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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8C7E2 it is the complementary color #27381D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8C7E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8C7E2 shade: #DDC7DD, #EED9F0, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8C7E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8C7E2 shade: #D8C7E2, #C7B5CF, #B6A3BC, #A591A9 and #947F96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8C7E2 shade: #D7C6E2, #DFC6E2, #E2C6DD, #E2C6D5 and #E2C6CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8C7E2 shade: #D7C6E2, #D0C6E2, #C8C6E2 and #C6C6E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8C7E2 shade matches the following richer shades: #D7C6E2, #D9BFE9, #DBB8F0, #DDB1F7 and #DFAAFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8C7E2 shade: #D7C6E2, #D5CDDB, #D4D4D3, #D2DBCC and #D0E2C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8C7E2 shade: #C8C6E2, #CFC6E2, #D7C6E2, #DEC6E2 and #E2C6DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8C7E2 shade: #B18FC5, #C4ABD3, #D7C6E2, #EAE1F0 and #FDFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8C7E2 shade: #D8C7E2, #E2C6CB and #C6E2CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8C7E2 shade: #D8C7E2, #E2D7C6 and #C6E2D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8C7E2 shade: #D8C7E2, #E2C6CB, #D0E2C6 and #C6E2DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8C7E2 shade: #D8C7E2, #E2C9C6, #D0E2C6 and #C6DEE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 12 / 0 / 11

HEX #D8C7E2

RGB 216 199 226

HSL 277.78, 0.32%, 0.83%

LAB 82.34, 10.82, -11.23

 

Complementary color

CMYK 30 / 0 / 48 / 78

HEX #27381D

RGB 39 56 29

HSL 97.78, 0.32%, 0.17%

LAB 21.39, -13, 14.69

 

CMYK 0 / 10 / 0 / 13

HEX #DDC7DD

RGB 221 199 221

HSL 300, 0.24%, 0.82%

LAB 82.61, 11.56, -8.11

 

CMYK 1 / 10 / 0 / 6

HEX #EED9F0

RGB 238 217 240

HSL 294.78, 0.43%, 0.9%

LAB 88.97, 11.23, -8.61

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 4 / 12 / 0 / 11

HEX #D8C7E2

RGB 216 199 226

HSL 277.78, 0.32%, 0.83%

LAB 82.34, 10.82, -11.23

 

CMYK 4 / 13 / 0 / 19

HEX #C7B5CF

RGB 199 181 207

HSL 281.54, 0.21%, 0.76%

LAB 75.88, 11.16, -10.77

 

CMYK 3 / 13 / 0 / 26

HEX #B6A3BC

RGB 182 163 188

HSL 285.6, 0.16%, 0.69%

LAB 69.31, 11.52, -10.32

 

CMYK 2 / 14 / 0 / 34

HEX #A591A9

RGB 165 145 169

HSL 290, 0.12%, 0.62%

LAB 62.6, 11.91, -9.85

 

CMYK 1 / 15 / 0 / 41

HEX #947F96

RGB 148 127 150

HSL 294.78, 0.1%, 0.54%

LAB 55.76, 12.34, -9.37

 

CMYK 5 / 12 / 0 / 11

HEX #D7C6E2

RGB 215 198 226

HSL 276.43, 0.33%, 0.83%

LAB 82.02, 11.03, -11.73

 

CMYK 1 / 12 / 0 / 11

HEX #DFC6E2

RGB 223 198 226

HSL 293.57, 0.33%, 0.83%

LAB 82.68, 13.69, -10.66

 

CMYK 0 / 12 / 2 / 11

HEX #E2C6DD

RGB 226 198 221

HSL 310.71, 0.33%, 0.83%

LAB 82.79, 13.79, -7.79

 

CMYK 0 / 12 / 6 / 11

HEX #E2C6D5

RGB 226 198 213

HSL 327.86, 0.33%, 0.83%

LAB 82.57, 12.38, -3.84

 

