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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8F7C9 it is the complementary color #270836. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8F7C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8F7C9 shade: #DDF7C4, #EEFFD7, #FFFFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8F7C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8F7C9 shade: #D8F7C9, #C7E5B6, #B6D3A3, #A5C190 and #94AF7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8F7C9 shade: #D9F7CA, #E5F7CA, #F1F7CA, #F7F1CA and #F7E5CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8F7C9 shade: #D9F7CA, #CCF7CA, #CAF7D3, #CAF7E0 and #CAF7EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8F7C9 shade matches the following richer shades: #D9F7CA and #D7FCC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8F7C9 shade: #D9F7CA, #DAF2CF, #DCEDD4, #DEE8D9 and #DFE3DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8F7C9 shade: #F1F7CA, #E5F7CA, #D9F7CA, #CDF7CA and #CAF7D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8F7C9 shade: #A5EC82, #BFF2A6, #D9F7CA, #F2FCEE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8F7C9 shade: #D8F7C9, #CAF7F1 and #F7CAEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8F7C9 shade: #D8F7C9, #CAD9F7 and #F7CAD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8F7C9 shade: #D8F7C9, #CAF7F1, #E8CAF7 and #F7CAD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8F7C9 shade: #D8F7C9, #CAEFF7, #E8CAF7 and #F7D1CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 19 / 3

HEX #D8F7C9

RGB 216 247 201

HSL 100.43, 0.74%, 0.88%

LAB 94.03, -18.21, 18.81

 

Complementary color

CMYK 28 / 85 / 0 / 79

HEX #270836

RGB 39 8 54

HSL 280.43, 0.74%, 0.12%

LAB 7.87, 24.97, -22.88

 

CMYK 11 / 0 / 21 / 3

HEX #DDF7C4

RGB 221 247 196

HSL 90.59, 0.76%, 0.87%

LAB 94.26, -17.28, 21.74

 

CMYK 7 / 0 / 16 / 0

HEX #EEFFD7

RGB 238 255 215

HSL 85.5, 1%, 0.92%

LAB 97.87, -12.38, 17.26

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 13 / 0 / 19 / 3

HEX #D8F7C9

RGB 216 247 201

HSL 100.43, 0.74%, 0.88%

LAB 94.03, -18.21, 18.81

 

CMYK 13 / 0 / 21 / 10

HEX #C7E5B6

RGB 199 229 182

HSL 98.3, 0.47%, 0.81%

LAB 87.76, -18.27, 19.7

 

CMYK 14 / 0 / 23 / 17

HEX #B6D3A3

RGB 182 211 163

HSL 96.25, 0.35%, 0.73%

LAB 81.39, -18.33, 20.63

 

CMYK 15 / 0 / 25 / 24

HEX #A5C190

RGB 165 193 144

HSL 94.29, 0.28%, 0.66%

LAB 74.92, -18.39, 21.62

 

CMYK 15 / 0 / 29 / 31

HEX #94AF7D

RGB 148 175 125

HSL 92.4, 0.24%, 0.59%

LAB 68.34, -18.46, 22.66

 

CMYK 12 / 0 / 18 / 3

HEX #D9F7CA

RGB 217 247 202

HSL 100, 0.74%, 0.88%

LAB 94.11, -17.71, 18.43

 

CMYK 7 / 0 / 18 / 3

HEX #E5F7CA

RGB 229 247 202

HSL 84, 0.74%, 0.88%

LAB 94.93, -13.57, 19.68

 

CMYK 2 / 0 / 18 / 3

HEX #F1F7CA

RGB 241 247 202

HSL 68, 0.74%, 0.88%

LAB 95.78, -9.35, 21.01

 

CMYK 0 / 2 / 18 / 3

HEX #F7F1CA

RGB 247 241 202

HSL 52, 0.74%, 0.88%

LAB 94.72, -4.21, 19.59

 

CMYK 0 / 7 / 18 / 3

HEX #F7E5CA

RGB 247 229 202

HSL 36, 0.74%, 0.88%

LAB 91.72, 1.88, 15.38

 

CMYK 12 / 0 / 18 / 3

HEX #D9F7CA

RGB 217 247 202

HSL 100, 0.74%, 0.88%

LAB 94.11, -17.71, 18.43

 

CMYK 17 / 0 / 18 / 3

HEX #CCF7CA

RGB 204 247 202

HSL 117.33, 0.74%, 0.88%

LAB 93.29, -22.07, 17.14

 

CMYK 18 / 0 / 15 / 3

HEX #CAF7D3

RGB 202 247 211

HSL 132, 0.74%, 0.88%

LAB 93.36, -21.17, 12.59

 

CMYK 18 / 0 / 9 / 3

HEX #CAF7E0

RGB 202 247 224

HSL 149.33, 0.74%, 0.88%

LAB 93.65, -18.8, 6.3

 

CMYK 18 / 0 / 4 / 3

HEX #CAF7EC

RGB 202 247 236

HSL 165.33, 0.74%, 0.88%

LAB 93.94, -16.5, 0.51

 

CMYK 12 / 0 / 18 / 3

HEX #D9F7CA

RGB 217 247 202

HSL 100, 0.74%, 0.88%

LAB 94.11, -17.71, 18.43

 

CMYK 15 / 0 / 22 / 1

HEX #D7FCC5

RGB 215 252 197

HSL 100.36, 0.9%, 0.88%

LAB 95.2, -21.61, 22.48

 

CMYK 12 / 0 / 18 / 3

HEX #D9F7CA

RGB 217 247 202

HSL 100, 0.74%, 0.88%

LAB 94.11, -17.71, 18.43

 

