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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8C757 it is the complementary color #2738A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8C757. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8C757 shade: #DDC752, #EED965, #FFEB78, #FFFD8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8C757. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8C757 shade: #D8C757, #C7B544, #B6A331, #A5911E and #947F0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8C757 shade: #D7C656, #D7A356, #D78056, #D75D56 and #D75656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8C757 shade: #D7C656, #C5D756, #A2D756, #7FD756 and #5DD756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8C757 shade matches the following richer shades: #D7C656, #E8D345 and #F9DF34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8C757 shade: #D7C656, #C6BA67, #B5AD77, #A5A188 and #949499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8C757 shade: #D78156, #D7A356, #D7C656, #C6D756 and #A3D756

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8C757 shade: #B19F29, #CFBB34, #D7C656, #DFD177 and #E7DD98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8C757 shade: #D8C757, #56D75E and #9256D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8C757 shade: #D8C757, #56D7C6 and #C656D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8C757 shade: #D8C757, #56D75E, #5667D7 and #D756CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8C757 shade: #D8C757, #56D785, #5667D7 and #D756A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 60 / 15

HEX #D8C757

RGB 216 199 87

HSL 52.09, 0.62%, 0.59%

LAB 79.69, -7.59, 56.88

 

Complementary color

CMYK 77 / 67 / 0 / 34

HEX #2738A8

RGB 39 56 168

HSL 232.09, 0.62%, 0.41%

LAB 29.63, 33.87, -61.8

 

CMYK 0 / 10 / 63 / 13

HEX #DDC752

RGB 221 199 82

HSL 50.5, 0.67%, 0.59%

LAB 80.08, -5.83, 59.63

 

CMYK 0 / 9 / 58 / 7

HEX #EED965

RGB 238 217 101

HSL 50.8, 0.8%, 0.66%

LAB 86.38, -6.66, 58.64

 

CMYK 0 / 8 / 53 / 0

HEX #FFEB78

RGB 255 235 120

HSL 51.11, 1%, 0.74%

LAB 92.59, -7.38, 57.54

 

CMYK 0 / 1 / 45 / 0

HEX #FFFD8B

RGB 255 253 139

HSL 58.97, 1%, 0.77%

LAB 97.38, -14.61, 54.45

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 8 / 60 / 15

HEX #D8C757

RGB 216 199 87

HSL 52.09, 0.62%, 0.59%

LAB 79.69, -7.59, 56.88

 

CMYK 0 / 9 / 66 / 22

HEX #C7B544

RGB 199 181 68

HSL 51.76, 0.54%, 0.52%

LAB 73.29, -6.71, 57.78

 

CMYK 0 / 10 / 73 / 29

HEX #B6A331

RGB 182 163 49

HSL 51.43, 0.58%, 0.45%

LAB 66.8, -5.66, 58.33

 

CMYK 0 / 12 / 82 / 35

HEX #A5911E

RGB 165 145 30

HSL 51.11, 0.69%, 0.38%

LAB 60.2, -4.38, 58.19

 

CMYK 0 / 14 / 93 / 42

HEX #947F0B

RGB 148 127 11

HSL 50.8, 0.86%, 0.31%

LAB 53.49, -2.82, 56.71

 

CMYK 0 / 8 / 60 / 16

HEX #D7C656

RGB 215 198 86

HSL 52.09, 0.62%, 0.59%

LAB 79.33, -7.56, 56.91

 

CMYK 0 / 24 / 60 / 16

HEX #D7A356

RGB 215 163 86

HSL 35.81, 0.62%, 0.59%

LAB 70.39, 10.85, 46.77

 

CMYK 0 / 40 / 60 / 16

HEX #D78056

RGB 215 128 86

HSL 19.53, 0.62%, 0.59%

LAB 62.13, 29.69, 36.92

 

CMYK 0 / 57 / 60 / 16

HEX #D75D56

RGB 215 93 86

HSL 3.26, 0.62%, 0.59%

LAB 55.02, 47.49, 28.01

 

CMYK 0 / 60 / 60 / 16

HEX #D75656

RGB 215 86 86

HSL 0, 0.62%, 0.59%

LAB 53.79, 50.73, 26.43

 

CMYK 0 / 8 / 60 / 16

HEX #D7C656

RGB 215 198 86

HSL 52.09, 0.62%, 0.59%

LAB 79.33, -7.56, 56.91

 

CMYK 8 / 0 / 60 / 16

HEX #C5D756

RGB 197 215 86

HSL 68.37, 0.62%, 0.59%

LAB 82.46, -23.44, 59.94

 

CMYK 25 / 0 / 60 / 16

HEX #A2D756

RGB 162 215 86

HSL 84.65, 0.62%, 0.59%

LAB 80.15, -37.03, 56.75

 

CMYK 41 / 0 / 60 / 16

HEX #7FD756

RGB 127 215 86

HSL 100.93, 0.62%, 0.59%

LAB 78.34, -49.15, 54.21

 

CMYK 57 / 0 / 60 / 16

HEX #5DD756

RGB 93 215 86

HSL 116.74, 0.62%, 0.59%

LAB 77.04, -58.75, 52.39

 

CMYK 0 / 8 / 60 / 16

HEX #D7C656

RGB 215 198 86

HSL 52.09, 0.62%, 0.59%

LAB 79.33, -7.56, 56.91

 

CMYK 0 / 9 / 70 / 9

HEX #E8D345

RGB 232 211 69

HSL 52.27, 0.78%, 0.59%

LAB 84.06, -8.04, 69.27

 

CMYK 0 / 10 / 79 / 2

HEX #F9DF34

RGB 249 223 52

HSL 52.08, 0.94%, 0.59%

LAB 88.53, -7.61, 79.54

 