CMYK 0 / 12 / 9 / 11

HEX #E2C6CE

RGB 226 198 206

HSL 342.86, 0.33%, 0.83%

LAB 82.39, 11.18, -0.37

 

CMYK 5 / 12 / 0 / 11

HEX #D7C6E2

RGB 215 198 226

HSL 276.43, 0.33%, 0.83%

LAB 82.02, 11.03, -11.73

 

CMYK 8 / 12 / 0 / 11

HEX #D0C6E2

RGB 208 198 226

HSL 261.43, 0.33%, 0.83%

LAB 81.45, 8.72, -12.63

 

CMYK 12 / 12 / 0 / 11

HEX #C8C6E2

RGB 200 198 226

HSL 244.29, 0.33%, 0.83%

LAB 80.83, 6.11, -13.63

 

CMYK 12 / 12 / 0 / 11

HEX #C6C6E2

RGB 198 198 226

HSL 240, 0.33%, 0.83%

LAB 80.67, 5.46, -13.87

 

CMYK 5 / 12 / 0 / 11

HEX #D7C6E2

RGB 215 198 226

HSL 276.43, 0.33%, 0.83%

LAB 82.02, 11.03, -11.73

 

CMYK 7 / 18 / 0 / 9

HEX #D9BFE9

RGB 217 191 233

HSL 277.14, 0.49%, 0.83%

LAB 80.68, 16.8, -17.46

 

CMYK 9 / 23 / 0 / 6

HEX #DBB8F0

RGB 219 184 240

HSL 277.5, 0.65%, 0.83%

LAB 79.4, 22.6, -23.14

 

CMYK 11 / 28 / 0 / 3

HEX #DDB1F7

RGB 221 177 247

HSL 277.71, 0.81%, 0.83%

LAB 78.19, 28.42, -28.75

 

CMYK 12 / 33 / 0 / 0

HEX #DFAAFE

RGB 223 170 254

HSL 277.86, 0.98%, 0.83%

LAB 77.04, 34.23, -34.27

 

CMYK 5 / 12 / 0 / 11

HEX #D7C6E2

RGB 215 198 226

HSL 276.43, 0.33%, 0.83%

LAB 82.02, 11.03, -11.73

 

CMYK 3 / 6 / 0 / 14

HEX #D5CDDB

RGB 213 205 219

HSL 274.29, 0.16%, 0.83%

LAB 83.4, 5.31, -5.94

 

CMYK 0 / 0 / 0 / 17

HEX #D4D4D3

RGB 212 212 211

HSL 60, 0.01%, 0.83%

LAB 84.89, -0.18, 0.48

 

CMYK 4 / 0 / 7 / 14

HEX #D2DBCC

RGB 210 219 204

HSL 96, 0.17%, 0.83%

LAB 86.37, -5.73, 6.31

 

CMYK 8 / 0 / 13 / 11

HEX #D0E2C5

RGB 208 226 197

HSL 97.24, 0.33%, 0.83%

LAB 87.89, -11.18, 12.15

 

CMYK 12 / 12 / 0 / 11

HEX #C8C6E2

RGB 200 198 226

HSL 244.29, 0.33%, 0.83%

LAB 80.83, 6.11, -13.63

 

CMYK 8 / 12 / 0 / 11

HEX #CFC6E2

RGB 207 198 226

HSL 259.29, 0.33%, 0.83%

LAB 81.37, 8.39, -12.76

 

CMYK 5 / 12 / 0 / 11

HEX #D7C6E2

RGB 215 198 226

HSL 276.43, 0.33%, 0.83%

LAB 82.02, 11.03, -11.73

 

CMYK 2 / 12 / 0 / 11

HEX #DEC6E2

RGB 222 198 226

HSL 291.43, 0.33%, 0.83%

LAB 82.6, 13.36, -10.8

 

CMYK 0 / 12 / 2 / 11

HEX #E2C6DD

RGB 226 198 221

HSL 310.71, 0.33%, 0.83%

LAB 82.79, 13.79, -7.79

 

