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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D91971 it is the complementary color #26E68E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D91971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D91971 shade: #DE196C, #EF2B7F, #FF3D92, #FF4FA5 and #FF61B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D91971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D91971 shade: #D91971, #C8075E, #B7004B, #A60038 and #950025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D91971 shade: #D71970, #D7193D and #D71919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D91971 shade: #D71970, #D719A3, #D719D6, #A419D7 and #7119D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D91971 shade matches the following richer shades: #D71970 and #EA066E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D91971 shade: #D71970, #C32D72, #B04073, #9C5375 and #896776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D91971 shade: #D719D7, #D719A4, #D71972, #D7193F and #D72619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D91971 shade: #8D1149, #B2155D, #D71970, #E73285 and #EB579B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D91971 shade: #D91971, #D7A419 and #19BDD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D91971 shade: #D91971, #72D719 and #1972D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D91971 shade: #D91971, #D7A419, #19D77E and #194CD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D91971 shade: #D91971, #D0D719, #19D77E and #1F19D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 48 / 15

HEX #D91971

RGB 217 25 113

HSL 332.5, 0.79%, 0.47%

LAB 47.8, 72.62, 1.99

 

Complementary color

CMYK 83 / 0 / 38 / 10

HEX #26E68E

RGB 38 230 142

HSL 152.5, 0.79%, 0.53%

LAB 81.27, -64.4, 30.47

 

CMYK 0 / 89 / 51 / 13

HEX #DE196C

RGB 222 25 108

HSL 334.72, 0.8%, 0.48%

LAB 48.65, 73.41, 6.4

 

CMYK 0 / 82 / 47 / 6

HEX #EF2B7F

RGB 239 43 127

HSL 334.29, 0.86%, 0.55%

LAB 53.61, 75.55, 2.44

 

CMYK 0 / 76 / 43 / 0

HEX #FF3D92

RGB 255 61 146

HSL 333.71, 1%, 0.62%

LAB 58.67, 76.59, -1.12

 

CMYK 0 / 69 / 35 / 0

HEX #FF4FA5

RGB 255 79 165

HSL 330.68, 1%, 0.65%

LAB 61.28, 72.74, -8.34

 

CMYK 0 / 62 / 28 / 0

HEX #FF61B8

RGB 255 97 184

HSL 326.96, 1%, 0.69%

LAB 64.38, 68.08, -14.59

 

CMYK 0 / 88 / 48 / 15

HEX #D91971

RGB 217 25 113

HSL 332.5, 0.79%, 0.47%

LAB 47.8, 72.62, 1.99

 

CMYK 0 / 97 / 53 / 22

HEX #C8075E

RGB 200 7 94

HSL 332.95, 0.93%, 0.41%

LAB 43.12, 69.39, 6.64

 

CMYK 0 / 100 / 59 / 28

HEX #B7004B

RGB 183 0 75

HSL 335.41, 1%, 0.36%

LAB 38.86, 64.85, 12.23

 

CMYK 0 / 100 / 66 / 35

HEX #A60038

RGB 166 0 56

HSL 339.76, 1%, 0.33%

LAB 34.79, 59.67, 18.44

 

CMYK 0 / 100 / 75 / 42

HEX #950025

RGB 149 0 37

HSL 345.1, 1%, 0.29%

LAB 30.7, 54.53, 24.92

 

CMYK 0 / 88 / 48 / 16

HEX #D71970

RGB 215 25 112

HSL 332.53, 0.79%, 0.47%

LAB 47.38, 72.07, 1.95

 

CMYK 0 / 88 / 72 / 16

HEX #D7193D

RGB 215 25 61

HSL 348.63, 0.79%, 0.47%

LAB 46.28, 68.97, 31.86

 

CMYK 0 / 88 / 88 / 16

HEX #D71919

RGB 215 25 25

HSL 0, 0.79%, 0.47%

LAB 45.92, 67.93, 51.07

 

CMYK 0 / 88 / 48 / 16

HEX #D71970

RGB 215 25 112

HSL 332.53, 0.79%, 0.47%

LAB 47.38, 72.07, 1.95

 

CMYK 0 / 88 / 24 / 16

HEX #D719A3

RGB 215 25 163

HSL 316.42, 0.79%, 0.47%

LAB 49.24, 77.13, -26.13

 

CMYK 0 / 88 / 0 / 16

HEX #D719D6

RGB 215 25 214

HSL 300.32, 0.79%, 0.47%

LAB 51.83, 83.89, -51.74

 

CMYK 24 / 88 / 0 / 16

HEX #A419D7

RGB 164 25 215

HSL 283.89, 0.79%, 0.47%

LAB 43.5, 75.93, -66.18

 

CMYK 47 / 88 / 0 / 16

HEX #7119D7

RGB 113 25 215

HSL 267.79, 0.79%, 0.47%

LAB 36.2, 69.51, -78.42

 

CMYK 0 / 88 / 48 / 16

HEX #D71970

RGB 215 25 112

HSL 332.53, 0.79%, 0.47%

LAB 47.38, 72.07, 1.95

 

CMYK 0 / 97 / 53 / 8

HEX #EA066E

RGB 234 6 110

HSL 332.63, 0.95%, 0.47%

LAB 50.39, 78.29, 7.99

 

CMYK 0 / 88 / 48 / 16

HEX #D71970

RGB 215 25 112

HSL 332.53, 0.79%, 0.47%

LAB 47.38, 72.07, 1.95

 

