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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D956E7 it is the complementary color #26A918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D956E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D956E7 shade: #DE56E2, #EF68F5, #FF7AFF, #FF8CFF and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D956E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D956E7 shade: #D956E7, #C844D4, #B732C1, #A620AE and #950E9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D956E7 shade: #D955E7, #E755CE, #E755A6, #E7557F and #E75558

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D956E7 shade: #D955E7, #B255E7, #8A55E7, #6355E7 and #5555E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D956E7 shade matches the following richer shades: #D955E7 and #E546F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D956E7 shade: #D955E7, #CC65D7, #BF75C7, #B384B8 and #A694A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D956E7 shade: #8B55E7, #B155E7, #D855E7, #E755CF and #E755A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D956E7 shade: #BC1DCC, #D131E2, #D955E7, #E17AEC and #E99EF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D956E7 shade: #D956E7, #E76455 and #55E79E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D956E7 shade: #D956E7, #E7D855 and #55E7D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D956E7 shade: #D956E7, #E76455, #64E755 and #55D8E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D956E7 shade: #D956E7, #E79055, #64E755 and #55ADE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 63 / 0 / 9

HEX #D956E7

RGB 217 86 231

HSL 294.21, 0.75%, 0.62%

LAB 59.14, 69.74, -49.71

 

Complementary color

CMYK 78 / 0 / 86 / 34

HEX #26A918

RGB 38 169 24

HSL 114.21, 0.75%, 0.38%

LAB 60.65, -59.29, 57.63

 

CMYK 2 / 62 / 0 / 11

HEX #DE56E2

RGB 222 86 226

HSL 298.29, 0.71%, 0.61%

LAB 59.6, 70.05, -46.14

 

CMYK 2 / 58 / 0 / 4

HEX #EF68F5

RGB 239 104 245

HSL 297.45, 0.88%, 0.68%

LAB 65.63, 69.88, -47.03

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 6 / 63 / 0 / 9

HEX #D956E7

RGB 217 86 231

HSL 294.21, 0.75%, 0.62%

LAB 59.14, 69.74, -49.71

 

CMYK 6 / 68 / 0 / 17

HEX #C844D4

RGB 200 68 212

HSL 295, 0.63%, 0.55%

LAB 53.13, 69.62, -48.67

 

CMYK 5 / 74 / 0 / 24

HEX #B732C1

RGB 183 50 193

HSL 295.8, 0.59%, 0.48%

LAB 47.23, 68.98, -47.29

 

CMYK 5 / 82 / 0 / 32

HEX #A620AE

RGB 166 32 174

HSL 296.62, 0.69%, 0.4%

LAB 41.53, 67.56, -45.4

 

CMYK 4 / 91 / 0 / 39

HEX #950E9B

RGB 149 14 155

HSL 297.45, 0.83%, 0.33%

LAB 36.12, 64.95, -42.82

 

CMYK 6 / 63 / 0 / 9

HEX #D955E7

RGB 217 85 231

HSL 294.25, 0.75%, 0.62%

LAB 58.99, 70.14, -49.95

 

CMYK 0 / 63 / 11 / 9

HEX #E755CE

RGB 231 85 206

HSL 310.27, 0.75%, 0.62%

LAB 59.84, 69.47, -34.38

 

CMYK 0 / 63 / 28 / 9

HEX #E755A6

RGB 231 85 166

HSL 326.71, 0.75%, 0.62%

LAB 58.26, 63.99, -13.84

 

CMYK 0 / 63 / 45 / 9

HEX #E7557F

RGB 231 85 127

HSL 342.74, 0.75%, 0.62%

LAB 57.09, 59.74, 7.26

 

CMYK 0 / 63 / 62 / 9

HEX #E75558

RGB 231 85 88

HSL 358.77, 0.75%, 0.62%

LAB 56.28, 56.69, 28.99

 

CMYK 6 / 63 / 0 / 9

HEX #D955E7

RGB 217 85 231

HSL 294.25, 0.75%, 0.62%

LAB 58.99, 70.14, -49.95

 

CMYK 23 / 63 / 0 / 9

HEX #B255E7

RGB 178 85 231

HSL 278.22, 0.75%, 0.62%

LAB 53.74, 61.26, -58.63

 

CMYK 40 / 63 / 0 / 9

HEX #8A55E7

RGB 138 85 231

HSL 261.78, 0.75%, 0.62%

LAB 49.09, 52.73, -66.36

 

CMYK 57 / 63 / 0 / 9

HEX #6355E7

RGB 99 85 231

HSL 245.75, 0.75%, 0.62%

LAB 45.52, 45.57, -72.33

 

CMYK 63 / 63 / 0 / 9

HEX #5555E7

RGB 85 85 231

HSL 240, 0.75%, 0.62%

LAB 44.52, 43.42, -74.01

 

CMYK 6 / 63 / 0 / 9

HEX #D955E7

RGB 217 85 231

HSL 294.25, 0.75%, 0.62%

LAB 58.99, 70.14, -49.95

 

CMYK 7 / 72 / 0 / 4

HEX #E546F6

RGB 229 70 246

HSL 294.2, 0.91%, 0.62%

LAB 59.61, 80.76, -57.22

 

CMYK 6 / 63 / 0 / 9

HEX #D955E7

RGB 217 85 231

HSL 294.25, 0.75%, 0.62%

LAB 58.99, 70.14, -49.95

 

CMYK 5 / 53 / 0 / 16

HEX #CC65D7

RGB 204 101 215

HSL 294.21, 0.59%, 0.62%

LAB 59.02, 56.93, -41.02

 

