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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D93246 it is the complementary color #26CDB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D93246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D93246 shade: #DE3241, #EF4454, #FF5667, #FF687A and #FF7A8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D93246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D93246 shade: #D93246, #C82033, #B70E20, #A6000D and #950000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D93246 shade: #D93044 and #D93030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D93246 shade: #D93044, #D93072, #D9309F, #D930CD and #B830D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D93246 shade matches the following richer shades: #D93044 and #ED1C35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D93246 shade: #D93044, #C54453, #B15863, #9E6C72 and #8A7F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D93246 shade: #D930A1, #D93074, #D93047, #D94730 and #D97430

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D93246 shade: #9A1C2B, #BD2335, #D93044, #DF5364 and #E67683

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D93246 shade: #D93246, #CED930 and #308AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D93246 shade: #D93246, #47D930 and #3047D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D93246 shade: #D93246, #CED930, #30D9C3 and #3B30D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D93246 shade: #D93246, #9BD930, #30D9C3 and #6E30D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 68 / 15

HEX #D93246

RGB 217 50 70

HSL 352.81, 0.69%, 0.52%

LAB 48.85, 64.12, 29.68

 

Complementary color

CMYK 81 / 0 / 10 / 20

HEX #26CDB9

RGB 38 205 185

HSL 172.81, 0.69%, 0.48%

LAB 74.56, -44.73, -1.62

 

CMYK 0 / 77 / 71 / 13

HEX #DE3241

RGB 222 50 65

HSL 354.77, 0.72%, 0.53%

LAB 49.73, 65.31, 33.92

 

CMYK 0 / 72 / 65 / 6

HEX #EF4454

RGB 239 68 84

HSL 354.39, 0.84%, 0.6%

LAB 55.2, 65.48, 30.23

 

CMYK 0 / 66 / 60 / 0

HEX #FF5667

RGB 255 86 103

HSL 353.96, 1%, 0.67%

LAB 60.69, 64.88, 26.83

 

CMYK 0 / 59 / 52 / 0

HEX #FF687A

RGB 255 104 122

HSL 352.85, 1%, 0.7%

LAB 63.81, 58.83, 20.1

 

CMYK 0 / 52 / 45 / 0

HEX #FF7A8D

RGB 255 122 141

HSL 351.43, 1%, 0.74%

LAB 67.35, 52.28, 14.2

 

CMYK 0 / 77 / 68 / 15

HEX #D93246

RGB 217 50 70

HSL 352.81, 0.69%, 0.52%

LAB 48.85, 64.12, 29.68

 

CMYK 0 / 84 / 75 / 22

HEX #C82033

RGB 200 32 51

HSL 353.21, 0.72%, 0.45%

LAB 43.58, 63.25, 33.92

 

CMYK 0 / 92 / 83 / 28

HEX #B70E20

RGB 183 14 32

HSL 353.61, 0.86%, 0.39%

LAB 38.7, 61.35, 38.71

 

CMYK 0 / 100 / 92 / 35

HEX #A6000D

RGB 166 0 13

HSL 355.3, 1%, 0.33%

LAB 34.26, 58.26, 43.19

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 78 / 69 / 15

HEX #D93044

RGB 217 48 68

HSL 352.9, 0.69%, 0.52%

LAB 48.61, 64.61, 30.58

 

CMYK 0 / 78 / 78 / 15

HEX #D93030

RGB 217 48 48

HSL 0, 0.69%, 0.52%

LAB 48.36, 63.8, 41.81

 

CMYK 0 / 78 / 69 / 15

HEX #D93044

RGB 217 48 68

HSL 352.9, 0.69%, 0.52%

LAB 48.61, 64.61, 30.58

 

CMYK 0 / 78 / 47 / 15

HEX #D93072

RGB 217 48 114

HSL 336.57, 0.69%, 0.52%

LAB 49.59, 67.66, 3.97

 

CMYK 0 / 78 / 27 / 15

HEX #D9309F

RGB 217 48 159

HSL 320.59, 0.69%, 0.52%

LAB 51.12, 72.24, -20.82

 

CMYK 0 / 78 / 6 / 15

HEX #D930CD

RGB 217 48 205

HSL 304.26, 0.69%, 0.52%

LAB 53.25, 78.36, -44.32

 

CMYK 15 / 78 / 0 / 15

HEX #B830D9

RGB 184 48 217

HSL 288.28, 0.69%, 0.52%

LAB 48.65, 73.98, -58.84

 

CMYK 0 / 78 / 69 / 15

HEX #D93044

RGB 217 48 68

HSL 352.9, 0.69%, 0.52%

LAB 48.61, 64.61, 30.58

 

CMYK 0 / 88 / 78 / 7

HEX #ED1C35

RGB 237 28 53

HSL 352.82, 0.85%, 0.52%

LAB 50.79, 73.8, 42.8

 

CMYK 0 / 78 / 69 / 15

HEX #D93044

RGB 217 48 68

HSL 352.9, 0.69%, 0.52%

LAB 48.61, 64.61, 30.58

 

CMYK 0 / 65 / 58 / 23

HEX #C54453

RGB 197 68 83

HSL 353.02, 0.53%, 0.52%

LAB 47.79, 52.32, 19.78

 

