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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8BF5E it is the complementary color #2740A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8BF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8BF5E shade: #DDBF59, #EED16C, #FFE37F, #FFF592 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8BF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8BF5E shade: #D8BF5E, #C7AD4B, #B69B38, #A58925 and #947712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8BF5E shade: #D8BF5F, #D89F5F, #D87E5F and #D85F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8BF5E shade: #D8BF5F, #D0D85F, #B0D85F, #8FD85F and #6ED85F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8BF5E shade matches the following richer shades: #D8BF5F, #E8C94F and #F8D23F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8BF5E shade: #D8BF5F, #C8B66F, #B8AC7F, #A8A38F and #98999F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8BF5E shade: #D87D5F, #D89E5F, #D8BE5F, #D2D85F and #B2D85F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8BF5E shade: #B89B2D, #D0B23E, #D8BF5F, #E0CD80 and #E8DAA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8BF5E shade: #D8BF5E, #61D85F and #8D5FD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8BF5E shade: #D8BF5E, #5FD8BE and #BE5FD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8BF5E shade: #D8BF5E, #61D85F, #5F79D8 and #D65FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8BF5E shade: #D8BF5E, #5FD881, #5F79D8 and #D85FB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

Complementary color

CMYK 76 / 60 / 0 / 37

HEX #2740A1

RGB 39 64 161

HSL 227.7, 0.61%, 0.39%

LAB 31.05, 25.98, -55.27

 

CMYK 0 / 14 / 60 / 13

HEX #DDBF59

RGB 221 191 89

HSL 46.36, 0.66%, 0.61%

LAB 78.08, -1.23, 54.31

 

CMYK 0 / 12 / 55 / 7

HEX #EED16C

RGB 238 209 108

HSL 46.62, 0.79%, 0.68%

LAB 84.41, -2.07, 53.15

 

CMYK 0 / 11 / 50 / 0

HEX #FFE37F

RGB 255 227 127

HSL 46.88, 1%, 0.75%

LAB 90.66, -2.8, 51.95

 

CMYK 0 / 4 / 43 / 0

HEX #FFF592

RGB 255 245 146

HSL 54.5, 1%, 0.79%

LAB 95.43, -10.03, 48.72

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 0 / 13 / 62 / 22

HEX #C7AD4B

RGB 199 173 75

HSL 47.42, 0.53%, 0.54%

LAB 71.24, -2.07, 52.51

 

CMYK 0 / 15 / 69 / 29

HEX #B69B38

RGB 182 155 56

HSL 47.14, 0.53%, 0.47%

LAB 64.7, -1.01, 53.44

 

CMYK 0 / 17 / 78 / 35

HEX #A58925

RGB 165 137 37

HSL 46.88, 0.63%, 0.4%

LAB 58.06, 0.26, 53.91

 

CMYK 0 / 20 / 88 / 42

HEX #947712

RGB 148 119 18

HSL 46.62, 0.78%, 0.33%

LAB 51.31, 1.83, 53.4

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5F

RGB 216 191 95

HSL 47.6, 0.61%, 0.61%

LAB 77.69, -2.87, 50.94

 

CMYK 0 / 26 / 56 / 15

HEX #D89F5F

RGB 216 159 95

HSL 31.74, 0.61%, 0.61%

LAB 69.63, 14.11, 41.36

 

CMYK 0 / 42 / 56 / 15

HEX #D87E5F

RGB 216 126 95

HSL 15.37, 0.61%, 0.61%

LAB 61.95, 31.84, 31.83

 

CMYK 0 / 56 / 56 / 15

HEX #D85F5F

RGB 216 95 95

HSL 0, 0.61%, 0.61%

LAB 55.69, 47.56, 23.72

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5F

RGB 216 191 95

HSL 47.6, 0.61%, 0.61%

LAB 77.69, -2.87, 50.94

 

CMYK 4 / 0 / 56 / 15

HEX #D0D85F

RGB 208 216 95

HSL 63.97, 0.61%, 0.61%

LAB 83.63, -18.82, 57.55

 

CMYK 19 / 0 / 56 / 15

HEX #B0D85F

RGB 176 216 95

HSL 79.83, 0.61%, 0.61%

LAB 81.38, -31.43, 54.4

 

CMYK 34 / 0 / 56 / 15

HEX #8FD85F

RGB 143 216 95

HSL 96.2, 0.61%, 0.61%

LAB 79.49, -43.4, 51.72

 

CMYK 49 / 0 / 56 / 15

HEX #6ED85F

RGB 110 216 95

HSL 112.56, 0.61%, 0.61%

LAB 78.02, -53.67, 49.64

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5F

RGB 216 191 95

HSL 47.6, 0.61%, 0.61%

LAB 77.69, -2.87, 50.94

 

CMYK 0 / 13 / 66 / 9

HEX #E8C94F

RGB 232 201 79

HSL 47.84, 0.77%, 0.61%

LAB 81.56, -2.42, 62.78

 