CMYK 4 / 41 / 0 / 22

HEX #BF75C7

RGB 191 117 199

HSL 294.15, 0.42%, 0.62%

LAB 59.82, 42.04, -30.85

 

CMYK 3 / 28 / 0 / 28

HEX #B384B8

RGB 179 132 184

HSL 294.23, 0.27%, 0.62%

LAB 61.26, 27.04, -20.24

 

CMYK 1 / 12 / 0 / 34

HEX #A694A8

RGB 166 148 168

HSL 294, 0.1%, 0.62%

LAB 63.44, 10.38, -8.03

 

CMYK 40 / 63 / 0 / 9

HEX #8B55E7

RGB 139 85 231

HSL 262.19, 0.75%, 0.62%

LAB 49.2, 52.93, -66.19

 

CMYK 23 / 63 / 0 / 9

HEX #B155E7

RGB 177 85 231

HSL 277.81, 0.75%, 0.62%

LAB 53.61, 61.04, -58.84

 

CMYK 6 / 63 / 0 / 9

HEX #D855E7

RGB 216 85 231

HSL 293.84, 0.75%, 0.62%

LAB 58.85, 69.91, -50.18

 

CMYK 0 / 63 / 10 / 9

HEX #E755CF

RGB 231 85 207

HSL 309.86, 0.75%, 0.62%

LAB 59.88, 69.62, -34.88

 

CMYK 0 / 63 / 27 / 9

HEX #E755A8

RGB 231 85 168

HSL 325.89, 0.75%, 0.62%

LAB 58.33, 64.24, -14.89

 

CMYK 8 / 86 / 0 / 20

HEX #BC1DCC

RGB 188 29 204

HSL 294.51, 0.75%, 0.46%

LAB 46.88, 77.07, -54.18

 

CMYK 8 / 78 / 0 / 11

HEX #D131E2

RGB 209 49 226

HSL 294.24, 0.75%, 0.54%

LAB 53.21, 79.82, -56.41

 

CMYK 6 / 63 / 0 / 9

HEX #D955E7

RGB 217 85 231

HSL 294.25, 0.75%, 0.62%

LAB 58.99, 70.14, -49.95

 

CMYK 5 / 48 / 0 / 7

HEX #E17AEC

RGB 225 122 236

HSL 294.21, 0.75%, 0.7%

LAB 66.51, 56.3, -40.81

 

CMYK 3 / 34 / 0 / 5

HEX #E99EF1

RGB 233 158 241

HSL 294.22, 0.75%, 0.78%

LAB 74.91, 41.12, -30.44

 

CMYK 6 / 63 / 0 / 9

HEX #D956E7

RGB 217 86 231

HSL 294.21, 0.75%, 0.62%

LAB 59.14, 69.74, -49.71

 

CMYK 0 / 57 / 63 / 9

HEX #E76455

RGB 231 100 85

HSL 6.16, 0.75%, 0.62%

LAB 58.75, 49.83, 33.81

 

CMYK 63 / 0 / 32 / 9

HEX #55E79E

RGB 85 231 158

HSL 150, 0.75%, 0.62%

LAB 82.67, -55.39, 24.31

 

CMYK 6 / 63 / 0 / 9

HEX #D956E7

RGB 217 86 231

HSL 294.21, 0.75%, 0.62%

LAB 59.14, 69.74, -49.71

 

CMYK 0 / 6 / 63 / 9

HEX #E7D855

RGB 231 216 85

HSL 53.84, 0.75%, 0.62%

LAB 85.38, -10.1, 64.3

 

CMYK 63 / 0 / 6 / 9

HEX #55E7D8

RGB 85 231 216

HSL 173.84, 0.75%, 0.62%

LAB 83.99, -42.1, -4.21

 

CMYK 6 / 63 / 0 / 9

HEX #D956E7

RGB 217 86 231

HSL 294.21, 0.75%, 0.62%

LAB 59.14, 69.74, -49.71

 

CMYK 0 / 57 / 63 / 9

HEX #E76455

RGB 231 100 85

HSL 6.16, 0.75%, 0.62%

LAB 58.75, 49.83, 33.81

 

CMYK 57 / 0 / 63 / 9

HEX #64E755

RGB 100 231 85

HSL 113.84, 0.75%, 0.62%

LAB 82.12, -62.94, 58.59

 

CMYK 63 / 6 / 0 / 9

HEX #55D8E7

RGB 85 216 231

HSL 186.16, 0.75%, 0.62%

LAB 80.07, -31.09, -18.01

 

CMYK 6 / 63 / 0 / 9

HEX #D956E7

RGB 217 86 231

HSL 294.21, 0.75%, 0.62%

LAB 59.14, 69.74, -49.71

 

CMYK 0 / 38 / 63 / 9

HEX #E79055

RGB 231 144 85

HSL 24.25, 0.75%, 0.62%

LAB 67.72, 27.59, 44.61

 

CMYK 57 / 0 / 63 / 9

HEX #64E755

RGB 100 231 85

HSL 113.84, 0.75%, 0.62%

LAB 82.12, -62.94, 58.59

 

CMYK 63 / 25 / 0 / 9

HEX #55ADE7

RGB 85 173 231

HSL 203.84, 0.75%, 0.62%

LAB 67.72, -9.02, -36.96

 

Description

Color code: HEX #D956E7 | qconv.com Color code: HEX #D956E7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 86 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 86 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 63 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 63% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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