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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9549C it is the complementary color #26AB63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9549C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9549C shade: #DE5497, #EF66AA, #FF78BD, #FF8AD0 and #FF9CE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9549C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9549C shade: #D9549C, #C84289, #B73076, #A61E63 and #950C50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9549C shade: #D9549C, #D95478 and #D95454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9549C shade: #D9549C, #D954C0, #CF54D9, #AA54D9 and #8654D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9549C shade matches the following richer shades: #D9549C, #EA439D and #FB329F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9549C shade: #D9549C, #C8649B, #B87599, #A78698 and #969796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9549C shade: #CE54D9, #D954C1, #D9549D, #D95479 and #D95456

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9549C shade: #B32773, #D23288, #D9549C, #E175B0 and #E897C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9549C shade: #D9549C, #D9AB54 and #54D3D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9549C shade: #D9549C, #9DD954 and #549DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9549C shade: #D9549C, #D9AB54, #54D990 and #5482D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9549C shade: #D9549C, #D9D354, #54D990 and #545AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

Complementary color

CMYK 78 / 0 / 42 / 33

HEX #26AB63

RGB 38 171 99

HSL 147.52, 0.64%, 0.41%

LAB 62.03, -51.27, 27.37

 

CMYK 0 / 62 / 32 / 13

HEX #DE5497

RGB 222 84 151

HSL 330.87, 0.68%, 0.6%

LAB 56.19, 59.99, -8.34

 

CMYK 0 / 57 / 29 / 6

HEX #EF66AA

RGB 239 102 170

HSL 330.22, 0.81%, 0.67%

LAB 62.3, 59.57, -9.96

 

CMYK 0 / 53 / 26 / 0

HEX #FF78BD

RGB 255 120 189

HSL 329.33, 1%, 0.74%

LAB 68.29, 58.68, -11.54

 

CMYK 0 / 46 / 18 / 0

HEX #FF8AD0

RGB 255 138 208

HSL 324.1, 1%, 0.77%

LAB 72.22, 52.69, -16.22

 

CMYK 0 / 39 / 11 / 0

HEX #FF9CE3

RGB 255 156 227

HSL 316.97, 1%, 0.81%

LAB 76.43, 46.59, -20.29

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 67 / 32 / 22

HEX #C84289

RGB 200 66 137

HSL 328.21, 0.55%, 0.52%

LAB 49.47, 59.28, -10.46

 

CMYK 0 / 74 / 36 / 28

HEX #B73076

RGB 183 48 118

HSL 328.89, 0.58%, 0.45%

LAB 43.49, 58.97, -8.17

 

CMYK 0 / 82 / 40 / 35

HEX #A61E63

RGB 166 30 99

HSL 329.56, 0.69%, 0.38%

LAB 37.73, 57.88, -5.21

 

CMYK 0 / 92 / 46 / 42

HEX #950C50

RGB 149 12 80

HSL 330.22, 0.85%, 0.32%

LAB 32.33, 55.58, -1.3

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 61 / 45 / 15

HEX #D95478

RGB 217 84 120

HSL 343.76, 0.64%, 0.59%

LAB 54.5, 55.1, 7.39

 

CMYK 0 / 61 / 61 / 15

HEX #D95454

RGB 217 84 84

HSL 0, 0.64%, 0.59%

LAB 53.74, 52.17, 27.6

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 61 / 12 / 15

HEX #D954C0

RGB 217 84 192

HSL 311.28, 0.64%, 0.59%

LAB 56.98, 64.16, -31.01

 

CMYK 5 / 61 / 0 / 15

HEX #CF54D9

RGB 207 84 217

HSL 295.49, 0.64%, 0.59%

LAB 56.7, 65.74, -45.79

 

CMYK 22 / 61 / 0 / 15

HEX #AA54D9

RGB 170 84 217

HSL 278.8, 0.64%, 0.59%

LAB 51.72, 56.92, -54.02

 

CMYK 38 / 61 / 0 / 15

HEX #8654D9

RGB 134 84 217

HSL 262.56, 0.64%, 0.59%

LAB 47.52, 48.8, -60.99

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 71 / 33 / 8

HEX #EA439D

RGB 234 67 157

HSL 327.66, 0.8%, 0.59%

LAB 56.03, 70.44, -11.9

 

CMYK 0 / 80 / 37 / 2

HEX #FB329F

RGB 251 50 159

HSL 327.46, 0.96%, 0.59%

LAB 57.36, 79.69, -10.78

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 50 / 23 / 22

HEX #C8649B

RGB 200 100 155

HSL 327, 0.48%, 0.59%

LAB 55.85, 46.27, -11.53

 

