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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9087E it is the complementary color #26F781. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9087E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9087E shade: #DE0879, #EF1A8C, #FF2C9F, #FF3EB2 and #FF50C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9087E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9087E shade: #D9087E, #C8006B, #B70058, #A60045 and #950032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9087E shade: #D9087E, #D90845, #D9080D and #D90808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9087E shade: #D9087E, #D908B6, #C308D9, #8B08D9 and #5208D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9087E shade matches the following richer shades: #D9087E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9087E shade: #D9087E, #C61A7B, #B42C79, #A23E77 and #905074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9087E shade: #C408D9, #D908B6, #D9087E, #D90846 and #D9080F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9087E shade: #89054F, #B10667, #D9087E, #F61394 and #F83BA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9087E shade: #D9087E, #D98C08 and #08D2D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9087E shade: #D9087E, #7ED908 and #087ED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9087E shade: #D9087E, #D98C08, #08D962 and #0854D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9087E shade: #D9087E, #D9CB08, #08D962 and #0816D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

Complementary color

CMYK 85 / 0 / 48 / 3

HEX #26F781

RGB 38 247 129

HSL 146.12, 0.93%, 0.56%

LAB 86.27, -72.38, 43.36

 

CMYK 0 / 96 / 45 / 13

HEX #DE0879

RGB 222 8 121

HSL 328.32, 0.93%, 0.45%

LAB 48.37, 76.32, -1.98

 

CMYK 0 / 89 / 41 / 6

HEX #EF1A8C

RGB 239 26 140

HSL 327.89, 0.87%, 0.52%

LAB 52.93, 79.75, -6.36

 

CMYK 0 / 83 / 38 / 0

HEX #FF2C9F

RGB 255 44 159

HSL 327.3, 1%, 0.59%

LAB 57.62, 81.94, -10.31

 

CMYK 0 / 76 / 30 / 0

HEX #FF3EB2

RGB 255 62 178

HSL 323.94, 1%, 0.62%

LAB 59.82, 79.5, -18.06

 

CMYK 0 / 69 / 23 / 0

HEX #FF50C5

RGB 255 80 197

HSL 319.89, 1%, 0.66%

LAB 62.53, 76.09, -24.8

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 100 / 47 / 22

HEX #C8006B

RGB 200 0 107

HSL 327.9, 1%, 0.39%

LAB 43.27, 71.05, -1.31

 

CMYK 0 / 100 / 52 / 28

HEX #B70058

RGB 183 0 88

HSL 331.15, 1%, 0.36%

LAB 39.19, 65.75, 4.36

 

CMYK 0 / 100 / 58 / 35

HEX #A60045

RGB 166 0 69

HSL 335.06, 1%, 0.33%

LAB 35.08, 60.45, 10.33

 

CMYK 0 / 100 / 66 / 42

HEX #950032

RGB 149 0 50

HSL 339.87, 1%, 0.29%

LAB 30.93, 55.15, 16.64

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 96 / 68 / 15

HEX #D90845

RGB 217 8 69

HSL 342.49, 0.93%, 0.44%

LAB 46.12, 71.84, 26.88

 

CMYK 0 / 96 / 94 / 15

HEX #D9080D

RGB 217 8 13

HSL 358.56, 0.93%, 0.44%

LAB 45.57, 70.34, 55.68

 

CMYK 0 / 96 / 96 / 15

HEX #D90808

RGB 217 8 8

HSL 0, 0.93%, 0.44%

LAB 45.56, 70.29, 57.15

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 96 / 16 / 15

HEX #D908B6

RGB 217 8 182

HSL 310.05, 0.93%, 0.44%

LAB 49.86, 81.68, -36.33

 

CMYK 10 / 96 / 0 / 15

HEX #C308D9

RGB 195 8 217

HSL 293.68, 0.93%, 0.44%

LAB 47.99, 82.97, -59.82

 

CMYK 36 / 96 / 0 / 15

HEX #8B08D9

RGB 139 8 217

HSL 277.61, 0.93%, 0.44%

LAB 39.02, 75.57, -74.8

 

CMYK 62 / 96 / 0 / 15

HEX #5208D9

RGB 82 8 217

HSL 261.24, 0.93%, 0.44%

LAB 31.76, 70.76, -87.05

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 87 / 38 / 22

HEX #C61A7B

RGB 198 26 123

HSL 326.16, 0.77%, 0.44%

LAB 44.48, 68.93, -9.48

 

