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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8AD99 it is the complementary color #275266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8AD99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8AD99 shade: #DDAD94, #EEBFA7, #FFD1BA, #FFE3CD and #FFF5E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8AD99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8AD99 shade: #D8AD99, #C79B86, #B68973, #A57760 and #94654D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8AD99 shade: #D8AC97, #D89B97 and #D89797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8AD99 shade: #D8AC97, #D8BD97, #D8CF97, #D0D897 and #BED897

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8AD99 shade matches the following richer shades: #D8AC97, #E3A88C, #EFA380 and #FA9F75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8AD99 shade: #D8AC97, #CCB0A3, #C1B4AF, #B5B9BA and #AABDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8AD99 shade: #D897A5, #D89B97, #D8AC97, #D8BD97 and #D8CE97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8AD99 shade: #C17C5C, #CC947A, #D8AC97, #E3C4B5 and #EEDCD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8AD99 shade: #D8AD99, #B7D897 and #979DD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8AD99 shade: #D8AD99, #97D8AC and #AC97D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8AD99 shade: #D8AD99, #B7D897, #97C3D8 and #B997D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8AD99 shade: #D8AD99, #A3D897, #97C3D8 and #CC97D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 29 / 15

HEX #D8AD99

RGB 216 173 153

HSL 19.05, 0.45%, 0.72%

LAB 74.05, 12.79, 16.22

 

Complementary color

CMYK 62 / 20 / 0 / 60

HEX #275266

RGB 39 82 102

HSL 199.05, 0.45%, 0.28%

LAB 32.76, -8.32, -16.09

 

CMYK 0 / 22 / 33 / 13

HEX #DDAD94

RGB 221 173 148

HSL 20.55, 0.52%, 0.72%

LAB 74.44, 14.08, 19.56

 

CMYK 0 / 20 / 30 / 7

HEX #EEBFA7

RGB 238 191 167

HSL 20.28, 0.68%, 0.79%

LAB 80.87, 13.45, 18.49

 

CMYK 0 / 18 / 27 / 0

HEX #FFD1BA

RGB 255 209 186

HSL 20, 1%, 0.86%

LAB 87.2, 12.88, 17.49

 

CMYK 0 / 11 / 20 / 0

HEX #FFE3CD

RGB 255 227 205

HSL 26.4, 1%, 0.9%

LAB 91.96, 6.22, 14.25

 

CMYK 0 / 4 / 12 / 0

HEX #FFF5E0

RGB 255 245 224

HSL 40.65, 1%, 0.94%

LAB 96.8, -0.08, 11.29

 

CMYK 0 / 20 / 29 / 15

HEX #D8AD99

RGB 216 173 153

HSL 19.05, 0.45%, 0.72%

LAB 74.05, 12.79, 16.22

 

CMYK 0 / 22 / 33 / 22

HEX #C79B86

RGB 199 155 134

HSL 19.38, 0.37%, 0.65%

LAB 67.51, 13.43, 17.3

 

CMYK 0 / 25 / 37 / 29

HEX #B68973

RGB 182 137 115

HSL 19.7, 0.31%, 0.58%

LAB 60.85, 14.16, 18.47

 

CMYK 0 / 28 / 42 / 35

HEX #A57760

RGB 165 119 96

HSL 20, 0.28%, 0.51%

LAB 54.07, 15, 19.76

 

CMYK 0 / 32 / 48 / 42

HEX #94654D

RGB 148 101 77

HSL 20.28, 0.32%, 0.44%

LAB 47.16, 16, 21.2

 

CMYK 0 / 20 / 30 / 15

HEX #D8AC97

RGB 216 172 151

HSL 19.38, 0.45%, 0.72%

LAB 73.76, 13.07, 16.91

 

CMYK 0 / 28 / 30 / 15

HEX #D89B97

RGB 216 155 151

HSL 3.69, 0.45%, 0.72%

LAB 69.67, 22.25, 11.16

 

