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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8B38F it is the complementary color #274C70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8B38F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8B38F shade: #DDB38A, #EEC59D, #FFD7B0, #FFE9C3 and #FFFBD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8B38F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8B38F shade: #D8B38F, #C7A17C, #B68F69, #A57D56 and #946B43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8B38F shade: #D7B28E, #D79E8E and #D78E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8B38F shade: #D7B28E, #D7C68E, #D5D78E, #C1D78E and #ADD78E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8B38F shade matches the following richer shades: #D7B28E, #E4B281, #F0B275 and #FCB169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8B38F shade: #D7B28E, #CBB29A, #BEB2A7, #B2B3B3 and #A6B3BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8B38F shade: #D78E91, #D79E8E, #D7B18E, #D7C58E and #D6D78E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8B38F shade: #C28851, #CC9D6F, #D7B28E, #E2C7AC and #EDDCCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8B38F shade: #D8B38F, #A5D78E and #948ED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8B38F shade: #D8B38F, #8ED7B1 and #B18ED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8B38F shade: #D8B38F, #A5D78E, #8EB4D7 and #C08ED7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8B38F shade: #D8B38F, #8FD78E, #8EB4D7 and #D68ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 34 / 15

HEX #D8B38F

RGB 216 179 143

HSL 29.59, 0.48%, 0.7%

LAB 75.34, 8.29, 23.4

 

Complementary color

CMYK 65 / 32 / 0 / 56

HEX #274C70

RGB 39 76 112

HSL 209.59, 0.48%, 0.3%

LAB 31.28, -0.94, -24.69

 

CMYK 0 / 19 / 38 / 13

HEX #DDB38A

RGB 221 179 138

HSL 29.64, 0.55%, 0.7%

LAB 75.73, 9.66, 26.69

 

CMYK 0 / 17 / 34 / 7

HEX #EEC59D

RGB 238 197 157

HSL 29.63, 0.7%, 0.77%

LAB 82.13, 9.03, 25.54

 

CMYK 0 / 16 / 31 / 0

HEX #FFD7B0

RGB 255 215 176

HSL 29.62, 1%, 0.85%

LAB 88.45, 8.48, 24.46

 

CMYK 0 / 9 / 24 / 0

HEX #FFE9C3

RGB 255 233 195

HSL 38, 1%, 0.88%

LAB 93.22, 1.75, 21.21

 

CMYK 0 / 2 / 16 / 0

HEX #FFFBD6

RGB 255 251 214

HSL 54.15, 1%, 0.92%

LAB 98.08, -4.62, 18.23

 

CMYK 0 / 17 / 34 / 15

HEX #D8B38F

RGB 216 179 143

HSL 29.59, 0.48%, 0.7%

LAB 75.34, 8.29, 23.4

 

CMYK 0 / 19 / 38 / 22

HEX #C7A17C

RGB 199 161 124

HSL 29.6, 0.4%, 0.63%

LAB 68.81, 8.92, 24.57

 

CMYK 0 / 21 / 42 / 29

HEX #B68F69

RGB 182 143 105

HSL 29.61, 0.35%, 0.56%

LAB 62.18, 9.64, 25.83

 

CMYK 0 / 24 / 48 / 35

HEX #A57D56

RGB 165 125 86

HSL 29.62, 0.31%, 0.49%

LAB 55.42, 10.5, 27.2

 

CMYK 0 / 28 / 55 / 42

HEX #946B43

RGB 148 107 67

HSL 29.63, 0.38%, 0.42%

LAB 48.53, 11.53, 28.7

 

CMYK 0 / 17 / 34 / 16

HEX #D7B28E

RGB 215 178 142

HSL 29.59, 0.48%, 0.7%

LAB 74.98, 8.31, 23.43

 

CMYK 0 / 27 / 34 / 16

HEX #D79E8E

RGB 215 158 142

HSL 13.15, 0.48%, 0.7%

LAB 70.07, 19.08, 16.69

 