CMYK 0 / 76 / 33 / 29

HEX #B42C79

RGB 180 44 121

HSL 326.03, 0.61%, 0.44%

LAB 42.59, 59.82, -11.44

 

CMYK 0 / 62 / 27 / 36

HEX #A23E77

RGB 162 62 119

HSL 325.8, 0.45%, 0.44%

LAB 41.94, 47.44, -11.49

 

CMYK 0 / 44 / 19 / 44

HEX #905074

RGB 144 80 116

HSL 326.25, 0.29%, 0.44%

LAB 42.65, 31.75, -8.83

 

CMYK 10 / 96 / 0 / 15

HEX #C408D9

RGB 196 8 217

HSL 293.97, 0.93%, 0.44%

LAB 48.16, 83.12, -59.53

 

CMYK 0 / 96 / 16 / 15

HEX #D908B6

RGB 217 8 182

HSL 310.05, 0.93%, 0.44%

LAB 49.86, 81.68, -36.33

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 96 / 68 / 15

HEX #D90846

RGB 217 8 70

HSL 342.2, 0.93%, 0.44%

LAB 46.13, 71.89, 26.29

 

CMYK 0 / 96 / 93 / 15

HEX #D9080F

RGB 217 8 15

HSL 357.99, 0.93%, 0.44%

LAB 45.58, 70.36, 55.01

 

CMYK 0 / 96 / 42 / 46

HEX #89054F

RGB 137 5 79

HSL 326.36, 0.93%, 0.28%

LAB 29.39, 53.66, -5.27

 

CMYK 0 / 97 / 42 / 31

HEX #B10667

RGB 177 6 103

HSL 325.96, 0.93%, 0.36%

LAB 38.65, 65, -6.15

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 92 / 40 / 4

HEX #F61394

RGB 246 19 148

HSL 325.9, 0.93%, 0.52%

LAB 54.24, 82.83, -9.05

 

CMYK 0 / 76 / 33 / 3

HEX #F83BA6

RGB 248 59 166

HSL 326.03, 0.93%, 0.6%

LAB 57.88, 77.37, -14.14

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 35 / 96 / 15

HEX #D98C08

RGB 217 140 8

HSL 37.89, 0.93%, 0.44%

LAB 64.58, 21.12, 68.8

 

CMYK 96 / 3 / 0 / 15

HEX #08D2D9

RGB 8 210 217

HSL 182.01, 0.93%, 0.44%

LAB 76.77, -39.22, -15.6

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 42 / 0 / 96 / 15

HEX #7ED908

RGB 126 217 8

HSL 86.12, 0.93%, 0.44%

LAB 78.51, -54.31, 76.13

 

CMYK 96 / 42 / 0 / 15

HEX #087ED9

RGB 8 126 217

HSL 206.12, 0.93%, 0.44%

LAB 51.82, 5.5, -54.4

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 35 / 96 / 15

HEX #D98C08

RGB 217 140 8

HSL 37.89, 0.93%, 0.44%

LAB 64.58, 21.12, 68.8

 

CMYK 96 / 0 / 55 / 15

HEX #08D962

RGB 8 217 98

HSL 145.84, 0.93%, 0.44%

LAB 76.41, -69.16, 45.86

 

CMYK 96 / 61 / 0 / 15

HEX #0854D9

RGB 8 84 217

HSL 218.18, 0.93%, 0.44%

LAB 40.25, 32.44, -73.14

 

CMYK 0 / 96 / 42 / 15

HEX #D9087E

RGB 217 8 126

HSL 326.12, 0.93%, 0.44%

LAB 47.54, 75.66, -6.37

 

CMYK 0 / 6 / 96 / 15

HEX #D9CB08

RGB 217 203 8

HSL 55.98, 0.93%, 0.44%

LAB 80.45, -12.06, 80.19

 

CMYK 96 / 0 / 55 / 15

HEX #08D962

RGB 8 217 98

HSL 145.84, 0.93%, 0.44%

LAB 76.41, -69.16, 45.86

 

CMYK 96 / 90 / 0 / 15

HEX #0816D9

RGB 8 22 217

HSL 235.98, 0.93%, 0.44%

LAB 28.47, 65.34, -92.63

 

Description

Color code: HEX #D9087E | qconv.com Color code: HEX #D9087E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 8 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 8 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 42 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 42% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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