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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D90ABF it is the complementary color #26F540. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D90ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D90ABF shade: #DE0ABA, #EF1CCD, #FF2EE0, #FF40F3 and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D90ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D90ABF shade: #D90ABF, #C800AC, #B70099, #A60086 and #950073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D90ABF shade: #DB0AC1, #DB0A89, #DB0A50, #DB0A18 and #DB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D90ABF shade: #DB0AC1, #BD0ADB, #850ADB, #4C0ADB and #140ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D90ABF shade matches the following richer shades: #DB0AC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D90ABF shade: #DB0AC1, #C91DB3, #B62FA5, #A34297 and #915589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D90ABF shade: #840ADB, #BC0ADB, #DB0AC3, #DB0A8B and #DB0A53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D90ABF shade: #8C077C, #B4089E, #DB0AC1, #F41BD9 and #F642DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D90ABF shade: #D90ABF, #DB4C0A and #0ADBA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D90ABF shade: #D90ABF, #C3DB0A and #0AC3DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D90ABF shade: #D90ABF, #DB4C0A, #0ADB23 and #0A99DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D90ABF shade: #D90ABF, #DB8B0A, #0ADB23 and #0A5ADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 12 / 15

HEX #D90ABF

RGB 217 10 191

HSL 307.54, 0.91%, 0.45%

LAB 50.37, 82.68, -40.78

 

Complementary color

CMYK 84 / 0 / 74 / 4

HEX #26F540

RGB 38 245 64

HSL 127.54, 0.91%, 0.55%

LAB 85.04, -79.28, 69.12

 

CMYK 0 / 95 / 16 / 13

HEX #DE0ABA

RGB 222 10 186

HSL 310.19, 0.91%, 0.45%

LAB 51.03, 82.94, -36.78

 

CMYK 0 / 88 / 14 / 6

HEX #EF1CCD

RGB 239 28 205

HSL 309.67, 0.87%, 0.52%

LAB 55.67, 86.54, -40.24

 

CMYK 0 / 82 / 12 / 0

HEX #FF2EE0

RGB 255 46 224

HSL 308.9, 1%, 0.59%

LAB 60.42, 88.93, -43.37

 

CMYK 0 / 75 / 5 / 0

HEX #FF40F3

RGB 255 64 243

HSL 303.77, 1%, 0.63%

LAB 62.84, 87.29, -50.17

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 95 / 12 / 15

HEX #D90ABF

RGB 217 10 191

HSL 307.54, 0.91%, 0.45%

LAB 50.37, 82.68, -40.78

 

CMYK 0 / 100 / 14 / 22

HEX #C800AC

RGB 200 0 172

HSL 308.4, 1%, 0.39%

LAB 45.99, 77.98, -36.76

 

CMYK 0 / 100 / 16 / 28

HEX #B70099

RGB 183 0 153

HSL 309.84, 1%, 0.36%

LAB 41.79, 72.43, -32.2

 

CMYK 0 / 100 / 19 / 35

HEX #A60086

RGB 166 0 134

HSL 311.57, 1%, 0.33%

LAB 37.53, 66.8, -27.49

 

CMYK 0 / 100 / 23 / 42

HEX #950073

RGB 149 0 115

HSL 313.69, 1%, 0.29%

LAB 33.19, 61.06, -22.61

 

CMYK 0 / 95 / 12 / 14

HEX #DB0AC1

RGB 219 10 193

HSL 307.46, 0.91%, 0.45%

LAB 50.84, 83.29, -41.19

 

CMYK 0 / 95 / 37 / 14

HEX #DB0A89

RGB 219 10 137

HSL 323.54, 0.91%, 0.45%

LAB 48.36, 76.93, -11.79

 

CMYK 0 / 95 / 63 / 14

HEX #DB0A50

RGB 219 10 80

HSL 339.9, 0.91%, 0.45%

LAB 46.79, 72.69, 21.04

 

CMYK 0 / 95 / 89 / 14

HEX #DB0A18

RGB 219 10 24

HSL 355.98, 0.91%, 0.45%

LAB 46.1, 70.81, 52.01

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 95 / 12 / 14

HEX #DB0AC1

RGB 219 10 193

HSL 307.46, 0.91%, 0.45%

LAB 50.84, 83.29, -41.19

 

CMYK 14 / 95 / 0 / 14

HEX #BD0ADB

RGB 189 10 219

HSL 291.39, 0.91%, 0.45%

LAB 47.17, 82.23, -62.33

 

CMYK 39 / 95 / 0 / 14

HEX #850ADB

RGB 133 10 219

HSL 275.31, 0.91%, 0.45%

LAB 38.41, 75.1, -77

 

CMYK 65 / 95 / 0 / 14

HEX #4C0ADB

RGB 76 10 219

HSL 258.95, 0.91%, 0.45%

LAB 31.5, 70.6, -88.64

 

CMYK 91 / 95 / 0 / 14

HEX #140ADB

RGB 20 10 219

HSL 242.87, 0.91%, 0.45%

LAB 28.06, 68.9, -94.47

 

CMYK 0 / 95 / 12 / 14

HEX #DB0AC1

RGB 219 10 193

HSL 307.46, 0.91%, 0.45%

LAB 50.84, 83.29, -41.19

 

CMYK 0 / 95 / 12 / 14

HEX #DB0AC1

RGB 219 10 193

HSL 307.46, 0.91%, 0.45%

LAB 50.84, 83.29, -41.19

 

CMYK 0 / 86 / 11 / 21

HEX #C91DB3

RGB 201 29 179

HSL 307.67, 0.75%, 0.45%

LAB 47.69, 75.7, -38.19

 

