC8D9 and #A24AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 53 / 12

HEX #D95D4ACE

RGBA 217 93 74 0.81

HSLA 7.97, 0.65%, 0.57%, 0.81

LABA 55.15, 47.44, 35.06, 0.81

 

Complementary color

CMYK 64 / 9 / 0 / 24

HEX #26A2B5CE

RGBA 38 162 181 0.81

HSLA 187.97, 0.65%, 0.43%, 0.81

LABA 61.3, -25.91, -19.22, 0.81

 

CMYK 0 / 47 / 56 / 10

HEX #DE5D45CE

RGBA 222 93 69 0.81

HSLA 9.41, 0.7%, 0.57%, 0.81

LABA 55.87, 48.96, 38.88, 0.81

 

CMYK 0 / 43 / 51 / 5

HEX #EF6F58CE

RGBA 239 111 88 0.81

HSLA 9.14, 0.83%, 0.64%, 0.81

LABA 62.02, 47.68, 36.45, 0.81

 

CMYK 0 / 40 / 47 / 0

HEX #FF816BCE

RGBA 255 129 107 0.81

HSLA 8.92, 1%, 0.71%, 0.81

LABA 68.04, 46.04, 34.07, 0.81

 

CMYK 0 / 34 / 41 / 0

HEX #FF937ECE

RGBA 255 147 126 0.81

HSLA 9.77, 1%, 0.75%, 0.81

LABA 71.98, 38.53, 28.84, 0.81

 

CMYK 0 / 29 / 35 / 0

HEX #FFA591CE

RGBA 255 165 145 0.81

HSLA 10.91, 1%, 0.78%, 0.81

LABA 76.2, 31.04, 24.18, 0.81

 

CMYK 0 / 46 / 53 / 12

HEX #D95D4ACE

RGBA 217 93 74 0.81

HSLA 7.97, 0.65%, 0.57%, 0.81

LABA 55.15, 47.44, 35.06, 0.81

 

CMYK 0 / 51 / 59 / 17

HEX #C84B37CE

RGBA 200 75 55 0.81

HSLA 8.28, 0.57%, 0.5%, 0.81

LABA 48.99, 48.65, 37.75, 0.81

 

CMYK 0 / 56 / 65 / 23

HEX #B73924CE

RGBA 183 57 36 0.81

HSLA 8.57, 0.67%, 0.43%, 0.81

LABA 42.94, 49.68, 40.7, 0.81

 

CMYK 0 / 62 / 73 / 28

HEX #A62711CE

RGBA 166 39 17 0.81

HSLA 8.86, 0.81%, 0.36%, 0.81

LABA 37.11, 50.29, 43.52, 0.81

 

CMYK 0 / 70 / 81 / 34

HEX #951500CE

RGBA 149 21 0 0.81

HSLA 8.46, 1%, 0.29%, 0.81

LABA 31.64, 50.03, 44.97, 0.81

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 0 / 66 / 66 / 15

HEX #D94A4A

RGB 217 74 74

HSL 0, 0.65%, 0.57%

LAB 52, 55.82, 31.22

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 0 / 40 / 66 / 15

HEX #D9834A

RGB 217 131 74

HSL 23.92, 0.65%, 0.57%

LAB 62.91, 28.11, 44.18

 

CMYK 0 / 22 / 66 / 15

HEX #D9AA4A

RGB 217 170 74

HSL 40.28, 0.65%, 0.57%

LAB 72.23, 7.17, 54.55

 

CMYK 0 / 4 / 66 / 15

HEX #D9D04A

RGB 217 208 74

HSL 56.22, 0.65%, 0.57%

LAB 82.03, -12.55, 64.89

 

CMYK 14 / 0 / 66 / 15

HEX #BAD94A

RGB 186 217 74

HSL 73.01, 0.65%, 0.57%

LAB 82.14, -29.61, 64.27

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 0 / 66 / 76 / 8

HEX #EA5038

RGB 234 80 56

HSL 8.09, 0.81%, 0.57%

LAB 55.6, 58.15, 46.08

 

CMYK 0 / 73 / 85 / 1

HEX #FC4327

RGB 252 67 39

HSL 7.89, 0.97%, 0.57%

LAB 56.94, 68.02, 56.72

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 0 / 47 / 54 / 22

HEX #C76A5C

RGB 199 106 92

HSL 7.85, 0.49%, 0.57%

LAB 55.3, 35.5, 24.47

 

