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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D91CE6 it is the complementary color #26E319. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D91CE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D91CE6 shade: #DE1CE1, #EF2EF4, #FF40FF, #FF52FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D91CE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D91CE6 shade: #D91CE6, #C80AD3, #B700C0, #A600AD and #95009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D91CE6 shade: #D91EE6, #E61EBD, #E61E87, #E61E51 and #E61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D91CE6 shade: #D91EE6, #A31EE6, #6D1EE6, #371EE6 and #1E1EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D91CE6 shade matches the following richer shades: #D91EE6 and #EB0AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D91CE6 shade: #D91EE6, #C832D2, #B647BE, #A45BA9 and #936F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D91CE6 shade: #6E1EE6, #A31EE6, #D91EE6, #E61EBE and #E61E89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D91CE6 shade: #9712A0, #BA16C5, #D91EE6, #DF43EA and #E668EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D91CE6 shade: #D91CE6, #E6391E and #1EE689

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D91CE6 shade: #D91CE6, #E6D91E and #1EE6D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D91CE6 shade: #D91CE6, #E6391E, #2BE61E and #1ECBE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D91CE6 shade: #D91CE6, #E6751E, #2BE61E and #1E8FE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 88 / 0 / 10

HEX #D91CE6

RGB 217 28 230

HSL 296.14, 0.8%, 0.51%

LAB 53.27, 86.18, -58.51

 

Complementary color

CMYK 83 / 0 / 89 / 11

HEX #26E319

RGB 38 227 25

HSL 116.14, 0.8%, 0.49%

LAB 79.28, -76.26, 73.69

 

CMYK 1 / 88 / 0 / 12

HEX #DE1CE1

RGB 222 28 225

HSL 299.09, 0.78%, 0.5%

LAB 53.81, 86.26, -54.78

 

CMYK 2 / 81 / 0 / 4

HEX #EF2EF4

RGB 239 46 244

HSL 298.48, 0.9%, 0.57%

LAB 58.82, 88.78, -57.28

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 6 / 88 / 0 / 10

HEX #D91CE6

RGB 217 28 230

HSL 296.14, 0.8%, 0.51%

LAB 53.27, 86.18, -58.51

 

CMYK 5 / 95 / 0 / 17

HEX #C80AD3

RGB 200 10 211

HSL 296.72, 0.91%, 0.43%

LAB 48.51, 82.65, -55.49

 

CMYK 5 / 100 / 0 / 25

HEX #B700C0

RGB 183 0 192

HSL 297.19, 1%, 0.38%

LAB 44.05, 77.94, -51.8

 

CMYK 4 / 100 / 0 / 32

HEX #A600AD

RGB 166 0 173

HSL 297.57, 1%, 0.34%

LAB 39.79, 72.32, -47.59

 

CMYK 3 / 100 / 0 / 40

HEX #95009A

RGB 149 0 154

HSL 298.05, 1%, 0.3%

LAB 35.44, 66.59, -43.29

 

CMYK 6 / 87 / 0 / 10

HEX #D91EE6

RGB 217 30 230

HSL 296.1, 0.8%, 0.51%

LAB 53.38, 85.87, -58.34

 

CMYK 0 / 87 / 18 / 10

HEX #E61EBD

RGB 230 30 189

HSL 312.3, 0.8%, 0.51%

LAB 53.41, 82.5, -34.68

 

CMYK 0 / 87 / 41 / 10

HEX #E61E87

RGB 230 30 135

HSL 328.5, 0.8%, 0.51%

LAB 51.27, 76.68, -6.01

 

CMYK 0 / 87 / 65 / 10

HEX #E61E51

RGB 230 30 81

HSL 344.7, 0.8%, 0.51%

LAB 49.91, 72.85, 24.93

 

CMYK 0 / 87 / 87 / 10

HEX #E61E1E

RGB 230 30 30

HSL 0, 0.8%, 0.51%

LAB 49.31, 71.1, 52.76

 

CMYK 6 / 87 / 0 / 10

HEX #D91EE6

RGB 217 30 230

HSL 296.1, 0.8%, 0.51%

LAB 53.38, 85.87, -58.34

 

CMYK 29 / 87 / 0 / 10

HEX #A31EE6

RGB 163 30 230

HSL 279.9, 0.8%, 0.51%

LAB 44.84, 77.62, -72.57

 

CMYK 53 / 87 / 0 / 10

HEX #6D1EE6

RGB 109 30 230

HSL 263.7, 0.8%, 0.51%

LAB 37.65, 71.28, -84.65

 

CMYK 76 / 87 / 0 / 10

HEX #371EE6

RGB 55 30 230

HSL 247.5, 0.8%, 0.51%

LAB 32.82, 67.5, -92.81

 

CMYK 87 / 87 / 0 / 10

HEX #1E1EE6

RGB 30 30 230

HSL 240, 0.8%, 0.51%

LAB 31.62, 66.63, -94.84

 

CMYK 6 / 87 / 0 / 10

HEX #D91EE6

RGB 217 30 230

HSL 296.1, 0.8%, 0.51%

LAB 53.38, 85.87, -58.34

 

CMYK 6 / 96 / 0 / 2

HEX #EB0AFA

RGB 235 10 250

HSL 296.25, 0.96%, 0.51%

LAB 56.86, 93.89, -63.8

 

CMYK 6 / 87 / 0 / 10

HEX #D91EE6

RGB 217 30 230

HSL 296.1, 0.8%, 0.51%

LAB 53.38, 85.87, -58.34

 

