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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8D423 it is the complementary color #272BDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8D423. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8D423 shade: #DDD41E, #EEE631, #FFF844, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8D423. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8D423 shade: #D8D423, #C7C210, #B6B000, #A59E00 and #948C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8D423 shade: #D7D323, #D7A223, #D77223, #D74123 and #D72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8D423 shade: #D7D323, #AAD723, #7AD723, #49D723 and #23D72D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8D423 shade matches the following richer shades: #D7D323 and #EBE60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8D423 shade: #D7D323, #C3C037, #AEAC4B, #9A9960 and #868674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8D423 shade: #D77123, #D7A123, #D7D123, #ADD723 and #7DD723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8D423 shade: #908D17, #B3B01D, #D7D323, #E0DD43 and #E6E366

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8D423 shade: #D8D423, #23D741 and #8923D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8D423 shade: #D8D423, #23D7D1 and #D123D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8D423 shade: #D8D423, #23D741, #2329D7 and #D723B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8D423 shade: #D8D423, #23D777, #2329D7 and #D72383

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 84 / 15

HEX #D8D423

RGB 216 212 35

HSL 58.67, 0.72%, 0.49%

LAB 82.81, -16.54, 77.87

 

Complementary color

CMYK 82 / 80 / 0 / 14

HEX #272BDC

RGB 39 43 220

HSL 238.67, 0.72%, 0.51%

LAB 32.54, 58.67, -87.56

 

CMYK 0 / 4 / 86 / 13

HEX #DDD41E

RGB 221 212 30

HSL 57.17, 0.76%, 0.49%

LAB 83.21, -14.53, 79.4

 

CMYK 0 / 3 / 79 / 7

HEX #EEE631

RGB 238 230 49

HSL 57.46, 0.85%, 0.56%

LAB 89.39, -15.77, 80.76

 

CMYK 0 / 3 / 73 / 0

HEX #FFF844

RGB 255 248 68

HSL 57.75, 1%, 0.63%

LAB 95.5, -16.83, 81.25

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 2 / 84 / 15

HEX #D8D423

RGB 216 212 35

HSL 58.67, 0.72%, 0.49%

LAB 82.81, -16.54, 77.87

 

CMYK 0 / 3 / 92 / 22

HEX #C7C210

RGB 199 194 16

HSL 58.36, 0.85%, 0.42%

LAB 76.54, -15.21, 75.69

 

CMYK 0 / 3 / 100 / 29

HEX #B6B000

RGB 182 176 0

HSL 58.02, 1%, 0.36%

LAB 70.17, -13.68, 72.14

 

CMYK 0 / 4 / 100 / 35

HEX #A59E00

RGB 165 158 0

HSL 57.45, 1%, 0.32%

LAB 63.72, -11.93, 66.78

 

CMYK 0 / 5 / 100 / 42

HEX #948C00

RGB 148 140 0

HSL 56.76, 1%, 0.29%

LAB 57.13, -10.12, 61.31

 

CMYK 0 / 2 / 84 / 16

HEX #D7D323

RGB 215 211 35

HSL 58.67, 0.72%, 0.49%

LAB 82.46, -16.46, 77.55

 

CMYK 0 / 25 / 84 / 16

HEX #D7A223

RGB 215 162 35

HSL 42.33, 0.72%, 0.49%

LAB 69.76, 8.9, 66.93

 

CMYK 0 / 47 / 84 / 16

HEX #D77223

RGB 215 114 35

HSL 26.33, 0.72%, 0.49%

LAB 58.61, 34.56, 57.42

 

CMYK 0 / 70 / 84 / 16

HEX #D74123

RGB 215 65 35

HSL 10, 0.72%, 0.49%

LAB 49.92, 57.13, 49.82

 

CMYK 0 / 84 / 84 / 16

HEX #D72323

RGB 215 35 35

HSL 0, 0.72%, 0.49%

LAB 46.67, 66.19, 46.92

 

CMYK 0 / 2 / 84 / 16

HEX #D7D323

RGB 215 211 35

HSL 58.67, 0.72%, 0.49%

LAB 82.46, -16.46, 77.55

 

CMYK 21 / 0 / 84 / 16

HEX #AAD723

RGB 170 215 35

HSL 75, 0.72%, 0.49%

LAB 80.33, -36.87, 74.45

 

CMYK 43 / 0 / 84 / 16

HEX #7AD723

RGB 122 215 35

HSL 91, 0.72%, 0.49%

LAB 77.79, -54.17, 71.26

 

CMYK 66 / 0 / 84 / 16

HEX #49D723

RGB 73 215 35

HSL 107.33, 0.72%, 0.49%

LAB 76.15, -67.11, 69.18

 

CMYK 84 / 0 / 79 / 16

HEX #23D72D

RGB 35 215 45

HSL 123.33, 0.72%, 0.49%

LAB 75.54, -72.24, 65.75

 

CMYK 0 / 2 / 84 / 16

HEX #D7D323

RGB 215 211 35

HSL 58.67, 0.72%, 0.49%

LAB 82.46, -16.46, 77.55

 

CMYK 0 / 2 / 94 / 8

HEX #EBE60F

RGB 235 230 15

HSL 58.64, 0.88%, 0.49%

LAB 89.06, -17.71, 86.63

 

CMYK 0 / 2 / 84 / 16

HEX #D7D323

RGB 215 211 35

HSL 58.67, 0.72%, 0.49%

LAB 82.46, -16.46, 77.55

 

