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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8F142 it is the complementary color #270EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8F142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8F142 shade: #DDF13D, #EEFF50, #FFFF63, #FFFF76 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8F142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8F142 shade: #D8F142, #C7DF2F, #B6CD1C, #A5BB09 and #94A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8F142 shade: #D8F141, #F1DA41, #F1AB41, #F17C41 and #F14D41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8F142 shade: #D8F141, #A8F141, #79F141, #4AF141 and #41F168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8F142 shade matches the following richer shades: #D8F141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8F142 shade: #D8F141, #CCE052, #C0D062, #B4BF73 and #A9AF83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8F142 shade: #F1AB41, #F1D941, #D9F141, #ABF141 and #7CF141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8F142 shade: #B4D010, #D0EE1B, #D8F141, #E0F468 and #E8F68E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8F142 shade: #D8F142, #41F17C and #C241F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8F142 shade: #D8F142, #41D9F1 and #F141D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8F142 shade: #D8F142, #41F17C, #5941F1 and #F141B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8F142 shade: #D8F142, #41F1B0, #5941F1 and #F14182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 73 / 5

HEX #D8F142

RGB 216 241 66

HSL 68.57, 0.86%, 0.6%

LAB 90.74, -29.35, 76.36

 

Complementary color

CMYK 79 / 93 / 0 / 26

HEX #270EBD

RGB 39 14 189

HSL 248.57, 0.86%, 0.4%

LAB 25.01, 60.66, -81.99

 

CMYK 8 / 0 / 75 / 5

HEX #DDF13D

RGB 221 241 61

HSL 66.67, 0.87%, 0.59%

LAB 91.06, -27.57, 78.36

 

CMYK 7 / 0 / 69 / 0

HEX #EEFF50

RGB 238 255 80

HSL 65.83, 1%, 0.66%

LAB 96.11, -26.46, 77.39

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 10 / 0 / 73 / 5

HEX #D8F142

RGB 216 241 66

HSL 68.57, 0.86%, 0.6%

LAB 90.74, -29.35, 76.36

 

CMYK 11 / 0 / 79 / 13

HEX #C7DF2F

RGB 199 223 47

HSL 68.18, 0.73%, 0.53%

LAB 84.55, -28.55, 75.9

 

CMYK 11 / 0 / 86 / 20

HEX #B6CD1C

RGB 182 205 28

HSL 67.8, 0.76%, 0.46%

LAB 78.28, -27.58, 74.53

 

CMYK 12 / 0 / 95 / 27

HEX #A5BB09

RGB 165 187 9

HSL 67.42, 0.91%, 0.38%

LAB 71.93, -26.41, 71.84

 

CMYK 12 / 0 / 100 / 34

HEX #94A900

RGB 148 169 0

HSL 67.46, 1%, 0.33%

LAB 65.49, -25.03, 67.48

 

CMYK 10 / 0 / 73 / 5

HEX #D8F141

RGB 216 241 65

HSL 68.52, 0.86%, 0.6%

LAB 90.73, -29.4, 76.67

 

CMYK 0 / 10 / 73 / 5

HEX #F1DA41

RGB 241 218 65

HSL 52.16, 0.86%, 0.6%

LAB 86.62, -7.98, 73.45

 

CMYK 0 / 29 / 73 / 5

HEX #F1AB41

RGB 241 171 65

HSL 36.14, 0.86%, 0.6%

LAB 74.96, 16.34, 62.07

 

CMYK 0 / 49 / 73 / 5

HEX #F17C41

RGB 241 124 65

HSL 20.11, 0.86%, 0.6%

LAB 64.56, 40.82, 51.38

 

CMYK 0 / 68 / 73 / 5

HEX #F14D41

RGB 241 77 65

HSL 4.09, 0.86%, 0.6%

LAB 56.48, 61.93, 42.59

 

CMYK 10 / 0 / 73 / 5

HEX #D8F141

RGB 216 241 65

HSL 68.52, 0.86%, 0.6%

LAB 90.73, -29.4, 76.67

 

CMYK 30 / 0 / 73 / 5

HEX #A8F141

RGB 168 241 65

HSL 84.89, 0.86%, 0.6%

LAB 87.78, -47.64, 72.82

 

CMYK 50 / 0 / 73 / 5

HEX #79F141

RGB 121 241 65

HSL 100.91, 0.86%, 0.6%

LAB 85.68, -62.68, 70.05

 

CMYK 69 / 0 / 73 / 5

HEX #4AF141

RGB 74 241 65

HSL 116.93, 0.86%, 0.6%

LAB 84.35, -73.38, 68.28

 

CMYK 73 / 0 / 57 / 5

HEX #41F168

RGB 65 241 104

HSL 133.3, 0.86%, 0.6%

LAB 84.5, -70.98, 52.89

 

CMYK 10 / 0 / 73 / 5

HEX #D8F141

RGB 216 241 65

HSL 68.52, 0.86%, 0.6%

LAB 90.73, -29.4, 76.67

 

CMYK 10 / 0 / 73 / 5

HEX #D8F141

RGB 216 241 65

HSL 68.52, 0.86%, 0.6%

LAB 90.73, -29.4, 76.67

 

CMYK 9 / 0 / 63 / 12

HEX #CCE052

RGB 204 224 82

HSL 68.45, 0.7%, 0.6%

LAB 85.38, -25.24, 64.89

 