CMYK 0 / 30 / 30 / 15

HEX #D89797

RGB 216 151 151

HSL 0, 0.45%, 0.72%

LAB 68.73, 24.41, 9.83

 

CMYK 0 / 20 / 30 / 15

HEX #D8AC97

RGB 216 172 151

HSL 19.38, 0.45%, 0.72%

LAB 73.76, 13.07, 16.91

 

CMYK 0 / 13 / 30 / 15

HEX #D8BD97

RGB 216 189 151

HSL 35.08, 0.45%, 0.72%

LAB 78.01, 3.99, 22.76

 

CMYK 0 / 4 / 30 / 15

HEX #D8CF97

RGB 216 207 151

HSL 51.69, 0.45%, 0.72%

LAB 82.62, -5.4, 29.01

 

CMYK 4 / 0 / 30 / 15

HEX #D0D897

RGB 208 216 151

HSL 67.38, 0.45%, 0.72%

LAB 84.36, -13.03, 31.22

 

CMYK 12 / 0 / 30 / 15

HEX #BED897

RGB 190 216 151

HSL 84, 0.45%, 0.72%

LAB 83.07, -19.72, 29.27

 

CMYK 0 / 20 / 30 / 15

HEX #D8AC97

RGB 216 172 151

HSL 19.38, 0.45%, 0.72%

LAB 73.76, 13.07, 16.91

 

CMYK 0 / 26 / 38 / 11

HEX #E3A88C

RGB 227 168 140

HSL 19.31, 0.61%, 0.72%

LAB 73.69, 18.13, 22.96

 

CMYK 0 / 32 / 46 / 6

HEX #EFA380

RGB 239 163 128

HSL 18.92, 0.78%, 0.72%

LAB 73.61, 24.22, 29.56

 

CMYK 0 / 36 / 53 / 2

HEX #FA9F75

RGB 250 159 117

HSL 18.95, 0.93%, 0.72%

LAB 73.81, 29.64, 35.93

 

CMYK 0 / 20 / 30 / 15

HEX #D8AC97

RGB 216 172 151

HSL 19.38, 0.45%, 0.72%

LAB 73.76, 13.07, 16.91

 

CMYK 0 / 14 / 20 / 20

HEX #CCB0A3

RGB 204 176 163

HSL 19.02, 0.29%, 0.72%

LAB 73.89, 8.04, 10.38

 

CMYK 0 / 7 / 9 / 24

HEX #C1B4AF

RGB 193 180 175

HSL 16.67, 0.13%, 0.72%

LAB 74.24, 3.75, 4.2

 

CMYK 3 / 1 / 0 / 27

HEX #B5B9BA

RGB 181 185 186

HSL 192, 0.03%, 0.72%

LAB 74.87, -1.2, -1

 

CMYK 14 / 5 / 0 / 22

HEX #AABDC6

RGB 170 189 198

HSL 199.29, 0.2%, 0.72%

LAB 75.46, -4.63, -6.74

 

CMYK 0 / 30 / 24 / 15

HEX #D897A5

RGB 216 151 165

HSL 347.08, 0.45%, 0.72%

LAB 69.08, 26.36, 2.52

 

CMYK 0 / 28 / 30 / 15

HEX #D89B97

RGB 216 155 151

HSL 3.69, 0.45%, 0.72%

LAB 69.67, 22.25, 11.16

 

CMYK 0 / 20 / 30 / 15

HEX #D8AC97

RGB 216 172 151

HSL 19.38, 0.45%, 0.72%

LAB 73.76, 13.07, 16.91

 

CMYK 0 / 13 / 30 / 15

HEX #D8BD97

RGB 216 189 151

HSL 35.08, 0.45%, 0.72%

LAB 78.01, 3.99, 22.76

 

CMYK 0 / 5 / 30 / 15

HEX #D8CE97

RGB 216 206 151

HSL 50.77, 0.45%, 0.72%

LAB 82.37, -4.88, 28.66

 

