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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D93D4C it is the complementary color #26C2B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D93D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D93D4C shade: #DE3D47, #EF4F5A, #FF616D, #FF7380 and #FF8593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D93D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D93D4C shade: #D93D4C, #C82B39, #B71926, #A60713 and #950000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D93D4C shade: #D93F4E and #D93F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D93D4C shade: #D93F4E, #D93F78, #D93FA1, #D93FCB and #BE3FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D93D4C shade matches the following richer shades: #D93F4E, #EC2D3F and #FE1A30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D93D4C shade: #D93F4E, #C7525D, #B4656C, #A1777B and #8F8A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D93D4C shade: #D93FA1, #D93F78, #D93F4F, #D9593F and #D9823F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D93D4C shade: #A5212D, #C82737, #D93F4E, #E0626E and #E7848E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D93D4C shade: #D93D4C, #CAD93F and #3F8CD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D93D4C shade: #D93D4C, #4FD93F and #3F4FD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D93D4C shade: #D93D4C, #CAD93F, #3FD9CA and #4F3FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D93D4C shade: #D93D4C, #9CD93F, #3FD9CA and #7D3FD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 65 / 15

HEX #D93D4C

RGB 217 61 76

HSL 354.23, 0.67%, 0.55%

LAB 50.23, 60.87, 27.83

 

Complementary color

CMYK 80 / 0 / 8 / 24

HEX #26C2B3

RGB 38 194 179

HSL 174.23, 0.67%, 0.45%

LAB 71.04, -41.59, -3.52

 

CMYK 0 / 73 / 68 / 13

HEX #DE3D47

RGB 222 61 71

HSL 356.27, 0.71%, 0.55%

LAB 51.06, 62.11, 32.01

 

CMYK 0 / 67 / 62 / 6

HEX #EF4F5A

RGB 239 79 90

HSL 355.88, 0.83%, 0.62%

LAB 56.76, 61.8, 28.73

 

CMYK 0 / 62 / 57 / 0

HEX #FF616D

RGB 255 97 109

HSL 355.44, 1%, 0.69%

LAB 62.43, 60.85, 25.69

 

CMYK 0 / 55 / 50 / 0

HEX #FF7380

RGB 255 115 128

HSL 354.43, 1%, 0.73%

LAB 65.81, 54.38, 19.42

 

CMYK 0 / 48 / 42 / 0

HEX #FF8593

RGB 255 133 147

HSL 353.11, 1%, 0.76%

LAB 69.57, 47.55, 13.93

 

CMYK 0 / 72 / 65 / 15

HEX #D93D4C

RGB 217 61 76

HSL 354.23, 0.67%, 0.55%

LAB 50.23, 60.87, 27.83

 

CMYK 0 / 79 / 72 / 22

HEX #C82B39

RGB 200 43 57

HSL 354.65, 0.65%, 0.48%

LAB 44.66, 60.67, 31.61

 

CMYK 0 / 86 / 79 / 28

HEX #B71926

RGB 183 25 38

HSL 355.06, 0.76%, 0.41%

LAB 39.42, 59.65, 36.01

 

CMYK 0 / 96 / 89 / 35

HEX #A60713

RGB 166 7 19

HSL 355.47, 0.92%, 0.34%

LAB 34.61, 57.46, 40.63

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 71 / 64 / 15

HEX #D93F4E

RGB 217 63 78

HSL 354.16, 0.67%, 0.55%

LAB 50.52, 60.27, 27.01

 

CMYK 0 / 71 / 71 / 15

HEX #D93F3F

RGB 217 63 63

HSL 0, 0.67%, 0.55%

LAB 50.29, 59.5, 35.51

 

CMYK 0 / 71 / 64 / 15

HEX #D93F4E

RGB 217 63 78

HSL 354.16, 0.67%, 0.55%

LAB 50.52, 60.27, 27.01

 

CMYK 0 / 71 / 45 / 15

HEX #D93F78

RGB 217 63 120

HSL 337.79, 0.67%, 0.55%

LAB 51.45, 63.43, 3.02

 

CMYK 0 / 71 / 26 / 15

HEX #D93FA1

RGB 217 63 161

HSL 321.82, 0.67%, 0.55%

LAB 52.82, 67.88, -19.4

 

CMYK 0 / 71 / 6 / 15

HEX #D93FCB

RGB 217 63 203

HSL 305.45, 0.67%, 0.55%

LAB 54.68, 73.68, -40.91

 

CMYK 12 / 71 / 0 / 15

HEX #BE3FD9

RGB 190 63 217

HSL 289.48, 0.67%, 0.55%

LAB 51.28, 70.2, -54.57

 

CMYK 0 / 71 / 64 / 15

HEX #D93F4E

RGB 217 63 78

HSL 354.16, 0.67%, 0.55%

LAB 50.52, 60.27, 27.01

 

CMYK 0 / 81 / 73 / 7

HEX #EC2D3F

RGB 236 45 63

HSL 354.35, 0.83%, 0.55%

LAB 51.91, 70.46, 38.31

 

CMYK 0 / 90 / 81 / 0

HEX #FE1A30

RGB 254 26 48

HSL 354.21, 0.99%, 0.55%

LAB 54.05, 78.21, 49.9

 

CMYK 0 / 71 / 64 / 15

HEX #D93F4E

RGB 217 63 78

HSL 354.16, 0.67%, 0.55%

LAB 50.52, 60.27, 27.01

 

CMYK 0 / 59 / 53 / 22

HEX #C7525D

RGB 199 82 93

HSL 354.36, 0.51%, 0.55%

LAB 50.65, 47.56, 17.68

 