CMYK 0 / 34 / 34 / 16

HEX #D78E8E

RGB 215 142 142

HSL 0, 0.48%, 0.7%

LAB 66.33, 27.73, 11.44

 

CMYK 0 / 17 / 34 / 16

HEX #D7B28E

RGB 215 178 142

HSL 29.59, 0.48%, 0.7%

LAB 74.98, 8.31, 23.43

 

CMYK 0 / 8 / 34 / 16

HEX #D7C68E

RGB 215 198 142

HSL 46.03, 0.48%, 0.7%

LAB 80.06, -2.25, 30.26

 

CMYK 1 / 0 / 34 / 16

HEX #D5D78E

RGB 213 215 142

HSL 61.64, 0.48%, 0.7%

LAB 84.33, -11.74, 35.85

 

CMYK 10 / 0 / 34 / 16

HEX #C1D78E

RGB 193 215 142

HSL 78.08, 0.48%, 0.7%

LAB 82.86, -19.34, 33.65

 

CMYK 20 / 0 / 34 / 16

HEX #ADD78E

RGB 173 215 142

HSL 94.52, 0.48%, 0.7%

LAB 81.53, -26.65, 31.66

 

CMYK 0 / 17 / 34 / 16

HEX #D7B28E

RGB 215 178 142

HSL 29.59, 0.48%, 0.7%

LAB 74.98, 8.31, 23.43

 

CMYK 0 / 22 / 43 / 11

HEX #E4B281

RGB 228 178 129

HSL 29.7, 0.65%, 0.7%

LAB 76.02, 11.98, 31.97

 

CMYK 0 / 26 / 51 / 6

HEX #F0B275

RGB 240 178 117

HSL 29.76, 0.8%, 0.7%

LAB 77.07, 15.65, 39.83

 

CMYK 0 / 30 / 58 / 1

HEX #FCB169

RGB 252 177 105

HSL 29.39, 0.96%, 0.7%

LAB 77.97, 20.07, 47.3

 

CMYK 0 / 17 / 34 / 16

HEX #D7B28E

RGB 215 178 142

HSL 29.59, 0.48%, 0.7%

LAB 74.98, 8.31, 23.43

 

CMYK 0 / 12 / 24 / 20

HEX #CBB29A

RGB 203 178 154

HSL 29.39, 0.32%, 0.7%

LAB 74.11, 5.25, 15.57

 

CMYK 0 / 6 / 12 / 25

HEX #BEB2A7

RGB 190 178 167

HSL 28.7, 0.15%, 0.7%

LAB 73.27, 2.38, 7.15

 

CMYK 1 / 0 / 0 / 30

HEX #B2B3B3

RGB 178 179 179

HSL 180, 0.01%, 0.7%

LAB 72.87, -0.35, -0.13

 

CMYK 13 / 6 / 0 / 25

HEX #A6B3BF

RGB 166 179 191

HSL 208.8, 0.16%, 0.7%

LAB 72.3, -2.05, -7.64

 

CMYK 0 / 34 / 33 / 16

HEX #D78E91

RGB 215 142 145

HSL 357.53, 0.48%, 0.7%

LAB 66.4, 28.11, 9.86

 

CMYK 0 / 27 / 34 / 16

HEX #D79E8E

RGB 215 158 142

HSL 13.15, 0.48%, 0.7%

LAB 70.07, 19.08, 16.69

 

CMYK 0 / 18 / 34 / 16

HEX #D7B18E

RGB 215 177 142

HSL 28.77, 0.48%, 0.7%

LAB 74.73, 8.84, 23.09

 

CMYK 0 / 8 / 34 / 16

HEX #D7C58E

RGB 215 197 142

HSL 45.21, 0.48%, 0.7%

LAB 79.8, -1.73, 29.92

 

CMYK 0 / 0 / 34 / 16

HEX #D6D78E

RGB 214 215 142

HSL 60.82, 0.48%, 0.7%

LAB 84.41, -11.35, 35.97

 