CMYK 10 / 0 / 14 / 5

HEX #DAF2CF

RGB 218 242 207

HSL 101.14, 0.57%, 0.88%

LAB 92.98, -14.09, 14.26

 

CMYK 7 / 0 / 11 / 7

HEX #DCEDD4

RGB 220 237 212

HSL 100.8, 0.41%, 0.88%

LAB 91.93, -10.07, 10.19

 

CMYK 4 / 0 / 6 / 9

HEX #DEE8D9

RGB 222 232 217

HSL 100, 0.25%, 0.88%

LAB 90.9, -6.01, 6.13

 

CMYK 2 / 0 / 2 / 11

HEX #DFE3DE

RGB 223 227 222

HSL 108, 0.08%, 0.88%

LAB 89.81, -2.24, 1.96

 

CMYK 2 / 0 / 18 / 3

HEX #F1F7CA

RGB 241 247 202

HSL 68, 0.74%, 0.88%

LAB 95.78, -9.35, 21.01

 

CMYK 7 / 0 / 18 / 3

HEX #E5F7CA

RGB 229 247 202

HSL 84, 0.74%, 0.88%

LAB 94.93, -13.57, 19.68

 

CMYK 12 / 0 / 18 / 3

HEX #D9F7CA

RGB 217 247 202

HSL 100, 0.74%, 0.88%

LAB 94.11, -17.71, 18.43

 

CMYK 17 / 0 / 18 / 3

HEX #CDF7CA

RGB 205 247 202

HSL 116, 0.74%, 0.88%

LAB 93.35, -21.74, 17.24

 

CMYK 18 / 0 / 15 / 3

HEX #CAF7D3

RGB 202 247 211

HSL 132, 0.74%, 0.88%

LAB 93.36, -21.17, 12.59

 

CMYK 30 / 0 / 45 / 7

HEX #A5EC82

RGB 165 236 130

HSL 100.19, 0.74%, 0.72%

LAB 86.8, -40.72, 44.35

 

CMYK 21 / 0 / 31 / 5

HEX #BFF2A6

RGB 191 242 166

HSL 100.26, 0.75%, 0.8%

LAB 90.48, -29.74, 31.54

 

CMYK 12 / 0 / 18 / 3

HEX #D9F7CA

RGB 217 247 202

HSL 100, 0.74%, 0.88%

LAB 94.11, -17.71, 18.43

 

CMYK 4 / 0 / 6 / 1

HEX #F2FCEE

RGB 242 252 238

HSL 102.86, 0.7%, 0.96%

LAB 97.9, -5.74, 5.55

 

CMYK 13 / 0 / 19 / 3

HEX #D8F7C9

RGB 216 247 201

HSL 100.43, 0.74%, 0.88%

LAB 94.03, -18.21, 18.81

 

CMYK 18 / 0 / 2 / 3

HEX #CAF7F1

RGB 202 247 241

HSL 172, 0.74%, 0.88%

LAB 94.07, -15.5, -1.9

 

CMYK 0 / 18 / 5 / 3

HEX #F7CAEB

RGB 247 202 235

HSL 316, 0.74%, 0.88%

LAB 86.01, 21.24, -10.27

 

CMYK 13 / 0 / 19 / 3

HEX #D8F7C9

RGB 216 247 201

HSL 100.43, 0.74%, 0.88%

LAB 94.03, -18.21, 18.81

 

CMYK 18 / 12 / 0 / 3

HEX #CAD9F7

RGB 202 217 247

HSL 220, 0.74%, 0.88%

LAB 86.45, 1.06, -16.34

 

CMYK 0 / 18 / 12 / 3

HEX #F7CAD9

RGB 247 202 217

HSL 340, 0.74%, 0.88%

LAB 85.52, 18.23, -1.43

 

CMYK 13 / 0 / 19 / 3

HEX #D8F7C9

RGB 216 247 201

HSL 100.43, 0.74%, 0.88%

LAB 94.03, -18.21, 18.81

 

CMYK 18 / 0 / 2 / 3

HEX #CAF7F1

RGB 202 247 241

HSL 172, 0.74%, 0.88%

LAB 94.07, -15.5, -1.9

 

CMYK 6 / 18 / 0 / 3

HEX #E8CAF7

RGB 232 202 247

HSL 280, 0.74%, 0.88%

LAB 85.05, 18.5, -18.21

 

CMYK 0 / 18 / 16 / 3

HEX #F7CAD0

RGB 247 202 208

HSL 352, 0.74%, 0.88%

LAB 85.29, 16.8, 3.02

 

CMYK 13 / 0 / 19 / 3

HEX #D8F7C9

RGB 216 247 201

HSL 100.43, 0.74%, 0.88%

LAB 94.03, -18.21, 18.81

 

CMYK 18 / 3 / 0 / 3

HEX #CAEFF7

RGB 202 239 247

HSL 190.67, 0.74%, 0.88%

LAB 92.13, -10.28, -7.86

 

CMYK 6 / 18 / 0 / 3

HEX #E8CAF7

RGB 232 202 247

HSL 280, 0.74%, 0.88%

LAB 85.05, 18.5, -18.21

 

CMYK 0 / 15 / 18 / 3

HEX #F7D1CA

RGB 247 209 202

HSL 9.33, 0.74%, 0.88%

LAB 86.82, 12.22, 8.41

 

Description

Color code: HEX #D8F7C9 | qconv.com Color code: HEX #D8F7C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 247 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 247 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 19 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 19% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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