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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8EA60 it is the complementary color #27159F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8EA60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8EA60 shade: #DDEA5B, #EEFC6E, #FFFF81, #FFFF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8EA60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8EA60 shade: #D8EA60, #C7D84D, #B6C63A, #A5B427 and #94A214

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8EA60 shade: #D8EA61, #EAD761, #EAB261, #EA8D61 and #EA6861

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8EA60 shade: #D8EA61, #B3EA61, #8EEA61, #69EA61 and #61EA7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8EA60 shade matches the following richer shades: #D8EA61 and #E3F852

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8EA60 shade: #D8EA61, #CDDC6F, #C3CD7D, #B8BF8C and #ADB09A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8EA60 shade: #EAB161, #EAD561, #DAEA61, #B5EA61 and #91EA61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8EA60 shade: #C3DC1C, #CFE53C, #D8EA61, #E1EF85 and #EAF3AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8EA60 shade: #D8EA60, #61EA8C and #C361EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8EA60 shade: #D8EA60, #61DAEA and #EA61DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8EA60 shade: #D8EA60, #61EA8C, #7161EA and #EA61BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8EA60 shade: #D8EA60, #61EAB5, #7161EA and #EA6195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 59 / 8

HEX #D8EA60

RGB 216 234 96

HSL 67.83, 0.77%, 0.65%

LAB 89.06, -24.27, 63.33

 

Complementary color

CMYK 75 / 87 / 0 / 38

HEX #27159F

RGB 39 21 159

HSL 247.83, 0.77%, 0.35%

LAB 21.84, 50.05, -69.22

 

CMYK 6 / 0 / 61 / 8

HEX #DDEA5B

RGB 221 234 91

HSL 65.45, 0.77%, 0.64%

LAB 89.38, -22.63, 65.87

 

CMYK 6 / 0 / 56 / 1

HEX #EEFC6E

RGB 238 252 110

HSL 65.92, 0.96%, 0.71%

LAB 95.55, -23.16, 65.03

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA60

RGB 216 234 96

HSL 67.83, 0.77%, 0.65%

LAB 89.06, -24.27, 63.33

 

CMYK 8 / 0 / 64 / 15

HEX #C7D84D

RGB 199 216 77

HSL 67.34, 0.64%, 0.57%

LAB 82.8, -23.73, 64.06

 

CMYK 8 / 0 / 71 / 22

HEX #B6C63A

RGB 182 198 58

HSL 66.86, 0.55%, 0.5%

LAB 76.46, -23.06, 64.45

 

CMYK 8 / 0 / 78 / 29

HEX #A5B427

RGB 165 180 39

HSL 66.38, 0.64%, 0.43%

LAB 70.03, -22.23, 64.23

 

CMYK 9 / 0 / 88 / 36

HEX #94A214

RGB 148 162 20

HSL 65.92, 0.78%, 0.36%

LAB 63.5, -21.2, 62.94

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA61

RGB 216 234 97

HSL 67.88, 0.77%, 0.65%

LAB 89.07, -24.2, 62.92

 

CMYK 0 / 8 / 59 / 8

HEX #EAD761

RGB 234 215 97

HSL 51.68, 0.77%, 0.65%

LAB 85.48, -7.58, 59.32

 

CMYK 0 / 24 / 59 / 8

HEX #EAB261

RGB 234 178 97

HSL 35.47, 0.77%, 0.65%

LAB 76.19, 11.6, 48.66

 

CMYK 0 / 40 / 59 / 8

HEX #EA8D61

RGB 234 141 97

HSL 19.27, 0.77%, 0.65%

LAB 67.58, 31.2, 38.29

 

CMYK 0 / 56 / 59 / 8

HEX #EA6861

RGB 234 104 97

HSL 3.07, 0.77%, 0.65%

LAB 60.12, 49.81, 28.87

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA61

RGB 216 234 97

HSL 67.88, 0.77%, 0.65%

LAB 89.07, -24.2, 62.92

 

CMYK 24 / 0 / 59 / 8

HEX #B3EA61

RGB 179 234 97

HSL 84.09, 0.77%, 0.65%

LAB 86.65, -38.36, 59.55

 

CMYK 39 / 0 / 59 / 8

HEX #8EEA61

RGB 142 234 97

HSL 100.29, 0.77%, 0.65%

LAB 84.72, -51.09, 56.85

 

CMYK 55 / 0 / 59 / 8

HEX #69EA61

RGB 105 234 97

HSL 116.5, 0.77%, 0.65%

LAB 83.29, -61.56, 54.83

 

CMYK 59 / 0 / 47 / 8

HEX #61EA7D

RGB 97 234 125

HSL 132.26, 0.77%, 0.65%

LAB 83.37, -59.81, 41.87

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA61

RGB 216 234 97

HSL 67.88, 0.77%, 0.65%

LAB 89.07, -24.2, 62.92

 

CMYK 8 / 0 / 67 / 3

HEX #E3F852

RGB 227 248 82

HSL 67.59, 0.92%, 0.65%

LAB 93.48, -27.43, 73.78

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA61

RGB 216 234 97

HSL 67.88, 0.77%, 0.65%

LAB 89.07, -24.2, 62.92

 

CMYK 7 / 0 / 50 / 14

HEX #CDDC6F

RGB 205 220 111

HSL 68.26, 0.61%, 0.65%

LAB 84.64, -20.62, 51.35

 