CMYK 10 / 27 / 0 / 23

HEX #B18FC5

RGB 177 143 197

HSL 277.78, 0.32%, 0.67%

LAB 64.18, 22.84, -23.13

 

CMYK 7 / 19 / 0 / 17

HEX #C4ABD3

RGB 196 171 211

HSL 277.5, 0.31%, 0.75%

LAB 73.26, 16.4, -16.92

 

CMYK 5 / 12 / 0 / 11

HEX #D7C6E2

RGB 215 198 226

HSL 276.43, 0.33%, 0.83%

LAB 82.02, 11.03, -11.73

 

CMYK 3 / 6 / 0 / 6

HEX #EAE1F0

RGB 234 225 240

HSL 276, 0.33%, 0.91%

LAB 90.61, 5.73, -6.21

 

CMYK 0 / 1 / 0 / 0

HEX #FDFCFE

RGB 253 252 254

HSL 270, 0.5%, 0.99%

LAB 99.09, 0.69, -0.85

 

CMYK 4 / 12 / 0 / 11

HEX #D8C7E2

RGB 216 199 226

HSL 277.78, 0.32%, 0.83%

LAB 82.34, 10.82, -11.23

 

CMYK 0 / 12 / 10 / 11

HEX #E2C6CB

RGB 226 198 203

HSL 349.29, 0.33%, 0.83%

LAB 82.31, 10.68, 1.13

 

CMYK 12 / 0 / 10 / 11

HEX #C6E2CC

RGB 198 226 204

HSL 132.86, 0.33%, 0.83%

LAB 87.37, -13.36, 7.64

 

CMYK 4 / 12 / 0 / 11

HEX #D8C7E2

RGB 216 199 226

HSL 277.78, 0.32%, 0.83%

LAB 82.34, 10.82, -11.23

 

CMYK 0 / 5 / 12 / 11

HEX #E2D7C6

RGB 226 215 198

HSL 36.43, 0.33%, 0.83%

LAB 86.43, 0.94, 9.73

 

CMYK 12 / 0 / 5 / 11

HEX #C6E2D7

RGB 198 226 215

HSL 156.43, 0.33%, 0.83%

LAB 87.63, -11.32, 2.25

 

CMYK 4 / 12 / 0 / 11

HEX #D8C7E2

RGB 216 199 226

HSL 277.78, 0.32%, 0.83%

LAB 82.34, 10.82, -11.23

 

CMYK 0 / 12 / 10 / 11

HEX #E2C6CB

RGB 226 198 203

HSL 349.29, 0.33%, 0.83%

LAB 82.31, 10.68, 1.13

 

CMYK 8 / 0 / 12 / 11

HEX #D0E2C6

RGB 208 226 198

HSL 98.57, 0.33%, 0.83%

LAB 87.91, -11.02, 11.66

 

CMYK 12 / 0 / 3 / 11

HEX #C6E2DC

RGB 198 226 220

HSL 167.14, 0.33%, 0.83%

LAB 87.76, -10.36, -0.2

 

CMYK 4 / 12 / 0 / 11

HEX #D8C7E2

RGB 216 199 226

HSL 277.78, 0.32%, 0.83%

LAB 82.34, 10.82, -11.23

 

CMYK 0 / 11 / 12 / 11

HEX #E2C9C6

RGB 226 201 198

HSL 6.43, 0.33%, 0.83%

LAB 82.92, 8.27, 4.69

 

CMYK 8 / 0 / 12 / 11

HEX #D0E2C6

RGB 208 226 198

HSL 98.57, 0.33%, 0.83%

LAB 87.91, -11.02, 11.66

 

CMYK 12 / 2 / 0 / 11

HEX #C6DEE2

RGB 198 222 226

HSL 188.57, 0.33%, 0.83%

LAB 86.87, -7.13, -4.66

 

Description

Color code: HEX #D8C7E2 | qconv.com Color code: HEX #D8C7E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 199 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 199 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 12 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 12% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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