CMYK 0 / 74 / 9 / 29

HEX #B62FA5

RGB 182 47 165

HSL 307.56, 0.59%, 0.45%

LAB 45.21, 65.24, -34.03

 

CMYK 0 / 60 / 7 / 36

HEX #A34297

RGB 163 66 151

HSL 307.42, 0.42%, 0.45%

LAB 44.11, 50.82, -27.6

 

CMYK 0 / 41 / 6 / 43

HEX #915589

RGB 145 85 137

HSL 308, 0.26%, 0.45%

LAB 44.69, 32.99, -18.49

 

CMYK 40 / 95 / 0 / 14

HEX #840ADB

RGB 132 10 219

HSL 275.02, 0.91%, 0.45%

LAB 38.26, 74.99, -77.24

 

CMYK 14 / 95 / 0 / 14

HEX #BC0ADB

RGB 188 10 219

HSL 291.1, 0.91%, 0.45%

LAB 47, 82.09, -62.61

 

CMYK 0 / 95 / 11 / 14

HEX #DB0AC3

RGB 219 10 195

HSL 306.89, 0.91%, 0.45%

LAB 50.94, 83.56, -42.18

 

CMYK 0 / 95 / 37 / 14

HEX #DB0A8B

RGB 219 10 139

HSL 322.97, 0.91%, 0.45%

LAB 48.44, 77.13, -12.89

 

CMYK 0 / 95 / 62 / 14

HEX #DB0A53

RGB 219 10 83

HSL 339.04, 0.91%, 0.45%

LAB 46.85, 72.86, 19.26

 

CMYK 0 / 95 / 11 / 45

HEX #8C077C

RGB 140 7 124

HSL 307.22, 0.9%, 0.29%

LAB 32.22, 59.5, -29.96

 

CMYK 0 / 96 / 12 / 29

HEX #B4089E

RGB 180 8 158

HSL 307.67, 0.91%, 0.37%

LAB 41.76, 71.74, -35.31

 

CMYK 0 / 95 / 12 / 14

HEX #DB0AC1

RGB 219 10 193

HSL 307.46, 0.91%, 0.45%

LAB 50.84, 83.29, -41.19

 

CMYK 0 / 89 / 11 / 4

HEX #F41BD9

RGB 244 27 217

HSL 307.47, 0.91%, 0.53%

LAB 57.1, 89.14, -44.77

 

CMYK 0 / 73 / 9 / 4

HEX #F642DF

RGB 246 66 223

HSL 307.67, 0.91%, 0.61%

LAB 60.62, 81.99, -42.6

 

CMYK 0 / 95 / 12 / 15

HEX #D90ABF

RGB 217 10 191

HSL 307.54, 0.91%, 0.45%

LAB 50.37, 82.68, -40.78

 

CMYK 0 / 65 / 95 / 14

HEX #DB4C0A

RGB 219 76 10

HSL 18.95, 0.91%, 0.45%

LAB 52.12, 53.68, 60.47

 

CMYK 95 / 0 / 27 / 14

HEX #0ADBA0

RGB 10 219 160

HSL 163.06, 0.91%, 0.45%

LAB 78.03, -58.19, 16.69

 

CMYK 0 / 95 / 12 / 15

HEX #D90ABF

RGB 217 10 191

HSL 307.54, 0.91%, 0.45%

LAB 50.37, 82.68, -40.78

 

CMYK 11 / 0 / 95 / 14

HEX #C3DB0A

RGB 195 219 10

HSL 66.89, 0.91%, 0.45%

LAB 83.07, -29.13, 81.22

 

CMYK 95 / 11 / 0 / 14

HEX #0AC3DB

RGB 10 195 219

HSL 186.89, 0.91%, 0.45%

LAB 72.37, -31.52, -23.36

 

CMYK 0 / 95 / 12 / 15

HEX #D90ABF

RGB 217 10 191

HSL 307.54, 0.91%, 0.45%

LAB 50.37, 82.68, -40.78

 

CMYK 0 / 65 / 95 / 14

HEX #DB4C0A

RGB 219 76 10

HSL 18.95, 0.91%, 0.45%

LAB 52.12, 53.68, 60.47

 

CMYK 95 / 0 / 84 / 14

HEX #0ADB23

RGB 10 219 35

HSL 127.18, 0.91%, 0.45%

LAB 76.59, -75.51, 69.26

 

CMYK 95 / 30 / 0 / 14

HEX #0A99DB

RGB 10 153 219

HSL 198.95, 0.91%, 0.45%

LAB 59.85, -9.6, -42.76

 

CMYK 0 / 95 / 12 / 15

HEX #D90ABF

RGB 217 10 191

HSL 307.54, 0.91%, 0.45%

LAB 50.37, 82.68, -40.78

 

CMYK 0 / 37 / 95 / 14

HEX #DB8B0A

RGB 219 139 10

HSL 37.03, 0.91%, 0.45%

LAB 64.6, 22.53, 68.65

 

CMYK 95 / 0 / 84 / 14

HEX #0ADB23

RGB 10 219 35

HSL 127.18, 0.91%, 0.45%

LAB 76.59, -75.51, 69.26

 

CMYK 95 / 59 / 0 / 14

HEX #0A5ADB

RGB 10 90 219

HSL 217.03, 0.91%, 0.45%

LAB 41.99, 29.36, -71.44

 

Description

Color code: HEX #D90ABF | qconv.com Color code: HEX #D90ABF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 10 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 10 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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