CMYK 0 / 77 / 42 / 24

HEX #C32D72

RGB 195 45 114

HSL 332.4, 0.63%, 0.47%

LAB 45.21, 62.72, -2.91

 

CMYK 0 / 64 / 35 / 31

HEX #B04073

RGB 176 64 115

HSL 332.68, 0.47%, 0.47%

LAB 44.43, 50.36, -5.06

 

CMYK 0 / 47 / 25 / 39

HEX #9C5375

RGB 156 83 117

HSL 332.05, 0.31%, 0.47%

LAB 45, 34.55, -5.77

 

CMYK 0 / 25 / 14 / 46

HEX #896776

RGB 137 103 118

HSL 333.53, 0.14%, 0.47%

LAB 47.4, 16.16, -3.07

 

CMYK 0 / 88 / 0 / 16

HEX #D719D7

RGB 215 25 215

HSL 300, 0.79%, 0.47%

LAB 51.89, 84.04, -52.22

 

CMYK 0 / 88 / 24 / 16

HEX #D719A4

RGB 215 25 164

HSL 316.11, 0.79%, 0.47%

LAB 49.28, 77.25, -26.65

 

CMYK 0 / 88 / 47 / 16

HEX #D71972

RGB 215 25 114

HSL 331.89, 0.79%, 0.47%

LAB 47.44, 72.23, 0.8

 

CMYK 0 / 88 / 71 / 16

HEX #D7193F

RGB 215 25 63

HSL 348, 0.79%, 0.47%

LAB 46.31, 69.05, 30.69

 

CMYK 0 / 82 / 88 / 16

HEX #D72619

RGB 215 38 25

HSL 4.11, 0.79%, 0.47%

LAB 46.85, 65.3, 51.77

 

CMYK 0 / 88 / 48 / 45

HEX #8D1149

RGB 141 17 73

HSL 332.9, 0.78%, 0.31%

LAB 30.75, 52.01, 0.81

 

CMYK 0 / 88 / 48 / 30

HEX #B2155D

RGB 178 21 93

HSL 332.48, 0.79%, 0.39%

LAB 39.23, 62.31, 1.09

 

CMYK 0 / 88 / 48 / 16

HEX #D71970

RGB 215 25 112

HSL 332.53, 0.79%, 0.47%

LAB 47.38, 72.07, 1.95

 

CMYK 0 / 78 / 42 / 9

HEX #E73285

RGB 231 50 133

HSL 332.49, 0.79%, 0.55%

LAB 52.91, 72.38, -2.37

 

CMYK 0 / 63 / 34 / 8

HEX #EB579B

RGB 235 87 155

HSL 332.43, 0.79%, 0.63%

LAB 58.83, 63.03, -6.53

 

CMYK 0 / 88 / 48 / 15

HEX #D91971

RGB 217 25 113

HSL 332.5, 0.79%, 0.47%

LAB 47.8, 72.62, 1.99

 

CMYK 0 / 24 / 88 / 16

HEX #D7A419

RGB 215 164 25

HSL 43.89, 0.79%, 0.47%

LAB 70.22, 7.59, 69.86

 

CMYK 88 / 12 / 0 / 16

HEX #19BDD7

RGB 25 189 215

HSL 188.21, 0.79%, 0.47%

LAB 70.53, -29.31, -23.98

 

CMYK 0 / 88 / 48 / 15

HEX #D91971

RGB 217 25 113

HSL 332.5, 0.79%, 0.47%

LAB 47.8, 72.62, 1.99

 

CMYK 47 / 0 / 88 / 16

HEX #72D719

RGB 114 215 25

HSL 91.89, 0.79%, 0.47%

LAB 77.43, -57.01, 72.85

 

CMYK 88 / 47 / 0 / 16

HEX #1972D7

RGB 25 114 215

HSL 211.89, 0.79%, 0.47%

LAB 48.45, 12.94, -58.67

 

CMYK 0 / 88 / 48 / 15

HEX #D91971

RGB 217 25 113

HSL 332.5, 0.79%, 0.47%

LAB 47.8, 72.62, 1.99

 

CMYK 0 / 24 / 88 / 16

HEX #D7A419

RGB 215 164 25

HSL 43.89, 0.79%, 0.47%

LAB 70.22, 7.59, 69.86

 

CMYK 88 / 0 / 41 / 16

HEX #19D77E

RGB 25 215 126

HSL 151.89, 0.79%, 0.47%

LAB 76.26, -63.15, 31.96

 

CMYK 88 / 65 / 0 / 16

HEX #194CD7

RGB 25 76 215

HSL 223.89, 0.79%, 0.47%

LAB 38.34, 37.46, -75.11

 

CMYK 0 / 88 / 48 / 15

HEX #D91971

RGB 217 25 113

HSL 332.5, 0.79%, 0.47%

LAB 47.8, 72.62, 1.99

 

CMYK 3 / 0 / 88 / 16

HEX #D0D719

RGB 208 215 25

HSL 62.21, 0.79%, 0.47%

LAB 82.96, -21.6, 79.66

 

CMYK 88 / 0 / 41 / 16

HEX #19D77E

RGB 25 215 126

HSL 151.89, 0.79%, 0.47%

LAB 76.26, -63.15, 31.96

 

CMYK 86 / 88 / 0 / 16

HEX #1F19D7

RGB 31 25 215

HSL 241.89, 0.79%, 0.47%

LAB 29.14, 64.22, -90.34

 

Description

Color code: HEX #D91971 | qconv.com Color code: HEX #D91971 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 25 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 25 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 48 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 48% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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