CMYK 0 / 50 / 44 / 31

HEX #B15863

RGB 177 88 99

HSL 352.58, 0.36%, 0.52%

LAB 48.55, 37.26, 10.65

 

CMYK 0 / 32 / 28 / 38

HEX #9E6C72

RGB 158 108 114

HSL 352.8, 0.2%, 0.52%

LAB 50.93, 20.81, 4.74

 

CMYK 0 / 8 / 7 / 46

HEX #8A7F81

RGB 138 127 129

HSL 349.09, 0.04%, 0.52%

LAB 54.2, 4.55, 0.42

 

CMYK 0 / 78 / 26 / 15

HEX #D930A1

RGB 217 48 161

HSL 319.88, 0.69%, 0.52%

LAB 51.2, 72.47, -21.88

 

CMYK 0 / 78 / 47 / 15

HEX #D93074

RGB 217 48 116

HSL 335.86, 0.69%, 0.52%

LAB 49.65, 67.83, 2.83

 

CMYK 0 / 78 / 67 / 15

HEX #D93047

RGB 217 48 71

HSL 351.83, 0.69%, 0.52%

LAB 48.66, 64.75, 28.85

 

CMYK 0 / 67 / 78 / 15

HEX #D94730

RGB 217 71 48

HSL 8.17, 0.69%, 0.52%

LAB 51.23, 55.85, 44.78

 

CMYK 0 / 47 / 78 / 15

HEX #D97430

RGB 217 116 48

HSL 24.14, 0.69%, 0.52%

LAB 59.39, 34.75, 52.92

 

CMYK 0 / 82 / 72 / 40

HEX #9A1C2B

RGB 154 28 43

HSL 352.86, 0.69%, 0.36%

LAB 33.72, 50.86, 24.93

 

CMYK 0 / 81 / 72 / 26

HEX #BD2335

RGB 189 35 53

HSL 352.99, 0.69%, 0.44%

LAB 41.65, 59.55, 29.92

 

CMYK 0 / 78 / 69 / 15

HEX #D93044

RGB 217 48 68

HSL 352.9, 0.69%, 0.52%

LAB 48.61, 64.61, 30.58

 

CMYK 0 / 63 / 55 / 13

HEX #DF5364

RGB 223 83 100

HSL 352.71, 0.69%, 0.6%

LAB 54.86, 55.74, 19.88

 

CMYK 0 / 49 / 43 / 10

HEX #E67683

RGB 230 118 131

HSL 353.04, 0.69%, 0.68%

LAB 62.86, 44.54, 13.07

 

CMYK 0 / 77 / 68 / 15

HEX #D93246

RGB 217 50 70

HSL 352.81, 0.69%, 0.52%

LAB 48.85, 64.12, 29.68

 

CMYK 5 / 0 / 78 / 15

HEX #CED930

RGB 206 217 48

HSL 63.91, 0.69%, 0.52%

LAB 83.42, -22.77, 74.81

 

CMYK 78 / 36 / 0 / 15

HEX #308AD9

RGB 48 138 217

HSL 208.05, 0.69%, 0.52%

LAB 55.9, 0.89, -47.85

 

CMYK 0 / 77 / 68 / 15

HEX #D93246

RGB 217 50 70

HSL 352.81, 0.69%, 0.52%

LAB 48.85, 64.12, 29.68

 

CMYK 67 / 0 / 78 / 15

HEX #47D930

RGB 71 217 48

HSL 111.83, 0.69%, 0.52%

LAB 76.79, -67.47, 66.26

 

CMYK 78 / 67 / 0 / 15

HEX #3047D9

RGB 48 71 217

HSL 231.83, 0.69%, 0.52%

LAB 38.1, 42.86, -76.63

 

CMYK 0 / 77 / 68 / 15

HEX #D93246

RGB 217 50 70

HSL 352.81, 0.69%, 0.52%

LAB 48.85, 64.12, 29.68

 

CMYK 5 / 0 / 78 / 15

HEX #CED930

RGB 206 217 48

HSL 63.91, 0.69%, 0.52%

LAB 83.42, -22.77, 74.81

 

CMYK 78 / 0 / 10 / 15

HEX #30D9C3

RGB 48 217 195

HSL 172.19, 0.69%, 0.52%

LAB 78.57, -46.28, -1.09

 

CMYK 73 / 78 / 0 / 15

HEX #3B30D9

RGB 59 48 217

HSL 243.91, 0.69%, 0.52%

LAB 34.09, 56.57, -83.22

 

CMYK 0 / 77 / 68 / 15

HEX #D93246

RGB 217 50 70

HSL 352.81, 0.69%, 0.52%

LAB 48.85, 64.12, 29.68

 

CMYK 29 / 0 / 78 / 15

HEX #9BD930

RGB 155 217 48

HSL 82.01, 0.69%, 0.52%

LAB 80.07, -42.99, 70.52

 

CMYK 78 / 0 / 10 / 15

HEX #30D9C3

RGB 48 217 195

HSL 172.19, 0.69%, 0.52%

LAB 78.57, -46.28, -1.09

 

CMYK 49 / 78 / 0 / 15

HEX #6E30D9

RGB 110 48 217

HSL 262.01, 0.69%, 0.52%

LAB 38.62, 62.03, -75.61

 

Description

Color code: HEX #D93246 | qconv.com Color code: HEX #D93246 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 50 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 50 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 68 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 68% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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