CMYK 0 / 36 / 52 / 24

HEX #C17C5C

RGB 193 124 92

HSL 19.01, 0.45%, 0.56%

LAB 58.53, 23.4, 28.52

 

CMYK 0 / 27 / 40 / 20

HEX #CC947A

RGB 204 148 122

HSL 19.02, 0.45%, 0.64%

LAB 66.08, 17.78, 22.07

 

CMYK 0 / 20 / 30 / 15

HEX #D8AC97

RGB 216 172 151

HSL 19.38, 0.45%, 0.72%

LAB 73.76, 13.07, 16.91

 

CMYK 0 / 14 / 20 / 11

HEX #E3C4B5

RGB 227 196 181

HSL 19.57, 0.45%, 0.8%

LAB 81.37, 8.63, 11.57

 

CMYK 0 / 8 / 11 / 7

HEX #EEDCD3

RGB 238 220 211

HSL 20, 0.44%, 0.88%

LAB 88.95, 4.69, 6.63

 

CMYK 0 / 20 / 29 / 15

HEX #D8AD99

RGB 216 173 153

HSL 19.05, 0.45%, 0.72%

LAB 74.05, 12.79, 16.22

 

CMYK 15 / 0 / 30 / 15

HEX #B7D897

RGB 183 216 151

HSL 90.46, 0.45%, 0.72%

LAB 82.6, -22.26, 28.56

 

CMYK 30 / 27 / 0 / 15

HEX #979DD8

RGB 151 157 216

HSL 234.46, 0.45%, 0.72%

LAB 66.25, 11.25, -30.71

 

CMYK 0 / 20 / 29 / 15

HEX #D8AD99

RGB 216 173 153

HSL 19.05, 0.45%, 0.72%

LAB 74.05, 12.79, 16.22

 

CMYK 30 / 0 / 20 / 15

HEX #97D8AC

RGB 151 216 172

HSL 139.38, 0.45%, 0.72%

LAB 81.11, -29.56, 15.22

 

CMYK 20 / 30 / 0 / 15

HEX #AC97D8

RGB 172 151 216

HSL 259.38, 0.45%, 0.72%

LAB 66.41, 20.94, -30.32

 

CMYK 0 / 20 / 29 / 15

HEX #D8AD99

RGB 216 173 153

HSL 19.05, 0.45%, 0.72%

LAB 74.05, 12.79, 16.22

 

CMYK 15 / 0 / 30 / 15

HEX #B7D897

RGB 183 216 151

HSL 90.46, 0.45%, 0.72%

LAB 82.6, -22.26, 28.56

 

CMYK 30 / 10 / 0 / 15

HEX #97C3D8

RGB 151 195 216

HSL 199.38, 0.45%, 0.72%

LAB 76.42, -9.6, -15.2

 

CMYK 14 / 30 / 0 / 15

HEX #B997D8

RGB 185 151 216

HSL 271.38, 0.45%, 0.72%

LAB 67.58, 24.97, -28.42

 

CMYK 0 / 20 / 29 / 15

HEX #D8AD99

RGB 216 173 153

HSL 19.05, 0.45%, 0.72%

LAB 74.05, 12.79, 16.22

 

CMYK 25 / 0 / 30 / 15

HEX #A3D897

RGB 163 216 151

HSL 108.92, 0.45%, 0.72%

LAB 81.36, -29.27, 26.68

 

CMYK 30 / 10 / 0 / 15

HEX #97C3D8

RGB 151 195 216

HSL 199.38, 0.45%, 0.72%

LAB 76.42, -9.6, -15.2

 

CMYK 6 / 30 / 0 / 15

HEX #CC97D8

RGB 204 151 216

HSL 288.92, 0.45%, 0.72%

LAB 69.42, 30.99, -25.44

 

Description

Color code: HEX #D8AD99 | qconv.com Color code: HEX #D8AD99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 173 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 173 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 29% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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