CMYK 0 / 2 / 72 / 24

HEX #C3C037

RGB 195 192 55

HSL 58.71, 0.56%, 0.49%

LAB 75.81, -14.75, 65.23

 

CMYK 0 / 1 / 57 / 32

HEX #AEAC4B

RGB 174 172 75

HSL 58.79, 0.4%, 0.49%

LAB 68.76, -12.23, 49.14

 

CMYK 0 / 1 / 38 / 40

HEX #9A9960

RGB 154 153 96

HSL 58.97, 0.23%, 0.49%

LAB 62.08, -8.57, 30.11

 

CMYK 0 / 0 / 13 / 47

HEX #868674

RGB 134 134 116

HSL 60, 0.07%, 0.49%

LAB 55.46, -3.33, 9.71

 

CMYK 0 / 47 / 84 / 16

HEX #D77123

RGB 215 113 35

HSL 26, 0.72%, 0.49%

LAB 58.39, 35.08, 57.24

 

CMYK 0 / 25 / 84 / 16

HEX #D7A123

RGB 215 161 35

HSL 42, 0.72%, 0.49%

LAB 69.51, 9.43, 66.72

 

CMYK 0 / 3 / 84 / 16

HEX #D7D123

RGB 215 209 35

HSL 58, 0.72%, 0.49%

LAB 81.93, -15.47, 77.1

 

CMYK 20 / 0 / 84 / 16

HEX #ADD723

RGB 173 215 35

HSL 74, 0.72%, 0.49%

LAB 80.52, -35.69, 74.69

 

CMYK 42 / 0 / 84 / 16

HEX #7DD723

RGB 125 215 35

HSL 90, 0.72%, 0.49%

LAB 77.92, -53.2, 71.42

 

CMYK 0 / 2 / 84 / 44

HEX #908D17

RGB 144 141 23

HSL 58.51, 0.72%, 0.33%

LAB 57.12, -12.01, 56.77

 

CMYK 0 / 2 / 84 / 30

HEX #B3B01D

RGB 179 176 29

HSL 58.8, 0.72%, 0.41%

LAB 69.98, -14.5, 67.32

 

CMYK 0 / 2 / 84 / 16

HEX #D7D323

RGB 215 211 35

HSL 58.67, 0.72%, 0.49%

LAB 82.46, -16.46, 77.55

 

CMYK 0 / 1 / 70 / 12

HEX #E0DD43

RGB 224 221 67

HSL 58.85, 0.72%, 0.57%

LAB 85.99, -16.46, 71.66

 

CMYK 0 / 1 / 56 / 10

HEX #E6E366

RGB 230 227 102

HSL 58.59, 0.72%, 0.65%

LAB 88.31, -14.83, 60.2

 

CMYK 0 / 2 / 84 / 15

HEX #D8D423

RGB 216 212 35

HSL 58.67, 0.72%, 0.49%

LAB 82.81, -16.54, 77.87

 

CMYK 84 / 0 / 70 / 16

HEX #23D741

RGB 35 215 65

HSL 130, 0.72%, 0.49%

LAB 75.66, -70.74, 59.16

 

CMYK 36 / 84 / 0 / 16

HEX #8923D7

RGB 137 35 215

HSL 274, 0.72%, 0.49%

LAB 40.29, 69.77, -71.59

 

CMYK 0 / 2 / 84 / 15

HEX #D8D423

RGB 216 212 35

HSL 58.67, 0.72%, 0.49%

LAB 82.81, -16.54, 77.87

 

CMYK 84 / 0 / 3 / 16

HEX #23D7D1

RGB 35 215 209

HSL 178, 0.72%, 0.49%

LAB 78.21, -42.62, -9.15

 

CMYK 3 / 84 / 0 / 16

HEX #D123D7

RGB 209 35 215

HSL 298, 0.72%, 0.49%

LAB 51.45, 81.3, -52.98

 

CMYK 0 / 2 / 84 / 15

HEX #D8D423

RGB 216 212 35

HSL 58.67, 0.72%, 0.49%

LAB 82.81, -16.54, 77.87

 

CMYK 84 / 0 / 70 / 16

HEX #23D741

RGB 35 215 65

HSL 130, 0.72%, 0.49%

LAB 75.66, -70.74, 59.16

 

CMYK 84 / 81 / 0 / 16

HEX #2329D7

RGB 35 41 215

HSL 238, 0.72%, 0.49%

LAB 31.46, 57.91, -86.47

 

CMYK 0 / 84 / 14 / 16

HEX #D723B9

RGB 215 35 185

HSL 310, 0.72%, 0.49%

LAB 50.86, 78.13, -36.53

 

CMYK 0 / 2 / 84 / 15

HEX #D8D423

RGB 216 212 35

HSL 58.67, 0.72%, 0.49%

LAB 82.81, -16.54, 77.87

 

CMYK 84 / 0 / 45 / 16

HEX #23D777

RGB 35 215 119

HSL 148, 0.72%, 0.49%

LAB 76.25, -63.65, 35.5

 

CMYK 84 / 81 / 0 / 16

HEX #2329D7

RGB 35 41 215

HSL 238, 0.72%, 0.49%

LAB 31.46, 57.91, -86.47

 

CMYK 0 / 84 / 39 / 16

HEX #D72383

RGB 215 35 131

HSL 328, 0.72%, 0.49%

LAB 48.62, 71.9, -7.84

 

Description

Color code: HEX #D8D423 | qconv.com Color code: HEX #D8D423 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 212 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 212 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 84 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 84% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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