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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D91FBB it is the complementary color #26E044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D91FBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D91FBB shade: #DE1FB6, #EF31C9, #FF43DC, #FF55EF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D91FBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D91FBB shade: #D91FBB, #C80DA8, #B70095, #A60082 and #95006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D91FBB shade: #DB1FBC, #DB1F8A, #DB1F57, #DB1F25 and #DB1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D91FBB shade: #DB1FBC, #C61FDB, #941FDB, #611FDB and #2F1FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D91FBB shade matches the following richer shades: #DB1FBC and #EF0BCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D91FBB shade: #DB1FBC, #C633AF, #B248A1, #9E5C93 and #8A7086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D91FBB shade: #931FDB, #C51FDB, #DB1FBF, #DB1F8D and #DB1F5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D91FBB shade: #92157E, #B71A9D, #DB1FBC, #E440C9 and #E964D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D91FBB shade: #D91FBB, #DB611F and #1FDBAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D91FBB shade: #D91FBB, #BFDB1F and #1FBFDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D91FBB shade: #D91FBB, #DB611F, #1FDB3B and #1F99DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D91FBB shade: #D91FBB, #DB991F, #1FDB3B and #1F61DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 14 / 15

HEX #D91FBB

RGB 217 31 187

HSL 309.68, 0.75%, 0.49%

LAB 51.06, 79.54, -37.37

 

Complementary color

CMYK 83 / 0 / 70 / 12

HEX #26E044

RGB 38 224 68

HSL 129.68, 0.75%, 0.51%

LAB 78.54, -72.86, 61.07

 

CMYK 0 / 86 / 18 / 13

HEX #DE1FB6

RGB 222 31 182

HSL 312.57, 0.75%, 0.5%

LAB 51.71, 79.88, -33.37

 

CMYK 0 / 79 / 16 / 6

HEX #EF31C9

RGB 239 49 201

HSL 312, 0.86%, 0.56%

LAB 56.85, 82.07, -36.11

 

CMYK 0 / 74 / 14 / 0

HEX #FF43DC

RGB 255 67 220

HSL 311.17, 1%, 0.63%

LAB 62.03, 83.23, -38.59

 

CMYK 0 / 67 / 6 / 0

HEX #FF55EF

RGB 255 85 239

HSL 305.65, 1%, 0.67%

LAB 64.95, 80.14, -44.62

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 86 / 14 / 15

HEX #D91FBB

RGB 217 31 187

HSL 309.68, 0.75%, 0.49%

LAB 51.06, 79.54, -37.37

 

CMYK 0 / 94 / 16 / 22

HEX #C80DA8

RGB 200 13 168

HSL 310.27, 0.88%, 0.42%

LAB 46.17, 76.32, -34.09

 

CMYK 0 / 100 / 19 / 28

HEX #B70095

RGB 183 0 149

HSL 311.15, 1%, 0.36%

LAB 41.59, 71.92, -30.09

 

CMYK 0 / 100 / 22 / 35

HEX #A60082

RGB 166 0 130

HSL 313.01, 1%, 0.33%

LAB 37.33, 66.29, -25.32

 

CMYK 0 / 100 / 26 / 42

HEX #95006F

RGB 149 0 111

HSL 315.3, 1%, 0.29%

LAB 33, 60.57, -20.37

 

CMYK 0 / 86 / 14 / 14

HEX #DB1FBC

RGB 219 31 188

HSL 309.89, 0.75%, 0.49%

LAB 51.46, 80.06, -37.29

 

CMYK 0 / 86 / 37 / 14

HEX #DB1F8A

RGB 219 31 138

HSL 325.85, 0.75%, 0.49%

LAB 49.34, 74.29, -10.92

 

CMYK 0 / 86 / 60 / 14

HEX #DB1F57

RGB 219 31 87

HSL 342.13, 0.75%, 0.49%

LAB 47.92, 70.24, 18.22

 

CMYK 0 / 86 / 83 / 14

HEX #DB1F25

RGB 219 31 37

HSL 358.09, 0.75%, 0.49%

LAB 47.2, 68.15, 46.68

 

CMYK 0 / 86 / 86 / 14

HEX #DB1F1F

RGB 219 31 31

HSL 0, 0.75%, 0.49%

LAB 47.16, 68.02, 49.63

 

CMYK 0 / 86 / 14 / 14

HEX #DB1FBC

RGB 219 31 188

HSL 309.89, 0.75%, 0.49%

LAB 51.46, 80.06, -37.29

 

CMYK 10 / 86 / 0 / 14

HEX #C61FDB

RGB 198 31 219

HSL 293.3, 0.75%, 0.49%

LAB 49.62, 80.81, -58.31

 

CMYK 32 / 86 / 0 / 14

HEX #941FDB

RGB 148 31 219

HSL 277.34, 0.75%, 0.49%

LAB 41.83, 73.17, -71.3

 

CMYK 56 / 86 / 0 / 14

HEX #611FDB

RGB 97 31 219

HSL 261.06, 0.75%, 0.49%

LAB 35.27, 67.22, -82.32

 

CMYK 79 / 86 / 0 / 14

HEX #2F1FDB

RGB 47 31 219

HSL 245.11, 0.75%, 0.49%

LAB 31.11, 63.78, -89.35

 

CMYK 0 / 86 / 14 / 14

HEX #DB1FBC

RGB 219 31 188

HSL 309.89, 0.75%, 0.49%

LAB 51.46, 80.06, -37.29

 

CMYK 0 / 95 / 15 / 6

HEX #EF0BCA

RGB 239 11 202

HSL 309.74, 0.91%, 0.49%

LAB 54.92, 87.93, -39.7

 