CMYK 0 / 36 / 17 / 28

HEX #B87599

RGB 184 117 153

HSL 327.76, 0.32%, 0.59%

LAB 57.28, 31.52, -8.43

 

CMYK 0 / 20 / 9 / 35

HEX #A78698

RGB 167 134 152

HSL 327.27, 0.16%, 0.59%

LAB 59.46, 15.64, -4.82

 

CMYK 1 / 0 / 1 / 41

HEX #969796

RGB 150 151 150

HSL 120, 0%, 0.59%

LAB 62.35, -0.55, 0.39

 

CMYK 5 / 61 / 0 / 15

HEX #CE54D9

RGB 206 84 217

HSL 295.04, 0.64%, 0.59%

LAB 56.56, 65.5, -46.02

 

CMYK 0 / 61 / 11 / 15

HEX #D954C1

RGB 217 84 193

HSL 310.83, 0.64%, 0.59%

LAB 57.02, 64.31, -31.51

 

CMYK 0 / 61 / 28 / 15

HEX #D9549D

RGB 217 84 157

HSL 327.07, 0.64%, 0.59%

LAB 55.61, 59.26, -12.81

 

CMYK 0 / 61 / 44 / 15

HEX #D95479

RGB 217 84 121

HSL 343.31, 0.64%, 0.59%

LAB 54.53, 55.2, 6.84

 

CMYK 0 / 61 / 60 / 15

HEX #D95456

RGB 217 84 86

HSL 359.1, 0.64%, 0.59%

LAB 53.78, 52.31, 26.48

 

CMYK 0 / 78 / 36 / 30

HEX #B32773

RGB 179 39 115

HSL 327.43, 0.64%, 0.43%

LAB 41.65, 60.42, -9.16

 

CMYK 0 / 76 / 35 / 18

HEX #D23288

RGB 210 50 136

HSL 327.75, 0.64%, 0.51%

LAB 49.2, 67.37, -10.09

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 48 / 22 / 12

HEX #E175B0

RGB 225 117 176

HSL 327.22, 0.64%, 0.67%

LAB 63.23, 48.9, -12.19

 

CMYK 0 / 35 / 16 / 9

HEX #E897C3

RGB 232 151 195

HSL 327.41, 0.64%, 0.75%

LAB 71.71, 36.55, -10.07

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 21 / 61 / 15

HEX #D9AB54

RGB 217 171 84

HSL 39.25, 0.64%, 0.59%

LAB 72.57, 7.28, 50.3

 

CMYK 61 / 3 / 0 / 15

HEX #54D3D9

RGB 84 211 217

HSL 182.71, 0.64%, 0.59%

LAB 78.16, -32.81, -13.41

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 28 / 0 / 61 / 15

HEX #9DD954

RGB 157 217 84

HSL 87.07, 0.64%, 0.59%

LAB 80.42, -39.93, 57.82

 

CMYK 61 / 28 / 0 / 15

HEX #549DD9

RGB 84 157 217

HSL 207.07, 0.64%, 0.59%

LAB 62.51, -4.8, -37.36

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 21 / 61 / 15

HEX #D9AB54

RGB 217 171 84

HSL 39.25, 0.64%, 0.59%

LAB 72.57, 7.28, 50.3

 

CMYK 61 / 0 / 34 / 15

HEX #54D990

RGB 84 217 144

HSL 147.07, 0.64%, 0.59%

LAB 78.18, -52.76, 25.45

 

CMYK 61 / 40 / 0 / 15

HEX #5482D9

RGB 84 130 217

HSL 219.25, 0.64%, 0.59%

LAB 54.93, 11.02, -49.32

 

CMYK 0 / 61 / 28 / 15

HEX #D9549C

RGB 217 84 156

HSL 327.52, 0.64%, 0.59%

LAB 55.58, 59.13, -12.27

 

CMYK 0 / 3 / 61 / 15

HEX #D9D354

RGB 217 211 84

HSL 57.29, 0.64%, 0.59%

LAB 82.9, -13.45, 61.72

 

CMYK 61 / 0 / 34 / 15

HEX #54D990

RGB 84 217 144

HSL 147.07, 0.64%, 0.59%

LAB 78.18, -52.76, 25.45

 

CMYK 61 / 59 / 0 / 15

HEX #545AD9

RGB 84 90 217

HSL 237.29, 0.64%, 0.59%

LAB 44.53, 35.69, -66.04

 

Description

Color code: HEX #D9549C | qconv.com Color code: HEX #D9549C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 84 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 84 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 28 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 28% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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