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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9555F it is the complementary color #26AAA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9555F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9555F shade: #DE555A, #EF676D, #FF7980, #FF8B93 and #FF9DA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9555F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9555F shade: #D9555F, #C8434C, #B73139, #A61F26 and #950D13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9555F shade: #D8555F and #D85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9555F shade: #D8555F, #D85582, #D855A6, #D855C9 and #C455D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9555F shade matches the following richer shades: #D8555F, #E94450 and #FA3342

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9555F shade: #D8555F, #C7656D, #B6767B, #A6878A and #959898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9555F shade: #D855A6, #D85583, #D85560, #D86D55 and #D89055

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9555F shade: #B22833, #D1333F, #D8555F, #E0767E and #E8989E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9555F shade: #D9555F, #C9D855 and #5594D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9555F shade: #D9555F, #60D855 and #5560D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9555F shade: #D9555F, #C9D855, #55D8CD and #6455D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9555F shade: #D9555F, #A1D855, #55D8CD and #8B55D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 56 / 15

HEX #D9555F

RGB 217 85 95

HSL 355.45, 0.63%, 0.59%

LAB 54.11, 52.51, 21.64

 

Complementary color

CMYK 78 / 0 / 6 / 33

HEX #26AAA0

RGB 38 170 160

HSL 175.45, 0.63%, 0.41%

LAB 63.09, -36.18, -4.74

 

CMYK 0 / 62 / 59 / 13

HEX #DE555A

RGB 222 85 90

HSL 357.81, 0.67%, 0.6%

LAB 54.83, 53.83, 25.67

 

CMYK 0 / 57 / 54 / 6

HEX #EF676D

RGB 239 103 109

HSL 357.35, 0.81%, 0.67%

LAB 60.92, 52.91, 23.22

 

CMYK 0 / 53 / 50 / 0

HEX #FF7980

RGB 255 121 128

HSL 356.87, 1%, 0.74%

LAB 66.9, 51.56, 20.9

 

CMYK 0 / 45 / 42 / 0

HEX #FF8B93

RGB 255 139 147

HSL 355.86, 1%, 0.77%

LAB 70.75, 44.57, 15.59

 

CMYK 0 / 38 / 35 / 0

HEX #FF9DA6

RGB 255 157 166

HSL 354.49, 1%, 0.81%

LAB 74.91, 37.51, 10.92

 

CMYK 0 / 61 / 56 / 15

HEX #D9555F

RGB 217 85 95

HSL 355.45, 0.63%, 0.59%

LAB 54.11, 52.51, 21.64

 

CMYK 0 / 67 / 62 / 22

HEX #C8434C

RGB 200 67 76

HSL 355.94, 0.55%, 0.52%

LAB 48.03, 53.24, 24.4

 

CMYK 0 / 73 / 69 / 28

HEX #B73139

RGB 183 49 57

HSL 356.42, 0.58%, 0.45%

LAB 42.09, 53.62, 27.74

 

CMYK 0 / 81 / 77 / 35

HEX #A61F26

RGB 166 31 38

HSL 356.89, 0.69%, 0.39%

LAB 36.42, 53.36, 31.76

 

CMYK 0 / 91 / 87 / 42

HEX #950D13

RGB 149 13 19

HSL 357.35, 0.84%, 0.32%

LAB 31.17, 52, 36.25

 

CMYK 0 / 61 / 56 / 15

HEX #D8555F

RGB 216 85 95

HSL 355.42, 0.63%, 0.59%

LAB 53.94, 52.17, 21.4

 

CMYK 0 / 61 / 61 / 15

HEX #D85555

RGB 216 85 85

HSL 0, 0.63%, 0.59%

LAB 53.76, 51.45, 27.01

 

CMYK 0 / 61 / 56 / 15

HEX #D8555F

RGB 216 85 95

HSL 355.42, 0.63%, 0.59%

LAB 53.94, 52.17, 21.4

 

CMYK 0 / 61 / 40 / 15

HEX #D85582

RGB 216 85 130

HSL 339.39, 0.63%, 0.59%

LAB 54.77, 55.36, 1.83

 

CMYK 0 / 61 / 23 / 15

HEX #D855A6

RGB 216 85 166

HSL 322.9, 0.63%, 0.59%

LAB 55.94, 59.72, -17.59

 

CMYK 0 / 61 / 7 / 15

HEX #D855C9

RGB 216 85 201

HSL 306.87, 0.63%, 0.59%

LAB 57.38, 64.88, -35.54

 

CMYK 9 / 61 / 0 / 15

HEX #C455D8

RGB 196 85 216

HSL 290.84, 0.63%, 0.59%

LAB 55.27, 62.47, -47.59

 

CMYK 0 / 61 / 56 / 15

HEX #D8555F

RGB 216 85 95

HSL 355.42, 0.63%, 0.59%

LAB 53.94, 52.17, 21.4

 

CMYK 0 / 71 / 66 / 9

HEX #E94450

RGB 233 68 80

HSL 355.64, 0.79%, 0.59%

LAB 54.07, 63.46, 30.91

 

CMYK 0 / 80 / 74 / 2

HEX #FA3342

RGB 250 51 66

HSL 355.48, 0.95%, 0.59%

LAB 55.16, 72.88, 41

 

CMYK 0 / 61 / 56 / 15

HEX #D8555F

RGB 216 85 95

HSL 355.42, 0.63%, 0.59%

LAB 53.94, 52.17, 21.4

 