CMYK 0 / 30 / 58 / 24

HEX #C28851

RGB 194 136 81

HSL 29.2, 0.48%, 0.54%

LAB 61.37, 16.28, 38.05

 

CMYK 0 / 23 / 46 / 20

HEX #CC9D6F

RGB 204 157 111

HSL 29.68, 0.48%, 0.62%

LAB 68.09, 11.68, 30.75

 

CMYK 0 / 17 / 34 / 16

HEX #D7B28E

RGB 215 178 142

HSL 29.59, 0.48%, 0.7%

LAB 74.98, 8.31, 23.43

 

CMYK 0 / 12 / 24 / 11

HEX #E2C7AC

RGB 226 199 172

HSL 30, 0.48%, 0.78%

LAB 81.84, 5.38, 17.01

 

CMYK 0 / 7 / 14 / 7

HEX #EDDCCB

RGB 237 220 203

HSL 30, 0.49%, 0.86%

LAB 88.69, 3.07, 10.44

 

CMYK 0 / 17 / 34 / 15

HEX #D8B38F

RGB 216 179 143

HSL 29.59, 0.48%, 0.7%

LAB 75.34, 8.29, 23.4

 

CMYK 23 / 0 / 34 / 16

HEX #A5D78E

RGB 165 215 142

HSL 101.1, 0.48%, 0.7%

LAB 81.05, -29.47, 30.92

 

CMYK 31 / 34 / 0 / 16

HEX #948ED7

RGB 148 142 215

HSL 244.93, 0.48%, 0.7%

LAB 62.12, 18.72, -36.58

 

CMYK 0 / 17 / 34 / 15

HEX #D8B38F

RGB 216 179 143

HSL 29.59, 0.48%, 0.7%

LAB 75.34, 8.29, 23.4

 

CMYK 34 / 0 / 18 / 16

HEX #8ED7B1

RGB 142 215 177

HSL 148.77, 0.48%, 0.7%

LAB 80.47, -30.84, 11.61

 

CMYK 18 / 34 / 0 / 16

HEX #B18ED7

RGB 177 142 215

HSL 268.77, 0.48%, 0.7%

LAB 64.64, 27.31, -32.47

 

CMYK 0 / 17 / 34 / 15

HEX #D8B38F

RGB 216 179 143

HSL 29.59, 0.48%, 0.7%

LAB 75.34, 8.29, 23.4

 

CMYK 23 / 0 / 34 / 16

HEX #A5D78E

RGB 165 215 142

HSL 101.1, 0.48%, 0.7%

LAB 81.05, -29.47, 30.92

 

CMYK 34 / 16 / 0 / 16

HEX #8EB4D7

RGB 142 180 215

HSL 208.77, 0.48%, 0.7%

LAB 71.76, -4.38, -21.76

 

CMYK 11 / 34 / 0 / 16

HEX #C08ED7

RGB 192 142 215

HSL 281.1, 0.48%, 0.7%

LAB 66.1, 31.94, -30.09

 

CMYK 0 / 17 / 34 / 15

HEX #D8B38F

RGB 216 179 143

HSL 29.59, 0.48%, 0.7%

LAB 75.34, 8.29, 23.4

 

CMYK 33 / 0 / 34 / 16

HEX #8FD78E

RGB 143 215 142

HSL 119.18, 0.48%, 0.7%

LAB 79.84, -36.81, 29.1

 

CMYK 34 / 16 / 0 / 16

HEX #8EB4D7

RGB 142 180 215

HSL 208.77, 0.48%, 0.7%

LAB 71.76, -4.38, -21.76

 

CMYK 0 / 34 / 0 / 16

HEX #D68ED7

RGB 214 142 215

HSL 299.18, 0.48%, 0.7%

LAB 68.42, 38.85, -26.32

 

Description

Color code: HEX #D8B38F | qconv.com Color code: HEX #D8B38F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 179 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 179 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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