CMYK 0 / 8 / 60 / 16

HEX #D7C656

RGB 215 198 86

HSL 52.09, 0.62%, 0.59%

LAB 79.33, -7.56, 56.91

 

CMYK 0 / 6 / 48 / 22

HEX #C6BA67

RGB 198 186 103

HSL 52.42, 0.45%, 0.59%

LAB 74.89, -7.05, 43.33

 

CMYK 0 / 4 / 34 / 29

HEX #B5AD77

RGB 181 173 119

HSL 52.26, 0.3%, 0.59%

LAB 70.21, -5.41, 28.82

 

CMYK 0 / 2 / 18 / 35

HEX #A5A188

RGB 165 161 136

HSL 51.72, 0.14%, 0.59%

LAB 65.96, -2.88, 13.55

 

CMYK 3 / 3 / 0 / 40

HEX #949499

RGB 148 148 153

HSL 240, 0.02%, 0.59%

LAB 61.46, 0.99, -2.64

 

CMYK 0 / 40 / 60 / 16

HEX #D78156

RGB 215 129 86

HSL 20, 0.62%, 0.59%

LAB 62.35, 29.16, 37.19

 

CMYK 0 / 24 / 60 / 16

HEX #D7A356

RGB 215 163 86

HSL 35.81, 0.62%, 0.59%

LAB 70.39, 10.85, 46.77

 

CMYK 0 / 8 / 60 / 16

HEX #D7C656

RGB 215 198 86

HSL 52.09, 0.62%, 0.59%

LAB 79.33, -7.56, 56.91

 

CMYK 8 / 0 / 60 / 16

HEX #C6D756

RGB 198 215 86

HSL 67.91, 0.62%, 0.59%

LAB 82.53, -23.04, 60.04

 

CMYK 24 / 0 / 60 / 16

HEX #A3D756

RGB 163 215 86

HSL 84.19, 0.62%, 0.59%

LAB 80.21, -36.66, 56.83

 

CMYK 0 / 10 / 77 / 31

HEX #B19F29

RGB 177 159 41

HSL 52.06, 0.62%, 0.43%

LAB 65.2, -6.1, 59.55

 

CMYK 0 / 10 / 75 / 19

HEX #CFBB34

RGB 207 187 52

HSL 52.26, 0.62%, 0.51%

LAB 75.48, -7.18, 66.33

 

CMYK 0 / 8 / 60 / 16

HEX #D7C656

RGB 215 198 86

HSL 52.09, 0.62%, 0.59%

LAB 79.33, -7.56, 56.91

 

CMYK 0 / 6 / 47 / 13

HEX #DFD177

RGB 223 209 119

HSL 51.92, 0.62%, 0.67%

LAB 83.24, -7.21, 46.15

 

CMYK 0 / 4 / 34 / 9

HEX #E7DD98

RGB 231 221 152

HSL 52.41, 0.62%, 0.75%

LAB 87.47, -6.66, 35.15

 

CMYK 0 / 8 / 60 / 15

HEX #D8C757

RGB 216 199 87

HSL 52.09, 0.62%, 0.59%

LAB 79.69, -7.59, 56.88

 

CMYK 60 / 0 / 56 / 16

HEX #56D75E

RGB 86 215 94

HSL 123.72, 0.62%, 0.59%

LAB 76.91, -59.46, 48.59

 

CMYK 32 / 60 / 0 / 16

HEX #9256D7

RGB 146 86 215

HSL 267.91, 0.62%, 0.59%

LAB 49.1, 49.9, -57.24

 

CMYK 0 / 8 / 60 / 15

HEX #D8C757

RGB 216 199 87

HSL 52.09, 0.62%, 0.59%

LAB 79.69, -7.59, 56.88

 

CMYK 60 / 0 / 8 / 16

HEX #56D7C6

RGB 86 215 198

HSL 172.09, 0.62%, 0.59%

LAB 78.84, -39.4, -2.21

 

CMYK 8 / 60 / 0 / 16

HEX #C656D7

RGB 198 86 215

HSL 292.09, 0.62%, 0.59%

LAB 55.65, 62.33, -46.4

 

CMYK 0 / 8 / 60 / 15

HEX #D8C757

RGB 216 199 87

HSL 52.09, 0.62%, 0.59%

LAB 79.69, -7.59, 56.88

 

CMYK 60 / 0 / 56 / 16

HEX #56D75E

RGB 86 215 94

HSL 123.72, 0.62%, 0.59%

LAB 76.91, -59.46, 48.59

 

CMYK 60 / 52 / 0 / 16

HEX #5667D7

RGB 86 103 215

HSL 232.09, 0.62%, 0.59%

LAB 47.73, 27.34, -59.71

 

CMYK 0 / 60 / 4 / 16

HEX #D756CF

RGB 215 86 207

HSL 303.72, 0.62%, 0.59%

LAB 57.66, 65.17, -38.52

 

CMYK 0 / 8 / 60 / 15

HEX #D8C757

RGB 216 199 87

HSL 52.09, 0.62%, 0.59%

LAB 79.69, -7.59, 56.88

 

CMYK 60 / 0 / 38 / 16

HEX #56D785

RGB 86 215 133

HSL 141.86, 0.62%, 0.59%

LAB 77.44, -53.6, 30.14

 

CMYK 60 / 52 / 0 / 16

HEX #5667D7

RGB 86 103 215

HSL 232.09, 0.62%, 0.59%

LAB 47.73, 27.34, -59.71

 

CMYK 0 / 60 / 22 / 16

HEX #D756A8

RGB 215 86 168

HSL 321.86, 0.62%, 0.59%

LAB 56.02, 59.27, -18.64

 

Description

Color code: HEX #D8C757 | qconv.com Color code: HEX #D8C757 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 199 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 199 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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