CMYK 8 / 0 / 53 / 18

HEX #C0D062

RGB 192 208 98

HSL 68.73, 0.54%, 0.6%

LAB 80.29, -21.07, 52.06

 

CMYK 6 / 0 / 40 / 25

HEX #B4BF73

RGB 180 191 115

HSL 68.68, 0.37%, 0.6%

LAB 74.95, -15.64, 37.04

 

CMYK 3 / 0 / 25 / 31

HEX #A9AF83

RGB 169 175 131

HSL 68.18, 0.22%, 0.6%

LAB 69.99, -9.59, 21.91

 

CMYK 0 / 29 / 73 / 5

HEX #F1AB41

RGB 241 171 65

HSL 36.14, 0.86%, 0.6%

LAB 74.96, 16.34, 62.07

 

CMYK 0 / 10 / 73 / 5

HEX #F1D941

RGB 241 217 65

HSL 51.82, 0.86%, 0.6%

LAB 86.36, -7.47, 73.2

 

CMYK 10 / 0 / 73 / 5

HEX #D9F141

RGB 217 241 65

HSL 68.18, 0.86%, 0.6%

LAB 90.8, -29, 76.76

 

CMYK 29 / 0 / 73 / 5

HEX #ABF141

RGB 171 241 65

HSL 83.86, 0.86%, 0.6%

LAB 87.94, -46.56, 73.03

 

CMYK 49 / 0 / 73 / 5

HEX #7CF141

RGB 124 241 65

HSL 99.89, 0.86%, 0.6%

LAB 85.79, -61.84, 70.19

 

CMYK 13 / 0 / 92 / 18

HEX #B4D010

RGB 180 208 16

HSL 68.75, 0.86%, 0.44%

LAB 78.96, -30.06, 76.95

 

CMYK 13 / 0 / 89 / 7

HEX #D0EE1B

RGB 208 238 27

HSL 68.53, 0.86%, 0.52%

LAB 89.22, -32.43, 84.34

 

CMYK 10 / 0 / 73 / 5

HEX #D8F141

RGB 216 241 65

HSL 68.52, 0.86%, 0.6%

LAB 90.73, -29.4, 76.67

 

CMYK 8 / 0 / 57 / 4

HEX #E0F468

RGB 224 244 104

HSL 68.57, 0.86%, 0.68%

LAB 92.38, -25.29, 63.77

 

CMYK 6 / 0 / 42 / 4

HEX #E8F68E

RGB 232 246 142

HSL 68.08, 0.85%, 0.76%

LAB 93.89, -19.75, 48.34

 

CMYK 10 / 0 / 73 / 5

HEX #D8F142

RGB 216 241 66

HSL 68.57, 0.86%, 0.6%

LAB 90.74, -29.35, 76.36

 

CMYK 73 / 0 / 49 / 5

HEX #41F17C

RGB 65 241 124

HSL 140.11, 0.86%, 0.6%

LAB 84.74, -68.22, 43.91

 

CMYK 20 / 73 / 0 / 5

HEX #C241F1

RGB 194 65 241

HSL 283.98, 0.86%, 0.6%

LAB 53.6, 74.74, -64.35

 

CMYK 10 / 0 / 73 / 5

HEX #D8F142

RGB 216 241 66

HSL 68.57, 0.86%, 0.6%

LAB 90.74, -29.35, 76.36

 

CMYK 73 / 10 / 0 / 5

HEX #41D9F1

RGB 65 217 241

HSL 188.18, 0.86%, 0.6%

LAB 80.24, -31.36, -23.14

 

CMYK 0 / 73 / 10 / 5

HEX #F141D9

RGB 241 65 217

HSL 308.18, 0.86%, 0.6%

LAB 59.43, 80.36, -41.14

 

CMYK 10 / 0 / 73 / 5

HEX #D8F142

RGB 216 241 66

HSL 68.57, 0.86%, 0.6%

LAB 90.74, -29.35, 76.36

 

CMYK 73 / 0 / 49 / 5

HEX #41F17C

RGB 65 241 124

HSL 140.11, 0.86%, 0.6%

LAB 84.74, -68.22, 43.91

 

CMYK 63 / 73 / 0 / 5

HEX #5941F1

RGB 89 65 241

HSL 248.18, 0.86%, 0.6%

LAB 41.62, 58.11, -84.4

 

CMYK 0 / 73 / 24 / 5

HEX #F141B6

RGB 241 65 182

HSL 320.11, 0.86%, 0.6%

LAB 57.9, 75.74, -23.51

 

CMYK 10 / 0 / 73 / 5

HEX #D8F142

RGB 216 241 66

HSL 68.57, 0.86%, 0.6%

LAB 90.74, -29.35, 76.36

 

CMYK 73 / 0 / 27 / 5

HEX #41F1B0

RGB 65 241 176

HSL 157.84, 0.86%, 0.6%

LAB 85.59, -58.65, 18.97

 

CMYK 63 / 73 / 0 / 5

HEX #5941F1

RGB 89 65 241

HSL 248.18, 0.86%, 0.6%

LAB 41.62, 58.11, -84.4

 

CMYK 0 / 73 / 46 / 5

HEX #F14182

RGB 241 65 130

HSL 337.84, 0.86%, 0.6%

LAB 56.18, 70.3, 4.4

 

Description

Color code: HEX #D8F142 | qconv.com Color code: HEX #D8F142 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 241 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 241 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 73 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 73% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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