CMYK 0 / 34 / 39 / 29

HEX #B5776E

RGB 181 119 110

HSL 7.61, 0.32%, 0.57%

LAB 56.23, 23.19, 14.95

 

CMYK 0 / 19 / 22 / 36

HEX #A3847F

RGB 163 132 127

HSL 8.33, 0.16%, 0.57%

LAB 57.87, 11.05, 7.17

 

CMYK 0 / 1 / 1 / 43

HEX #929191

RGB 146 145 145

HSL 0, 0%, 0.57%

LAB 60.25, 0.37, 0.12

 

CMYK 0 / 66 / 39 / 15

HEX #D94A85

RGB 217 74 133

HSL 335.24, 0.65%, 0.57%

LAB 53.32, 60.59, -2.04

 

CMYK 0 / 66 / 56 / 15

HEX #D94A5F

RGB 217 74 95

HSL 351.19, 0.65%, 0.57%

LAB 52.37, 57.18, 19.32

 

CMYK 0 / 58 / 66 / 15

HEX #D95B4A

RGB 217 91 74

HSL 7.13, 0.65%, 0.57%

LAB 54.79, 48.38, 34.63

 

CMYK 0 / 41 / 66 / 15

HEX #D9814A

RGB 217 129 74

HSL 23.08, 0.65%, 0.57%

LAB 62.46, 29.17, 43.67

 

CMYK 0 / 23 / 66 / 15

HEX #D9A74A

RGB 217 167 74

HSL 39.02, 0.65%, 0.57%

LAB 71.48, 8.77, 53.74

 

CMYK 0 / 69 / 79 / 33

HEX #AC3624

RGB 172 54 36

HSL 7.94, 0.65%, 0.41%

LAB 40.47, 47.15, 37.55

 

CMYK 0 / 68 / 79 / 19

HEX #CE412C

RGB 206 65 44

HSL 7.78, 0.65%, 0.49%

LAB 48.37, 54.45, 43.32

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 0 / 45 / 52 / 12

HEX #E07B6C

RGB 224 123 108

HSL 7.76, 0.65%, 0.65%

LAB 62.59, 37.6, 25.62

 

CMYK 0 / 33 / 39 / 9

HEX #E79A8E

RGB 231 154 142

HSL 8.09, 0.65%, 0.73%

LAB 70.91, 27.39, 18.12

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 21 / 0 / 66 / 15

HEX #ABD94A

RGB 171 217 74

HSL 79.3, 0.65%, 0.57%

LAB 81.17, -35.46, 62.96

 

CMYK 66 / 47 / 0 / 15

HEX #4A72D9

RGB 74 114 217

HSL 223.22, 0.65%, 0.57%

LAB 50.1, 19.11, -57.07

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 66 / 0 / 58 / 15

HEX #4AD95B

RGB 74 217 91

HSL 127.13, 0.65%, 0.57%

LAB 77.18, -63.02, 50.19

 

CMYK 58 / 66 / 0 / 15

HEX #5B4AD9

RGB 91 74 217

HSL 247.13, 0.65%, 0.57%

LAB 41.42, 46.3, -71.08

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 21 / 0 / 66 / 15

HEX #ABD94A

RGB 171 217 74

HSL 79.3, 0.65%, 0.57%

LAB 81.17, -35.46, 62.96

 

CMYK 66 / 8 / 0 / 15

HEX #4AC8D9

RGB 74 200 217

HSL 187.13, 0.65%, 0.57%

LAB 74.68, -29.1, -18.67

 

CMYK 45 / 66 / 0 / 15

HEX #774AD9

RGB 119 74 217

HSL 258.88, 0.65%, 0.57%

LAB 43.99, 51.11, -66.79

 

CMYK 0 / 57 / 66 / 15

HEX #D95D4A

RGB 217 93 74

HSL 7.97, 0.65%, 0.57%

LAB 55.15, 47.44, 35.06

 

CMYK 41 / 0 / 66 / 15

HEX #81D94A

RGB 129 217 74

HSL 96.92, 0.65%, 0.57%

LAB 78.92, -50.4, 59.89

 

CMYK 66 / 8 / 0 / 15

HEX #4AC8D9

RGB 74 200 217

HSL 187.13, 0.65%, 0.57%

LAB 74.68, -29.1, -18.67

 

CMYK 25 / 66 / 0 / 15

HEX #A24AD9

RGB 162 74 217

HSL 276.92, 0.65%, 0.57%

LAB 48.99, 59.81, -58.45

 

Description

Color code: HEX #D95D4ACE | qconv.com Color code: HEX #D95D4ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 93 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 93 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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