CMYK 5 / 0 / 39 / 20

HEX #C3CD7D

RGB 195 205 125

HSL 67.5, 0.44%, 0.65%

LAB 80.04, -15.67, 38.66

 

CMYK 4 / 0 / 27 / 25

HEX #B8BF8C

RGB 184 191 140

HSL 68.24, 0.28%, 0.65%

LAB 75.67, -10.88, 24.99

 

CMYK 2 / 0 / 13 / 31

HEX #ADB09A

RGB 173 176 154

HSL 68.18, 0.12%, 0.65%

LAB 71.06, -4.99, 10.91

 

CMYK 0 / 24 / 59 / 8

HEX #EAB161

RGB 234 177 97

HSL 35.04, 0.77%, 0.65%

LAB 75.95, 12.12, 48.38

 

CMYK 0 / 9 / 59 / 8

HEX #EAD561

RGB 234 213 97

HSL 50.8, 0.77%, 0.65%

LAB 84.97, -6.57, 58.75

 

CMYK 7 / 0 / 59 / 8

HEX #DAEA61

RGB 218 234 97

HSL 67.01, 0.77%, 0.65%

LAB 89.21, -23.41, 63.12

 

CMYK 23 / 0 / 59 / 8

HEX #B5EA61

RGB 181 234 97

HSL 83.21, 0.77%, 0.65%

LAB 86.77, -37.63, 59.72

 

CMYK 38 / 0 / 59 / 8

HEX #91EA61

RGB 145 234 97

HSL 98.98, 0.77%, 0.65%

LAB 84.86, -50.13, 57.04

 

CMYK 11 / 0 / 87 / 14

HEX #C3DC1C

RGB 195 220 28

HSL 67.81, 0.77%, 0.49%

LAB 83.38, -29.32, 79.08

 

CMYK 10 / 0 / 74 / 10

HEX #CFE53C

RGB 207 229 60

HSL 67.81, 0.76%, 0.57%

LAB 86.82, -27.61, 74.34

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA61

RGB 216 234 97

HSL 67.88, 0.77%, 0.65%

LAB 89.07, -24.2, 62.92

 

CMYK 6 / 0 / 44 / 6

HEX #E1EF85

RGB 225 239 133

HSL 67.92, 0.77%, 0.73%

LAB 91.43, -19.96, 49.49

 

CMYK 4 / 0 / 30 / 5

HEX #EAF3AA

RGB 234 243 170

HSL 67.4, 0.75%, 0.81%

LAB 93.67, -14.31, 34.29

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA60

RGB 216 234 96

HSL 67.83, 0.77%, 0.65%

LAB 89.06, -24.27, 63.33

 

CMYK 59 / 0 / 40 / 8

HEX #61EA8C

RGB 97 234 140

HSL 138.83, 0.77%, 0.65%

LAB 83.59, -57.45, 34.75

 

CMYK 17 / 59 / 0 / 8

HEX #C361EA

RGB 195 97 234

HSL 282.92, 0.77%, 0.65%

LAB 58.12, 60.22, -53.18

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA60

RGB 216 234 96

HSL 67.83, 0.77%, 0.65%

LAB 89.06, -24.27, 63.33

 

CMYK 59 / 7 / 0 / 8

HEX #61DAEA

RGB 97 218 234

HSL 187.01, 0.77%, 0.65%

LAB 81.08, -29.2, -18.05

 

CMYK 0 / 59 / 7 / 8

HEX #EA61DA

RGB 234 97 218

HSL 307.01, 0.77%, 0.65%

LAB 62.6, 67.16, -36.82

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA60

RGB 216 234 96

HSL 67.83, 0.77%, 0.65%

LAB 89.06, -24.27, 63.33

 

CMYK 59 / 0 / 40 / 8

HEX #61EA8C

RGB 97 234 140

HSL 138.83, 0.77%, 0.65%

LAB 83.59, -57.45, 34.75

 

CMYK 52 / 59 / 0 / 8

HEX #7161EA

RGB 113 97 234

HSL 247.01, 0.77%, 0.65%

LAB 49.5, 41.99, -67.51

 

CMYK 0 / 59 / 19 / 8

HEX #EA61BE

RGB 234 97 190

HSL 319.27, 0.77%, 0.65%

LAB 61.45, 62.97, -22.76

 

CMYK 8 / 0 / 59 / 8

HEX #D8EA60

RGB 216 234 96

HSL 67.83, 0.77%, 0.65%

LAB 89.06, -24.27, 63.33

 

CMYK 59 / 0 / 23 / 8

HEX #61EAB5

RGB 97 234 181

HSL 156.79, 0.77%, 0.65%

LAB 84.34, -49.58, 14.73

 

CMYK 52 / 59 / 0 / 8

HEX #7161EA

RGB 113 97 234

HSL 247.01, 0.77%, 0.65%

LAB 49.5, 41.99, -67.51

 

CMYK 0 / 59 / 36 / 8

HEX #EA6195

RGB 234 97 149

HSL 337.23, 0.77%, 0.65%

LAB 60.08, 57.78, -1.22

 

Description

Color code: HEX #D8EA60 | qconv.com Color code: HEX #D8EA60 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 234 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 234 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 59 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 59% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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