CMYK 0 / 44 / 40 / 29

HEX #B4656C

RGB 180 101 108

HSL 354.68, 0.34%, 0.55%

LAB 51.94, 32.48, 10.12

 

CMYK 0 / 26 / 24 / 37

HEX #A1777B

RGB 161 119 123

HSL 354.29, 0.18%, 0.55%

LAB 54.24, 17.05, 4.26

 

CMYK 0 / 3 / 3 / 44

HEX #8F8A8A

RGB 143 138 138

HSL 0, 0.02%, 0.55%

LAB 57.9, 1.86, 0.65

 

CMYK 0 / 71 / 26 / 15

HEX #D93FA1

RGB 217 63 161

HSL 321.82, 0.67%, 0.55%

LAB 52.82, 67.88, -19.4

 

CMYK 0 / 71 / 45 / 15

HEX #D93F78

RGB 217 63 120

HSL 337.79, 0.67%, 0.55%

LAB 51.45, 63.43, 3.02

 

CMYK 0 / 71 / 64 / 15

HEX #D93F4F

RGB 217 63 79

HSL 353.77, 0.67%, 0.55%

LAB 50.54, 60.33, 26.44

 

CMYK 0 / 59 / 71 / 15

HEX #D9593F

RGB 217 89 63

HSL 10.13, 0.67%, 0.55%

LAB 54.3, 48.72, 40.12

 

CMYK 0 / 40 / 71 / 15

HEX #D9823F

RGB 217 130 63

HSL 26.1, 0.67%, 0.55%

LAB 62.57, 28.03, 49.24

 

CMYK 0 / 80 / 73 / 35

HEX #A5212D

RGB 165 33 45

HSL 354.55, 0.67%, 0.39%

LAB 36.51, 52.78, 27.55

 

CMYK 0 / 81 / 73 / 22

HEX #C82737

RGB 200 39 55

HSL 354.04, 0.67%, 0.47%

LAB 44.24, 61.69, 32.3

 

CMYK 0 / 71 / 64 / 15

HEX #D93F4E

RGB 217 63 78

HSL 354.16, 0.67%, 0.55%

LAB 50.52, 60.27, 27.01

 

CMYK 0 / 56 / 51 / 12

HEX #E0626E

RGB 224 98 110

HSL 354.29, 0.67%, 0.63%

LAB 57.76, 50.16, 17.99

 

CMYK 0 / 43 / 39 / 9

HEX #E7848E

RGB 231 132 142

HSL 353.94, 0.67%, 0.71%

LAB 66.09, 38.97, 11.39

 

CMYK 0 / 72 / 65 / 15

HEX #D93D4C

RGB 217 61 76

HSL 354.23, 0.67%, 0.55%

LAB 50.23, 60.87, 27.83

 

CMYK 7 / 0 / 71 / 15

HEX #CAD93F

RGB 202 217 63

HSL 65.84, 0.67%, 0.55%

LAB 83.2, -23.78, 69.77

 

CMYK 71 / 35 / 0 / 15

HEX #3F8CD9

RGB 63 140 217

HSL 210, 0.67%, 0.55%

LAB 56.9, 1.59, -46.24

 

CMYK 0 / 72 / 65 / 15

HEX #D93D4C

RGB 217 61 76

HSL 354.23, 0.67%, 0.55%

LAB 50.23, 60.87, 27.83

 

CMYK 64 / 0 / 71 / 15

HEX #4FD93F

RGB 79 217 63

HSL 113.77, 0.67%, 0.55%

LAB 77.07, -64.81, 61.61

 

CMYK 71 / 64 / 0 / 15

HEX #3F4FD9

RGB 63 79 217

HSL 233.77, 0.67%, 0.55%

LAB 40.67, 39.48, -72.39

 

CMYK 0 / 72 / 65 / 15

HEX #D93D4C

RGB 217 61 76

HSL 354.23, 0.67%, 0.55%

LAB 50.23, 60.87, 27.83

 

CMYK 7 / 0 / 71 / 15

HEX #CAD93F

RGB 202 217 63

HSL 65.84, 0.67%, 0.55%

LAB 83.2, -23.78, 69.77

 

CMYK 71 / 0 / 7 / 15

HEX #3FD9CA

RGB 63 217 202

HSL 174.16, 0.67%, 0.55%

LAB 79.01, -42.73, -4.16

 

CMYK 64 / 71 / 0 / 15

HEX #4F3FD9

RGB 79 63 217

HSL 246.23, 0.67%, 0.55%

LAB 38.25, 50.77, -76.33

 

CMYK 0 / 72 / 65 / 15

HEX #D93D4C

RGB 217 61 76

HSL 354.23, 0.67%, 0.55%

LAB 50.23, 60.87, 27.83

 

CMYK 28 / 0 / 71 / 15

HEX #9CD93F

RGB 156 217 63

HSL 83.77, 0.67%, 0.55%

LAB 80.21, -41.82, 65.81

 

CMYK 71 / 0 / 7 / 15

HEX #3FD9CA

RGB 63 217 202

HSL 174.16, 0.67%, 0.55%

LAB 79.01, -42.73, -4.16

 

CMYK 42 / 71 / 0 / 15

HEX #7D3FD9

RGB 125 63 217

HSL 264.16, 0.67%, 0.55%

LAB 42.65, 57.69, -68.94

 

Description

Color code: HEX #D93D4C | qconv.com Color code: HEX #D93D4C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 61 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 61 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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