CMYK 0 / 15 / 75 / 3

HEX #F8D23F

RGB 248 210 63

HSL 47.68, 0.93%, 0.61%

LAB 85.2, -1.07, 73.02

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5F

RGB 216 191 95

HSL 47.6, 0.61%, 0.61%

LAB 77.69, -2.87, 50.94

 

CMYK 0 / 9 / 45 / 22

HEX #C8B66F

RGB 200 182 111

HSL 47.87, 0.45%, 0.61%

LAB 74.11, -3.35, 38.37

 

CMYK 0 / 7 / 31 / 28

HEX #B8AC7F

RGB 184 172 127

HSL 47.37, 0.29%, 0.61%

LAB 70.34, -2.66, 24.75

 

CMYK 0 / 3 / 15 / 34

HEX #A8A38F

RGB 168 163 143

HSL 48, 0.13%, 0.61%

LAB 66.9, -1.69, 11.04

 

CMYK 4 / 4 / 0 / 38

HEX #98999F

RGB 152 153 159

HSL 231.43, 0.04%, 0.61%

LAB 63.31, 0.82, -3.27

 

CMYK 0 / 42 / 56 / 15

HEX #D87D5F

RGB 216 125 95

HSL 14.88, 0.61%, 0.61%

LAB 61.73, 32.37, 31.55

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5F

RGB 216 158 95

HSL 31.24, 0.61%, 0.61%

LAB 69.38, 14.65, 41.06

 

CMYK 0 / 12 / 56 / 15

HEX #D8BE5F

RGB 216 190 95

HSL 47.11, 0.61%, 0.61%

LAB 77.43, -2.35, 50.64

 

CMYK 3 / 0 / 56 / 15

HEX #D2D85F

RGB 210 216 95

HSL 62.98, 0.61%, 0.61%

LAB 83.78, -18.02, 57.76

 

CMYK 18 / 0 / 56 / 15

HEX #B2D85F

RGB 178 216 95

HSL 78.84, 0.61%, 0.61%

LAB 81.51, -30.67, 54.58

 

CMYK 0 / 16 / 76 / 28

HEX #B89B2D

RGB 184 155 45

HSL 47.48, 0.61%, 0.45%

LAB 64.82, -0.67, 58

 

CMYK 0 / 14 / 70 / 18

HEX #D0B23E

RGB 208 178 62

HSL 47.67, 0.61%, 0.53%

LAB 73.28, -1.6, 60.5

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5F

RGB 216 191 95

HSL 47.6, 0.61%, 0.61%

LAB 77.69, -2.87, 50.94

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD80

RGB 224 205 128

HSL 48.13, 0.61%, 0.69%

LAB 82.42, -3.87, 40.66

 

CMYK 0 / 6 / 31 / 9

HEX #E8DAA1

RGB 232 218 161

HSL 48.17, 0.61%, 0.77%

LAB 86.93, -3.66, 29.84

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 55 / 0 / 56 / 15

HEX #61D85F

RGB 97 216 95

HSL 119.01, 0.61%, 0.61%

LAB 77.57, -57.1, 48.99

 

CMYK 35 / 56 / 0 / 15

HEX #8D5FD8

RGB 141 95 216

HSL 262.81, 0.61%, 0.61%

LAB 50.46, 44.13, -55.65

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 56 / 0 / 12 / 15

HEX #5FD8BE

RGB 95 216 190

HSL 167.11, 0.61%, 0.61%

LAB 79.19, -40.14, 2.61

 

CMYK 12 / 56 / 0 / 15

HEX #BE5FD8

RGB 190 95 216

HSL 287.11, 0.61%, 0.61%

LAB 56.18, 56.33, -46.2

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 55 / 0 / 56 / 15

HEX #61D85F

RGB 97 216 95

HSL 119.01, 0.61%, 0.61%

LAB 77.57, -57.1, 48.99

 

CMYK 56 / 44 / 0 / 15

HEX #5F79D8

RGB 95 121 216

HSL 227.11, 0.61%, 0.61%

LAB 53.02, 18.31, -51.76

 

CMYK 1 / 56 / 0 / 15

HEX #D65FD8

RGB 214 95 216

HSL 299.01, 0.61%, 0.61%

LAB 59.38, 62.52, -40.93

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 56 / 0 / 40 / 15

HEX #5FD881

RGB 95 216 129

HSL 136.86, 0.61%, 0.61%

LAB 77.95, -52.7, 32.9

 

CMYK 56 / 44 / 0 / 15

HEX #5F79D8

RGB 95 121 216

HSL 227.11, 0.61%, 0.61%

LAB 53.02, 18.31, -51.76

 

CMYK 0 / 56 / 16 / 15

HEX #D85FB6

RGB 216 95 182

HSL 316.86, 0.61%, 0.61%

LAB 58.19, 57.56, -23.4

 

Description

Color code: HEX #D8BF5E | qconv.com Color code: HEX #D8BF5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 191 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 191 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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