CMYK 5 / 76 / 0 / 18

HEX #C832D2

RGB 200 50 210

HSL 296.25, 0.64%, 0.51%

LAB 50.94, 75.22, -51.03

 

CMYK 4 / 63 / 0 / 25

HEX #B647BE

RGB 182 71 190

HSL 295.97, 0.48%, 0.51%

LAB 49.7, 60.38, -41.63

 

CMYK 3 / 46 / 0 / 34

HEX #A45BA9

RGB 164 91 169

HSL 296.15, 0.31%, 0.51%

LAB 49.79, 41.9, -29.43

 

CMYK 1 / 26 / 0 / 42

HEX #936F95

RGB 147 111 149

HSL 296.84, 0.15%, 0.51%

LAB 51.54, 21.08, -15.15

 

CMYK 52 / 87 / 0 / 10

HEX #6E1EE6

RGB 110 30 230

HSL 264, 0.8%, 0.51%

LAB 37.76, 71.38, -84.46

 

CMYK 29 / 87 / 0 / 10

HEX #A31EE6

RGB 163 30 230

HSL 279.9, 0.8%, 0.51%

LAB 44.84, 77.62, -72.57

 

CMYK 6 / 87 / 0 / 10

HEX #D91EE6

RGB 217 30 230

HSL 296.1, 0.8%, 0.51%

LAB 53.38, 85.87, -58.34

 

CMYK 0 / 87 / 17 / 10

HEX #E61EBE

RGB 230 30 190

HSL 312, 0.8%, 0.51%

LAB 53.46, 82.62, -35.18

 

CMYK 0 / 87 / 40 / 10

HEX #E61E89

RGB 230 30 137

HSL 327.9, 0.8%, 0.51%

LAB 51.33, 76.86, -7.12

 

CMYK 6 / 89 / 0 / 37

HEX #9712A0

RGB 151 18 160

HSL 296.2, 0.8%, 0.35%

LAB 37.02, 65.46, -44.38

 

CMYK 6 / 89 / 0 / 23

HEX #BA16C5

RGB 186 22 197

HSL 296.23, 0.8%, 0.43%

LAB 45.69, 76.82, -52.05

 

CMYK 6 / 87 / 0 / 10

HEX #D91EE6

RGB 217 30 230

HSL 296.1, 0.8%, 0.51%

LAB 53.38, 85.87, -58.34

 

CMYK 5 / 71 / 0 / 8

HEX #DF43EA

RGB 223 67 234

HSL 296.05, 0.8%, 0.59%

LAB 57.7, 78.54, -53.63

 

CMYK 3 / 56 / 0 / 7

HEX #E668EE

RGB 230 104 238

HSL 296.42, 0.8%, 0.67%

LAB 64.08, 66.42, -45.69

 

CMYK 6 / 88 / 0 / 10

HEX #D91CE6

RGB 217 28 230

HSL 296.14, 0.8%, 0.51%

LAB 53.27, 86.18, -58.51

 

CMYK 0 / 75 / 87 / 10

HEX #E6391E

RGB 230 57 30

HSL 8.1, 0.8%, 0.51%

LAB 51.66, 64.45, 54.62

 

CMYK 87 / 0 / 40 / 10

HEX #1EE689

RGB 30 230 137

HSL 152.1, 0.8%, 0.51%

LAB 81.11, -65.94, 32.78

 

CMYK 6 / 88 / 0 / 10

HEX #D91CE6

RGB 217 28 230

HSL 296.14, 0.8%, 0.51%

LAB 53.27, 86.18, -58.51

 

CMYK 0 / 6 / 87 / 10

HEX #E6D91E

RGB 230 217 30

HSL 56.1, 0.8%, 0.51%

LAB 85.27, -13.2, 81.37

 

CMYK 87 / 0 / 6 / 10

HEX #1EE6D9

RGB 30 230 217

HSL 176.1, 0.8%, 0.51%

LAB 82.85, -47.19, -6.52

 

CMYK 6 / 88 / 0 / 10

HEX #D91CE6

RGB 217 28 230

HSL 296.14, 0.8%, 0.51%

LAB 53.27, 86.18, -58.51

 

CMYK 0 / 75 / 87 / 10

HEX #E6391E

RGB 230 57 30

HSL 8.1, 0.8%, 0.51%

LAB 51.66, 64.45, 54.62

 

CMYK 81 / 0 / 87 / 10

HEX #2BE61E

RGB 43 230 30

HSL 116.1, 0.8%, 0.51%

LAB 80.29, -76.42, 73.69

 

CMYK 87 / 12 / 0 / 10

HEX #1ECBE6

RGB 30 203 230

HSL 188.1, 0.8%, 0.51%

LAB 75.26, -31.04, -24.87

 

CMYK 6 / 88 / 0 / 10

HEX #D91CE6

RGB 217 28 230

HSL 296.14, 0.8%, 0.51%

LAB 53.27, 86.18, -58.51

 

CMYK 0 / 49 / 87 / 10

HEX #E6751E

RGB 230 117 30

HSL 26.1, 0.8%, 0.51%

LAB 61.34, 38.9, 62.3

 

CMYK 81 / 0 / 87 / 10

HEX #2BE61E

RGB 43 230 30

HSL 116.1, 0.8%, 0.51%

LAB 80.29, -76.42, 73.69

 

CMYK 87 / 38 / 0 / 10

HEX #1E8FE6

RGB 30 143 230

HSL 206.1, 0.8%, 0.51%

LAB 57.69, 1.2, -52.3

 

Description

Color code: HEX #D91CE6 | qconv.com Color code: HEX #D91CE6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 28 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 28 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 88 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 88% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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