CMYK 0 / 49 / 45 / 22

HEX #C7656D

RGB 199 101 109

HSL 355.1, 0.47%, 0.59%

LAB 54.61, 39.7, 13.65

 

CMYK 0 / 35 / 32 / 29

HEX #B6767B

RGB 182 118 123

HSL 355.31, 0.3%, 0.59%

LAB 56.42, 25.79, 7.7

 

CMYK 0 / 19 / 17 / 35

HEX #A6878A

RGB 166 135 138

HSL 354.19, 0.15%, 0.59%

LAB 59.22, 12.28, 2.84

 

CMYK 2 / 0 / 0 / 40

HEX #959898

RGB 149 152 152

HSL 180, 0.01%, 0.59%

LAB 62.6, -1.08, -0.39

 

CMYK 0 / 61 / 23 / 15

HEX #D855A6

RGB 216 85 166

HSL 322.9, 0.63%, 0.59%

LAB 55.94, 59.72, -17.59

 

CMYK 0 / 61 / 39 / 15

HEX #D85583

RGB 216 85 131

HSL 338.93, 0.63%, 0.59%

LAB 54.8, 55.47, 1.28

 

CMYK 0 / 61 / 56 / 15

HEX #D85560

RGB 216 85 96

HSL 354.96, 0.63%, 0.59%

LAB 53.96, 52.25, 20.83

 

CMYK 0 / 50 / 61 / 15

HEX #D86D55

RGB 216 109 85

HSL 10.99, 0.63%, 0.59%

LAB 58.22, 39.93, 32.66

 

CMYK 0 / 33 / 61 / 15

HEX #D89055

RGB 216 144 85

HSL 27.02, 0.63%, 0.59%

LAB 65.91, 21.44, 42.02

 

CMYK 0 / 78 / 71 / 30

HEX #B22833

RGB 178 40 51

HSL 355.22, 0.63%, 0.43%

LAB 39.95, 54.81, 28.58

 

CMYK 0 / 76 / 70 / 18

HEX #D1333F

RGB 209 51 63

HSL 355.44, 0.63%, 0.51%

LAB 47.34, 61.15, 31.65

 

CMYK 0 / 61 / 56 / 15

HEX #D8555F

RGB 216 85 95

HSL 355.42, 0.63%, 0.59%

LAB 53.94, 52.17, 21.4

 

CMYK 0 / 47 / 44 / 12

HEX #E0767E

RGB 224 118 126

HSL 355.47, 0.63%, 0.67%

LAB 61.92, 41.88, 14.5

 

CMYK 0 / 34 / 32 / 9

HEX #E8989E

RGB 232 152 158

HSL 355.5, 0.63%, 0.75%

LAB 70.93, 30.76, 9.31

 

CMYK 0 / 61 / 56 / 15

HEX #D9555F

RGB 217 85 95

HSL 355.45, 0.63%, 0.59%

LAB 54.11, 52.51, 21.64

 

CMYK 7 / 0 / 61 / 15

HEX #C9D855

RGB 201 216 85

HSL 66.87, 0.63%, 0.59%

LAB 83.01, -22.39, 61.05

 

CMYK 61 / 31 / 0 / 15

HEX #5594D8

RGB 85 148 216

HSL 211.15, 0.63%, 0.59%

LAB 59.95, 0.21, -40.82

 

CMYK 0 / 61 / 56 / 15

HEX #D9555F

RGB 217 85 95

HSL 355.45, 0.63%, 0.59%

LAB 54.11, 52.51, 21.64

 

CMYK 56 / 0 / 61 / 15

HEX #60D855

RGB 96 216 85

HSL 114.96, 0.63%, 0.59%

LAB 77.43, -58.48, 53.3

 

CMYK 61 / 56 / 0 / 15

HEX #5560D8

RGB 85 96 216

HSL 234.96, 0.63%, 0.59%

LAB 45.98, 31.83, -63.11

 

CMYK 0 / 61 / 56 / 15

HEX #D9555F

RGB 217 85 95

HSL 355.45, 0.63%, 0.59%

LAB 54.11, 52.51, 21.64

 

CMYK 7 / 0 / 61 / 15

HEX #C9D855

RGB 201 216 85

HSL 66.87, 0.63%, 0.59%

LAB 83.01, -22.39, 61.05

 

CMYK 61 / 0 / 5 / 15

HEX #55D8CD

RGB 85 216 205

HSL 174.96, 0.63%, 0.59%

LAB 79.3, -38.21, -5.28

 

CMYK 54 / 61 / 0 / 15

HEX #6455D8

RGB 100 85 216

HSL 246.87, 0.63%, 0.59%

LAB 44.47, 41.15, -65.52

 

CMYK 0 / 61 / 56 / 15

HEX #D9555F

RGB 217 85 95

HSL 355.45, 0.63%, 0.59%

LAB 54.11, 52.51, 21.64

 

CMYK 25 / 0 / 61 / 15

HEX #A1D855

RGB 161 216 85

HSL 85.19, 0.63%, 0.59%

LAB 80.37, -37.94, 57.4

 

CMYK 61 / 0 / 5 / 15

HEX #55D8CD

RGB 85 216 205

HSL 174.96, 0.63%, 0.59%

LAB 79.3, -38.21, -5.28

 

CMYK 36 / 61 / 0 / 15

HEX #8B55D8

RGB 139 85 216

HSL 264.73, 0.63%, 0.59%

LAB 48.19, 49.1, -59.31

 

Description

Color code: HEX #D9555F | qconv.com Color code: HEX #D9555F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 85 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 85 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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