CMYK 0 / 86 / 14 / 14

HEX #DB1FBC

RGB 219 31 188

HSL 309.89, 0.75%, 0.49%

LAB 51.46, 80.06, -37.29

 

CMYK 0 / 74 / 12 / 22

HEX #C633AF

RGB 198 51 175

HSL 309.39, 0.59%, 0.49%

LAB 48.85, 69.09, -34.05

 

CMYK 0 / 60 / 10 / 30

HEX #B248A1

RGB 178 72 161

HSL 309.62, 0.42%, 0.49%

LAB 47.85, 53.94, -27.58

 

CMYK 0 / 42 / 7 / 38

HEX #9E5C93

RGB 158 92 147

HSL 310, 0.26%, 0.49%

LAB 48.3, 35.31, -18.8

 

CMYK 0 / 19 / 3 / 46

HEX #8A7086

RGB 138 112 134

HSL 309.23, 0.1%, 0.49%

LAB 50.35, 14.25, -8.21

 

CMYK 33 / 86 / 0 / 14

HEX #931FDB

RGB 147 31 219

HSL 277.02, 0.75%, 0.49%

LAB 41.69, 73.03, -71.55

 

CMYK 10 / 86 / 0 / 14

HEX #C51FDB

RGB 197 31 219

HSL 292.98, 0.75%, 0.49%

LAB 49.45, 80.65, -58.58

 

CMYK 0 / 86 / 13 / 14

HEX #DB1FBF

RGB 219 31 191

HSL 308.94, 0.75%, 0.49%

LAB 51.61, 80.45, -38.8

 

CMYK 0 / 86 / 36 / 14

HEX #DB1F8D

RGB 219 31 141

HSL 324.89, 0.75%, 0.49%

LAB 49.45, 74.59, -12.57

 

CMYK 0 / 86 / 58 / 14

HEX #DB1F5B

RGB 219 31 91

HSL 340.85, 0.75%, 0.49%

LAB 48, 70.48, 15.88

 

CMYK 0 / 86 / 14 / 43

HEX #92157E

RGB 146 21 126

HSL 309.6, 0.75%, 0.33%

LAB 34.3, 58.62, -27.86

 

CMYK 0 / 86 / 14 / 28

HEX #B71A9D

RGB 183 26 157

HSL 309.94, 0.75%, 0.41%

LAB 43.12, 69.67, -32.52

 

CMYK 0 / 86 / 14 / 14

HEX #DB1FBC

RGB 219 31 188

HSL 309.89, 0.75%, 0.49%

LAB 51.46, 80.06, -37.29

 

CMYK 0 / 72 / 12 / 11

HEX #E440C9

RGB 228 64 201

HSL 309.88, 0.75%, 0.57%

LAB 56.46, 75.53, -36.84

 

CMYK 0 / 57 / 9 / 9

HEX #E964D3

RGB 233 100 211

HSL 309.92, 0.75%, 0.65%

LAB 62.63, 64.5, -32.85

 

CMYK 0 / 86 / 14 / 15

HEX #D91FBB

RGB 217 31 187

HSL 309.68, 0.75%, 0.49%

LAB 51.06, 79.54, -37.37

 

CMYK 0 / 56 / 86 / 14

HEX #DB611F

RGB 219 97 31

HSL 21.06, 0.75%, 0.49%

LAB 55.79, 44.55, 56.78

 

CMYK 86 / 0 / 21 / 14

HEX #1FDBAC

RGB 31 219 172

HSL 165, 0.75%, 0.49%

LAB 78.42, -54.36, 10.92

 

CMYK 0 / 86 / 14 / 15

HEX #D91FBB

RGB 217 31 187

HSL 309.68, 0.75%, 0.49%

LAB 51.06, 79.54, -37.37

 

CMYK 13 / 0 / 86 / 14

HEX #BFDB1F

RGB 191 219 31

HSL 68.94, 0.75%, 0.49%

LAB 82.83, -30.41, 77.95

 

CMYK 86 / 13 / 0 / 14

HEX #1FBFDB

RGB 31 191 219

HSL 188.94, 0.75%, 0.49%

LAB 71.33, -28.65, -24.93

 

CMYK 0 / 86 / 14 / 15

HEX #D91FBB

RGB 217 31 187

HSL 309.68, 0.75%, 0.49%

LAB 51.06, 79.54, -37.37

 

CMYK 0 / 56 / 86 / 14

HEX #DB611F

RGB 219 97 31

HSL 21.06, 0.75%, 0.49%

LAB 55.79, 44.55, 56.78

 

CMYK 86 / 0 / 73 / 14

HEX #1FDB3B

RGB 31 219 59

HSL 128.94, 0.75%, 0.49%

LAB 76.84, -72.78, 62.54

 

CMYK 86 / 30 / 0 / 14

HEX #1F99DB

RGB 31 153 219

HSL 201.06, 0.75%, 0.49%

LAB 60.06, -8.58, -42.42

 

CMYK 0 / 86 / 14 / 15

HEX #D91FBB

RGB 217 31 187

HSL 309.68, 0.75%, 0.49%

LAB 51.06, 79.54, -37.37

 

CMYK 0 / 30 / 86 / 14

HEX #DB991F

RGB 219 153 31

HSL 38.94, 0.75%, 0.49%

LAB 67.98, 15.36, 66.76

 

CMYK 86 / 0 / 73 / 14

HEX #1FDB3B

RGB 31 219 59

HSL 128.94, 0.75%, 0.49%

LAB 76.84, -72.78, 62.54

 

CMYK 86 / 56 / 0 / 14

HEX #1F61DB

RGB 31 97 219

HSL 218.94, 0.75%, 0.49%

LAB 44.17, 25.78, -67.87

 

Description

Color code: HEX #D91FBB | qconv.com Color code: HEX #D91FBB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 31 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 31 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 14 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 14% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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